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Leaves and Flowers play a crucial role in Tezhip design, and are drawn through stylization of natural forms and shapes.\"}),/*#__PURE__*/e(\"h3\",{children:\"The Hatayi Motif\"}),/*#__PURE__*/e(\"p\",{children:\"A Hatayi is a vertical cross section of a mature flower. This directional flower is a unique symbol across Islamic Arts and across Asia, and has\\xa0a prominent place in Buddhist culture. The motif is drawn by sketching the geometry of the flower first, followed by the details of the flower, and finished off with the strokes.\"}),/*#__PURE__*/e(\"h3\",{children:\"Start with Sketching\"}),/*#__PURE__*/e(\"p\",{children:\"Learning Tezhip starts with studying Tezhip motifs by sketching them in pencil to understand the proportions and to study the motifs, pattern, and design. Take your time in drawing motifs, your pencil habits also impact your brush habits and design skills.\"})]});export const richText2=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"After you have mastered the drawing techniques, you can start brushing your motif, pattern, or design with ink or paint brush. This step is called tahrir, which gives nuance to the artwork. The direction of the brush should remain the same until the line is finished and the line should be drawn slowly, in a controlled manner, and in one stroke if possible. Tahrir is best practiced by taping tracing paper over the design and going over the lines with a brush. \"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]});export const richText3=/*#__PURE__*/e(n.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Bordure decorations are placed on the edges of a design, around calligraphy work, and on the pages of manuscripts. When there is more than one bordure, the inner bordure is called arasuyu and the outer bordure is called kenarsuyu. Kenarsuyu bordures are significantly larger than arasuyu bordures and form the most outer frame of a design. The choice of bordure depend on the design it aims to illuminate. The bordure should not overwhelm the design, nor should it be too thin that it fails to carry the design.\"})});export const richText4=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Types of Bordures\"}),/*#__PURE__*/e(\"p\",{children:\"The main types of bordure patterns are zencerek patterns, threaded patterns, and symmetrical patterns. Zencerek patterns are braids and knots that are composed of points and lines. Threaded patterns are drawn on a single, double, or triple thread and are repeated at equal intervals. Symmetrical bordure patterns are drawn once and repeated throughout the bordure.\"}),/*#__PURE__*/e(\"h3\",{children:\"Threaded Patterns\"}),/*#__PURE__*/e(\"p\",{children:\"These are ancient and historically popular patterns, often drawn with rumi motifs and seen across the middle east and the far east. Thread patterns do not necessarily have symmetry in the pattern, though using symmetry makes it easier to repeat a pattern.\"}),/*#__PURE__*/e(\"h3\",{children:\"Illuminate the Frame\"}),/*#__PURE__*/e(\"p\",{children:\"A single thread (tekiplik) pattern is created by drawing a sine curved line, with full or half circles repeated at similar intervals. This pattern represents a single stem and therefore only the same type of flower motif can be used throughout the bordure.\"})]});export const richText5=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Once the design is completed, you can start painting it. \"}),/*#__PURE__*/e(\"p\",{children:\"Gold is the main color used in Tezhip, symbolizing light and the reflection of the sun. Gold is also a pure element that does not dissolve or burn, representing luminescence and life. Another prominent color in Tezhip is blue, symbolizing the sky and Allah`s infinite mercy, and green, which stands for peace and tranquility. This makes turquoise the color of eternal peace, which is often used in Islamic arts.\"})]});export const richText6=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Almost every design has a center or several centers of gravity that will attract attention and where large diameter spirals, or stems, intersect. Stems follow natural flow, just like branches of plants in nature, and connect the other motifs, such as leaves and flowers. \"}),/*#__PURE__*/e(\"p\",{children:\"Motifs, especially leaves, are very important in Tezhip design, adding movement, depth, and richness to the pattern.\"})]});export const richText7=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Types of Designs\"}),/*#__PURE__*/e(\"p\",{children:\"Most common designs are free-drawn designs, symmetrical design, reverse symmetrical design, wheel of fortune design, and ulama patterns.\"}),/*#__PURE__*/e(\"h3\",{children:\"Symmetrical Design\"}),/*#__PURE__*/e(\"p\",{children:\"Symmetrical designs are drawn in geometric shapes and have many varieties, depending on the area, the motifs they carry, and the number of symmetry axes, for example, square, rectangle, circle, ellipse, hexagon, and 6/8 star-shaped areas.\"}),/*#__PURE__*/e(\"h3\",{children:\"Sketch and Transfer\"}),/*#__PURE__*/e(\"p\",{children:\"After determining the type of design, you can start with designing Tezhip art, following this 3-step method: Sketch the pattern plan, design the pattern, and transfer the pattern to the surface paper or passe-partout.\"})]});export const richText8=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Once the design is completed, you can start paining it.\"}),/*#__PURE__*/e(\"p\",{children:\"Gold is the main color used in Tezhip, symbolizing light and the reflection of the sun. 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Because it is traditionally shared in oral form, there are limited written resources about this artform. \"}),/*#__PURE__*/e(\"p\",{children:\"As such, the knowledge conveyed in this book comes from a deep and extensive lineage rooted in oral tradition, and connected in various ways with one's spiritual quest for unity.\"})]});export const richText10=/*#__PURE__*/t(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Turkish Tezhip Arts\"}),/*#__PURE__*/e(\"p\",{children:\"This book focusses on Turkish Tezhip Arts, where art is seen as an indispensable part of everyday life, reflecting a primordial search for beauty in the creation and reaching the Creator through the created.\"}),/*#__PURE__*/e(\"h3\",{children:\"Online Tezhip Atelier\"}),/*#__PURE__*/e(\"p\",{children:\"The book is part of the learning package of \u015Eeyma \\xc7\u0131nar`s online Tezhip Atelier, a renowned Tezhip master from Konya and currently living in Istanbul. The digital drawings are replicated by her apprentice and Tezhip illustrator M\\xfcleyke Mercan and the content and instructional design of the book is designed and written by Selma \\xc7oban, a seeker and student of Tezhip.\"}),/*#__PURE__*/e(\"h3\",{children:\"Chapters\"}),/*#__PURE__*/e(\"p\",{children:\"The book consists of four chapters that reflect the different stages of learning Tezhip. Each chapter includes instructions on the techniques and principles, along with guidance on the religious, cultural, or philosophical context.\"})]});export const richText11=/*#__PURE__*/e(n.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"The Tezhip Book of Healing will be published in May 2025. Tezhip, like all artforms, has the power to connect people from different backgrounds, perspectives, and places. 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