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While each artist has unique talents, they share a love of rave music and culture, and as such, recognize its influence as ever-present, even in a more \u2018high-brow\u2019 setting. Hence the title of closing track \u2018Non-consensual Loveparade\u2019 \u2013 a reference to Germany\u2019s infamous electronic music street party \u2013 reminding us that even when you aren\u2019t in the rave, the rave is in you.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Melodori is the fruit of an artist residency orchestrated by SHAPE+/Intonal during spring 2023. SHAPE+ is a new European platform for innovative music and audiovisual art co-financed by the Creative Europe programme. Running for the next three years, SHAPE+ will foster exceptional emerging talent, connecting them to local communities and audiences through collaborative residencies with multiple artistic outcomes, commissioned artworks, as well as one-off presentations and performances. 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In more than one track on L+P-2, you'll encounter a distinctive melody and a gnarly bassline dancing hand in hand with Rivet's eccentric and captivating drum patterns. Then, seemingly on a whim, the melody takes off on its own, leaving the faithful bassline behind\u2014much like a dear friend that suddenly vanishes from your life without warning. Yet life goes on, and so does the music. But never unchanged. Never.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"L+P-2 is an album of lamentation, yet also of resolve\u2014a dedication to those who go through life losing more than their share because they always carry too much.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"har jag hukat\",/*#__PURE__*/e(\"br\",{}),\"s\\xe5 l\\xe4nge\",/*#__PURE__*/e(\"br\",{}),\"att allt blivit skevt\",/*#__PURE__*/e(\"br\",{}),\"att allt blivit sk\\xf6rt\",/*#__PURE__*/e(\"br\",{}),\"//\",/*#__PURE__*/e(\"br\",{}),\"have I hunched down\",/*#__PURE__*/e(\"br\",{}),\"for so long\",/*#__PURE__*/e(\"br\",{}),\"that everything has become askew\",/*#__PURE__*/e(\"br\",{}),\"that everything has become brittle\\xa0\"]}),/*#__PURE__*/e(\"h3\",{children:\"Credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released October 6, 2023\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Mika Hallb\\xe4ck Vuorenp\\xe4\\xe4\",/*#__PURE__*/e(\"br\",{}),\"Post-production and mixing by Oscar Mulero at Dead Souls Studio Gij\\xf3n\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Stephan Mathieu\",/*#__PURE__*/e(\"br\",{}),\"Vocals, lyrics and piano on track 9 by Johan & Leonard Andersson\",/*#__PURE__*/e(\"br\",{}),\"Photo by Sandra Hallb\\xe4ck Svensson\",/*#__PURE__*/e(\"br\",{}),\"Artwork by Takashi Makabe\",/*#__PURE__*/e(\"br\",{}),\"Tracks 1,2,7 commissioned by Intonal Festival 2021 for the 'Tilt To Turn' dance piece with Fr\\xe9d\\xe9ric Gies (available on Youtube)\",/*#__PURE__*/e(\"br\",{}),\"Track 10 recorded live at Kornheddinge Kvarn in april 2021 and mastered by M\\xe5ns \\xd6jbrandt Wikenmo\",/*#__PURE__*/e(\"br\",{}),\"Running order by Bj\\xf6rn Jumme and Andreas Andersson\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),'Dedicated Bibbi \"Lilo\" Hallb\\xe4ck 2010-2021 and Peter \"Pita\" Rehberg 1968-2021']}),/*#__PURE__*/e(\"p\",{children:\"some rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://rivetadam.bandcamp.com/album/l-p-2?label=1797976142&tab=music\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:4,id:\"xnQPSDZGW\",[s]:\"OCEANS AND SEAS\",[o]:u({src:\"https://framerusercontent.com/images/NaV2ZcJ3hcK4nruRr5U06nu4Y.jpeg\",srcSet:\"https://framerusercontent.com/images/NaV2ZcJ3hcK4nruRr5U06nu4Y.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/NaV2ZcJ3hcK4nruRr5U06nu4Y.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/NaV2ZcJ3hcK4nruRr5U06nu4Y.jpeg 1200w\"},\"\"),[l]:\"oceans-and-seas\",[h]:\"WRECKED LIGHTSHIP\",[c]:\"2023-05-26T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Arial\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Third Law\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Kill Mirror\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Hydrotower\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Eon\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Take It Back\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Henge\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Oceans and Seas\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Snippets: \",/*#__PURE__*/e(a,{href:\"https://soundcloud.com/midnight-shift/mnsxlp005-wrecked-lightship-oceans-and-seas\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"soundcloud.com/midnight-shift/mnsxlp005-wrecked-lightship-oceans-and-seas\"})}),/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Pointillist club rhythms and dense, porous dub clouds encircle the Wrecked Lightship as Laurie Osborne and Adam Winchester set sail for phantom islands once more. The nocturnal boatswains chart a course guided by pronounced percussive impulses, using physicality to navigate the looming atmospheric pressure that has become their signature style.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Opening tracks \u2018Arial\u2019 and \u2018Third Law\u2019 speak to the roots of Osborne and Winchester\u2019s respective work as Appleblim and Wedge, dealing in dancefloor abstractions where techno, electro and dubstep once stood, but there\u2019s much more at play than simple genre tags could ever express. \u2018Third Law\u2019s electro-static interference calls back to Winchester\u2019s work in Dot Product, while the twitchy urgency and gnarly bass echoes Osborne\u2019s ALSO project with Second Storey.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Wrecked Lightship is an anchorless concern, free to drift into experimental waters if the currents surge that way, and so \u2018Kill Mirror\u2019 and \u2018Hydrotower\u2019 head away from forthright structures to play around with sound design and full-frequency manipulation. It\u2019s too kinetic and jagged to be considered ambient, even if it willfully shirks the dancefloor. But for every starboard swerve there\u2019s a prevailing wind, and the likes of finely-tuned club weapon \u2018Take It Back\u2019 whip ahead with laser-eyed focus.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Nailing their split interests between immediacy and the avant-garde to the mast, Wrecked Lightship deepen the reach of their project on their second album. Whatever shape a specific track might take, Oceans & Seas serves as a paean to the art of sonic manipulation and spatial processing.\\xa0\"]}),/*#__PURE__*/r(\"p\",{children:[\"released May 26, 2023\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Adam Winchester and Laurence Osborne\",/*#__PURE__*/e(\"br\",{}),\"Artwork by Chloe Grove\",/*#__PURE__*/e(\"br\",{}),\"Layout by Takashi Makabe\",/*#__PURE__*/e(\"br\",{}),\"Text by Oliver Warwick\",/*#__PURE__*/e(\"br\",{}),\"Mastered and cut by Simon at The Exchange\"]}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(a,{href:\"http://creativecommons.org/licenses/by-nc-nd/3.0/\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"some rights reserved\"})})}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/oscilloscope-detachments\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:5,id:\"jTUjyySuD\",[s]:\"SOY&SYNTH 2022: SOUTH BY SOUTH SONIC SERANADE SERIES\",[o]:u({src:\"https://framerusercontent.com/images/39ZT68SPN7zYXUasb8xcu4UTmA.jpeg\",srcSet:\"https://framerusercontent.com/images/39ZT68SPN7zYXUasb8xcu4UTmA.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/39ZT68SPN7zYXUasb8xcu4UTmA.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/39ZT68SPN7zYXUasb8xcu4UTmA.jpeg 1200w\"},\"\"),[l]:\"soy-synth-2022-south-by-south-sonic-seranade-series\",[h]:\"VARIOUS ARTISTS\",[c]:\"2023-05-04T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Tanat Teeradakorn + AnaRosa - Part 1A\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Dea Karina + Connie Mandale - Part 1B\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Debbie Chia + Ver\\xf3nica Mota - Part 2A\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Kei Watanabe + qeei - Part 2B\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Carla Boregas + ghaliz - Part 3A\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Marcioz + messyfingers - Part 3B\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"In the later part of 2022, Berlin-based initiatives Soydivision (an art collective with strong Indonesian roots), L_KW (a sonic activism label/collective) and Midnight Shift (a label and event producer originating from Singapore), made a special edition of Soy&Synth, a grassroots event series dedicated to emerging artists in the experimental music scene within Berlin. For 2022, they presented a 3-part series called \u201CSouth by South Sonic Serenade\u201D. The series teased out deeper dialogues and improvised performances with sound artists and musicians from South East Asian and South American diasporic backgrounds living in Berlin.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Beyond shared similarities along natural landscapes, flora, and fauna, South East Asia and South America also share sound and musical practices that deal, subtly or not, with the (often violent) devices, legacies, and cultural and political complexities of colonialism. Subcultures have emerged in both regions in terms of contemporary art and music, with many artists working at the intersection of these entanglements either \u2018at home\u2019 or \u2018abroad\u2019. While Berlin has become a melting pot and refuge for many artists and practices with ties to these regions, the representation of these discourses - curated and instigated by artists diasporised from these regions - is missing.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A final gathering and discourse program involving participants from the program was held in November in collaboration with Radical Sounds Latin America affectionately termed our South-to-South dialogue:)\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"These recordings were the results of warm invitations to artists from our diasporas to claim, disobey, resist, and serenade us and each other with our entangled sonic heritages.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Locations & Venues\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Part 1:\",/*#__PURE__*/e(\"br\",{}),\"AnaRosa @la_anarosa + Tanat Teeradakorn @pgm_991\",/*#__PURE__*/e(\"br\",{}),\"Dea Karina @repost.institute + Connie Mandale @nicodaleman\",/*#__PURE__*/e(\"br\",{}),\"Recorded live at Heizhaus @uferstudios_tanz_berlin at Uferstudios on 27, August 2022\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Part 2:\",/*#__PURE__*/e(\"br\",{}),\"Kei Watanabe @petal.sounds + qeei @qeeiqeei\",/*#__PURE__*/e(\"br\",{}),\"Debbie Chia @debbchia + Ver\\xf3nica Mota @777antigona\",/*#__PURE__*/e(\"br\",{}),\"Recorded live at Morphine Raum @morphine_records_raum on 24, September 2022\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Part 3:\",/*#__PURE__*/e(\"br\",{}),\"Carla Boregas @carlaboregas + ghaliz @emperorsslaves\",/*#__PURE__*/e(\"br\",{}),\"Messyfingers @memeshift + Marcioz @itsmarcioz\",/*#__PURE__*/e(\"br\",{}),\"Recorded live at Kantine am Berghain #kantineamberghain on 28, October 2022\\xa0\"]}),/*#__PURE__*/e(\"h3\",{children:\"Credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released May 4, 2023\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Curation and coordination: Ariel William Orah, Pedro Oliveira, Morgan Sully, Kavan Spruyt\",/*#__PURE__*/e(\"br\",{}),\"Production: Umi Maisaroh, Ghaliz Fikhair Haris\",/*#__PURE__*/e(\"br\",{}),\"Sound, stage, lights: Ghaliz Fikhair Haris, Aldillah Dhiaz Pahlevi\",/*#__PURE__*/e(\"br\",{}),\"Discourse Program: Ariel William Orah, Tal\\xeda Vega Le\\xf3n\",/*#__PURE__*/e(\"br\",{}),\"Graphic design: Megawati Triadini\",/*#__PURE__*/e(\"br\",{}),\"Abendkasse: Imam Wicaksono\",/*#__PURE__*/e(\"br\",{}),\"Photography: Asarela Dewi\",/*#__PURE__*/e(\"br\",{}),\"Venues: Heizhaus am Uferstudios, Morphine Raum, Kantine am Berghain, Ana Conda am Ufer\",/*#__PURE__*/e(\"br\",{}),\"Partner: Radical Sounds Latin America\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Artists\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"AnaRosa (Ana Rosa Ibanez Bulnes), Carla Boregas (Carla Boregas), Marcioz (Marcio Zygmunt de Oliveira Mieczkowscki), Connie Mandale (Nico Daleman), qeei (Tatiana Heumann), Ver\\xf3nica Mota (Ver\\xf3nica Mota), messyfingers (Morgan Sully), Dea Karina (Dea Karina), Debbie Chia (Debbie Chia), ghaliz (Ghaliz Filkhair Haris), Kei Watanabe (Kei Watanabe), Tanat Teeradakorn (Tanat Teeradakorn)\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Recordists:\",/*#__PURE__*/e(\"br\",{}),\"Ghaliz Fikhair Haris (Part 1)\",/*#__PURE__*/e(\"br\",{}),\"Rabih Beaini (Part 2)\",/*#__PURE__*/e(\"br\",{}),\"Aldillah Dhiaz Pahlevi (Part 3)\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Mastering:\",/*#__PURE__*/e(\"br\",{}),\"Aldillah Dhiaz Pahlevi\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"#soyandsynth 2022 is made possible by the generous support and funded by Musicboard Berlin \u2764\uFE0F collectively organized by s\u014Dydivision, Midnight Shift, and L-KW\"]}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(a,{href:\"http://creativecommons.org/licenses/by-nc-nd/3.0/\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"some rights reserved\"})})}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/soy-synth-2022-south-by-south-sonic-serenade-series\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:6,id:\"hpJ4qPWhA\",[s]:\"OSCILLOSCOPE DETACHMENTS\",[o]:u({src:\"https://framerusercontent.com/images/SZ4q3XaJtOVREM0SM8A460AcBWc.jpeg\",srcSet:\"https://framerusercontent.com/images/SZ4q3XaJtOVREM0SM8A460AcBWc.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/SZ4q3XaJtOVREM0SM8A460AcBWc.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/SZ4q3XaJtOVREM0SM8A460AcBWc.jpeg 1200w\"},\"\"),[l]:\"oscilloscope-detachments\",[h]:\"COCKTAIL PARTY EFFECT\",[c]:\"2022-11-04T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"77\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"88\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"99\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"111\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Snippets: \",/*#__PURE__*/e(a,{href:\"https://soundcloud.com/midnight-shift/mns-x-026-cocktail-party-effect-oscilloscope-detachments\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"soundcloud.com/midnight-shift/mns-x-026-cocktail-party-effect-oscilloscope-detachments\"})}),/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),'Bringing his signature heavy freak crunch to the label, Cocktail Party Effect\\'s \"Oscilloscope Detachments\" is the latest addition to the Midnight Shift catalogue.',/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Instructions: Follow the oscilloscope to jack into the EP's pulse from start to end.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Headliner A1 '77' dazzles in melodic glory paired with glitchy underfoot and a high-voltage wire running hot. Next, '88' lets it all loose with classic breaks twisted on its head and with its core intestines spilling out. Unexpected turns in this effect-heavy club composition recalls the phrase that \\\"you've gotta know the rules to break the rules\\\" and CPE is undoubtedly a master of that. '99' takes it further down South London style for the heads, while ambient closer '111' visualises the previously underscored oscilloscope in full spectrum.creditsreleased November 4, 2022\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Eric Baldwin\",/*#__PURE__*/e(\"br\",{}),\"Artwork by EPOD\",/*#__PURE__*/e(\"br\",{}),'Layout by Graeme \"Gramrcy\" Bateman',/*#__PURE__*/e(\"br\",{}),\"Mastered and cut by Simon from The Exchange\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/oscilloscope-detachments\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:7,id:\"kktYKp8Xs\",[s]:\"DEMON STATE\",[o]:u({src:\"https://framerusercontent.com/images/tfnfexv4xrSjJCGDCoJMe9IAKg.jpeg\",srcSet:\"https://framerusercontent.com/images/tfnfexv4xrSjJCGDCoJMe9IAKg.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/tfnfexv4xrSjJCGDCoJMe9IAKg.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/tfnfexv4xrSjJCGDCoJMe9IAKg.jpeg 1200w\"},\"\"),[l]:\"demon-state\",[h]:\"THE OBSERVATORY AND KOICHI SHIMIZU\",[c]:\"2022-09-23T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Panopticism\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Demon State\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"I-330\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Lichen\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Animal\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Imprisoned Mind\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Psyberia\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Demon State (Demonstrate Remix)\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"\u201CThere was something extra-political, extra-social, almost extra-human about it; it smacked of tidal waves, of natural forces . . . These emotions are my instruments.\u201D\",/*#__PURE__*/e(\"br\",{}),\"\u2014 Richard Wright, The Color Curtain: A Report on the Bandung Conference (1956)\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"The Observatory is one of those last few bands that can change and become your life. Stuck in Singapore, the wilful outlier of Southeast Asia, this ever-shifting group stubbornly evolves past the 2018 departure of its cofounders\u2014singer-songwriter/guitarist Leslie Low and Vivian Wang, fellow singer and keyboardist\u2014both of whom started The Observatory in 2001 as a space, an idea, a collective of independence. Since then, the current trio has ventured into more improvisational, instrumental, and noise-adjacent territories in an EP with collaborator Haino Keiji.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"In DEMON STATE, long-time member Dharma and Cheryl Ong plus Yuen Chee Wai continue The Observatory\u2019s bold partnerships, this time with electronic musician Koichi Shimizu (IMPRINT). Together, they finally reach this long-gestating, total (yet I\u2019m sure temporary), and rhythm-focused, electronic reinvention of The Obs\u2014while briefly nodding to their past. The road is long; DEMON STATE is one pit stop in glorious hell.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Partly stemming from a casual, improv studio session in early 2020 that Koichi recorded (for an as-yet-unmade album), the eight tracks on DEMON STATE\u2014their first release on the Midnight Shift label\u2014were formed from a gradual accumulation of sonic layers; they were foraged, recycled, and pieced together remotely also from solo bedroom recordings, a historical sample, nonhuman beats and effects, as well as journals and junk.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"After you-know-what vexed the earth, Koichi, who The Obs has worked with in various capacities since the mid-2000s, when he was based long term in Bangkok, rearranged the original recordings and built upon the session\u2019s organic rhythms with synthesised sounds\u2014 from the safe distance of Japan, where \u201Chis new life hasn\u2019t fully started yet\u201D. Meanwhile, in their $ingapore studio, Black Axis, The Obs recorded new samples and songs for a mixed- reality art exhibition, DEMON STATES (note the plural), which staged early versions of various DEMON STATE songs in immersive and cyberpunk environments of the virtual and physical. This experience at the Singapore International Festival of Arts 2021 served as DEMON STATE\u2019s road test, a one-stop, durational tour of their fifteenth release\u2019s deep dive underground into the myriads of evil and the origins of totalitarianism: global states of dystopia; the wretched of the earth; late, hyperpop Southeast Asian (SEA) capitalism; the neocolonialism of the local Bicentennial; and Satan(s), for instance, as well as possible resistance against them, despite continuing confinement, separation, and a dearth of spiritual imagination. The accompanying roots of these visually blended worlds extend over to this psychically filmic LP\u2014even as the band is now staging a major art exhibition, REFUSE, about fungi.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Despite these multiple sporulations and alternate realities, the Gesamtkunstwerk-like DEMON STATE is a standalone work: of human menace and potential, and the restorative quietude of nature like mushrooms. The central pair of tracks\u2014also the only two with discernible vocals\u2014\u201CDemon State\u201D and \u201CImprisoned Mind\u201D pulsate with rage and radical possibilities. Drawn from the subconscious, almost-automatic writing of multi- instrumentalist Chee Wai\u2014who also voices his journal extracts in an uncanny tone, unintentionally akin to The Obs\u2019s dark-wave masterpiece CATACOMBS (2012)\u2014the \u201Clyrics\u201D of the title track morph \u201CDemon State\u201D from a noun to a verb (\u201CDemonstrate\u201D, the unspoken \u201CDeracinate\u201D) to adjective (describing the \u201Cvarious geographical demon states\u201D we live in, as well as our souls and sanity, or lack thereof); from the singular to the plural and collective, even rhyming it with \u201CEviscerate\u201D in its fiery conclusion. The \u201Cwaste\u201D referred to in this ritualistic chant is upcycled into Koichi\u2019s \u201C(Demonstrate Remix)\u201D. Hearkening back to The Obs\u2019s remix album BEHIND THESE EYES (2014), which imaginatively fucked up CATACOMBS, this existentially trying remix expands upon the \u201Clies overflowing like secrets\u201D with an alternate, demonic background chorus.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"On \u201CImprisoned Mind\u201D, The Obs are joined by Sukarno/Soekarno (1901\u20131970), Indonesia\u2019s first president (from 1945 to 1967), and marching industrial kicks. Regarded as the leader of the Indonesian independence movement\u2014which sparked off similar struggles in Southeast Asia\u2014the imprisoned and exiled revolutionary was renowned for his oratory. It is Sukarno\u2019s burning-through-the-scratchiness speech recording from the underacknowledged Asian- African Conference, AKA Bandung Conference, that is sampled here. In West Java\u2019s capital in 1955, the \u201CThird World\u201D of Afro-Asian political leaders (\u201Cso-called coloured people\u201D, representing more than half the world\u2019s population) discussed how to fully wrest control back from the French, Dutch, even the Soviets. \u201CColonialism in all of its manifestations\u201D\u2014 especially the insidious, modern form\u2014was valiantly fought back against, then the fight was forgotten. Featuring the sound waves from this brief solidarity of the oppressed, \u201CImprisoned Mind\u201D encapsulates a resurrection of radical energies.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Fittingly, the gamelan/gamelang/gamelin\u2014Indonesian, ensemble-type, bronze gong sets struck with mallets\u2014makes a return here, but counterintuitively. The orchestral instruments that inspired a whole generation of sound artists are reclaimed in \u201CPanopticism\u201D (originally titled \u201CEvil Eye\u201D) and seemingly mimicked in \u201CLichen\u201D; on this enmeshed album, it is impossible to differentiate instrumentation, let alone who played what. The reyong, gong, and (sampled) jegogan, composed on The Obs\u2019s own six-tone scale (like on their 2015 album CONTINUUM), is additionally layered with mechanised beats and dual prepared guitar by Chee Wai and Dharma, who clip their electric guitar strings with \u201Cstuff or junk accumulated over the last seven years\u201D, such as spoons and screws, clips and metal picks. While CONTINUUM\u2019s gamelan was mostly spiritual, almost ambient, and melody-based, the gamelan noise here restlessly skews towards furious rhythms. On the standout \u201CLichen\u201D, for instance, an effected snare sounding like the gamelan vibrates with distortion, slow-then- fast tension, and insomniac hollowness of the mind. Hearing it (ideally sober, like with the rest of the album, it is intense enough) is akin to seeing things falling down in quick and uncontrollable succession: the tropical monsoon rain, hooked mallets, a masseur\u2019s knuckles, preprogrammed motives, the scales from our eyes.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Amidst all this regal vigour, a slight reprieve of softer variation is weaved throughout. On the A side, \u201CI\u2013330\u201D twitches and glitches amidst the bass crashes\u2014the titular character from Yevgeny Zamyatin\u2019s novel samizdat We (1924) would be disturbed. Meanwhile, \u201CAnimal\u201D explores the higher end of the frequency spectrum to shimmering and tinnitus-bequeathing effect; \u201CPsyberia\u201D transports us to somewhere like Aldous Huxley\u2019s Island [1962; a companion to Brave New World (1932)], where the subjects of this kingdom consume an indigenous concoction of psilocybin mushrooms to attain a trance-like peace and awareness. Sequenced as the penultimate track, before the closing return of \u201CDemon State\u201D in rehaunted form, this number glides with such grace and slightly psychedelic colours, grooving with the ostensible silence\u2014finally\u2014into similar states of potential being.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A vinyl and digital release, DEMON STATE features the cover-art illustration of Enka Komariah (Senyawa, Raja Kirik). As The Obs describe it, the \u201Csense of wretchedness in this, the waste of capitalism, the evils of racial discrimination, the ever-spiralling mess, the awakenism of control\u201D are confronted, head on in the band\u2019s pattern, to disturb, comfort, confuse, worship, dance, rest, and resist. Ultimately, and returning from the collective, the singular form of DEMON STATE refers to our personal, individual, and ineffable states of demonic possession. DEMON STATE embraces us in the independent space of The Obs, where we can be alone together. It offers its listener some type of solace, if not an exorcism. For when the devil has been in us for this long, who\u2019s to say who\u2019s possessing who, who\u2019s whispering sibilant sounds in our ears, who\u2019s wearing the mask, who\u2019s not yet dead and who\u2019s still alive? Who\u2019s still fighting for a just world?\\xa0\"]}),/*#__PURE__*/e(\"h3\",{children:\"credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released September 23, 2022\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Composed, arranged and performed by The Observatory and Koichi Shimizu\",/*#__PURE__*/e(\"br\",{}),\"Recorded in Singapore and Yamanashi by The Observatory and Koichi Shimizu\",/*#__PURE__*/e(\"br\",{}),\"Edited and mixed by Koichi Shimizu\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Simon from The Exchange\",/*#__PURE__*/e(\"br\",{}),\"Art direction by Yuen Chee Wai\",/*#__PURE__*/e(\"br\",{}),\"Layout by Takashi Makabe\",/*#__PURE__*/e(\"br\",{}),\"Illustration by Enka Komariah\",/*#__PURE__*/e(\"br\",{}),\"Press text by Dan Koh\",/*#__PURE__*/e(\"br\",{}),\"Words by Yuen Chee Wai\",/*#__PURE__*/e(\"br\",{}),\"Imprisoned Mind contains an excerpt of the speech by President Sukarno at the opening of the Bandung Conference (Afro-Asian Conference) 1955.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Koichi Shimizu \u2013 \",/*#__PURE__*/e(a,{href:\"http://otolary.wixsite.com/koichishimizu\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"otolary.wixsite.com/koichishimizu\"})}),/*#__PURE__*/e(\"br\",{}),\"The Observatory are Cheryl Ong, Dharma and Yuen Chee Wai \u2013 \",/*#__PURE__*/e(a,{href:\"http://theobservatory.com.sg/\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"theobservatory.com.sg\"})}),/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Produced by Kavan Spruyt (Midnight Shift)\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"This recording is made possible with the Goethe-Institut Aussicht Support Fund\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"All rights reserved The Observatory and Koichi Shimizu 2022.\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://theobservatory.bandcamp.com/album/demon-state?label=1797976142&tab=music\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:8,id:\"Fy2PltsIL\",[s]:\"MIDNIGHT IS COMIN'\",[o]:u({src:\"https://framerusercontent.com/images/pUyDsPvBgap87AZ4dp4wtYePbc.jpeg\",srcSet:\"https://framerusercontent.com/images/pUyDsPvBgap87AZ4dp4wtYePbc.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/pUyDsPvBgap87AZ4dp4wtYePbc.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/pUyDsPvBgap87AZ4dp4wtYePbc.jpeg 1200w\"},\"\"),[l]:\"midnight-is-comin\",[h]:\"\\xa5\\xd8U$UK\u20AC \\xa5UK1MAT$U W/ 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From his debut at DJ Nobu\u2019s FUTURE TERROR event to performing 3 years consecutively at Berlin Atonal Festival, Yukimatsu\u2019s sets have to be heard for you to understand.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"In this special mix album, Yukimatsu gathers round his producer friends to build vessels of the story structure. Threading the pages together, interweaved by friendship and sine waves, he has crafted a masterful presentation from their individual messages. Pulling and stretching all sonic shapes and shades while exploring the farthest reaches of sound, the result is a frequency soup of twelve outstanding tracks that when sequenced together, become part of a greater, grander story: Midnight is Comin\u2019.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"From the sound art experimentations of orhythmo \u2013 Nagel and wide yawning strings in Ryo Murakami \u2013 Reminiscence to the rhythmic slo-mo haze of Sapphire Slows \u2013 Hinotori and the exponentially pulsing colours from DJ Nobu - Yakou Gai. The DMT-like spacious virtual meditation hall of KEIHIN \u2013 Exhale follows the uneasy footsteps of YPY \u2013 MS to the intermissioning chapter of City \u2013 9K. Fall into the wormhole of COMPUMA \u2013Flowmotion (IN DUB) and be transported to the reverb-drenched, intimate experience of Coni \u2013 \\xc4ngelsb\\xe4cksstrand, the primal invocations of Gabber Modus Operandi \u2013 Kisah (which also means story in Bahasa Indonesian) to the transcendent notes of SPINNUTS - Zweimal schlafen atmosph\\xe4re. The soaring universe of Albino Sound \u2013 Celestial Sphere wraps up the album with crystalline notes.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u201CVersatile is not even close to describing his music selection and mixing skills as he plays anything without prejudice and is purely music loving. 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The result is presented in finely detailed stereo gymnastics with 4D punch.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Crossing from the pure cinematic to dubby bass step and techno breaks, the futuristic meets primal urges like metal on flesh. Wormhole right into the frenetic pace of 'Le Segrete' and its glitched out matrix assault, while 'Sesso Orazio feat. Delikwe' with percussive drum breaks and distorted bird calls cuts a groove from an alternate reality dimension. 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Midnight Shift releases an exclusive collaboration between Prequel Tapes and dBridge - Ionize. Cast all genres aside, as two electronic worlds collide to produce a third sonic space.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Start your engines with 'Divisible Cause' speeding and hurtling into the great atmospheric unknown. Outlier for the freaks, 'Stray Thrills' amalgamates between the classicist EBM and futurist UK bass. Stumble through 'Pleasure Systems' with light sabres, wrangled beats and gun shots ricochetting off the walls in one heady disorientation. Then wander aimlessly into the warehouse at 170bpm with 'Mindless', led by twilight tones and menacing machines at every turn.\"]}),/*#__PURE__*/e(\"h3\",{children:\"credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released June 28, 2021\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Marco Freivogel and Darren White\",/*#__PURE__*/e(\"br\",{}),\"Mixed by Prequel Tapes\",/*#__PURE__*/e(\"br\",{}),\"Artwork by EPOD\",/*#__PURE__*/e(\"br\",{}),'Layout by Graeme \"Gramrcy\" Bateman',/*#__PURE__*/e(\"br\",{}),\"Mastered and cut by Simon from The Exchange\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://prequeltapes.bandcamp.com/album/ionize\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:12,id:\"Nsvbv9QLP\",[s]:\"FEAR ON THE DARK PLANET\",[o]:u({src:\"https://framerusercontent.com/images/52YX4SSfnyeVUJUSiJ4fQVLRhrY.jpeg\",srcSet:\"https://framerusercontent.com/images/52YX4SSfnyeVUJUSiJ4fQVLRhrY.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/52YX4SSfnyeVUJUSiJ4fQVLRhrY.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/52YX4SSfnyeVUJUSiJ4fQVLRhrY.jpeg 1200w\"},\"\"),[l]:\"fear-on-the-dark-planet\",[h]:\"UMWELT\",[c]:\"2021-05-10T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Fear On The Dark Planet\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Accelerating Universe\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Ravenous Horde\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Raiders Of The Final Frontier\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Gate Of Nothingness\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Snippets: \",/*#__PURE__*/e(a,{href:\"https://soundcloud.com/midnight-shift/umwelt-fear-on-the-dark-planet\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"soundcloud.com/midnight-shift/umwelt-fear-on-the-dark-planet\"})}),/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Umwelt is back on Midnight Shift, with another scorching 5-track EP designed to be listened in continuity. 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From the rain-brain dance of \u2018The Driving Rain\u2019 to the mental massage of \u2018Elements\u2019, a neat transition straddling both 104 bpm and 155 bpm, complete with directions for \u2026something.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Four explorations of nonplaces in the fourth world. Experiments in rhythm that come close to falling apart, held together by a backbone of bass.\"]}),/*#__PURE__*/e(\"h3\",{children:\"credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released April 9, 2021\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"All tracks written, mixed and produced by Nicolas Guerrero\",/*#__PURE__*/e(\"br\",{}),\"Artwork by Olmo U. 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This delicate 15-track project siphons talent from across the globe. The outcome is a collaboration of 30 like-minded artists in\",/*#__PURE__*/e(\"br\",{}),\"unusual, yet intriguing pairs.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Classy, open-minded and futuristic, \\xbbMothership\\xab provides the perfect platform for multi-disciplined artists to find an exciting new middle ground. Percussive Bristolian techno sits comfortably next to dystopian electro. Heady, broken techno cuts are balanced by equally tough, uplifting electronica. Innovatively and confidently blurring lines between house, techno and its functional counterparts, Mothership provides a window into the musical upbringing of our hand-picked talent.\"]}),/*#__PURE__*/e(\"h3\",{children:\"credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released February 7, 2020\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Thanks to:\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Anselm, Antoine, Alex, Basil, Ben, Benjamin, Boris, Charlton, Christoph, Clement, Dara, Dawn, Debbie, Dennis, Eileen, Esteban, Florian, Fred, Gabriel, Haan, Jacob, Jamal, James, Jelena, Jena, John, Jonathan, Jonnen, Kavan, Kyoka, Lisa, Louis, Lupo, Marcus, Martin, Marvin, Max, Merlin, Michelle, Mina, Naomi, Nick, Nico, Paco, Paul, QH, Redshape, Richard, Rory, Simo, Simon, Stefan, Strahil, Steve, Tim, Timothe\\xe9, Veronica, Victoire, Vivien, Xhin, Yannick.\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/mothership\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:17,id:\"t2fCwrncm\",[s]:\"SIGNS OF DISARRAY\",[o]:u({src:\"https://framerusercontent.com/images/hT5YoKOf4NKin2cI9N5Cmy57zc.jpeg\",srcSet:\"https://framerusercontent.com/images/hT5YoKOf4NKin2cI9N5Cmy57zc.jpeg?scale-down-to=1024 1009w, https://framerusercontent.com/images/hT5YoKOf4NKin2cI9N5Cmy57zc.jpeg 1183w\"},\"\"),[l]:\"signs-of-disarray\",[h]:\"INTERGALACTIC GARY\",[c]:\"2019-12-06T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Signs Of Disarray\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Invisible Intruder\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Nickel From The Bumper\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Mystified\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Releases by Intergalactic Gary are few and far between. Besides a handful of collaborations such as The Parallax Corporation (with I-F) and with Pasiphae, the must-know DJ from Den Haag has largely been about his talent behind the decks. We are thus extremely honoured to have him break the mould with us for his first solo EP release in 15 years \u2014 \u2019Signs of Disarray\u2019.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Injecting a fresh spirit amidst today\u2019s mass productions, the sounds will immediately capture vintage ears. The pacing well measured, the storytelling a precious capsule from a time past. In essence, 4-tracks impossible to replicate unless you are the one and only time-bending and time-travelling Intergalactic Gary.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Hop on board the bird trip with title track \u2018Signs of Disarray\u2019, a hurtling sonic obstacle course which gives a brief but soul-drenched reprieve. Onward, \u2018Invisible Intruder\u2019 chronicles a battle propelled by gun shots and recoils. The B side consists of the tools: \u2019Nickel from The Bumper\u2019, a liminal ride for that nth hour of your set and \u2018Mystified\u2019, a ghostly apparition to surface at highly selected dance floors under the right musical conjurers.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A1, A2 and B1 mixed by our good friend Redshape, all tracks mastered and cut by the legendary Simon at The Exchange with artwork by our friendly neighbour and artist Kohei Matsunaga and layout by our crew member, Naomi Clair.\"]}),/*#__PURE__*/e(\"h3\",{children:\"credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released December 6, 2019\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Intergalactic Gary\",/*#__PURE__*/e(\"br\",{}),\"A1, A2 and B1 mixed by Redshape\",/*#__PURE__*/e(\"br\",{}),\"Mastering and cut by Simon at The Exchange\",/*#__PURE__*/e(\"br\",{}),\"Artwork by Kohei Matsunaga\",/*#__PURE__*/e(\"br\",{}),\"Layout by Naomi Clair\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/signs-of-disarray\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:18,id:\"zToWJy3Nn\",[s]:\"MANUFACTURED CONFLICTS\",[o]:u({src:\"https://framerusercontent.com/images/U4YoXRQwtwXnmnGeloRJBtpdTc.jpeg\",srcSet:\"https://framerusercontent.com/images/U4YoXRQwtwXnmnGeloRJBtpdTc.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/U4YoXRQwtwXnmnGeloRJBtpdTc.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/U4YoXRQwtwXnmnGeloRJBtpdTc.jpeg 1200w\"},\"\"),[l]:\"manufactured-conflicts\",[h]:\"SORCERY\",[c]:\"2019-10-11T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Manufactured Conflicts\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Orbature\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Orbature (Samuel Kerridge Remix)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Artificial Landscape Part 1\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Artificial Landscape Part 2\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Track listing:\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A1 Manufactured Conflicts\",/*#__PURE__*/e(\"br\",{}),\"A2 Orbature\",/*#__PURE__*/e(\"br\",{}),\"B1 Orbature (Samuel Kerridge remix)\",/*#__PURE__*/e(\"br\",{}),\"B2 Artificial Landscapes Part 1\",/*#__PURE__*/e(\"br\",{}),\"B3 Artificial Landscapes Part 2\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u201CThere are no strict rules to how I compose beats, calculate clever subdivisions or bend time signatures, the rhythmic alchemy is dictated by feeling the impact that resonates in me.\u201D\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Manufactured Conflicts is the hard-hitting precision engineered debut from one of electronic music\u2019s most acclaimed experimental underground\u2019s drummer. His cinematic math-laden techno is a combination of beastial, off-pulse rhythms, clever metric modulation, inspired textures and punchy transients designed to bend the listener\u2019s mind whilst providing a high-impact full-body massage groove to the dancefloor.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Fierce and punishing, title tracks \u2018Manufactured Conflicts\u2019 and \u2018Orbature\u2019 pummel away at the consciousness where the only way out is through whole mind and body surrender. Manipulations of the mind play out in the two end-game scenarios of \u2018Artificial Landscapes Part 1 and 2\u2019, where lightness and tension interlace between man and machine.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Samuel Kerridge thoughtfully re-engineers \u2018Orbature\u2019 re-pacing the structure and contributing additional textures to the piece. His rework sculpts a haunting industrial feel to the track.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"About Sorcery\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Sorcery cuts a unique presence in electronic music\u2019s experimental underground. A passion for the interaction between acoustic and electronic instruments has led to the creation of intricate, mind bending and challenging compositions. There\u2019s an unrelenting and visceral impulse to his work, defined by a life-long and far-reaching passion for the rhythmic qualities of music. It\u2019s a compelling, abrasive alchemy, defined by a belief in pursuing the \u2018Gesamtkunstwerk\u2019. 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Full-bodied tracks fill in every frequency corner \u2013 \u2018The Nearness of Flames\u2019 as a headspin stomper, while \u2018Acid Symphony\u2019 weaves an acid line into a rich tapestry. Ambient producer John Beltran reimagines the original with a sunrise touch.\"}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://kirkdegiorgio.bandcamp.com/album/shift-ltd-002?label=1797976142&tab=music\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:31,id:\"MU70Zy9NV\",[s]:\"SHIFT LTD 001\",[o]:u({src:\"https://framerusercontent.com/images/d1mi3UypKcmKA6EcRIGXzpAp9yU.jpeg\",srcSet:\"https://framerusercontent.com/images/d1mi3UypKcmKA6EcRIGXzpAp9yU.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/d1mi3UypKcmKA6EcRIGXzpAp9yU.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/d1mi3UypKcmKA6EcRIGXzpAp9yU.jpeg 1200w\"},\"\"),[l]:\"shift-ltd-001\",[h]:\"XHIN\",[c]:\"2017-06-23T00:00:00.000Z\",[d]:\"EFCEPCZd8\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Time Spiral\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Heed\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Fading Inward\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Transitory\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/e(\"p\",{children:\"A homecoming for Singaporean Xhin as he releases on the Singaporean label Midnight Shift for its limited triptych capsule collection focusing on straight-up techno: \u2018SHIFT LTD\u2019. A 4-tracker full of asiatic heat bound for the dancefloor from the iconoclastic sound designer. 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All proceeds will go towards funding Andreas Gehm\u2019s post-mortem affairs, managed by his best friend, Joe Kurta. Long live the king.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Thanks to Basic Soul Unit, KiNK, L/F/D/M, Marco Bernardi, Mark Forshaw, Rivet, Tzusing, UMWELT for their music and a shoutout to Hodge and wordandsound for helping us behind the scenes.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Contributors who made this possible:\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Artwork contributed by Fiona J. Luigi\",/*#__PURE__*/e(\"br\",{}),\"Mastering by TBR.Mixmaster\",/*#__PURE__*/e(\"br\",{}),\"Cutting and Laquer by Simon Davey from The Exchange\",/*#__PURE__*/e(\"br\",{}),\"Production by Well Tempered\",/*#__PURE__*/e(\"br\",{}),\"Distributed by wordandsound\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/to-andreas-gehm\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:35,id:\"bcD0DT22H\",[s]:\"FROM THE ROUGH ENDS\",[o]:u({src:\"https://framerusercontent.com/images/5sYNJhyZkFkZhhO1nvUMXDrG4.jpeg\",srcSet:\"https://framerusercontent.com/images/5sYNJhyZkFkZhhO1nvUMXDrG4.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/5sYNJhyZkFkZhhO1nvUMXDrG4.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/5sYNJhyZkFkZhhO1nvUMXDrG4.jpeg 1200w\"},\"\"),[l]:\"from-the-rough-ends\",[h]:\"TAPIRUS\",[c]:\"2016-10-31T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Role One Myself\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"From The Rough Ends\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"I Feel You (Mark Forshaw remix)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"I Feel You\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"The 3rd release completes a series by Tapirus aka Charlton featuring a remix by Mark Forshaw, part of the Phantom Planet Outlaws.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Charlton Ravenberg. 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Featuring full EPs from the label artists, the MNS X series plays in the field of the analog, acid and techno.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"For this, Eduardo De La Calle has put forward a tougher stance from his other silky productions, heading into the rough, analogue and raw terrain for Midnight Shift. The result packs a punch, rounded up with a remix by Hodge.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Getting straight into business out of his Ashram studio is \u2018Roswell Case\u2019 on A1. A relentless pulsating and slithering acid bassline anchors the raw and percussive track, making it a peak-time earworm roller that will resonate across dancefloors.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u2018Synthesized Priorities\u2019 takes the respectable second position and is another builder where the soul of the machine makes itself heard amidst a temple of ethic drumming. What is it spelling out to you? 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Remixed by Hodge.\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/synthesized-priorities\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:44,id:\"U_c7P6Rau\",[s]:\"WET NOISES\",[o]:u({src:\"https://framerusercontent.com/images/75sYiMDeuhroxjY4TD2ziDyYc.jpeg\",srcSet:\"https://framerusercontent.com/images/75sYiMDeuhroxjY4TD2ziDyYc.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/75sYiMDeuhroxjY4TD2ziDyYc.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/75sYiMDeuhroxjY4TD2ziDyYc.jpeg 1200w\"},\"\"),[l]:\"wet-noises\",[h]:\"JOHN HECKLE\",[c]:\"2015-06-08T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Wet Noises\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Alpha Deux\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Wet Noises (Tapirus remix)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Frozen Planet\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Hot on the tail of two prior releases by Tapirus aka Rotterdam\u2019s own Charlton, the MNSX series presents its 3rd instalment with none other than young John Heckle from Merseyside, UK with a remix by Tapirus.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Three incredible tracks from John Heckle make up this blistering hyperactive EP. Raw, acidy landscapes and analog drum programming are the trademarks of this artist and he displays his mastery in full force. Together with Tapirus, the result is a meeting of minds; an energetically harmonious release in similar spirit.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"The title track \u2018Wet Noises\u2019 takes us full throttle into Heckle\u2019s domain. Upfront drumming, acid bassline and soaring synths mix and melt in a dancing cosmic soup. Tinkling notes add signposts throughout the oceanic chaos, before the song reaches its ultimate arrival on shore.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u2018Alpha Deux\u2019\u2019s beginning and deceptive ambient soundscape unfolds deliciously, evolving organically into a full blown Chicago acid workout. Let it reverse and play on for a secret easter egg ending!\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"On the B-side, Tapirus takes \u2018Wet Noises\u2019 to his territory on just as rough terrain. An acid bounce start slowly snakes its way into higher Asiatic ground with a hand of the mystical. Less of a remix in the traditional sense but an equally honourable version.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A special treat is reserved for last. B2\u2019s \u2018Frozen Planet\u2019 is an evocative piece anchored by a broken beat and deep bassline. Brought alive by helter-skelter notes and wrapped up in soaring, mountain-high synth lines, it is a bright asteroid in the galaxy of John Heckle\u2019s discography for us.\\xa0\"]}),/*#__PURE__*/e(\"h3\",{children:\"credits\"}),/*#__PURE__*/r(\"p\",{children:[\"released June 8, 2015\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by John Heckle. Remixed by Tapirus aka Charlton Ravenberg.\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/wet-noises\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:45,id:\"syP5PqnBx\",[s]:\"THE JOURNEY\",[o]:u({src:\"https://framerusercontent.com/images/Bhz93Ts6WnX0NwUhUnDAicOlrVY.jpeg\",srcSet:\"https://framerusercontent.com/images/Bhz93Ts6WnX0NwUhUnDAicOlrVY.jpeg 599w\"},\"\"),[l]:\"the-journey\",[h]:\"EDDIE NIGUEL\",[c]:\"2015-05-26T00:00:00.000Z\",[d]:\"lPKVI6esB\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"City 2 City\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Where Do We Go From Here\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"The Warehouse\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Where Do We Go From Here (Locked Groove Remix)\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://www.discogs.com/release/7120847-Eddie-Niguel-The-Journey\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:46,id:\"IaZTuZMRG\",[s]:\"RMX 002\",[o]:u({src:\"https://framerusercontent.com/images/ZGRoo1nNYhhERDkjj5s6OEm1EZU.jpeg\",srcSet:\"https://framerusercontent.com/images/ZGRoo1nNYhhERDkjj5s6OEm1EZU.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/ZGRoo1nNYhhERDkjj5s6OEm1EZU.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/ZGRoo1nNYhhERDkjj5s6OEm1EZU.jpeg 1200w\"},\"\"),[l]:\"rmx-002\",[h]:\"JUJU & JORDASH / EDDIE NIGUEL\",[c]:\"2014-06-09T00:00:00.000Z\",[d]:\"DN5PKQ07t\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Terrence Parker - It Hurts (Juju & Jordash remix)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Iron Curtis - Never Give Up (Eddie Niguel remix) \"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"The second instalment in Midnight Shift\u2019s remix series sees Eddie Niguel and Juju & Jordash put their magic touch on already well-received tracks by Iron Curtis (Johannes Paluka) and Detroit veteran Terrence Parker.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"On the A-side, duo Juju & Jordash let their love for the jazz and experimental shine through. From a straight-up melodic house number by TP to some form of beautiful ugly, the track leads in with a deceiving pop bassline before turning into a broken, asylum hideout for the deranged. Thankfully for us listeners, it fades off with grace.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u2018Never Give Up\u2019 is Iron Curtis\u2019s contribution to the label (Shift 002), which saw two versions of a deeply complex composition and an inclusion in Ian Pooley\u2019s Raveline Mix Session. Here, Eddie Niguel of \u2018Absolute\u2019 fame turns the intention into a full onslaught aimed at the clubber\u2019s jugular, pausing just long enough for a twisted break. Another hit out of the ballpark by Eddie?\"]}),/*#__PURE__*/r(\"p\",{children:[\"released June 9, 2014\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A Credits: Written and produced by Terrence Parker. Remixed by Juju & Jordash\",/*#__PURE__*/e(\"br\",{}),\"B Credits: Written and produced by Iron Curtis. Remixed by Eddie Niguel at The Blue Room\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Bo Kondren at Calyx Mastering, Berlin\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/rmx-002\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:47,id:\"Y5U_Ccolh\",[s]:\"SHIFT 004\",[o]:u({src:\"https://framerusercontent.com/images/hfWfR1LDNaCBmHorfkQdZ7OFiY.jpeg\",srcSet:\"https://framerusercontent.com/images/hfWfR1LDNaCBmHorfkQdZ7OFiY.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/hfWfR1LDNaCBmHorfkQdZ7OFiY.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/hfWfR1LDNaCBmHorfkQdZ7OFiY.jpeg 1200w\"},\"\"),[l]:\"shift-004\",[h]:\"TERRENCE PARKER / SIMON HINTER\",[c]:\"2014-04-07T00:00:00.000Z\",[d]:\"HGesIAEYo\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Terrence Parker - It Hurts\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Simon Hinter - Leave\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Simon Hinter - Leave (Philogresz remix)\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Simon Hinter - Finding Home\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Moving to a house formation, the fourth release from Midnight Shift combines the forces of Detroit veteran Terrence Parker with small German hometowner Simon Hinter, plus an additional remix by Turkish Philogresz. Covering the spectrum of the ever-evolving genre from classic to techy, jazzy to deep, it\u2019s one for both the recently initiated and original house music lover.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u201CIt Hurts\u201D is Parker\u2019s tribute to the 2011 Japanese Tsunami. A multi-layered instrumental expressed over a chugging beat successfully conveys the complex and highly strung emotions involved in a tragic event. A heavyweight tune from a key player of the music world.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"From Siegen, Germany, a town with a population of 100,000 comes Simon Hinter, as yet an underrated artist with a talent for subtle melodies. \u201CFinding Home\u201D is as exploratory as its name suggests; a tribal trip in the twinkling wilderness of space. On the flipside, \u201CLeave\u201D employs microsampling to jazzy effect, using choice bits to create a hypnotic groove out of loop heaven.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Philogresz (Ilker Soylu) adds the tech flavour to this bag of tricks \u2013 an arresting crossover hit waiting to unleash its magic spell on the dance floors of the world.\"]}),/*#__PURE__*/r(\"p\",{children:[\"released April 7, 2014\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A1 Credits: Written and produced by Terrence Parker\",/*#__PURE__*/e(\"br\",{}),\"A2, B1 & B2 Credits: Written and produced by Simon Hinter\",/*#__PURE__*/e(\"br\",{}),\"B1 Credits: Additional remix by Ilker Soylu\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Matt Colton from Alchemy Mastering\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/shift-004\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:48,id:\"YpbOsaWue\",[s]:\"TRYING TO MAKE SOMETHING OF LIFE\",[o]:u({src:\"https://framerusercontent.com/images/KVn1Vo3MYrBSg4cN1ijt02TZg.jpeg\",srcSet:\"https://framerusercontent.com/images/KVn1Vo3MYrBSg4cN1ijt02TZg.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/KVn1Vo3MYrBSg4cN1ijt02TZg.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/KVn1Vo3MYrBSg4cN1ijt02TZg.jpeg 1200w\"},\"\"),[l]:\"trying-to-make-something-of-life\",[h]:\"TAPIRUS\",[c]:\"2013-10-01T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Acid Love Story\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Trying to make something of life\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"To live in the hearts of those we love is never to die\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"To live in the hearts of those we love is never to die (Basic Soul Unit remix)\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Once upon a time\u2026in the midst of masked identities, artist pseudonyms and the like, Midnight Shift introduces a creature not even of human form.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Tapirus conjures music reflecting the duality of his soul. On one hand, rough and acidic to tell of the terrain of his past. And on the other, pure ethereal sounds borne of another place. This EP, showcasing 3 songs of the Tapirus alongside a remix by label artist Basic Soul Unit, is just the introduction to his tale.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"The wiggly \u2018Acid Love Story\u2019 enters the room with its tight drum programming and infectious bassline commanding attention. A voice speaks of a love lost: \u201CShe left\u2026she left. Dark times ahead. Dark times in my head.\u201D But perhaps the story is not yet over.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u2018Trying to Make Something of Life\u2019 continues the monologue, conveying an acidic almost bitter experience. Freaked out and haunting, this track is literally inspired by the dead. It lays as a tribute to losing yet another close companion in life.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"On the flipside, \u2018To Live in the Hearts\u2026\u2019 and its remix comes through. Ascending the scales of life, its Asianic influence and soaring chords take one beyond the clouds. Basic Soul Unit\u2019s transforms the track helter-skelter, a frantic pace turning the peaceful tune into beautiful art of war.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Heed the call of the Tapirus. A Midnight Shift exclusive.creditsreleased October 1, 2013\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Written and produced by Tapirus\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Bo Kondren at Calyx Mastering, Berlin\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://charltontapirus.bandcamp.com/album/trying-to-make-something-of-life?label=1797976142&tab=music\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:49,id:\"UyzP82raH\",[s]:\"ENKEL STRUKUR\",[o]:u({src:\"https://framerusercontent.com/images/y3ZbOO2XZLB6WVkIMWG5FwVNbWA.jpeg\",srcSet:\"https://framerusercontent.com/images/y3ZbOO2XZLB6WVkIMWG5FwVNbWA.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/y3ZbOO2XZLB6WVkIMWG5FwVNbWA.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/y3ZbOO2XZLB6WVkIMWG5FwVNbWA.jpeg 1200w\"},\"\"),[l]:\"enkel-strukur\",[h]:\"JULIEN H MULDER\",[c]:\"2013-09-11T00:00:00.000Z\",[d]:\"BPF0uVaeX\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Dold Maskin\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Utnyttjad Kontakt\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Mekaniskt Brus\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"A summer special from Midnight Shift sees 3 tracks as giveaway \u2018Enkel Strukur EP\u2019 from label artist Julien H Mulder. Meaning \u2018Simple Structure\u2019 in Swedish, the EP displays just that reined in form with an industrial bite. Created wholly with analogue gear, the EP shows our artist stretching his legs further even as we get to know more about this enigmatic character.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u2018Dold Maskin\u2019 jumps straight into business with a slowly unfolding bassline soon becoming tightly woven in the mix. The machines are left to dance to their own secret, hidden rhythm while a master puppeteer manipulates the strings from behind.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"This sandwich EP\u2019s main filling, \u2018Utnyttjad Kontakt\u2019, uses a relentless pulsing signal as the main hook while chanting and mechanical elements stomp and clatter around, creating a tribal siren call for today\u2019s industrialist.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"\u2018Mekaniskt Brus\u2019 is a cranky number coaxed alive from slumber. Now awake, he reluctantly gears into action, each noise he makes a reaction, sometimes a protest, all now sneakily captured down on tape.\"]}),/*#__PURE__*/r(\"p\",{children:[\"released September 11, 2013\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Julien H Mulder\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/enkel-strukur\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:50,id:\"QGMwhK171\",[s]:\"SHIFT 003\",[o]:u({src:\"https://framerusercontent.com/images/2vsRgbPuu6jCn0oi1wakxpZQ.jpeg\",srcSet:\"https://framerusercontent.com/images/2vsRgbPuu6jCn0oi1wakxpZQ.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/2vsRgbPuu6jCn0oi1wakxpZQ.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/2vsRgbPuu6jCn0oi1wakxpZQ.jpeg 1200w\"},\"\"),[l]:\"shift-003\",[h]:\"RECONDITE / JULIEN H MULDER\",[c]:\"2013-05-13T00:00:00.000Z\",[d]:\"HGesIAEYo\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Recondite - Borderline\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Recondite - Stomper\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Julien H Mulder - Won't Say Nothing\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Julien H Mulder - Old Rutins\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"A techno shift, Midnight Shift\u2019s third release sees Recondite on his upward trajectory pair up with the relatively reserved Julien H Mulder. Both outputs possess a stripped down aesthetic, but while the former revels in the straight and shiny, the latter brings a touch of lightness and play. A tightly packed, hardworking 4-track EP that will serve the many moods of a DJ well.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Formerly from Bavaria and now based in Berlin, Recondite crafts \u2018Borderline\u2019, a track that broods in shimmery afterdark punch, such as with the last bright rays of an inevitably waning sun. \u2018Stomper\u2019 does not have to go on too long to make a point. It is a moody, melancholic, almost lovesick trudge topped off with restless hi hats. Accomplished in ambient space music, Julien H Mulder has been producing music since the 90s. To him, simplicity is best. The Stockholm resident\u2019s \u2018Won\u2019t Say Nothing\u2019 is a lightly drenched sigh paired with broken beat while \u2018Old Rutins\u2019 is a bassline-led kicker soon to run amok in dancefloors. They hint at what is to come with his forthcoming full EP on Midnight Shift.\"]}),/*#__PURE__*/r(\"p\",{children:[\"released May 13, 2013\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A1 & A2 Written and produced by Recondite\",/*#__PURE__*/e(\"br\",{}),\"B1 & B2 Written and produced by Julien H Mulder\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Bo Kondren at Calyx Mastering, Berlin\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/shift-003-2\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:51,id:\"dNPY7Epw6\",[s]:\"RMX 001\",[o]:u({src:\"https://framerusercontent.com/images/UisuzyBw2NOMSqDeyy8UjSKDw.jpeg\",srcSet:\"https://framerusercontent.com/images/UisuzyBw2NOMSqDeyy8UjSKDw.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/UisuzyBw2NOMSqDeyy8UjSKDw.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/UisuzyBw2NOMSqDeyy8UjSKDw.jpeg 1200w\"},\"\"),[l]:\"rmx-001\",[h]:\"DEETRON / SECRET CINEMA\",[c]:\"2013-04-15T00:00:00.000Z\",[d]:\"DN5PKQ07t\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Basic Soul Unit - Black Ice (Deetron Re-edit)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Eddie Niguel - Absolute (Secret Cinema remix)\"})})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"The first in Midnight Shift\u2019s vinyl-only remix series sees festival headliners Deetron and Secret Cinema provide their dancefloor interpretation to the label\u2019s debut release.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Basic Soul Unit\u2019s cool A2 \u2018Black Ice\u2019 is re-edited by none other than Deetron, the Swiss native with a prolific and starry discography to his name. He turns Black Ice on its head, leading with its running bassline first while letting its crystal notes be polished to a bright, blinding shine.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Already much supported by the likes of Shackleton, Josh Wink, Bleak and Dixon, Eddie Niguel\u2019s \u2018Absolute\u2019 has been circling the circuit to great effect. Here, Netherland\u2019s Secret Cinema aka Jeroen Verheij pumps the mental factor up sideways with an infectious, relentless groove that holds back just enough to keep you wanting more.\"]}),/*#__PURE__*/r(\"p\",{children:[\"released April 15, 2013\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A Credits: Written and produced by Stuart Li for Lab.our Union Creative. Re-edited by Deetron\",/*#__PURE__*/e(\"br\",{}),\"B Credits: Written and produced by Eddie Niguel at The Blue Room. Remixed by Secret Cinema\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Bo Kondren at Calyx Mastering, Berlin\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/rmx-001\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:52,id:\"pHOjk_clt\",[s]:\"SHIFT 002\",[o]:u({src:\"https://framerusercontent.com/images/Q8X4RLF2qeIye2ZKvnxh7WSgE.jpeg\",srcSet:\"https://framerusercontent.com/images/Q8X4RLF2qeIye2ZKvnxh7WSgE.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/Q8X4RLF2qeIye2ZKvnxh7WSgE.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/Q8X4RLF2qeIye2ZKvnxh7WSgE.jpeg 1200w\"},\"\"),[l]:\"shift-002\",[h]:\"IRON CURTIS / ULTRADEMON\",[c]:\"2013-01-21T00:00:00.000Z\",[d]:\"HGesIAEYo\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Iron Curtis - Never Give Up\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Iron Curtis - Never Give Up (The Chant)\"})}),/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Ultrademon - Bend\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Ultrademon - Goonchie Blunch\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"Midnight Shift returns with its sophomore outing Shift 002, presenting two artists recontextualised from the conventions from which they came: Iron Curtis from depths of the deep house realm and one Ultrademon, the notorious inventor of the seapunk scene. Once again, a notable split EP with each of the 4 tracks owning its unique place in the world.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Iron Curtis\",/*#__PURE__*/e(\"br\",{}),\"Also known as Johannes Paluka, Iron Curtis delivers two versions of Never Give Up. The first original is a deep houser, informed by Chicago, slightly yearning and executed in the lush, quietly confident style of Iron Curtis. Of structural complexity, The Chant version reconfigures the piece into a clanging techno classical masterpiece, making every single second of its 5:52 length count.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Ultrademon\",/*#__PURE__*/e(\"br\",{}),\"The former Josephine\u2019s Collective keyboardist left to strike out on his own, and created the furor that is known as #seapunk as he did. Both Bend and Goonchie Blunch are immediately distinctive to the ears, the former awashing you in a wave of arpeggiated chords, while the latter announcing the rapturous sideways entrance of an unmistakable young talent. A great expression borne out of the 21st Century.\"]}),/*#__PURE__*/r(\"p\",{children:[\"released January 21, 2013\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A1 & A2 Written and produced by Iron Curtis, additional mixing by Klas-Henrik Linblad\",/*#__PURE__*/e(\"br\",{}),\"B1 & B2 Written and produced by Albert John Redwine aka Ultrademon\",/*#__PURE__*/e(\"br\",{}),\"Mastered by Dietrich Schoenemann for Complete Mastering\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/shift-002\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})},{index:53,id:\"Ksu4SxMvd\",[s]:\"THE FIRST SHIFT\",[o]:u({src:\"https://framerusercontent.com/images/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg\",srcSet:\"https://framerusercontent.com/images/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg?scale-down-to=512 512w, https://framerusercontent.com/images/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg?scale-down-to=1024 1024w, https://framerusercontent.com/images/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg 1200w\"},\"\"),[l]:\"the-first-shift\",[h]:\"BASIC SOUL UNIT\",[c]:\"2012-10-04T00:00:00.000Z\",[d]:\"HGesIAEYo\",[p]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"Tracklist\"}),/*#__PURE__*/r(\"ol\",{children:[/*#__PURE__*/e(\"li\",{\"data-preset-tag\":\"p\",children:/*#__PURE__*/e(\"p\",{children:\"Basic Soul Unit - Late Night Shift\"})}),/*#__PURE__*/r(\"li\",{\"data-preset-tag\":\"p\",children:[/*#__PURE__*/e(\"p\",{children:\"Basic Soul Unit - Black Ice\"}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/e(\"p\",{children:/*#__PURE__*/e(\"br\",{className:\"trailing-break\"})})]})]})]}),[m]:/*#__PURE__*/r(n.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:\"About\"}),/*#__PURE__*/r(\"p\",{children:[\"The Midnight Shift label debuts with a daring pairing of the emerging and established in The First Shift EP, featuring Singaporean Eddie Niguel with Torontonian Basic Soul Unit aka Stuart Li. Together, they present a crisp and compelling release statement that pushes a new trajectory in the house and techno genres. Get on the Shift.\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"Torontonian Basic Soul Unit adds his distinctive flavour to the pairing with \u2018Black Ice\u2019 and \u2018Late Night Shift\u2019. The former is a precipitous icy traipse that bursts into full hailstorm and bloom, while the latter is a dubby afterhours peaktime shuffle paired with sweet melody. Carefully crafted to perfection, these are further winners from the man also known as Stuart Li.\"]}),/*#__PURE__*/r(\"p\",{children:[\"released October 4, 2012\",/*#__PURE__*/e(\"br\",{}),/*#__PURE__*/e(\"br\",{}),\"A1 & A2 Written and produced by Stuart Li for Lab.our Union Creative\"]}),/*#__PURE__*/e(\"p\",{children:\"\\xa9all rights reserved\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(a,{href:\"https://mnshift.bandcamp.com/album/the-first-shift\",openInNewTab:!0,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Buy / Listen\"})})})]})}];for(let e of g)Object.freeze(e);t(g,{B2SvuXrUv:{defaultValue:\"\",title:\"Release Title\",type:i.String},qbg3dAiMf:{__defaultAssetReference:\"data:framer/asset-reference,pUyDsPvBgap87AZ4dp4wtYePbc.jpeg?originalFilename=midnight-shift-midnight-is-comin.jpeg&preferredSize=auto\",title:\"Image\",type:i.ResponsiveImage},fdcv76jJF:{title:\"Slug\",type:i.String},CySWeyeji:{defaultValue:\"\",title:\"Artist\",type:i.String},pGM6r8yV4:{title:\"Release Date\",type:i.Date},SBsfo_tLL:{defaultValue:\"BPF0uVaeX\",options:[\"BPF0uVaeX\",\"lPKVI6esB\",\"EFCEPCZd8\",\"HGesIAEYo\",\"DN5PKQ07t\"],optionTitles:[\"X\",\"WHITE\",\"SHIFT LTD\",\"SHIFT\",\"RMX\"],title:\"Options\",type:i.Enum},sbD3E2DP4:{defaultValue:\"\",title:\"Tracklist Body\",type:i.RichText},FcBRb6SCc:{defaultValue:\"\",title:\"About Body\",type:i.RichText}}),g.displayName=\"Releases\";export default g;export const SBsfo_tLLToDisplayName=(e,r)=>{switch(null==r||r.fallback,e){case\"BPF0uVaeX\":return\"X\";case\"lPKVI6esB\":return\"WHITE\";case\"EFCEPCZd8\":return\"SHIFT LTD\";case\"HGesIAEYo\":return\"SHIFT\";case\"DN5PKQ07t\":return\"RMX\";default:return\"\";}};export const enumToDisplayNameFunctions={SBsfo_tLL:SBsfo_tLLToDisplayName};export const utils={async getSlugByRecordId(e,r){var t;return null===(t=g.find(r=>r.id===e))||void 0===t?void 0:t[l];},async getRecordIdBySlug(e,r){var t;return null===(t=g.find(r=>r[l]===e))||void 0===t?void 0:t.id;}};\nexport const __FramerMetadata__ = {\"exports\":{\"enumToDisplayNameFunctions\":{\"type\":\"variable\",\"annotations\":{\"framerContractVersion\":\"1\"}},\"SBsfo_tLLToDisplayName\":{\"type\":\"variable\",\"annotations\":{\"framerContractVersion\":\"1\"}},\"utils\":{\"type\":\"variable\",\"annotations\":{\"framerContractVersion\":\"1\"}},\"default\":{\"type\":\"data\",\"name\":\"data\",\"annotations\":{\"framerCollectionUtils\":\"1\",\"framerRecordIndexKey\":\"index\",\"framerData\":\"\",\"framerSlug\":\"fdcv76jJF\",\"framerContractVersion\":\"1\",\"framerCollectionId\":\"kIHV6MEm7\",\"framerEnumToDisplayNameUtils\":\"2\",\"framerRecordIdKey\":\"id\",\"framerRecordIncludedLocalesKey\":\"includedLocales\"}},\"__FramerMetadata__\":{\"type\":\"variable\"}}}"],
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