{
  "version": 3,
  "sources": ["ssg:https://framerusercontent.com/modules/NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js", "ssg:https://framerusercontent.com/modules/ZUvAPFzoqlaLCsth6ojR/UoPHbH7wIQJWA7fA2SR2/QQBPkQCYE-2.js"],
  "sourcesContent": ["import{jsx as _jsx,jsxs as _jsxs}from\"react/jsx-runtime\";import{useReducer,useState}from\"react\";import{ControlType,addPropertyControls}from\"framer\";import{useIsOnCanvas,emptyStateStyle,containerStyles,defaultEvents,useRadius,borderRadiusControl}from\"https://framer.com/m/framer/default-utils.js@^0.45.0\";var PlayOptions;(function(PlayOptions){PlayOptions[\"Normal\"]=\"Off\";PlayOptions[\"Auto\"]=\"On\";PlayOptions[\"Loop\"]=\"Loop\";})(PlayOptions||(PlayOptions={}));var ThumbnailOptions;(function(ThumbnailOptions){ThumbnailOptions[\"High\"]=\"High Quality\";ThumbnailOptions[\"Medium\"]=\"Medium Quality\";ThumbnailOptions[\"Low\"]=\"Low Quality\";ThumbnailOptions[\"Off\"]=\"Off\";})(ThumbnailOptions||(ThumbnailOptions={}));var ThumbnailFormat;(function(ThumbnailFormat){ThumbnailFormat[\"WebP\"]=\"webp\";ThumbnailFormat[\"JPG\"]=\"jpg\";})(ThumbnailFormat||(ThumbnailFormat={}));/**\n * @framerIntrinsicWidth 560\n * @framerIntrinsicHeight 315\n *\n * @framerSupportedLayoutWidth fixed\n * @framerSupportedLayoutHeight fixed\n *\n * @framerComponentPresetProps isRed, borderRadius\n */ export function Youtube({url,play,shouldMute,thumbnail,isRed,onClick,onMouseEnter,onMouseLeave,onMouseDown,onMouseUp,...props}){const onCanvas=useIsOnCanvas();const isAutoplay=play!==PlayOptions.Normal;const showThumbnail=onCanvas||thumbnail!==ThumbnailOptions.Off&&!isAutoplay;const[isPreloading,preloadVideo]=useReducer(()=>true,false);const[showVideo,startVideo]=useReducer(()=>true,!showThumbnail);const[isHovered,setHovered]=useState(false);const borderRadius=useRadius(props);const hasBorderRadius=borderRadius!==\"0px 0px 0px 0px\"&&borderRadius!==\"0px\";if(url===\"\"){return /*#__PURE__*/ _jsx(Instructions,{});}const parsedURL=parseVideoURL(url);if(parsedURL===undefined){return /*#__PURE__*/ _jsx(ErrorMessage,{message:\"Invalid Youtube URL.\"});}const[videoId,embedURL]=parsedURL;// https://stackoverflow.com/questions/2068344/how-do-i-get-a-youtube-video-thumbnail-from-the-youtube-api\nconst thumbnailURL=getThumbnailURL(videoId,thumbnail,getWebPSupported()?ThumbnailFormat.WebP:ThumbnailFormat.JPG);// https://developers.google.com/youtube/player_parameters\nconst searchParams=embedURL.searchParams;searchParams.set(\"iv_load_policy\",\"3\");searchParams.set(\"rel\",\"0\");searchParams.set(\"modestbranding\",\"1\");searchParams.set(\"playsinline\",\"1\");if(isAutoplay||showThumbnail){searchParams.set(\"autoplay\",\"1\");}if(isAutoplay&&shouldMute){searchParams.set(\"mute\",\"1\");}if(play===PlayOptions.Loop){searchParams.set(\"loop\",\"1\");searchParams.set(\"playlist\",videoId);}if(!isRed){searchParams.set(\"color\",\"white\");}return /*#__PURE__*/ _jsxs(\"article\",{onPointerEnter:()=>setHovered(true),onPointerLeave:()=>setHovered(false),onPointerOver:preloadVideo,onClick:startVideo,style:{...wrapperStyle,borderRadius,transform:// Safari sometimes struggles to render border-radius:\n// - on the canvas when changing from 0 to any other value\n// - or when rendering an iframe\nhasBorderRadius&&(showVideo||onCanvas)?\"translateZ(0.000001px)\":\"unset\",cursor:\"pointer\",overflow:\"hidden\"},children:[isPreloading&&/*#__PURE__*/ _jsx(\"link\",{rel:\"preconnect\",href:\"https://www.youtube.com\"}),isPreloading&&/*#__PURE__*/ _jsx(\"link\",{rel:\"preconnect\",href:\"https://www.google.com\"}),/*#__PURE__*/ _jsx(\"div\",{style:{...videoStyle,background:showThumbnail?`center / cover url(${thumbnailURL}) no-repeat`:undefined}}),showVideo?/*#__PURE__*/ _jsx(\"iframe\",{style:videoStyle,src:embedURL.href,frameBorder:\"0\",allow:\"presentation; fullscreen; accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\",onClick:onClick,onMouseEnter:onMouseEnter,onMouseLeave:onMouseLeave,onMouseDown:onMouseDown,onMouseUp:onMouseUp}):/*#__PURE__*/ _jsx(PlayButton,{onClick:startVideo,isHovered:isHovered,isRed:isRed})]});}Youtube.displayName=\"YouTube\";addPropertyControls(Youtube,{url:{type:ControlType.String,title:\"Video\"},play:{type:ControlType.Enum,title:\"Autoplay\",options:Object.values(PlayOptions)},shouldMute:{title:\"Mute\",type:ControlType.Boolean,enabledTitle:\"Yes\",disabledTitle:\"No\",hidden(props){return props.play===PlayOptions.Normal;}},thumbnail:{title:\"Thumbnail\",description:\"Showing a thumbnail improves performance.\",type:ControlType.Enum,options:Object.values(ThumbnailOptions),hidden(props){return props.play!==PlayOptions.Normal;}},isRed:{title:\"Color\",type:ControlType.Boolean,enabledTitle:\"Red\",disabledTitle:\"White\"},...borderRadiusControl,...defaultEvents});const defaultProps={url:\"https://youtu.be/smPos0mJvh8\",play:PlayOptions.Normal,shouldMute:true,thumbnail:ThumbnailOptions.Medium,isRed:true};Youtube.defaultProps=defaultProps;function parseVideoURL(urlString){let url;try{url=new URL(urlString);}catch{const embedURL=getEmbedURL(urlString);return[urlString,embedURL];}if(url.hostname===\"youtube.com\"||url.hostname===\"www.youtube.com\"||url.hostname===\"youtube-nocookie.com\"||url.hostname===\"www.youtube-nocookie.com\"){const pathSegments=url.pathname.slice(1).split(\"/\");// https://www.youtube.com/watch?v=Fop2oskTug8\nif(pathSegments[0]===\"watch\"){const videoId=url.searchParams.get(\"v\");const embedURL1=getEmbedURL(videoId);return[videoId,embedURL1];}// https://www.youtube.com/embed/Fop2oskTug8\nif(pathSegments[0]===\"embed\"){const videoId1=pathSegments[1];return[videoId1,url];}}// https://youtu.be/Fop2oskTug8\nif(url.hostname===\"youtu.be\"){const videoId2=url.pathname.slice(1);const embedURL2=getEmbedURL(videoId2);return[videoId2,embedURL2];}}function getEmbedURL(videoId){return new URL(`https://www.youtube.com/embed/${videoId}`);}function getThumbnailURL(videoId,res,format=ThumbnailFormat.JPG){// https://gist.github.com/a1ip/be4514c1fd392a8c13b05e082c4da363\nconst pre=ThumbnailFormat.WebP?\"https://i.ytimg.com/vi_webp/\":\"https://i.ytimg.com/vi/\";const ext=ThumbnailFormat.WebP?\"webp\":\"jpg\";switch(res){case ThumbnailOptions.Low:return`${pre}${videoId}/hqdefault.${ext}`;case ThumbnailOptions.Medium:return`${pre}${videoId}/sddefault.${ext}`;case ThumbnailOptions.High:return`${pre}${videoId}/maxresdefault.${ext}`;default:return`${pre}${videoId}/0.${ext}`;}}let _getWebPSupported;// https://stackoverflow.com/a/27232658\nfunction getWebPSupported(){// We're going to default to webp because it's pretty widely supported by now\nif(!window){return true;}if(_getWebPSupported!==undefined){return _getWebPSupported;}const element=document.createElement(\"canvas\");if(!!(element.getContext&&element.getContext(\"2d\"))){// was able or not to get WebP representation\nreturn element.toDataURL(\"image/webp\").indexOf(\"data:image/webp\")==0;}else{// very old browser like IE 8, canvas not supported\nreturn false;}}// Helper components\nfunction Instructions(){return /*#__PURE__*/ _jsx(\"div\",{style:{...emptyStateStyle,overflow:\"hidden\"},children:/*#__PURE__*/ _jsx(\"div\",{style:centerTextStyle,children:\"To embed a Youtube video, add the URL to the properties\\xa0panel.\"})});}function ErrorMessage({message}){return /*#__PURE__*/ _jsx(\"div\",{className:\"framerInternalUI-errorPlaceholder\",style:{...containerStyles,overflow:\"hidden\"},children:/*#__PURE__*/ _jsxs(\"div\",{style:centerTextStyle,children:[\"Error: \",message]})});}function PlayButton({onClick,isHovered,isRed}){return /*#__PURE__*/ _jsx(\"button\",{onClick:onClick,\"aria-label\":\"Play\",style:buttonStyle,children:/*#__PURE__*/ _jsxs(\"svg\",{height:\"100%\",version:\"1.1\",viewBox:\"0 0 68 48\",width:\"100%\",children:[/*#__PURE__*/ _jsx(\"path\",{d:\"M66.52,7.74c-0.78-2.93-2.49-5.41-5.42-6.19C55.79,.13,34,0,34,0S12.21,.13,6.9,1.55 C3.97,2.33,2.27,4.81,1.48,7.74C0.06,13.05,0,24,0,24s0.06,10.95,1.48,16.26c0.78,2.93,2.49,5.41,5.42,6.19 C12.21,47.87,34,48,34,48s21.79-0.13,27.1-1.55c2.93-0.78,4.64-3.26,5.42-6.19C67.94,34.95,68,24,68,24S67.94,13.05,66.52,7.74z\",fill:isHovered?isRed?\"#f00\":\"#000\":\"#212121\",fillOpacity:isHovered?isRed?1:.8:.8,style:{transition:\"fill .1s cubic-bezier(0.4, 0, 1, 1), fill-opacity .1s cubic-bezier(0.4, 0, 1, 1)\"}}),/*#__PURE__*/ _jsx(\"path\",{d:\"M 45,24 27,14 27,34\",fill:\"#fff\"})]})});}const buttonStyle={position:\"absolute\",top:\"50%\",left:\"50%\",transform:\"translate(-50%, -50%)\",width:68,height:48,padding:0,border:\"none\",background:\"transparent\",cursor:\"pointer\"};const wrapperStyle={position:\"relative\",width:\"100%\",height:\"100%\"};const centerTextStyle={textAlign:\"center\",minWidth:140};const videoStyle={position:\"absolute\",top:0,left:0,height:\"100%\",width:\"100%\"};\nexport const __FramerMetadata__ = {\"exports\":{\"Youtube\":{\"type\":\"reactComponent\",\"name\":\"Youtube\",\"slots\":[],\"annotations\":{\"framerSupportedLayoutWidth\":\"fixed\",\"framerSupportedLayoutHeight\":\"fixed\",\"framerIntrinsicHeight\":\"315\",\"framerIntrinsicWidth\":\"560\",\"framerComponentPresetProps\":\"isRed, borderRadius\",\"framerContractVersion\":\"1\"}},\"__FramerMetadata__\":{\"type\":\"variable\"}}}\n//# sourceMappingURL=./YouTube.map", "import{jsx as e,jsxs as t}from\"react/jsx-runtime\";import{ComponentPresetsConsumer as o,Link as n}from\"framer\";import{motion as i}from\"framer-motion\";import*as a from\"react\";import{Youtube as s}from\"https://framerusercontent.com/modules/NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js\";export const richText=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Car Seat Headrest\u2019s music has always embodied a sense of misfit community. Ever since he started recording lo-fi experiments in the backseat of his family\u2019s car as a teenager in Virginia, frontman Will Toledo has been honing a specific brand of messy and ambitious indie rock, that, at its best, can transform feelings of awkwardness and insecurity into communal catharsis. Halfway through \u201CBodys\u201D for instance, one of the band\u2019s best songs (and arguably one of the best rock songs of the 2010s), Toledo embraces those around him, declaring over and over that \u201Cthese are the people that I get drunk with / these are the people I fell in love with,\u201D before launching back into the track\u2019s soaring chorus. It\u2019s moments like these that make Car Seat Headrest\u2019s music so inviting and so satisfying: the feeling that you, too, are welcome to join this quirky crew of headbanging outcasts.\"}),/*#__PURE__*/t(\"p\",{children:['On \"The Catastrophe (Good Luck With That Man),\" a highlight from the band\\'s new album, ',/*#__PURE__*/e(\"em\",{children:\"The Scholars, \"}),'Toledo and Co. double down on that sense of community. Over bright guitar strums and propulsive drums, Toledo extends an open invitation to the listener: \"If you\\'re looking for one light of hope amidst the pile of bones, well you can come with us tonight.\" Though ostensibly about a group of clown troubadours touring around Parnassus University, the fictitious college at the center of the ',/*#__PURE__*/e(\"em\",{children:\"The Scholars, \"}),'\"The Catastrophe\" could slot seamlessly into any coming of age story. Musically, too, it conjures rock music\\'s most classic documents of youthful angst and suburban escape\u2014',/*#__PURE__*/e(\"em\",{children:\"Born to Run, American Idiot, The Suburbs\u2014\"}),'with healthy doses of power chords and communal \"woo-oohs\" for good measure. Like much of Car Seat Headrest\\'s best work, \"The Catastrophe\" is sincere, offbeat, and affecting, and like countless angsty rock songs that came before it, feels destined to console and inspire outcasts and misfits everywhere.']})]});export const richText1=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Shoutout to Noah for forcing me to listen to a 15-minute Car Seat Headrest song freshman year of college, when I was too polite to tell him I just wanted to go to sleep. Under those circumstances, I wasn't much of a fan\u2014but I came around soon after.\"})});export const richText2=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"I\u2019ve always been chief-skeptic of the \u201Cdeluxe album\u201D genre. Look: in my book, if it wasn\u2019t good enough to make the original cut, it ain\u2019t worth my time. Plus, with so much great music being released every week and such limited time to engage with it, why would I prioritize some album\u2019s B-sides when I still haven\u2019t listened to the new Maria Somerville album? Or those two 9.0+ rated albums I saw on Pitchfork a few weeks back? Shouldn\u2019t I have listened to that FKA Twigs album more than once by now? You get it. If being a corporate stooge has taught me one thing in this life, it\u2019s that sometimes you gotta prioritize.\"}),/*#__PURE__*/t(\"p\",{children:[\"So color me surprised when I discovered that one of my favorite songs of the year was slated to be part of an upcoming \u201Cdeluxe\u201D album release. Back in March, I came across MJ Lenderman\u2019s twangy cover of This Is Lorelei\u2019s sadboi banger \u201CDancing In The Club\u201D and was immediately smitten by its lovelorn vulnerability. After obsessing over Lenderman\u2019s rendition, which is featured on the new deluxe edition of This Is Lorelei's 2024 debut \",/*#__PURE__*/e(\"em\",{children:\"Box for Buddy, Box for Star, \"}),\"I became enamored with the original synth-pop version of the song, whose cascading keys and autotuned vocals provide a welcome counterpoint to the lyrics\u2019 crushing turns of phrase (\u201CA loser never wins / and I\u2019m a loser, always been\u201D). It also served as my entry point into the rest of \",/*#__PURE__*/e(\"em\",{children:\"Box for Buddy, Box for Star\"}),\", an eclectic and mesmerizing album whose mishmosh of Americana, Hyperpop and Indie Rock has proven to be endlessly fascinating.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=1on3V-W3w_I\"})})}),/*#__PURE__*/t(\"p\",{children:[\"In addition to \u201CDancing in the Club,\u201D the deluxe version of \",/*#__PURE__*/e(\"em\",{children:\"Box for Buddy, Box for Star\"}),\", released this past Friday, also features two other excellent re-imaginings of album highlights: Snail Mail contributes a jaunty cover of the Elliott Smith-coded \u201CTwo Legs\u201D while Bob and Sarah Amos lend their gorgeous vocals to the album\u2019s countrified opener \u201CAngel\u2019s Eye.\u201D Each of the covers adds new dimensionality to these already-great songs, and, at least in the case of \u201CDancing in the Club,\u201D threaten to become the definitive versions going forward.\\xa0\"]}),/*#__PURE__*/t(\"p\",{children:[\"Much like the \",/*#__PURE__*/e(\"em\",{children:\"Brat \"}),\"remix album last year convinced me that remix albums could actually be worthwhile works on their own, the deluxe version of \",/*#__PURE__*/e(\"em\",{children:\"Box for Buddy, Box for Star \"}),\"has called into question all my previous anti-deluxe biases. At least in this case, I stand corrected: listen to the deluxe version of this album. You won't be disappointed.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=iKjJ3Hr7PUA\"})})})]});export const richText3=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"\u201CLight Showroom,\u201D the first song on Mess Esque\u2019s new album \",/*#__PURE__*/e(\"em\",{children:\"Jay Marie, Comfort Me\"}),', sounds a bit like Mick Turner and Helen Franzmann are messing about in a practice room. Feathery bits of their instruments tickle different spots in the mix. But then around the one minute mark, Franzmann purrs that \"it sounds like aaiiiir,\" and a bright gust of organ and guitar rushes in, sounding indeed like air, and when I heard this for the first time I thought, ',/*#__PURE__*/e(\"em\",{children:\"ah yes, I'm going to love this album\"}),\". It is only the \",/*#__PURE__*/e(\"em\",{children:\"semblance\"}),\" of a mess. Everything is actually in its right place.\"]}),/*#__PURE__*/e(\"p\",{children:\"Then \u201CTake Me To Your Infinite Garden\u201D rolled in with its tumbling toms, becoming a loping, bluesy fuzzfest. If this whole album is a garden tilled by its wise and earthy front-woman, this one falls (to my ears) somewhere between the soft, soily folk tendrils of Florist and the intricate, organismic blooms of Big Thief. It\u2019s organic, vivacious, and unruly. The whole thing has a relaxed, shaggy feel. Not to say that they don't commit to ideas. \u201CThat Chair,\u201D \u201CCrow\u2019s Ash Tree,\u201D and \u201CArmour Your Amor\u201D climb to great heights with wilder vocal runs, dynamic swells, and driving rhythms. It\u2019s earned. Still, the tousled charm of this jangly little Australian two-piece folk rock outfit is spelled out in its name. That\u2019s living, baby. Here\u2019s to teetering on the edge.\"}),/*#__PURE__*/e(\"p\",{children:\"Shout out to cousin Sophia for sending this one over \u270C\uFE0F\"})]});export const richText4=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"A few tips for having a GNOMECORE spring:\"}),/*#__PURE__*/t(\"ul\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Giggle as much as possible, especially when socially inappropriate\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Frolic alone in public parks (or private parks)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Respond elliptically to straightforward questions\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Get some dirt under your fingernails and leave it there\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Munch on some mushrooms and dandelions\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Walk around barefoot as often as you can\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Keep a watchful eye for the magic others don't see\"})})]})]});export const richText5=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"When you come across a name like \u201CDJ Sabrina the Teenage DJ,\u201D it's impossible\",/*#__PURE__*/e(\"em\",{children:\" not\"}),\" to listen. A little over a year ago, I stumbled upon the mysterious London producer's ninth album, \",/*#__PURE__*/e(\"em\",{children:\"Destiny\"}),\", and was immediately spellbound by its potent mix of euphoria and nostalgia. Each one of its lush, openhearted songs felt like they could convincingly soundtrack the finale of a different 2000s teen rom-com. \u201C\",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=JdxkOkYSmCk\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Honey\"})}),\",\u201D for instance, melds poppy acoustic guitar and soaring pedal steel with soul-filling vocal samples, while instant floor-filler, \u201C\",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=QImxVfr7w78\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Brave\"})}),\",\u201D effortlessly blends turn-of-the-millennium French Touch with the frenetic aesthetics of hyperpop. \",/*#__PURE__*/e(\"em\",{children:\"Destiny \"}),\"is a 4-hour tour de force of sample-based dance music, with 40+ tracks whose infectious energy and seamless transitions give the album the feel of a non-stop DJ mix.\\xa0\"]}),/*#__PURE__*/t(\"p\",{children:[\"Since then, DJSTTDJ has released various incarnations of the \",/*#__PURE__*/e(\"em\",{children:\"Destiny\"}),\" album \u2013 there's the abridged version, the drumless version, the singles version, and the \u201Cpromos\u201D version with even longer (!!) versions of the songs \u2013 along with two similarly impressive albums, \",/*#__PURE__*/e(\"em\",{children:\"Hex \"}),\"and \",/*#__PURE__*/e(\"em\",{children:\"Sorcery\"}),\". As astonishingly prolific as she is, it can be hard to know where to invest your time.\\xa0\"]}),/*#__PURE__*/t(\"p\",{children:[\"Luckily, her latest single, \u201C\",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=IvcJaadf3vk\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Will My Love,\"})}),\"\u201D is well worth the investment.\\xa0 Like all of her best songs, it pulses with unabashed optimism. The mix is awash with bright synths and joyful electric piano; a round, persistent kick drum sustains the track's momentum indefinitely; a comforting, grin-inducing vocal sample loops around the edges of the track like an eternally recurring comet. Over the course of its 7-minute runtime, \u201CWill My Love\u201D ebbs and flows, with DJSTTDJ subtly building and releasing tension like the cresting and crashing of ocean waves. It's one of the best tracks to date from one of the most idiosyncratic and exciting producers making dance music today, and the perfect starting point for anyone new to this enigmatic and entrancing artist.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=IvcJaadf3vk\"})})})]});export const richText6=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Thank you P4K for including DJ Sabrina on your Pitchfork Selects playlist a year-and-a-half ago. She's brought me a lot of joy since then :) \"})});export const richText7=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Imagine: You\u2019re trudging through snow in a remote region of Scandinavia, knee deep in white powder, surrounded by nothing but purple blackness. It\u2019s been miles of cold, snowy exertion, a seemingly directionless and interminable trek through a dark, barren land. Time slips past you like the icy wind ripping past your ears.\"}),/*#__PURE__*/e(\"p\",{children:\"Breathlessly scanning the landscape, you feel as though you\u2019ve lost yourself. You feel as though you\u2019ve ventured further into a strange land than anyone has ever been before, as if you\u2019ve slipped through a crack in the ice and landed on another plane. It\u2019s a midwinter\u2019s dream that\u2019s quickly verging on nightmare.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Dimly, in the distance, you make out a soft, pulsing orange light and the sound of a deep, thumping bass. With the last ounces of your strength, you push ahead, forcing your quaking limbs to propel your body towards the light. The outline of a glistening metallic structure begins to cohere in the distance. The music grows louder and you hear voices slip through the cracks of the reflective exterior.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Squinting in the darkness, you make out the shape of a doorway and stumble towards it, collapsing into the arms of a burly man covered in black fur, ice crystals bedazzling his beard. He embraces you as the sound of a kick drum throbs behind him.\"}),/*#__PURE__*/e(\"p\",{children:\"\u201CWelcome,\u201D he says, grinning widely. \u201CAfter all these years, we were beginning to think you weren\u2019t coming.\u201D Your body is flooded with warmth as he lifts you into his arms and carries you into the club. Icy synths cut through the air; speakers the size of automobiles shudder with deep, dark bass lines. Everyone turns to you as the bouncer sets you down on a soft, thick rug. \u201CI hope you enjoy the music,\u201D he says. \u201CIt was made just for you.\u201D\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"You sit up on the rug and take a deep breath, feel your chest rise and fall with ease, feel the tingling heat spread through your extremities. You\u2019ve finally arrived. The night is young, eternal. You make your way towards the DJ who is turning a translucent record over in her hands before placing it onto a turntable. She winks at you as the record starts to spin and the first notes grace the air.\"}),/*#__PURE__*/e(\"p\",{children:\"***\"}),/*#__PURE__*/t(\"p\",{children:[\"Waking up the next morning, I couldn\u2019t remember much more about that night\u2013just the surreal euphoria of it all, the comfort, safety, and bliss that I somehow found in the dead of winter, between the warm bodies of strangers. As I patted down my body for my wallet and keys, I noticed an unfamiliar lump in my coat. I stuck my hand deep into one of the pockets and pulled out a small black rectangle. \",/*#__PURE__*/e(\"em\",{children:\"The DJ\u2019s USB\"}),\". At first I panicked, thinking I\u2019d mistakenly walked off with it; but just as quickly as that feeling emerged, it melted away. Somehow she\u2019d known that I would need it, the music that saved me that night, some means to return to that place of light and warmth. And now that winter is upon us again, it only feels right that I share those songs with you, too. These 20 songs from that drive are my gift to you. Use them as I have. I hope they help you find the light in the dark.\"]})]});export const richText8=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://youtu.be/rf4N0_8hYUk?si=szof5tMqex9v7wvl\"})})}),/*#__PURE__*/e(\"p\",{children:\"Come for the voice: Annahstasia\u2019s is stunning. It has deep body in the middle, urgent and unapologetic. It\u2019s cradled by whispers on either end\u2013to which she flits up and exhales down\u2013swaddling her melodies in velvet. Stay for the arrangements: Derrick Gee, a lovely music man who I\u2019ll link below, throws out \u201CNina Simone meets Sufjan Stevens.\u201D The mix holds space for that sort of haunting beauty. A nylon-string guitar paces one\u2019s quickening heartbeat. A lone synth organ quivers in the back. A chorus hums their agreement.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://youtu.be/JdcyUm5nCEE?si=JrEyFKkQ72BII1be\"})})}),/*#__PURE__*/e(\"p\",{children:\"The 12-minute, three-song EP to me feels like the inevitable journey of love\u2019s unknowable intentions. \u201CSaturday\u201D\u2019s pleas of private romance are answered in \u201CStress Test,\u201D as Annahstasia descends straight into another\u2019s heart. Or maybe she\u2019s already there. It doesn\u2019t matter that she reminds them of a previous love. \u201CGetting in either way,\u201D she sings repeatedly, toying with the phrase, relishing the surrender.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"\u201CSunday\u201D is the rich centerpiece between the two. It\u2019s a bit darker, loosing the threads of something heavier and more difficult. Here, love won\u2019t let her sit still in captivity on someone\u2019s shelf. By the end, she slips free to a gentle fanfare. Muted brass melts and sighs as she makes her escape.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://youtu.be/SwX5FPq0u5Y?si=x8r2wwpijW6dLaQN\"})})})]});export const richText9=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(n,{href:\"https://www.derrickgee.com/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Derrick Gee\"})}),' is a comforting, deeply knowledgable presence on all of my socials. He oozes kindly charm. Follow him. He shouted out \"Sunday\" in a clip from a listening club stream, and lo and behold, he and Annahstasia actually connected, and she ',/*#__PURE__*/e(n,{href:\"https://www.patreon.com/posts/video-first-ever-115998274\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"guest hosted\"})}),\" his radio program a week later. The internet can be frickin' sick sometimes.\"]})});export const richText10=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee\"}),\" is an album that rewards obsession. Ever since Patrick Flegel surprise-released their magnum opus (and album-of-the-year contender) in March under their drag altar ego Cindy Lee, indie publications, YouTube commentators and hipsters everywhere have been immersing themselves in its unique brand of hypnagogic pop, heaping praise on its creator, and \",/*#__PURE__*/e(n,{href:\"https://www.stereogum.com/2261004/cindy-lee-diamond-jubilee-concert-review/reviews/concert-review/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"pining for a time\"})}),\" when the music industry and music press were more inclined towards these types of outsider masterpieces.\\xa0\"]}),/*#__PURE__*/t(\"p\",{children:[\"It almost seems like the album was designed to encourage this intense fandom, to evade the casual listener. For starters, it's notoriously hard to access\u2014\",/*#__PURE__*/e(n,{href:\"https://pitchfork.com/news/cindy-lee-to-release-diamond-jubilee-on-vinyl/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"until very recently\"})}),\", it was only available via a \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=_LJi5na897Y\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"2-hour stream\"})}),\" on YouTube or for download on \",/*#__PURE__*/e(n,{href:\"https://www.geocities.ws/ccqsk/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"GeoCities\"})}),\" (yes \",/*#__PURE__*/e(\"em\",{children:\"that \"}),\"GeoCities, the antiquated web hosting service from 1994). I, for one, spent several hours in a Berlin AirBnb struggling to sync the downloaded .wav files across my various devices, and, for a while, could only listen repeatedly to the measly six tracks that successfully made it over to my phone. On a particularly long subway trip, I tried to cue up the YouTube album stream for some commute-time listening but accidentally scrubbed across the album numerous times and drained my battery in the process. Suffice it to say, Patrick made me work for it.\"]}),/*#__PURE__*/t(\"p\",{children:[\"Ever since my various false starts, I've been gradually immersing myself in the album's 32 mesmerizing tracks. And, in short, the album is as good as all the \",/*#__PURE__*/e(n,{href:\"https://pitchfork.com/reviews/albums/cindy-lee-diamond-jubilee/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"indieheads\"})}),\" \",/*#__PURE__*/e(n,{href:\"https://www.gorillavsbear.net/listen-to-cindy-lees-staggering-magical-new-triple-lp-masterpiece-diamond-jubilee/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"have been saying\"})}),\". But I get it. An album like this can be hard to sink your teeth into\u2014there's no Spotify page where you can quickly navigate to the most popular songs; there's no \\\"Cindy Lee Essentials\u201D playlist on Apple Music. Frankly, with an album as long and obscure as \",/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee\"}),\", it can be hard to know where to start.\\xa0\"]}),/*#__PURE__*/e(\"p\",{children:\"So: for folks curious to hear what all the hype is about, who haven't been chugging the Cindy Lee Kool-Aid for the past 6+ months, I've highlighted my five favorite tracks off the record below. I've also included a timestamp next to each one in case you'd prefer to scrub across the full-length album stream on YouTube to hit the highlights.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Hopefully this helps you dive into the strange and ghostly world of Cindy Lee. I hope you enjoy it as much as I have.\\xa0\"}),/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"5. Flesh and Blood (29:49): \"}),'As its name may suggest, \"Flesh and Blood\" celebrates all things corporeal, all things sensual. \"I\\'m only Flesh and Blood,\" Flegel sings, as if they have to apologize for being captivated by sensual delights: inhaling the smell of rose perfume, cloaking themself in moonlight, losing themself in the stars. And it\\'s fitting that a song about surrendering to your senses, with its comforting chord progression and wistful melodies, is also one of the warmest and most inviting tracks on the album.']}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YDjBXVBVCro\"})})}),/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"4. Kingdom Come (36:05): \"}),\"If \",/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee\"}),' were a corporate-style word cloud, I\\'d bet \"yearning\" would be somewhere near the middle, blown up in big blue bubble letters. So much of ',/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee\"}),\" feels like it's gesturing towards something ineffable, something lost, people and places just out of reach; and more than any other song on the album, \\\"Kingdom Come\\\" evokes that feeling of longing. Its lilting melody, cascading guitar lines, and trilling strings all lend the track a sweet sadness, underscoring the poignancy of lines like \u201CI miss you dear friend/I only want to hear your voice again.\u201D It's also one of the most immediately accessible, even playlist-able tracks on \",/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee, \"}),\"and maybe the best entry point for someone new to the Cindy Lee.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pBW0y9A1qRY\"})})}),/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"3. All I Want Is You (16:14): \"}),\"Just over 15 minutes into \",/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee\"}),\", the music all but disappears and Flegel's vocals penetrate the mix like sunlight piercing through clouds. It's as if Flegel is clearing the way for a simple and striking declaration, sung in a haunting falsetto: \u201CAll I\u2019ve got is the truth/all I want is you.\u201D It's a quiet, touching track that still features a few quintessential Cindy Lee surprises\u2014I'm thinking of the blistering electric guitar that rips through the mix at 1:52 with its stunning major pentatonic runs, or the song's casual tempo reset at 2:15. In the midst of an album so epic and sprawling, \\\"All I Want Is You\\\" is a refreshing reminder that sometimes less is more.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=3KXRXNPCP_Q\"})})}),/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"2. Government Cheque (1:14:38): \"}),\"\\\"Government Cheque\u201D starts lazily, with a slow, yawning guitar. It feels like waking up hungover on a Texas Plain\u2014there's an aimlessness to it, a somberness, a sense of regret. Against this listless backdrop, Flegel unsuspectingly introduces the song's main refrain in a minor key: \u201CI can\u2019t go on living the way that I do/I can\u2019t go on living without you.\u201D The song is hopeless, resigned. And then suddenly it's not. The tempo accelerates as the listener is dropped into an entirely different track. The same lines, delivered so morosely a minute-and-a-half before, become a grand, defiant statement, an anthem of self-discovery and self-respect: \u201CI can\u2019t go on living the way that I do/I can\u2019t go on living without you.\u201D The phrase repeats over and over until it becomes a mantra for Flegel, transformed from a confession of despair into an almost joyful declaration of self-reliance.\\xa0\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=sgB4aId65fE\"})})}),/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"1. If You Hear Me Crying (1:29:04): \"}),\"No song on \",/*#__PURE__*/e(\"em\",{children:\"Diamond Jubilee\"}),\" grooves as hard as \u201CIf You Hear Me Crying.\u201D The swinging bassline and guitar riff that open the track plant the listener smack-dab in the middle of some surreal and gaudy lounge, seemingly conjured out of David Lynch's imagination. It's fun, it's catchy, and like the rest of \",/*#__PURE__*/e(\"em\",{children:\"Diamond Jubillee\"}),\", there's something deliciously \",/*#__PURE__*/e(\"em\",{children:\"off\"}),\" about it. That feeling of surreality only grows deeper as the track abruptly shifts to a disorienting string motif in a completely different time signature, and Flegel returns for a spine-tingling vocal performance, perhaps the most haunting of their career. For an album that overflows with nostalgia, yearning, and hope, \u201CIf You Hear Me Crying\u201D is a fitting thesis statement, a musical manifestation of that ineffable \",/*#__PURE__*/e(\"em\",{children:\"pang\"}),\" words could never describe.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=0OMRfM8VxiE\"})})})]});export const richText11=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/t(\"p\",{children:[\"Special shoutout to \",/*#__PURE__*/e(n,{href:\"https://www.gorillavsbear.net/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Gorilla vs. Bear\"})}),\" for turning me on to Cindy Lee back in 2016.\"]})});export const richText12=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"Young Thug is \",/*#__PURE__*/e(n,{href:\"https://www.cnn.com/2024/10/31/us/young-thug-rico-plea-deal/index.html\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"free\"})}),\". I\u2019m happy. I listen to his music a \",/*#__PURE__*/e(\"em\",{children:\"lot\"}),\". I\u2019ve been collecting his songs for years. I think it\u2019s time that I shared my collection in celebration. On this playlist are moments where Thug sings perfect hooky pop (eg. \u201CKilled Before,\u201D \u201CMy Jeans\u201D), moments where he raps ceaselessly in a hidden pocket of the beat (eg. \u201CRoad Rage\u201D, \u201COh U Went\u201D), and all over more than anything else, moments where he manipulates his voice qua instrument to breathtaking effect (eg. \u201CFeel It,\u201D \u201CHarambe,\u201D and so many more). He sounds like an electric eel, energy coursing through him as he curls and ripples through murky waters. This is what Young Thug does better than anyone. I\u2019m still always sifting through his immense discography, but so far these are the moments when I feel that he has been at his best. When he\u2019s been at his most free.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://youtu.be/eOGuSIyRlfE?si=X9ici2DdsaozgewB\"})})}),/*#__PURE__*/t(\"p\",{children:[\"Don\u2019t take my word for it. Listen to \u201CJust Might Be,\u201D the closer on what essentially serves as Thug\u2019s debut album, the syrupy, snappy, and utterly gorgeous \",/*#__PURE__*/e(\"em\",{children:\"Barter 6\"}),\". This isn\u2019t just my favorite Thug song; it\u2019s one of my favorite songs period. We begin with a backdrop of Wheezy\u2019s choral pads\u2014half ghostly, half angelic\u2014over which Thug hurdles straight into a near-quantized chorus of sixteenth note triplets. It's an impressive control of rapid diction. But don\u2019t let this fool you as to the song\u2019s range. In the first verse, he starts to stretch out into his iconic elasticity, yawning into the beat like a cat finding a sun patch. I used to hear Thug\u2019s music referred to a lot as \u2018post-verbal,\u2019 but I kind of think the opposite. He\u2019s often \",/*#__PURE__*/e(\"em\",{children:\"pre\"}),\"-verbal. To hear him at his most freed is to hear the cosmic genesis of his expression midway through.\\xa0\"]}),/*#__PURE__*/t(\"p\",{children:[\"I read once about how Michael Jackson would raise his hand into the air, grabbing at something only he could hear, humming little scraps of melody which would later turn into songs. Halfway through this verse, we hear Thug do the same thing. He reaches the conclusion of a flow, shrieks an ad-lib, and then emits a little wordless tune (1:06). In the next bar, the idea has morphed into rhythmic sound which is almost meaning-bearing, but more so syllabic play. It\u2019s something like, \u201CI\u2019ll bibbity-bop, then stick it and fade.\u201D And in the third bar, he\u2019s back to making as much sense as he ever does, new flow in hand. Witnessing this process feels, I dunno, \",/*#__PURE__*/e(\"em\",{children:\"intimate\"}),\" to me.\"]}),/*#__PURE__*/t(\"p\",{children:[\"Before the next verse, we hear his potential energy as pure moans and pants. This turns into kinetic, chest-beating couplets. He\u2019s not done transforming. By the end of the verse, he\u2019s gritting his teeth through what sounds like a \u201CRunaway\u201D-vocoder-outro stretch of desperation so raw it\u2019s better expressed through its own obfuscation. I don\u2019t mean to say that Thug is only interesting when he never arrives at actual symbolic expression through language. What he ends up saying in his raps can be at turns banal, head-scratching, outlandish; but not uncommon are moments of clear-headed concision. If you listen here for example, he\u2019s snarling out micro stories of loyalty (\u201CI swear these hoes piranhas, excluding my baby mama\u201D) and betrayal (\u201CIf I ain\u2019t treat you good lil\u2019 baby just know it\u2019s karma/You did my n**** wrong, I know it, it was last summer\u201D) that I will argue any day pack as much punch as Hemmingway\u2019s \",/*#__PURE__*/e(n,{href:\"https://en.wikipedia.org/wiki/For_sale:_baby_shoes,_never_worn\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"baby shoes thing\"})}),\".\"]}),/*#__PURE__*/t(\"p\",{children:[\"Who knows if this pre-verbal energy transfer stuff is even \u201Ctrue.\u201D Thug, like many rappers these days, \",/*#__PURE__*/e(n,{href:\"https://youtu.be/FSgl95BEmd0?si=xUXIMhNBkI1ecVOo\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"'punches in\u2019 his songs\"})}),\", freestyling and tweaking on the fly as his engineer cuts and pastes the best parts. So I don\u2019t know, for instance, if those three bars in the first verse even happened in sequence. I\u2019m narrativizing. But there\u2019s something about this man that makes him so ripe for myth-making. It could very well just be that it takes a brilliantly weird man to make brilliantly weird art. I don\u2019t know if it\u2019s true that Thug goes days without eating, and that when he does eat it\u2019s mostly vending machine chips. I don\u2019t know if it\u2019s true that Thug draws pictures of Anime characters before stepping in the booth, reading the shape of the lines as rhythmic and melodic cues. But I\u2019ve \",/*#__PURE__*/e(n,{href:\"https://www.gq.com/story/young-thug-best-rapper-alive-interview?mbid=social_twitter\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"read\"})}),\" those \",/*#__PURE__*/e(n,{href:\"https://genius.com/a/how-drawing-pictures-helps-young-thug-write-his-raps\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"things\"})}),\".\"]}),/*#__PURE__*/t(\"p\",{children:[\"It all feels akin to the clips of his trial when lawyers tried to pull truthful evidence from his raps, and Thug would just bob his head along to his art. There is only so much one can do to try to squeeze fact from myth. There is only so much one \",/*#__PURE__*/e(\"em\",{children:\"should\"}),\" do. Though one thing has now been made clear. And it shouldn\u2019t really come as a surprise to anyone. That the man with 10 siblings raised in a Section 8 project in Atlanta, who was sent to juvie for four years in middle school after breaking his teacher\u2019s arm, who then dropped out of high school and had his first child at 17, admitted to still being involved in networks of harm. Did we think that with millions of dollars, Thug would suddenly pop himself completely free from a world of violence? It doesn\u2019t really work like that.\"]}),/*#__PURE__*/t(\"p\",{children:[\"It\u2019s pretty obviously important that our legal system casts scrutiny and finds out what people are actually up to when lives are at stake. But for my part, I\u2019d like to keep only a lazy eye on the rest of this man. Give him some room to exist on his own terms. I\u2019m comfortable imagining that within the energetic core of his being, he can convert cheetos into electric current. I\u2019m comfortable imagining him surfing forever just beyond the shores of our logical comprehension. I want him to be magic. And suffice it to say that he \",/*#__PURE__*/e(\"em\",{children:\"just might be\"}),\".\"]})]});export const richText13=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Fall is widely understood to be soundtracked by all things acoustic, folky, and rootsy. It\u2019s a connection so abstractly felt to be true; and yet it\u2019s hard to articulate just why that is. What is it about the pickin\u2019 and strummin\u2019 of a guitar that calls to mind crisp air and falling leaves? Why does the subtle twang of voices like Adrianne Lenker\u2019s or Judee Sill\u2019s conjure images of crackling fires and crunching twigs?\"}),/*#__PURE__*/t(\"p\",{children:[\"We think it has something to do with this: fall is the most unmissable, tactile embodiment of ephemerality. It\u2019s an annual proclamation that \",/*#__PURE__*/e(n,{href:\"https://www.poetryfoundation.org/poems/148652/nothing-gold-can-stay-5c095cc5ab679\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"nothing gold can stay\"})}),\"; a yearly reminder that we must let the wheel turn once more and come back to earth.\"]}),/*#__PURE__*/e(\"p\",{children:\"This is what musical folk traditions can be too\u2013an aural manifestation of the passage of time. For tunes already cemented in the folk cannon, this might be intuitive. With \u201CClay Pigeons\u201D for instance (originally written by Blaze Foley and carried forward by everyone from John Prine to Michael Cera,) you feel the passage of time like it\u2019s a sixth sense\u2014chain smoking for an eternity in the back of a Greyhound, the sun going up and down, up and down. But songs made in the last few years can also capture that same feeling as well. Take Alex G\u2019s \u201CAfter All:\u201D not only is it deliciously twangy, but he sings of finding spiritual bedrock as people slip in and out of his life. Or Waxahatchee\u2019s \u201CFire Burns Out at Midnight:\u201D she\u2019s aware of her tendency to keep chasing passion and intensity forever, while also knowing that it\u2019s best sometimes to \u201Chit the lights and call it a night.\u201D They, too, are finding peace in the cycling of it all.\"}),/*#__PURE__*/e(\"p\",{children:\"And sure, there are many many more lyrical themes here beyond the inevitable rise and fall of life. Some of this bunch might even just be throwing on the time-weathered garb of the genre for kicks. Maybe they\u2019re even instrumental. But that\u2019s no accident either: an acoustic guitar or a hummable melody is far more easily handed down year after year than fine-tuned studio knob twiddling.\"}),/*#__PURE__*/e(\"p\",{children:\"So, as the air gets cooler and the days get shorter, we wanted to assemble a set of songs that tries to capture this essence and amplifies the autumnal experience. From your friends here at Moments Noticed, please enjoy this healthy helping of timeless wist.\"})]});export const richText14=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"August, 2016: modest Frank fan that I was, I somehow still let myself be drawn into his subreddit\u2013an anxious, electric clubhouse filled with the kind of jittery pre-concert crowd murmurs that turn into screams and then hush when the lights finally go down. Frank was off building a staircase in a nondescript warehouse, and people were posting all sorts of \",/*#__PURE__*/e(n,{href:\"https://www.reddit.com/r/FrankOcean/comments/4y0zcx/i_found_the_exact_location_for_the_warehouse/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"crazy stuff\"})}),\", burrowing into nothing, just to stick their fingers into the haze and do something other than twiddle their thumbs. This is still kind of how it is to be a fan of Frank Ocean.\"]}),/*#__PURE__*/e(\"blockquote\",{children:/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"em\",{children:/*#__PURE__*/e(\"strong\",{children:\"Poolside convo about your summer last night\"})})})}),/*#__PURE__*/e(\"p\",{children:\"Blonde, for me, has stood as a benevolent guardian on the border between youth and adulthood. A reminder of what to take with me. What to let slip away. This is why, I think, Blonde exists at the end of summer, right as people are asking how it was and you have to decide, right as those narratives are strung out to dry and wave in the cool autumn winds. In the summer (moreso in childhood, but to a lesser extent, always) the structures are looser. You can go swimming and lie down for a while. You might indulge in the pleasures of staying up later. But now, responsibilities creep back in, and things slow down and begin to contract inwards.\\xa0\"}),/*#__PURE__*/e(\"blockquote\",{children:/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"em\",{children:/*#__PURE__*/e(\"strong\",{children:\"We didn't give a fuck back then/I ain't a kid no more/We'll never be those kids again\"})})})}),/*#__PURE__*/e(\"p\",{children:\"This annual pattern is also represented at a much grander scale: that of one\u2019s entire life\u2013blinking once and then going out. Youthful abandon gets reined in to adult sobriety. Summer turns to fall, either gradually or all at once, for everyone.\"}),/*#__PURE__*/t(\"p\",{children:[\"As this is happening for me, I still return over and over again to an album that reminds me how to look straight at the entirety of my life in awe. How to \",/*#__PURE__*/e(\"em\",{children:\"never\"}),\" let go of that feeling. Of romance. Of deep, deep gratitude for where I am and how I\u2019ve gotten here. The pleasure-scented mist of \u201CNikes;\u201D the inflated confidence, the deflated loneliness of \u201CSolo;\u201D the full-throated, intimate pleas of \u201CSelf-Control\u201D\u2013that whole front half feels like my heart in its default state: blown wide open. It feels like a string of elegies so gorgeous that they won\u2019t let their subjects actually die.\"]}),/*#__PURE__*/t(\"p\",{children:[\"Then we launch through the gateway of \u201CNights\u201D (that grating guitar shred that gives out and drops into the cushioned second half of the song at \",/*#__PURE__*/e(\"em\",{children:\"exactly\"}),\" half an hour into an hour-long album), emerging into a colder, harsher world.\\xa0 The twin ballads of \u201CWhite Ferrari\u201D and \u201CSeigfried\u201D have always felt particularly groundless to me, like they\u2019re constructed in outer space. No drums, barely any backing instruments, mostly just Frank\u2019s voice. A voice that he uses to \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/shorts/wzKxPlhwFHs\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"shoot out calculated, tiny bursts\"})}),\" of compressed air, just enough to keep his little spacecraft on track and not tumble out into the abyss. Honestly, I\u2019ve had to find my footing with these songs over many years.\"]}),/*#__PURE__*/e(\"blockquote\",{children:/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"em\",{children:/*#__PURE__*/e(\"strong\",{children:\"Mind over matter is magic/I do magic\"})})})}),/*#__PURE__*/t(\"p\",{children:[\"Growing up, you start to come into contact with a lot of systems that seem structurally sound, a lot of ground that seems solid, but then maybe you wrestle through imposter syndrome enough times and you realize that nobody has any idea what the fuck they\u2019re doing. That what seemed solid is actually something of a movie set, and \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=kYfNvmF0Bqw\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"\u201Cif you push in, something will pop out the other side.\u201D\"})}),\" When Frank casts this lens on the reality of a portrait of conventional success in \u201CSiegfried,\u201D it becomes \u201Ctwo kids and a swimming pool.\u201D A naked haiku. It\u2019s beautiful, but really just as beautiful as anything else. It loses any specific power. And I guess I\u2019ve started to feel that the bravest thing I can always do\u2013the scariest and most magical thing\u2013is to drop the script and build from the void.\"]}),/*#__PURE__*/t(\"p\",{children:[\"A Buddhist might nod in understanding and say that \",/*#__PURE__*/e(n,{href:\"https://en.wikipedia.org/wiki/Heart_Sutra\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"form is emptiness\"})}),\". An \",/*#__PURE__*/e(n,{href:\"https://en.wikipedia.org/wiki/Internal_Family_Systems_Model\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"IFS psychotherapist\"})}),\" might speak of listening to an exiled inner child who has always known this to be true. Whatever words you put to it, it requires remembering.\"]}),/*#__PURE__*/e(\"blockquote\",{children:/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"em\",{children:/*#__PURE__*/e(\"strong\",{children:\"Be yourself and know that that\u2019s good enough\"})})})}),/*#__PURE__*/e(\"p\",{children:\"I\u2019ve always loved how the mother in \u201CBe Yourself\u201D belabors a stern anti-drug warning and then immediately after, in the first line of \u201CSolo,\u201D Frank is dropping acid. I never skip \u201CBe Yourself\u201D when I\u2019m listening to the album. I want both. The rule and the breaking of it. The form and the emptiness. The maturity and the innocence. I want all the seasons of life.\"}),/*#__PURE__*/t(\"p\",{children:[\"Blonde isn\u2019t nostalgia. You can\u2019t make waves this big by navel-gazing. No, the word that keeps coming to mind for me is \",/*#__PURE__*/e(\"em\",{children:\"integration\"}),\". It\u2019s a concept I\u2019ve come across from \",/*#__PURE__*/e(n,{href:\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9386447/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"psychonauts\"})}),\" and meditation retreat leaders. If memories of openness are siloed away because they\u2019re too inconsistent with the rest of your life, because they go against your narrative of who you are, because they\u2019re simply too painful, then they will always stand separate. You\u2019ll have to step aside from your life in order to admire them. So the question of integration becomes: how do you hold that experience of absolute freedom and still live in society? Or, for our purposes: how do you move gracefully back into your daily routines come September, after allowing them to warp a little around the edges? How do you grow into an adult version of yourself while still letting the air in?\"]}),/*#__PURE__*/e(\"p\",{children:\"Frank Ocean sounds like he\u2019s carrying the weight of his life around and is somehow lighter than ever. There\u2019s a way to do it. There must be.\"})]});export const richText15=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"Never did I think I'd hear an Apple Watch sung about so poetically. On \\\"Wristwatch,\\\" the standout centerpiece from MJ Lenderman's excellent new album, \",/*#__PURE__*/e(\"em\",{children:\"Manning Fireworks\"}),\", Lenderman turns the ubiquitous smartwatch into an emblem of post-\",/*#__PURE__*/e(n,{href:\"https://en.wikipedia.org/wiki/Fourth_Industrial_Revolution\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"4IR\"})}),\" heartbreak. In the context of the song, the watch operates as both an empty brag to an ex-lover who presumably could care less \u2013 \\\"I've got a wristwatch that's a compass and a cell phone\\\" \u2013 and a perpetual reminder of the speaker's sad new state of affairs \u2013 \\\"I've got a wristwatch that tells me I'm all alone.\\\"\\xa0\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YeGujHpGUIs\"})})}),/*#__PURE__*/t(\"p\",{children:[\"The smartwatch is just one of the many stand-ins for empty consumption that Lenderman peppers throughout the song. He ironically boasts of a \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=6JHu3b-pbh8\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Frank Ocean-esque beach house\"})}),' in Buffalo and a houseboat docked at the \"',/*#__PURE__*/e(n,{href:\"https://en.wikipedia.org/wiki/Himbo\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Himbo\"})}),\" Dome,\\\" sarcastically skewering any suggestion that conspicuous consumption can mend a broken heart. The imagery is absurd, a little goofy, and classic MJ Lenderman, who's made his name gesturing towards profundity through idiosyncratic details and offbeat vignettes.\"]}),/*#__PURE__*/e(\"p\",{children:'Lenderman also possesses a great instinct for chord progressions and a keen ability to imbue them with gravity. Like previous barnburner \"Tastes Just Like It Costs,\" \"Wristwatch\" is anchored by a weighty and satisfying minor key progression that lands like a gut punch every time it comes around. This is darkly comic, subtly devastating indie rock, and like many of Lenderman\\'s best songs, \"Wristwatch\" simply feels like it couldn\\'t have been written by anybody else.'})]});export const richText16=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:'We still have four months left, and 2024 is already rich with indelible musical moments: the tonally ambiguous synth hook that kicks off Charli XCX\\'s \"360\", snaking its way through the mix like a danceable question mark; Helado Negro\\'s fat \"wa-whomp\" of a bassline on \"Best for You and Me\"; the hypnotic, fatalistic piano motif that anchors Vampire Weekend\\'s epic album-closer \"Hope\"; the shimmering, unmistakably-Four Tet harps that emerge from a distorted haze on \"Daydream Repeat\"; Sabrina Carpenter\\'s twangy \"motherfucker\" on \"Please Please Please.\"\\xa0'}),/*#__PURE__*/e(\"p\",{children:'We\\'ll be circling back at the end of the year with some proper \"best of\" lists, but for now we wanted to keep a running tab of our favorite songs from 2024 so far. The playlist is unranked, roughly chronological, and will be updated frequently as we fall in love with more new music. Give it a listen, and keep checking back for new additions as we close out the year.'})]});export const richText17=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"One minute and fifty seconds into \\\"Homie Don't Shake\\\", the latest single off of Fcukers' upcoming EP \",/*#__PURE__*/e(\"em\",{children:\"Baggy$$, \"}),\"the New York City-based trio locks into a groove eerily reminiscent of \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=6xG4oFny2Pk\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:'\"Losing My Edge\"'})}),\", LCD Soundsystem's aging hipster manifesto and one of the hallmarks of the Indie Sleaze era. The rhythmic, single-note bassline is almost a carbon copy, while the energetic cowbell and searing guitar line are classic LCD.\"]}),/*#__PURE__*/e(\"p\",{children:\"Across their limited output to date, Fcukers are updating the sound of early 2000s Indie Sleaze to suit the mid-2020s \u2014 it's a little housier, a little gooier, a little more disaffected \u2014 while retaining the same sense of playful irreverence. This is a band that doesn't take itself too seriously, and they're at their loosest and goofiest on \\\"Homie Don't Shake.\\\" Over four-on-the-floor drums and some heavily sidechained guitar, vocalist Shanny Wise employs a cooing monotone to poke fun at New York City hedonism (\\\"champagne in my cornflakes,\\\" \\\"hope you'll DJ at my wake\\\"), as if she's an alternate-universe Kesha who's been signed to DFA Records.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=bInHFf4NFbY\"})})}),/*#__PURE__*/e(\"p\",{children:'It remains to be seen whether Fcukers will be able to rise above cheeky pastiche, but as long as they keep releasing singles as fun as \"Homie Don\\'t Shake,\" I could really care less.'}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"em\",{children:'P.S. Be sure to check out \"Bon Bon\" as well, one of the other singles that Fcukers released from their upcoming EP. It throws guitars out the window altogether for an exhilirating house groove that\\'s sure to be a floor-filler for the cool kids.'})}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=lUnpIO-OTx0\"})})})]});export const richText18=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Found this one scrolling through the Pitchfork Selects playlist \u2014 reliably great stuff on there\"})});export const richText19=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"Yes, \",/*#__PURE__*/e(\"em\",{children:\"Why Lawd? \"}),\"is good. But that's not why I'm here. If the Paak stuff is the only of Knxwledge you're familiar with, please allow me to guide you a bit deeper. I first came into contact with the man behind the beats through the expanded universe of Action Bronson. In \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=OKZGYClrjAU&ab_channel=%F0%9D%99%BA%F0%9D%99%B4%F0%9D%99%BD%F0%9D%9A%95%F0%9D%9A%8E%F0%9D%99%B2%F0%9D%99%B0%F0%9D%99%B5%F0%9D%99%B4%2a\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Traveling the Stars\"})}),\" (where Bronson and Co hot box a soundstage with episodes of Ancient Aliens playing behind them on a giant green screen), Knxwledge outsmokes everyone and stays completely silent, radiating peace. I thought him a boulder in a Zen garden, sand raked around him, motionless on the material plane, and yet certainly contributing to the overall beauty of the tableau.\"]}),/*#__PURE__*/e(\"img\",{alt:\"\",className:\"framer-image\",height:\"469\",src:\"https://framerusercontent.com/images/rZipJx4NzHUKmt4OwWgEU3TXuY.png\",srcSet:\"https://framerusercontent.com/images/rZipJx4NzHUKmt4OwWgEU3TXuY.png?scale-down-to=512 512w,https://framerusercontent.com/images/rZipJx4NzHUKmt4OwWgEU3TXuY.png?scale-down-to=1024 1024w,https://framerusercontent.com/images/rZipJx4NzHUKmt4OwWgEU3TXuY.png 1504w\",style:{aspectRatio:\"1504 / 938\"},width:\"752\"}),/*#__PURE__*/t(\"p\",{children:[\"But when it comes to the musical world, maybe the more accurate garden-based metaphor would be something like a \",/*#__PURE__*/e(n,{href:\"https://en.wikipedia.org/wiki/Garden_hermit\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"garden hermit\"})}),\". Because when you look close, Knxwledge is very clearly tapped into something. He\u2019s an unclogged, free-flowing conduit. He is the stoner who, rather than fuzz himself out from lucid reality, has instead dropped himself into some mystic current of divine will.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=3HpWi8GcfUc&ab_channel=Knx.\"})})}),/*#__PURE__*/t(\"p\",{children:[\"The vast output of this hermetic work appears on Bandcamp\u2013less so on streaming\u2013but most gloriously on Youtube. I have long been a visitor to the \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/channel/UCYiSYtOdVvX0M3JnVgBDlwQ\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Knx Youtube channel\"})}),\". Sometimes he gifts us a few tracks in a week. Sometimes he goes months in between. But at this point, he\u2019s posted a couple hundred little videos over the past five years. Enough to get lost in and discover something new every time. It serves as something of a \",/*#__PURE__*/e(n,{href:\"https://djmag.com/features/what-ever-happened-chillout-room\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"chillout room\"})}),\" for the vibeyest club on the internet. It\u2019s ripe to be used as a playlist for the background of your life.\\xa0\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=bXxhNDJGTcw&ab_channel=Knx.\"})})}),/*#__PURE__*/e(\"p\",{children:\"I\u2019ll throw it (sound on or off) on the Youtube-enabled smart TV at the function to delight and mesmerize. I\u2019ll throw it on my laptop late at night when I want to light up a bowl or some incense. The visual world is a collage of looped snippets from anime, off-brand sport and dancing games, soul train episodes, and many other Garry\u2019s-Mod-looking internet scraps of unknown origin\u2013all littered with flecks of graffiti and a hard-to-miss ubiquity of Kermit the Frog.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"The titles read like the kind of DAW file names you\u2019d fling out if you made a dozen beats a day. The music? It\u2019s dusty and deep. Trippy and soulful. Playful and weird. Lo-fi beats to breathe/vibe to. It\u2019s the main menu music from that favorite, half-remembered video game from the 90s.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DF7GajnPHPE&t=53s&ab_channel=Knx.\"})})}),/*#__PURE__*/t(\"p\",{children:[\"Some of Knxwledge\u2019s best work, though, are the beats he furnishes around freestyles. These get the most views. He has a specific obsession with comeup era Meek Mill (his Bandcamp page hosts \",/*#__PURE__*/e(n,{href:\"https://knxwledge.bandcamp.com/album/meek-vol1\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"six\"})}),\" \",/*#__PURE__*/e(n,{href:\"https://knxwledge.bandcamp.com/album/meek-vol2\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"whole\"})}),\" \",/*#__PURE__*/e(n,{href:\"https://knxwledge.bandcamp.com/album/meek-vol3\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"albums\"})}),\" \",/*#__PURE__*/e(n,{href:\"https://knxwledge.bandcamp.com/album/meek-vol4\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"of\"})}),\" \",/*#__PURE__*/e(n,{href:\"https://knxwledge.bandcamp.com/album/meek-vol5\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Meek\"})}),\" \",/*#__PURE__*/e(n,{href:\"https://knxwledge.bandcamp.com/album/meek-vol6\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"raps\"})}),\" over fresh beats). This one here is rightfully his most popular creation, sitting now at 11 million views (of which I myself have contributed many), towering above the subconscious iceberg base that we\u2019ve been talking about:\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rKUJG5TdAl8&ab_channel=Knx.\"})})}),/*#__PURE__*/t(\"p\",{children:[\"Here\u2019s the thing about this remix\u2013and the others in this genre that Knxwledge has created. You can find the \",/*#__PURE__*/e(n,{href:\"https://www.youtube.com/watch?v=W143T-ih6-Q&ab_channel=MajorFilms215\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!1,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"original freestyle\"})}),\". It\u2019s fine; it\u2019s good; but you might not dawdle. Not unless you had noticed the story behind it. Not unless you had grown able to hear the hunger and spirit behind this early era of Meek Mill, when he channeled his strength earned from trauma, his diehard posse of supporters (who you can hear finishing his bars for him) into a single-pointed desire to amplify his voice to the masses. So Knxwledge crafted him a production filled with that gentle desperation and glory. Simple guitar strums and splashy drums give Meek a golden pool to swim around in, his head bobbing among the crowd. Tom fills punctuate his punchlines and then the beat gives out, giving space for Meek to land his point.\"]}),/*#__PURE__*/e(\"p\",{children:\"It reminds me of having a close friend, one that you know so inside and out that you desperately want everyone to see their soul, even as others end up completely not understanding them the way you do. How do you show the world what you find beautiful?\"}),/*#__PURE__*/e(\"p\",{children:\"One way is to harmonize with it. And so the image of Knxwledge as a cloistered hermit isn\u2019t quite the full story. Remember that internet-age hermits can actually have their eyes and ears to the world, even when they don't appear to. And he\u2019s often lending his talents to emphasize these moments of beauty that he finds. Like the rare architect in touch with nature enough to build something which takes a step back and underscores some naturally occurring perfection. Beyond Meek, he lifts from the shadows some truly marvelous moments of underground street rap. I\u2019ll leave you with this one, because it\u2019s my favorite. Two minutes where a random Bronx street spitter who has never put his voice to record genuinely seems like the greatest rapper of all time, all because for that moment he was, and Knxwledge is able to show you that truth:\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=N1jUp1KztJA&ab_channel=Knx.\"})})})]});export const richText20=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"I was rather stunned to discover that this cheekily titled \u201CMusic EP\u201D which came out this past April is TRIST\\xc1N!\u2019s first collection of songs. At 19, he\u2019s the youngest member of \",/*#__PURE__*/e(n,{href:\"https://rusia-idk.com/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Rusia-IDK\"})}),\", an avant-garde collective-slash-label-thing out of Madrid (which I will definitely be keeping an eye on). Apart from this release and a smattering of excellent singles and collaborations, there\u2019s really barely anything about him online. There is this wonderful quote from a \",/*#__PURE__*/e(n,{href:\"https://www.dazeddigital.com/music/article/62220/1/meet-rusia-idk-the-avant-pop-collective-shaping-madrids-party-scene-ralphie-choo\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"Dazed Magazine piece\"})}),\": \u201CI try a lot of things and then normally I ask my friends to help me make the final song. The only thing that I\u2019m good at is just knowing what I like and what I don\u2019t.\u201D A young man of confident taste. Well, a subscriber to Rick Rubinism would say that\u2019s all that matters. So we\u2019ll let him speak with his music.\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=PbDR1U8AG4U\"})})}),/*#__PURE__*/e(\"p\",{children:\"The EP is bookended by two gorgeous, sparing ballads. In between are glittering towers of different architectural styles, protruding from a consistent base of delicate, swirling electronic soundscapes. \u201COPPENHEIMER,\u201D for example, is a slice of washed out psych rap that would function perfectly as an A$AP Rocky or Travis Scott interlude. \u201CPretty Girl\u201D is a PC-Music-esque banger. \u201CCELL\u201D is a reverby lullaby with labelmate rusowsky.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rwS9GvOExBs\"})})}),/*#__PURE__*/e(\"p\",{children:\"\u201CPinky Ring\u201D is the standout, and immediately one of my favorite songs of this year. The chipmunked duet traded between TRIST\\xc1N! and Daniela Lalita feels touching and innocent. The lyrics lay bare two souls coming to a shared acceptance of heartbreak. The world built from the production feels at once cosmic and private, like the two are gazing at projected constellations on a bedroom ceiling. It\u2019s a beautiful, beautiful song.\"}),/*#__PURE__*/e(\"img\",{alt:\"\",className:\"framer-image\",height:\"385\",src:\"https://framerusercontent.com/images/C304N6N89SlIFHz5qajO1HJgsA8.jpg\",srcSet:\"https://framerusercontent.com/images/C304N6N89SlIFHz5qajO1HJgsA8.jpg?scale-down-to=512 512w,https://framerusercontent.com/images/C304N6N89SlIFHz5qajO1HJgsA8.jpg?scale-down-to=1024 1024w,https://framerusercontent.com/images/C304N6N89SlIFHz5qajO1HJgsA8.jpg 1280w\",style:{aspectRatio:\"1280 / 770\"},width:\"640\"}),/*#__PURE__*/e(\"p\",{children:\"For whatever this is worth: I\u2019m intensely struck by this type of electronic music sometimes, the kind that is able to sound so human, so playful, and also take a back seat sometimes to acoustic elements. Certainly that isn\u2019t a novel thought, but really, this stuff is still relatively new, and not everyone is very good at that! But certainly for an artist born post-2000, picking up a DAW must be like picking up a guitar. There are just so many sounds to be made now. And for my part, I really appreciate this kind of a full embrace of all the electronic wizardry currently available to us without getting lost in the sauce of it. The electronic medium doesn\u2019t have to be the message anymore.\"}),/*#__PURE__*/e(\"p\",{children:\"In other words, when God sings with all his creations, will computers not be part of the chorus?\"})]});export const richText21=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/t(\"p\",{children:[\"Ever since Pitchfork's \",/*#__PURE__*/e(n,{href:\"https://pitchfork.com/reviews/albums/verraco-breathe-godspeed-ep/\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"BNM for Verraco's new EP\"})}),\", I've been following the buzzy TraTraTrax dance music label out of Colombia. One of their preeminent artists is Miami's Nick Le\\xf3n, who has a new show on the influential web-radio NTS called Beach Noir. I threw on the trippy, ambient \",/*#__PURE__*/e(n,{href:\"https://www.nts.live/shows/nick-leon/episodes/nick-leon-16th-july-2024\",motionChild:!0,nodeId:\"QQBPkQCYE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(i.a,{children:\"first episode\"})}),' during a dusky drive and my jaw kinda dropped when he mixed into TRIST\\xc1N!\\'s \"Pinky Ring.\"']})});export const richText22=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[\"Aaron Maine has spent the last decade exploring various shades of moody indie rock under the moniker Porches \u2014 from the noisy, guitar-centric catharsis of his debut \",/*#__PURE__*/e(\"em\",{children:\"Slow Dance in the Cosmos\"}),\", to the icy, minimalist synth pop of his breakout follow-up \",/*#__PURE__*/e(\"em\",{children:\"Pool\"}),\", to the warmer, more maximalist turns on his Covid release \",/*#__PURE__*/e(\"em\",{children:\"All Day Gentle Hold !.\"}),\" Throughout it all, Maine\u2019s music has always retained a sense of melancholy and alienation, with a yearning vulnerability that underpins even his most danceable tracks.\"]}),/*#__PURE__*/t(\"p\",{children:['\"Joker,\" the best single so far from Porches upcoming album, ',/*#__PURE__*/e(\"em\",{children:\"Shirt\"}),\", trades in that yearning vulnerability for some eerie character writing. Maine spends the song\u2019s two-minute runtime outlining two\\xa0ambiguous relationships \u2014 one with a pet dog and one with a lover of some sort \u2014 that grow more and more unsettling as the song progresses and the lines between the two begin to blur (is he kissing his dog on the mouth? He keeps his lover in a well??). It feels reminiscent of Alex G, a friend and collaborator who also thrives in describing blurry relationships \u2014 Friend? Enemy? Lover? Pet? Some combination of the above? \u2014 and has his own fair share of dark, animal-themed tunes (\u201Ckute\u201D anyone?).\\xa0\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=-7B1_rr3dRo\"})})}),/*#__PURE__*/e(\"p\",{children:\"Musically, the song has a loopable catchiness to it, making it easy to miss the sinister undertones of the lyrics. A persistent kick drum, campfire guitar, and sing-song melody give the track a rhythmic bounce, and turn \u201CJoker\u201D into an unexpected earworm.\"}),/*#__PURE__*/e(\"p\",{children:\"The result is a vaguely ominous pop ditty that feels like a natural outgrowth from Maine's previous work. \u201CJoker\u201D stretches out into new lyrical and musical territory for Porches, and bodes well for the rest of the album to come.\"})]});export const richText23=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Perhaps that first warm tickle of summer breeze has lost its charm. Maybe the airy lightness of early summer is turning heavy. It's nearly August, and you're finding yourself wading through sticky waves of heat, or being lulled into lethargy by a hazy afternoon sun. \"}),/*#__PURE__*/t(\"p\",{children:[\"Welcome to \",/*#__PURE__*/e(\"em\",{children:\"deep\"}),\" summer. The colors are more saturated. So are the pit stains. It's all wavier, dubbier, gooier. Swirl around in it for a while and see how it feels. Here are our sounds for this moment.\"]}),/*#__PURE__*/e(\"p\",{children:\"Give us a follow on your streaming platform! This will be the first of many of these things :)\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]});export const richText24=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"At least culturally, summertime is the season of youthful freedom and reckless abandon.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"But it can also make you feel pretty dang old.\\xa0\"}),/*#__PURE__*/t(\"p\",{children:[\"Macseal\u2019s new single, \u201CGolden Harbor\u201D seems like it was designed to trigger those susceptible to summertime nostalgia. It looks back with a pang on days spent sitting on suburban curbs and friends\u2019 couches, free from obligation or responsibility. The band, which has continued to grow in popularity after releasing their debut full-length \",/*#__PURE__*/e(\"em\",{children:\"Super Enthusiast \"}),\"in 2019, is clearly pining for a time when the pressure was off and the stakes were impossibly low: in the second verse, when no one comes to one of their shows, they shrug it off and \u201Ctreat it like practice.\u201D\\xa0\"]}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DKoYnPLfFCY\"})})}),/*#__PURE__*/e(\"p\",{children:\"\u201CGolden Harbor\u201D is also a prime example of the heartfelt, emo-tinged indie rock that Macseal does best. The melody is catchy and straightforward, the lyrics are quotable (\u201Cit felt so great to feel so lost\u201D), and the production is sun-soaked and unfussed. It reminds me of some of oso oso\u2019s best work, another emo rock revivalist whose breakout album \u201CBasking in the Glow\u201D cashes in on a similar brand of nostalgia.\"}),/*#__PURE__*/t(\"p\",{children:[\"Macseal\u2019s sophomore album, \",/*#__PURE__*/e(\"em\",{children:\"Permanent Repeat\"}),\", comes out in July, and if the rest of the album hits half as hard as \u201CGolden Harbor,\u201D I think we should be in for a treat.\"]})]});export const richText25=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Two Shell\u2019s breakout single \u201Chome\u201D stopped me in my tracks when it came out a couple years ago. Zany, frenetic, and unexpectedly moving, \u201Chome\u201D felt genuinely fresh. It wasn\u2019t quite hyperpop, not quite UK garage \u2014 rather, Two Shell took the best elements of those genres, along with a killer sample of CHINAH\u2019s melancholy alt-R&B gem \u201CAway from Me\u201D, and gave us a novel spin on 2020s dance music. Endlessly replayable, \u201Chome\u201D quickly became my favorite song of the year.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=-WaJ7FnLN90\"})})}),/*#__PURE__*/t(\"p\",{children:[\"In the time since, Two Shell have put out two strong EPs, 2022\u2019s \",/*#__PURE__*/e(\"em\",{children:\"Icons\"}),\" and 2023\u2019s \",/*#__PURE__*/e(\"em\",{children:\"lil Spirits, \"}),\"and continued to grow in popularity and critical acclaim. The duo itself remains secretive and puckish, almost always hidden behind goofy masks and sunglasses like a janky, off-brand Daft Punk. But their irreverent personas belie a deep knowledge and appreciation of dance music, and an incredible adeptness for creating songs that are equal parts infectious and confounding.\"]}),/*#__PURE__*/e(\"p\",{children:\"This year, the duo put out two more singles, including their highest profile collaboration to date and my favorite Two Shell track since \u201Chome\u201D, the stellar FKA Twigs-fronted \u201CTalk to Me.\u201D Twigs is one of the most reliably affecting singers in popular music today and has delivered some of the most heartrending songs in recent memory (\u201CCellophane\u201D still wrecks me). So it\u2019s no surprise that her vocal feature on \u201CTalk to Me\u201D drips with rejection and yearning.\\xa0\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Sf8MEcxLxl8\"})})}),/*#__PURE__*/e(\"p\",{children:\"Despite their typical impish inclinations, the duo\u2019s production complements Twigs\u2019 vulnerable vocal performance remarkably well. They serve up just the right amount of synth stabs, pummeling drums, and fat bass without ever overpowering their collaborator.\\xa0 \u201CTalk to Me\u201D is a testament to Two Shell\u2019s versatility, and prove that the duo remain one of the most exciting groups operating in electronic music today.\"})]});export const richText26=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Trust me on this one: I think hahawiener420 is a sensational songwriter. With effortless picking and pipes to match. He stopped me dead in my tracks when I first flicked across one of his videos a few months back. The folks in the comments invoke Dylan and Prine and I\u2019d have to agree. It\u2019s the plain-spoken truths delivered with a knowing wink. He\u2019s fidgety and unpretentious and pretty obviously in his 20s, but he also seems to have lived a hundred lives.\"}),/*#__PURE__*/e(\"div\",{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"560 / 315\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/e(o,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/bZxrMUxBPAhoXlARkK9C/YouTube.js:Youtube\",children:t=>/*#__PURE__*/e(s,{...t,play:\"Off\",shouldMute:!0,thumbnail:\"Medium Quality\",url:\"https://youtu.be/XGPbJftmhCg?si=VHjdmuLWPQmroxGf\"})})}),/*#__PURE__*/e(\"p\",{children:\"The melodies are campfire earworms. And lyrically, he constructs piles of youthful heartland memorabilia (packs of Marlboro Lights sold to truckers during a long night\u2019s shift, Jim Beam left on the table and boxed wine on the floor) and crumpled up, cheeky love poems (\u201CI\u2019d like to see that mullet in the back seat of my van,\u201D \u201CYou\u2019re like the broad side of a barn that I\u2019ll still miss.\u201D)\"}),/*#__PURE__*/e(\"p\",{children:\"The bottom line about Mr. Wiener is that none of this feels like hackneyed hero worship. He\u2019s using the folk medium in real time, studying the classics to frame himself in something timeless and sturdy.\"}),/*#__PURE__*/t(\"p\",{children:[\"He's just begun to release more music on Youtube and streaming. He\u2019s got a mere five demos on Soundcloud. 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We\u2019re just here to share what tickles our fancy.\"]})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"We are not experts:\"}),\" Sometimes we\u2019re wrong about things. Feel free to correct us when we are, or else just keep on reading.\"]})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"strong\",{children:\"We are not here to gatekeep: \"}),\"We love reading other music blogs, following YouTube channels, asking friends for recommendations. To the best of our ability, we\u2019ll give credit where it\u2019s due.\"]})})]}),/*#__PURE__*/e(\"p\",{children:\"And lastly, remember: chasing down sounds that stir your soul in an era when algorithms are trying to feed you more of what you already like is an act of rebellion. Keep exploring. Keep discovering. 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}