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From that it all started.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What in your opinion makes a good DJ?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Good djs are those who share good music after all.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Why did you move back to Seoul from Berlin?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I had pretty much opportunities when I was in Berlin maybe more opportunity than what I have expected. But I felt more importance in growing the Korea scene and as a producer, you can always be in contact as long as you have access to internet. Additionally, \\xa0I wanted to spend more time with my family, my parents and brother.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What were some of your favourite Berlin clubs and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Sisyphos as it had more space for dance then other venues. Of course it can also be packed but not when I was there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite place to eat in Berlin?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"To be honest, Doner Kebab :p I have been to turkey and the Berlin Kebab was better than main land. Haha\",/*#__PURE__*/ _jsx(\"br\",{}),\"Besides that, I enjoy cooking for myself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us more about the Seoul scene.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"There are small crews that hold events in Seoul, I hope they constantly do that as I have seen many crews give up their project.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite nights that have happened at Faust and why?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well every night and DJ has its own character, but for me, I enjoy when DJs stay till the end and go for hot ramen and not straight back to the hotel.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us more about Faust, the music policy, the people and its future?\",/*#__PURE__*/ _jsx(\"br\",{})]}),'We have a slogan or phrase that we use a lot in the begining: \"I did Faust\". This questions and gives curiosity to people who have not been to Faust yet. Under this, we try to give as much as experience which they cannot have in \\xa0Seoul.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Our music policy is simple, let people dance. We tried many (broad) genres in the begining and nowadays ppl tend to enjoy techno more. On the otherside, our resident DJs have different music spectrums. Kim Bo Yeon - minimal, Damie - acid, Suman - house, Comarobot - deep techno, Marcus - A to Z.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Future - we have a big picture in near future, and we can not discuss this yet, but please keep eyes open.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Some DJs and producers based in Seoul that you would recommend to us?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Our resident DJs ;)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"This is your 3rd time in Singapore, tell us about your experiences here?\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I still remember the first time I played in HQ Council. I played 4hrs and didnt notice it passed that long. Crowds were as awesome so were the host & staffs. I like the Singapore city vibe, clean and historical. Didnt have much time to explore the last time, but Im looking forward to be a tourist this time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we look forward to hearing from you at Midnight Shift on Saturday?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'll be playing a few unreleased tracks from my friends and my label. It will be a such trip. Please do enjoy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Best advice ever given to you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Follow your heart.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-marcus-l\"},{hz3sj3gFn:\"2017-06-01T00:00:00.000Z\",id:\"owyuXKJQx\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/8gg4IDsubWqr8NKt7BqFT3ftPcw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/8gg4IDsubWqr8NKt7BqFT3ftPcw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/8gg4IDsubWqr8NKt7BqFT3ftPcw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/8gg4IDsubWqr8NKt7BqFT3ftPcw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: MARCO BERNARDI\",lZ2WhlLX5:\"1 June 2017\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"All those monikers...multiple hats as producer, equipment shop owner, label owner etc\u2026what is something people should also know about you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"That I am also son to an Italian cheese farmer with a speciality in blue and green cheese.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/kemal187/marco-bernardi-balaclava-ratface-mix-for-berceuse-heroique\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://soundcloud.com/kemal187/marco-bernardi-balaclava-ratface-mix-for-berceuse-heroique\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Between Glasgow and Bristol.. which would you say had more of an influence on you?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Definitely Glasgow, that's where I learned my sound and about my influencers. Bristol is great and definitely now a place I call home and the scene here is wicked, however Glasgow will always be my home and musical influence.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The Bristol scene has been popping of late\u2026 how do you feel about it?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Think its wicked, some great producers from this city, I am playing with one this week...(Hodge).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"As a gearhead, what\u2019s your favourite piece of gear when you first started?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"TR606\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"...as Octogen?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Access Virus\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"...this moment?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Bug Brand EQ\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"...that you cannot get enough of?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Juno60\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Wearing your hat as owner of Elevator Sound, what would you recommend as a starting kit for a producer?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A copy of Live, Expert Sleepers ES8, small eurorack case and some external modular effects.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your vision for Take the Elevator as a label? What do you look for before signing on a track\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"TBH that just happens when it happens, I don\u2019t plan anything for the label I just do shit on there when I can find the time and the correct tracks to put on there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Recent album or track on repeat for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Randomer's release on L.I.E.S.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/l-i-e-s/randomer-smoking-lies-096\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://soundcloud.com/l-i-e-s/randomer-smoking-lies-096\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Thoughts on your music career thus far?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's been a journey , just look at the lines on my eyes they will tell you.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us about the track \u2018Diffused Partition\u2019 made for the Andreas Gehm tribute?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"This couldn\u2019t have been more perfect timing as it was a track that we were both going to work on together, i started it ages ago and it sat there and we both spoke about swapping bits for it.. it never happened and i quickly bounced it down for the release.\"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=u1FTzXc9cTs&ab_channel=MidnightShiftSG\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What have you heard about Singapore and are looking forward to?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Looking forward to the Night Safari, looks amazing and of course wearing shorts.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-marco-bernardi\"},{hz3sj3gFn:\"2017-05-30T00:00:00.000Z\",id:\"kJWtpyft4\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ZwZ3UKoaPWlY7n2qdBiyHepDgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/ZwZ3UKoaPWlY7n2qdBiyHepDgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/ZwZ3UKoaPWlY7n2qdBiyHepDgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/ZwZ3UKoaPWlY7n2qdBiyHepDgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: WAHONO\",lZ2WhlLX5:\"30 May 2017\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Part of experimental band Zatua, behind cult label Divisi 62 and producer who has released on Maddjazz, Indonesia's wahono is pushing his nation's music envelope on a global scale. Keep watch.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=dPqF2pW6l2U&ab_channel=FreshGreatSounds\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How\u2019s the experimental music scene in Indonesia?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I would say that the experimental / left-field music scene in Indonesia is maturing and broadening its horizons. Groups like Senyawa, Karinding Attack and Hanyaterra have been gaining international momentum for the past few years - to me they are the people who have been spearheading the whole movement.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What would you recommend to someone as a primer introduction to Indonesian music?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Just like any other classifications of musical styles, the term 'Indonesian music' cannot really exist on its own. To me, there can never be an absolute definition to a particular style of music. Tomorrow the definition of \u2018Indonesian music\u2019 - or any other type of music for that matter - can already change. The exchange between what is local and what is global is happening more so than ever, so does the blurring of boundaries between genres and regions. This is something that we try to highlight in our label DIVISI 62 - interpreting and regenerating what we consume while being conscious of Indonesian tradition and values. Over the years, there have been a number of classic works by Indonesian artists. I would say that these works defy the 'Indonesian music\u2019 category, because they represent what the creators were absorbing at the time - that includes a lot of Western and other Asian influences as well. Some examples would be:\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Ken Arok - Harry Roesli\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=g8fymPBzuZE&ab_channel=Nicol%C3%A1sGuzm%C3%A1n\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Badai Pasti Berlalu Soundtrack - Eros Djarot, Chrisye\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=RRIlL8nQkOc&ab_channel=Nicol%C3%A1sGuzm%C3%A1n\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Mencari Tuhan - Kelompok Kampungan\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=MrF5jT7s9Fo&ab_channel=N-dimensionalharmonicoscillator\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Can you give us a list of 5 Indonesian records from your listening library?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Here are 5 Indonesian records that I\u2019ve been listening to a lot recently:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"1. Waldjinah - Walang Kekek\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"2.\\xa0Java - Sundanese Folk Music (UNESCO Musical Atlas)\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"3. Keroncong Parade Compilation\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"4. Kongso Adu Djago - Gusti Pandowo\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"5. Mus Mulyadi - Siksa Kubur\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How much of your nation\u2019s music that you love did you have to actively dig for or was it already part of your natural upbringing for example in your environment, family or surroundings?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I grew up on all kinds Western music. My father would share with me a lot of musical references from his youth - from jazz, soul/funk, 70s/80s pop, you name it. One of the things he would share constantly was local progressive rock and pop music. I was so baffled by what the Indonesian youth\u2019s creative spirit was about back then. They were able to integrate political and cultural narratives in their works so well - an approach that have become a fundamental model for me. Recently, I have been digging a lot of traditional music from Indonesia - particularly Javanese and Sundanese - that I neglected when I was growing up. I have more capacity to appreciate them now.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What would be a respectful approach towards sampling that you do?\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"In my definition, \u2018respectful\u2019 sampling is when the original piece of music is not being devalued and degraded, but rather taken to another place that the original piece was not able to go to on its own, beyond its initial intentions. This require producers to really know the narrative of the original piece of music as well as its technicalities. This idea applies to both sampling on a microscopic and macroscopic level.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your personal approach to making music? Can you tell us a bit more about your process? You often bring together various sources from vinyl to synths to handmade instruments - how does it all come together for every record?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"My approach varies every time. I have come to a point in my creative process where I am able to free my mind and leave things to chance - though it is important to have a narrative/concept and sonic nuances beforehand. More often than not, I would start with a simple idea, make quick decisions and just let things happen. Whether or not I'm satisfied with what I came up with is another matter. I have realized that, when I embrace error, I get to know myself more. There is no formula, I want to be as expressive and natural as possible.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Preference: Electronic or acoustic instruments? And why?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Absolutely no preference. Everything I can hear is an instrument to me.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.mixcloud.com/themixtapeclub/white-balance-by-wahono/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Check out White Balance by Wahono here\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Most unexpected sound source or device you\u2019ve used?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Broken FM radios and the sound of the garbage man shouting outside my house.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How much of what you do is about making a statement or making music? And do you think as a musician it is important to be making your music speak more?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I aim to tell a story and leave room for interpretation in everything that I do. Statements are a matter of perspective, they can change depending on the context, they are subjective after all. I am more concerned with the implication of a statement through the use of metaphors and symbols. What the work means and how it is perceived is not entirely for me as a creator to decide, it is for the audience. I believe that works of art that can stand the test of time have meaning that go beyond the creator and the work itself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Greatest takeaway of your time at Berklee? How has it helped you as a musician?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The people I've met and the lessons that I've learned outside of the classrooms, for sure. My experiences during those times helped me to become a well-rounded human being, more so than just a musician.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Artist%20Interview:%20wahono/%20facebook.com/wahonoproductions/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"facebook.com/wahonoproductions/\"]})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/divisi62\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"facebook.com/divisi62\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/divisi62\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"soundcloud.com/divisi62\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://divisi62.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"divisi62.bandcamp.com/\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/276758629454262/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift presents Hodge & Marco Bernardi (UK) with Wahono\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"3 Jun 2017\",/*#__PURE__*/ _jsx(\"br\",{}),\"Kilo Lounge\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"with\",/*#__PURE__*/ _jsx(\"br\",{}),\"Hodge\",/*#__PURE__*/ _jsx(\"br\",{}),\"Marco Bernardi\",/*#__PURE__*/ _jsx(\"br\",{}),\"Wahono\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),\"Jamie React\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-wahono\"},{hz3sj3gFn:\"2017-01-28T00:00:00.000Z\",id:\"hXAruI61T\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Hag2tD88Gkn1su5vtCb1Wmb0IM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Hag2tD88Gkn1su5vtCb1Wmb0IM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Hag2tD88Gkn1su5vtCb1Wmb0IM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Hag2tD88Gkn1su5vtCb1Wmb0IM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: MARCEL DETTMAN & BEN KLOCK - PHANTOM STUDIES\",lZ2WhlLX5:\"28 JANUARY 2017\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"We've finished the circle: one hundred releases on Ostgut Ton, the Berghain label that started in 2006 with this favourite pair of residents' single, \\\"Dawning\\\" (o-ton 01). It's safe to say that more of the genre's genius is on this label than any other, and it is fitting that this should be the double EP released to celebrate the occasion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With techno now rightly recognised as high culture, and with Berghain its Beyreuth, these recordings are more than just dance floor workhorses to party away some of the weekend. This is the sound of the club that is techno's hallowed ground. This music is a crucial part of the experience that many people say defines them and gives their spirit life. One hundred releases on a label such as Ostgut Ton is a major cultural event.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Marcel Dettmann and Ben Klock have time and again proven themselves to be worthy of the accolades that pour over them. Their sets are impeccable; their recordings redefined the genre. People come from all over the world to witness what techno's brightest stars offer, from Dettmann's immense openings that carve deep into the weekend, to Klock's mixing with surgical skill so precise that it stops sharp at 10:00:00 on Monday morning. These are two of the main players in the game, and here on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Phantom Studies\"}),\", we get to hear what made them great.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'The eponymous opening track sways sumptuously with an organ sound which recalls that some Berghainis say they are \"going to church\" on their Sunday, freeing themselves from the rest of their week in this autonomous zone that has lasted more than ten years. \"No one around\", my pick of the EP, is thumping modular techno that relies on the subtle exploration of hypnotic droning set across the heavy bass that epitomises the Ostgut sound. It\\'s the track where I can most sense myself lost in a place outside of this dimension, the kind of techno that makes it possible to disappear for hours on the dance floor. It\\'s of the same calibre as their first Ostgut Ton EP, \"Scenario\" (o-ton 11), on which they started their joint exploration of the minimal form.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'For those seduced by the sublime austerity of Dettmann II (OstgutCD28, 2013), \"Bad Boy\" might seem a bit jittery, but it is assured that many of these tracks will be enjoyed by dancers across the world, as these two DJs travel the globe bringing their music to their fans who can\\'t make it to Berghain every month.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Not all of the music is for the club, however. Imagine that draining sensation when the person you've just had an amazing anonymous darkroom experience with starts talking, and what they say only diminishes what you've just enjoyed? It can be like that when words are heard on tracks. Techno is a soundscape of infinite possibility - amoral, abject, it is experienced physically. Adding words makes it all too finite, even if with \\\"The Room\\\" we are reminded of the dark electronic 80s roots of German techno. Here Dettmann's masculine voice takes me back to spiky teen hair and desolate days in a slow track made for the k-hole or the lounge room, not the dance floor.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:'Rather than expanding the scope of \"Prophet Man\", the banal questions asked by Klock\\'s dark voice on the much funkier dub-tech \"spoken-word sermon\" (\"What is your favourite colour?\" \"How do you like your coffee?\"*) tripped me out of the vortices of that crystalline techno realm, and left me lagging. Dettmann & Klock are already inside our heads - how do these words add to the music? On a double-EP with so much good techno, it is frustrating to be troubled by such quotidien thoughts. \\xa0I just want to close my eyes and shut up and dance. Thankfully, with most of the music here, this is too easy.'}),/*#__PURE__*/ _jsxs(\"p\",{children:['This is not a diatribe against lyrics, per se. The words \"When it rains\" are repeated on the final track \"The Tennant\" to great effect. But they are just words, with no sentiment attached as this syncopated track drives hard through a bleak soundscape that showcases Dettmann & Klock\\'s musical brilliance. The track builds and swells until it bids us \"goodnight\" with a voice from a crazy dream. This is music perfectly composed to disappear into as I walk home in the dark to delve into my own dreams. It belongs on this great label.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"*A: black; and for coffee: if the Eisbar is open, an affogato.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Thanks to \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/aligned.agency/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Aligned Agency\"})}),\"\\xa0for making this review possible.\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-marcel-dettman-ben-klock-phantom-studies\"},{hz3sj3gFn:\"2017-01-08T00:00:00.000Z\",id:\"cNkNuSSbP\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/x8XqtRACgpV9kD5psuyetIBC8s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/x8XqtRACgpV9kD5psuyetIBC8s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/x8XqtRACgpV9kD5psuyetIBC8s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/x8XqtRACgpV9kD5psuyetIBC8s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: RYAN JAMES FORD \u2013 G5OLK 4RFETE \",lZ2WhlLX5:\"8 JANUARY 2017\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Ryan James Ford flashed into the public eye with his opening track on Marcel Dettmann's fabric77 [\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/article/211/Review+Fabric+77+Marcel+Dettmann\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"reviewed here\"})}),\"]. A few featured sets for MDR label nights around Europe, a bunch of super-subtle mixes for various podcasts, a new label of his own (SHUT), a release for Dettmann (MDR17) and this new EP on Answer Code Request's label, and it seems that Ford's star is truly on the rise. This native of Calgary makes playing the Berlin techno scene look easy, but it's clearly intense dedication blended with a natural ear that produced an EP of great originality. Like his champion, Dettmann, Ford produces emotionally-charged techno that moves delicately through a whole spectrum of moods, although steering away from the happier tones - this is a Berlin record, after all. It's a beautiful EP that spans ambient sensitivity and four-to-the-floor techno.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'As we heard on Dettmann\\'s fabric album, Ford is a master of sensitive beginnings. The dreamy ambient start of \"G5olk 4rfete\" summons listeners to drift along the synth-pop sounds with jagged electric guitar attacks that morph into a sparse metallic beat. This is the sound of new nostalgia. The layered complexity is almost overwhelming, but Ford holds us together like any solid DJ, giving just enough to push us along to the percussive \"Sketl trkt\", which indulges with complex snare patterns evolving seamlessly into drifting, droning sounds: the result is a sublime beauty. The dramaturgy of these tracks will make them so useful in the sets of DJs who play with a beautiful flow.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Ford\\'s real talent is his ability to sustain an emotional engagement \\xa0heavy with atmosphere. \\xa0\"Astrid Oelzant\" has a harder techno beat, with a strong opening and a wash of sound before the pace picks up and we are transported to a softer place with humming chords that are layered before a processed electric piano softly caresses the dancer languidly drifting through their hazy movements.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Not all of the tracks are so wistful. \"Kuhlp korkhu\" is a bouncy, banging club track that would be the energetic middle of a set, and the final track \"Kuana colbk\" scatters subconscious sounds by smothering them with a droning pitch out of which a beat starts to gather and swell.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The strange track titles of Ford's EP appear to be from some future language. The words look as if they are familiar, but to pronounce them is to express a new sound. Ford's techno displays the same characteristic: his sound is both familiar and new, comfortable and expansive; it recalls other artists while being fantastically original. He takes us into new territory with this EP that occasionally borders on the sublime.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/ryanjamesford/1-g5olk-4rfete_acr_303_preview?in=ryanjamesford/sets/acr-303-ryan-james-ford\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://www.mixcloud.com/MidiDeux/podcast-162-ryan-james-ford/\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-ryan-james-ford-g5olk-4rfete\"},{hz3sj3gFn:\"2016-12-29T00:00:00.000Z\",id:\"imYLRDsyR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/nxgBRpTty18Qk53UAmywvEfcI0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/nxgBRpTty18Qk53UAmywvEfcI0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/nxgBRpTty18Qk53UAmywvEfcI0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/nxgBRpTty18Qk53UAmywvEfcI0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ERIC CLOUTIER \u2013 HEURISTIC\",lZ2WhlLX5:\"29 DECEMBER 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Eric Cloutier might be the most exciting DJ alive. He\u2019s from Detroit; they love him in Japan: what more needs to be said? Whether he's tearing up the dance floor in a warehouse party in Sydney, or blowing away the seasoned punters locked in his groove at The Bunker in New York, he reads the crowd with more ease than an old man reading the paper. Who else would shut down the music to abject second\u2019s silence mid-set on a Sunday afternoon at Berghain and come straight back in with \\\"Cameras ready, prepare to flash\\\"? That wasn't just bold - it was showing the crowd how good a set can be, a total change of direction that took off like a rocket. I have never felt quite the same energy in that place. It's one of the best things I've seen without getting wet, and I wasn\u2019t even high.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Cloutier has recently stepped away from the mixer and into the studio, and happily what he has produced shows his deep knowledge of how to intelligently engage the dance-floor sybarite. 'Heuristic', his second EP, pumps along as one would expect from a DJ's DJ, with so much subtlety to hang other tracks on, but really it\u2019s a record for dancers \u2013 and I suspect that when he is alone, Cloutier really knows how to move. This release only contains tracks with a deep, tasteful flow. It's impossible to keep still with his techno running through us like a life force. Listen to the title track, \\\"Heuristic\\\", with its bouncing hook: you'll never manage to resist Cloutier's hypnotic charm.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Seeing him create a sonic journey is pure bliss. His subtle productions will find the perfect home in his voluptuous sets. Catch him and let him feel his way inside you. You\u2019ll come away changed.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/cloutier/sets/palinoia001-eric-cloutier\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://soundcloud.com/cloutier/sets/palinoia001-eric-cloutier\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-eric-cloutier-heuristic\"},{hz3sj3gFn:\"2016-11-19T00:00:00.000Z\",id:\"QOJxvwMgJ\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/DikoWTUFUSBUMB6VO77EE6wtis.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/DikoWTUFUSBUMB6VO77EE6wtis.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/DikoWTUFUSBUMB6VO77EE6wtis.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/DikoWTUFUSBUMB6VO77EE6wtis.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: JONATHAN KUSAMA\",lZ2WhlLX5:\"19 November 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Released on Cocktail D'Amour, I'm a Cliche and Love on the Rocks, Jonathan Kusuma is a musician, producer and DJ from Jakarta and based in Singapore. Get to know a little more about this elusive figure, responsible for some of the most tripped out EBM meets disco tracks from this dimension. Catch him at Midnight Shift 8 YRS feat. Karim Sahraoui.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you get your first break musically?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I didn\u2019t get a \u201Cbreak\u201D as such, but things really started getting together for me musically with Space System, my band with Aryo, and the record label we used to run, Space Rec. We were interested in exploring the same sounds, compositions etc.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Name one music record that defines you.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"There are too many!!\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What is important to you as a musician?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Being consistent with what you believe in and staying true to yourself.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe your sound or what you do to your grandmother?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Weird noises, strange melodies, dark vibes, sarcastic meanings, representing city situations, silly compositions.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Are you a producer first or a DJ first? Is there a difference for you?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"A producer first. Yes of course, for me, you connect with music differently when you\u2019re producing and DJing. \\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What are some of your inspirations to make music?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"My surroundings, everyday life, what\u2019s happening in the world right now maybe? But I think I get inspiration most from learning about music itself, exploring sounds through synthesizers, trying out new techniques and ways to compose, from party experiences, my dog.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Any chance of an album soon?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Yes. Next year hopefully.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"3 inspiring tracks for you right now?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Lena Platonos (Red Axes RMX) - \u201CWitches\u201D\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=7oQy5mgGXGI&ab_channel=biciklboy\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"GILB'R - \u201CCham\u201D GILB'R & DJ SOTOFETT VERSION TWO\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=TkMYRbpAph8&ab_channel=7296272962\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"KARAMIKA - Ton 06\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Zd2IRUC3cXc&ab_channel=SoundStationStrategy\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Name one piece of hardware you cannot live without and why?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Only one? I guess my Electron Analog Four.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"A special tip you have for aspiring producers?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Keep trying.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s coming up for you in 2017?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"An album and some remixes.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you for the MNS Anniversary party?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I\u2019m gonna test out my new tracks tomorrow, hopefully they work :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Artist%20Interview:%20Jonathan%20Kusuma/jonathankusumamusic.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"jonathankusumamusic.bandcamp.com/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Artist%20Interview:%20Jonathan%20Kusuma/soundcloud.com/jonathan-kusuma\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"soundcloud.com/jonathan-kusuma\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift 8 YRS feat. Karim Sahraoui\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"19 Nov 2016\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"CATO\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"10pm onwards\\xa0\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"with\",/*#__PURE__*/ _jsx(\"br\",{}),\"Karim Sahraoui\",/*#__PURE__*/ _jsx(\"br\",{}),\"Jonathan Kusuma\",/*#__PURE__*/ _jsx(\"br\",{}),\"Yadin\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),\"Jamie React \\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"To RSVP for complimentary entry before 12am, please click on the following link: \",/*#__PURE__*/ _jsx(Link,{href:\"https://rsvpd.co/e/1101998\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://rsvpd.co/e/1101998\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-jonathan-kusama\"},{hz3sj3gFn:\"2016-09-21T00:00:00.000Z\",id:\"c68W46zGF\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Wh88RrdSI0Z0rG61F6CrELYU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Wh88RrdSI0Z0rG61F6CrELYU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Wh88RrdSI0Z0rG61F6CrELYU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Wh88RrdSI0Z0rG61F6CrELYU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: EDYCTED\",lZ2WhlLX5:\"21 September 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us about yourself, why do you call yourself Edy Edycted?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I was born 1980 in Seremban City Rockers, Negeri Sembilan, Malaysia. I come from a village called Kampung Jiboi. Yes, I\u2019m proud of it. People in my hometown called me Edy. It started when my family called me that name too. I cant remember why my family called me that name even though my full name doesn\u2019t have any element of Edy. Yeah I like that name.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"In late 90\u2019s, I moved out from the village and stayed in Kuala Lumpur. That\u2019s where the journey of my life begins. I\u2019m getting addictive...Addicted to music, addicted to fashion, addicted to Rock and Roll and addicted to the love of my life (now my wife). Yes, I\u2019m still addicted to her. \u263A\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"In 1999, I start listening to electronic music. I started listening to dance music, falling in sync with an era veering towards electroclash. I listened to post rock, new wave, punk, ska, indie dance. I found myself dancing to electronic music on Malaysia's rave scene dancefloors. I started getting more involved in the local music scene since then and started off spinning at private sessions. \\xa0Though I loved music, I never saw myself as a musician. So I also started to think about my DJ name. One of my friends, Jiman Casablancas is the one responsible for my \u2018Edycted\u2019s\u2019 name. Maybe he has his opinion about the history of this name. Hahaha... and I love it! Thanks Jiman.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you begin Djing?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"At that time electroclash invaded Kuala Lumpur. The Club Kids. Ethan Chu, one of my friends organised one party at Maison Club, Kuala Lumpur. He is the one who give me a chance to DJ in a club because he knows that I can spin. That\u2019s my first gig in 2004. And I opened for the lead singer of one of Thailand\u2019s band, FUTON. So that\u2019s how my journey as a DJ began. I got a gig every week in the club. But I never had any residency.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us about the time of ska and punk music for you?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I love the Clash. \\xa0I love Joy Division. \\xa0I love Cock Sparrer. \\xa0I love The Special. I love Madness. I love skanking. I love to dance. \u263A\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you love about techno music now?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Now in techno music, I can see a lot of colours inside it. I think everything is already there. For me my colour is deeper and darker but still with a sexiness. I\u2019m not interested in trends. So choose your techno properly. \u263A\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What does techno mean to you?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Love, anger, pain and loss into techno.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe the KL scene. Has it changed? How?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Nothing change.. still alive and kicking! But people\u2019s change.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us more about Love.Play?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Is a podcast channel handled by a friend of mine from Singapore Robo X. He is the founder of this label. Currently he is active with production. So he invites me to join his label as a DJ. We exchange gigs by using this label in Singapore and Kuala Lumpur. We collaborated for the first time at Ying Yang Rooftop Bar, Singapore and Tetto Rooftop Bar, Kuala Lumpur. Now, we are busy with our lives. Now, he uses this label as a podcast channel. Tune in and subscribe to our podcast channel for a taste of things to come.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/loveplayradio\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.mixcloud.com/loveplayradio\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.twitter.com/loveplayradio%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.twitter.com/loveplayradio\\xa0\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite DJ? Why?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Ben Klock. I don\u2019t know. I like his sounds.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite dancefloor moment?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"A moment when I can dance with my love.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite club?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Berghain\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What keeps you going?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"The music and the vibe.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What track will you play at sunrise?\\xa0\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Regal \u2013 Whispers of Love\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=fisqhREvOvY&ab_channel=Garrou\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"At sunset?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"New Order \u2013 Bizzare Love Triangle\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The track you will play at a wedding?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"The Smiths - Please, please, please let me get what I want\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you at Midnight Shift X Technologue?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I will be carrying Technologue\u2019s name and bring it to Singapore. It\u2019s a heavy task to me. But I would like thank the Technologue crew and Midnight Shift crew for this opportunity to me. The boss said \u201Cjust bang it\u201D. Definitely will bang it in Cato! See ya there!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift x Technologue\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"23 Sept 2016\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"CATO\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"with\",/*#__PURE__*/ _jsx(\"br\",{}),\"Edycted\",/*#__PURE__*/ _jsx(\"br\",{}),\"Kaye\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),\"Jamie React\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To RSVP for complimentary entry before 12am, please click on the following link: \",/*#__PURE__*/ _jsx(Link,{href:\"https://rsvpd.co/e/913273\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://rsvpd.co/e/913273\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-edycted\"},{hz3sj3gFn:\"2016-07-12T00:00:00.000Z\",id:\"W38HhefYZ\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Oqm22L2lbQgGxz4bmGwzkePg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Oqm22L2lbQgGxz4bmGwzkePg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Oqm22L2lbQgGxz4bmGwzkePg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Oqm22L2lbQgGxz4bmGwzkePg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ANJA ZAUBE \u2013 NMRS002\",lZ2WhlLX5:\"12 JULY 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The second vinyl release on new Berlin label Nemorous Records is again by Anja Zaube, a rising star of the techno underground renown for her sophisticated soundscapes that form a backdrop to intelligent, dark techno sets. It's more about the experience when you see Zaube play, not riding free on high energy, but burying yourself deep in the moment as you follow her tasteful selections, elegantly mixed. She sounds her best on Berghain's funktion-1, where I hope she returns often, but is more often found at ://about blank, playing to a sea of disassociated dancers swaying deeply to the music. Those tears in timespace, where only the immediate exists and will dissipate along with the final notes of her set, are saturated with Zaube's sound. Here she presents us with another original EP that will sit comfortably in sets by DJs who strive for some emotional connection in their mixes: throughout her EP, Zaube creates meditative reveries where there is ample space for contemplation. It's pure pleasure to connect with her music on Berlin dance floors.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Ravenous (Blind Observatory remix)\" starts fast from a subaquatic opening, droning pleasantly out of the blankness with rising chords and beautifully sown notes that push up out of the earth and blossom in ecstatic melancholy. If you were expecting more dark urgency from the composer of \"Thicket\", you will be surprised to hear how light Zaube\\'s touch can be.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Lost Kopie\" has a dark, slow tempo to grind to. Hypnotic in its intent to pull you into an enclosed shell outside of which nothing exists, you feel yourself sway and move your hips, with your face turned up towards the strings sounding above you. The pace picks up deliberately, increasing the pressure, expanding the intensity without letting it burst, your breath unconsciously held, sometimes relaxing until it is there irresistibly again. It feels like a wave that is never going to crash, a desire that will never quite be satiated. And when it does, the last aftershocks pulse through you, slowing and dying and making you smile. This track leaves me with dilated pupils. \\xa0',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Wherever\" infuses a slow, deep, resonating bass with dreamlike modulating sounds. It is music for well into the middle of the party, when the first waves of pleasure have been enjoyed and you need to dig deep into yourself to find another strength. She picks up the pace, seducing us into movement. This is techno for the body, when your mind is about as blank as it can be, except for the sounds that stimulate recesses deep within your brain, when you dance, lips half open, feeling all of your muscles numbing, and your skin tingle at the resonating beat.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Ravenous\" picks up fast after the soft explorations of \"Wherever\". It logically follows the energetic end of a set. Famished crow-calls are sampled into the track, which has an ambience reminiscent of dark 80s synth-pop in the way the sound is processed, smothered in long chords before a high hat chases us towards the end. When the beat withdraws, I am floating over a sea of people left behind. Melancholic chords suspend me; a heartbeat bass drum leads to a sublime ending with little notes of hope scattered like tiny presents tinkling among the dark drone. Zaube softly wakes me from a dream that I did not want to end just yet, and holds us close with the faintest tinkling of bells until we return to our bodies, becoming complete again.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you want to listen to intelligent, sophisticated techno, Anja Zaube is for you. Ravenous left me hungry for more.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/nemorousrecords/a1-anja-zaube-ravenous-nmrs002?in=nemorousrecords/sets/anja-zaube-nmrs002\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-anja-zaube-nmrs002\"},{hz3sj3gFn:\"2016-07-10T00:00:00.000Z\",id:\"IpWu_h71U\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/hWrH9mfGKHNfdo0Hqc1AUZDPHhg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/hWrH9mfGKHNfdo0Hqc1AUZDPHhg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/hWrH9mfGKHNfdo0Hqc1AUZDPHhg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/hWrH9mfGKHNfdo0Hqc1AUZDPHhg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: PUZZLE\",lZ2WhlLX5:\"10 July 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Peter Puzzle is one of the members of the Leisure System label and collective based in Berlin with a resident night at Berghain. Alongside DJ N>E>D, Barker and Area Boy, read about Puzzle's inspirations and what's coming up for the boys next.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"From throwing parties to DJing and owning a label, what would you say you are primarily first and foremost?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"They all bleed into each other, of course getting that direct contact with an audience who's feeling what you're playing is almost unparalleled. But I take equal pride in when we've put together an amazing night or release some awesome music. It's all about giving out goodness.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How did the name Leisure System come about. After 7 years now, how\u2019s things going?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"The original founders Ned Beckett and Sam Barker came up with the name, think they wanted to indicate a bit of a different vibe from the other Berghain parties at the time. Inject a bit of fun into the seriousness. We're all very Leisurey by nature ;)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the best thing about what you do\u2026 and what\u2019s the worst?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Personally it's about meeting amazing people all over the world. Giving and sharing those special moments. The worst is probably catching early morning flights after partying all night, first world problems I know ;)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s up for Leisure System in the 2nd half of the year?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"We got our massive 25th Berghain bash coming up mid July, just had our 2nd Glagow event and Dimensions stage coming up. Plus some very special releases that we'll lift the veil on soon.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What are some favourite moments for the parties?\",/*#__PURE__*/ _jsx(\"br\",{})]}),'There are a few line ups that when we look back, we\\'re like \"we really nailed that one\" they serve as beacons for us to adhere to our high standards.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are some of your favourite 5 records of the moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"New Kuedo, Sharp Veins, Amnesia Scanner, Rob Clouth, Mind:Body:Fitness.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=5kz3axn9nwY&ab_channel=RobertClouth\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite Leisure System release? Why?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tough one, personally JETS i think cause it was this magic thing of having 2 close friends Jimmy Edgar, and MachineDrum trust us with something like that, plus the track were sick. Also JoeFarr just cause for about 6 months before it came out, every time I'd play those tunes people would ask what they were.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/leisuresystem/in-her-city?in=leisuresystem/sets/jets-jimmy-edgar-machinedrum\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Listen to JETS (Jimmy Edgar & Machinedrum) \u2013 In Her City here\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Have you heard anything about Singapore? What are you looking forward to?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've been once before, my favourite thing apart from the general aesthetic of the city was the the most common first question was \\\"what have you eaten so far?\\\" and probably what I'm most looking forward to again. You guys have so much yumminess!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your DJing philosophy, if any?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Hmm I like to keep people a bit on their toes and play a lot of varied stuff. \\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you for the show with Objekt?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm putting together a special set just for the night, so I'm hoping you'll enjoy it!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/pzlwsl\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/pzlwsl\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/leisuresystem\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/leisuresystem\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.leisuresystem.net/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.leisuresystem.net\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift feat. Objekt // with Puzzle, dyzfnktn, Haan\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 25 July 2015\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\",/*#__PURE__*/ _jsx(\"strong\",{children:\"With:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Objekt\",/*#__PURE__*/ _jsx(\"br\",{}),\"Puzzle\",/*#__PURE__*/ _jsx(\"br\",{}),\"dyzfnktn\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP for complimentary entry before 12.30am:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"https://rsvpd.co/list/1593218414278012\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://rsvpd.co/list/1593218414278012\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-puzzle\"},{hz3sj3gFn:\"2016-03-31T00:00:00.000Z\",id:\"GyB4uRUrR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/rfC56vCZ6PzCUyVZrZtoIxQXI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/rfC56vCZ6PzCUyVZrZtoIxQXI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/rfC56vCZ6PzCUyVZrZtoIxQXI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/rfC56vCZ6PzCUyVZrZtoIxQXI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: JERLS\",lZ2WhlLX5:\"31 March 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"DJ/producer Jerls of NoPartyHere emerged from the local hardcore scene at 15 and now works out on a different dancefloor but with the same frenetic energy of UK-influenced sounds from house to techno, dubstep and bass. Catch him on the shift this Saturday 2 April 2016.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You come from an interesting music background. What made you first switch from hardcore to electronic?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"It wasn\u2019t really much of a switch, we started playing around with electronic sounds to incorporate into our music, thus the birth of the band\u2019s new sound and album in \u201907 which has elements of both teenage angst and spikes of dance-y electronic kicks. From there, I started producing my solo electronic music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What was the local hardcore scene like when you were 15?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The scene was amazing, before social media took over the community. We\u2019d collectively meet at a gig and appreciate the whatever band was playing, some gigs were 18+ so we\u2019d have to brainstorm on how to crash it, which made the experience much more memorable. There was no judgement in the way you dress, the music you like, the music you play, it was a circle where you can express yourself freely.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Are there still hardcore influences in your music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"There was in my first Dubstep album \u2018Owvle\u2019, I\u2019ve been leaning more towards the UK Bass sound ever since. I wouldn\u2019t say there\u2019s much hardcore influences in my music now, but those were good times.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you do at Potato Head Folk and next, No Party Here?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I handle the Creative and Marketing aspects of Potato Head Folk along with Audrey Choy, we do things weird but things work out. No Party Here is fun fun fun with Louis Lam and Audrey Choy, but I\u2019m also the downer that tells them that this or that party wouldn\u2019t work because of P&L, yeah I\u2019m that guy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who or what are some musical influencers of yours?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I\u2019m a huge Michael Jackson fan, I wouldn\u2019t say I\u2019ve got much of any musical influence from MJ but he\u2019s definitely imprinted something in me. Otherwise, listen to Rinse FM.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What makes a good DJ in your opinion? Can you name a few you have seen?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Good looks, good body, smashing moves while on set\u2026 kidding, but these are what made some DJs famous today isn\u2019t it. I was exceptionally impressed with DJ EZ\u2019s set, it wasn\u2019t a live set or anything fancy in particular, it was the mixture of good track selection, how each track compliments each other and how he reads the crowd. And oh yes Mr Goldie forever.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Any new music cooking in the studio? What\u2019s your workflow like?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I just released an album \u2018Boston Cream\u2019 which is kind of like a music journal of Jerls for the past 4 years, it sounds more like a compilation than an album actually. Work flow of music production\u2026 Probably a really comfortable pair of pants (that\u2019s priority), then lie on my stomach and that\u2019s when magic happens, good or bad.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What are some of your hardware of choice? Any tips you can share?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I absolutely love the M-Audio Trigger Finger, it\u2019s discontinued but it\u2019s probably more of nostalgia thing than an efficient tool, actually it\u2019s not even that good. No tips, ask for tips from a good producer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Personal life motto?\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"I\u2019d say \u2018One Life One Chance\u2019 because that\u2019s tattooed on me, which also kinda means YOLO! But yeah, live life to it\u2019s fullest.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The soundtrack of my life is\u2026\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"The soundtrack of Titanic\u2026 not kidding.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you this Saturday?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A warm up set of Techno & Bass sounds, tracks that makes you bob your head and tap your feet, but not to the point of extreme raving, but you kinda want to, but it\u2019s too early to rave kinda vibe.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/jerlsjerlsjerls/sets/boston-cream-lp\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Listen to Jerls \u2013 Boston Cream LP here\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.soundcloud.com/jerlsjerlsjerls\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"soundcloud.com/jerlsjerlsjerls\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift with\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Hodge & Rivet\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Supported by:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Lily's Rose\",/*#__PURE__*/ _jsx(\"br\",{}),\"Jerls\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Visuals:\",/*#__PURE__*/ _jsx(\"br\",{}),\"HeyLou (NoPartyHere)\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 2 Apr 20156\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"To RSVP for complimentary entry before 12.30am:\"}),\"\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"https://meetapp.co/e/412206\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://meetapp.co/e/412206\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-jerls\"},{hz3sj3gFn:\"2016-01-27T00:00:00.000Z\",id:\"VZGvAYTLk\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/jO8A6GmIxwKhKcSXq63byRyzLVY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/jO8A6GmIxwKhKcSXq63byRyzLVY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/jO8A6GmIxwKhKcSXq63byRyzLVY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/jO8A6GmIxwKhKcSXq63byRyzLVY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: TZUSING\",lZ2WhlLX5:\"27 January 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Shanghai-based, Malaysian Chinese Tzusing makes his Singapore performance debut, having released tracks like \u201C4 Floors of Whores\u201D on fabled label L.I.E.S., we figured he would be good for a visit to the actual site. Catch his interview here before the action on 30 Jan 2016 at kyo.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=BTGXnhJ_QiA&ab_channel=BoilerRoom\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How did you spend your new year\u2019s?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Was up in the Mountain in Nantou county with some friends. Just chilled in a cabin type deal and played cards. We set off some fireworks and was very pleasant. Like old times.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are some of your musical influences? Where do you get your inspiration from?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"JTC, Gesloten, White Car, Traxx, \\xa0Ancient Methods, Beau Wanzer.\\xa0From images, movies and whatever my mind is obsessing over at the moment.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How would you describe your music to someone else?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Seemingly aggressive.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A movie you'll recommend to a stranger.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Just re-watched Heat recently. I would highly recommend this. \\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A track you'll play after a long period of silence.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=OX44wOWC3xM&ab_channel=%E2%80%A2Noah%E2%80%A2%F0%9F%8E%A7\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Do you have a story from 4 Floors of Whores?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I don\u2019t, lets make some. \\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rUITFKmuA8c&ab_channel=EEEEEE\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's your resolution?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Get healthy!\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Any new output or projects coming up in 2016?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Ya. \\xa0Ep for LIES and trying to finish a LP for LIES as well. Will also have a track on Track Vol2 on Citi. Will also be doing some collabo projects.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Vinyl or digital?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Vinyl.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Three video links?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Mono Junk - With you\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Maybe the best music video from last year. The song is perfect and the movie if you seen it before is about that longing. They also picked my fav scene from the movie as i\u2019m really into scenes where people eat.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"James T.Cotton - The Drain\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"A track from my biggest influence in music. Highly underrated figure in Hiphop, Jungle, IDM, he also makes house, techno and industrial.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Magenta Glen Fox\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"To me skateboarding is one of the most fun things to watch. Those that really hit that next level are ones that are able to really express themselves on this piece of wood with 4 wheels attached. That moment when you can really see an individual thru movement. To me it\u2019s an art form similar to dance. It\u2019s all aesthetics, it\u2019s all about what looks good. I find the x-games and point scoring technical skateboarding to be really boring and taking away from skateboarding. They turn it into the same competitive jock bullshit that makes sports so boring to me. I can list too many good skate videos but recently i really dig this company Magenta and the videos they have been putting out. This guy has a really fresh manic style of skateboarding and power slides are the best! It\u2019s messy and raw kinda like LIES records lol ;)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you for the party on 30 Jan?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Think Steve Aoki minus the cake and minus the music and minus the hair and minus the moustache. \\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/tzusing\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/tzusing\"})})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift feat. Xhin, Tzusing, FAL:X, Haan and Adam Froghyar\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 30 Jan 20156\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"With:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Xhin\",/*#__PURE__*/ _jsx(\"br\",{}),\"Tzusing\",/*#__PURE__*/ _jsx(\"br\",{}),\"FAL:X\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),\"Adam Froghyar\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To RSVP for complimentary entry before 12.30am:\"]}),\"\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"https://meetapp.co/e/178227%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://meetapp.co/e/178227\\xa0\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-tzusing\"},{hz3sj3gFn:\"2016-01-24T00:00:00.000Z\",id:\"zWWCw7OCF\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/qrgKCIC89KAryygMm4RRCOttUPM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/qrgKCIC89KAryygMm4RRCOttUPM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/qrgKCIC89KAryygMm4RRCOttUPM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/qrgKCIC89KAryygMm4RRCOttUPM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: FAL:X\",lZ2WhlLX5:\"24 January 2016\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"FAL:X began throwing Lepalooza parties at the now defunct Home Club and his passion for techno grooves with dark textures and hypnotic rhythmic structures found its way to releases on Cobb Recordings and ItaloBusiness and a monthly podcast on Fnoob Techno Radio, while playing gigs in between Singapore and Spain. Check out his exclusive mix and interview for Midnight Shift ahead of the party at club ky\u014D this 30 Jan 2016. RSVP details below.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/midnight-shift/falx-for-midnight-shift-jan-2016\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Listen to FAL:X for Midnight Shift Jan 2016 here\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What was your new year's resolution?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Trying to find a good balance between my social life, work and music. Thing is, I am working on a new EP this year so that means I will be spending more time in the studio. Let\u2019s see what happens.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are some of your musical inspirations?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Richard Devine is one of them. I\u2019ve always admired his work and his style of production that combines heavily-layered processed sounds with influences ranging from hip-hop to old and modern electronic music. His excellent knowledge in sound design using both digital and analogue modular synths and adding field recordings really inspires me. Really just goes to show that you can create music out of anything.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Vinyl or digital or both?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Both. Vinyls are great and I tend to get hardcopies of music from my favourite artists for collection purposes, their beautiful artwork and also to support the industry. I prefer using digital files for my gigs as they are more convenient.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe your music to your grandmother?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Mechanical noises, dark drones and a few synth/computer-generated sounds with a brooding bass line and repetitive drum kicks. Trust me, she will understand.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you first get started with electronic music?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I first started listening to electronic music back in 2000. Back then I listened to everything and gradually over the years, I found myself gravitating towards this particular type of sound that I am currently listening to and playing nowadays.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's next for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I like to experiment in my home studio whenever I have the time, so naturally the next step for me is to create new music and finish up my EP that I had mentioned earlier.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Can you share with us 5 YouTube videos?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=vF1T-AEH2GA&ab_channel=FlyingLotusVEVO\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=qiP2b6Xuj24&ab_channel=KillekillBerlin\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Xw5AiRVqfqk&ab_channel=Hi%2CI%27mBen.\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is a common misconception about you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I don\u2019t know a lot of guys in the local scene to be honest and so I might come across as reserved and quiet but I am just shy, really.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Best album you heard in 2015?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"There were so many good albums released last year but the one that stood out for me personally would have to be Berlin-based Ostgut Ton\u2019s Zehn compilation album. Each artist has his own distinct sound coupled with the various moods which made this album an ace.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you for the party on 30 Jan?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I will be playing some of my unreleased and soon-to-be released tracks.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any shout outs?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Thanks to everyone who had supported me from the start. There won\u2019t be a party without you guys!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/fal-x\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/fal-x\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift feat. Xhin, Tzusing, FAL:X, Haan and Adam Froghyar\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 30 Jan 20156\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"With:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Xhin\",/*#__PURE__*/ _jsx(\"br\",{}),\"Tzusing\",/*#__PURE__*/ _jsx(\"br\",{}),\"FAL:X\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),\"Adam Froghyar\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To RSVP for complimentary entry before 12.30am:\"]}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"https://meetapp.co/e/178227%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://meetapp.co/e/178227\\xa0\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-fal-x\"},{hz3sj3gFn:\"2015-09-14T00:00:00.000Z\",id:\"l9NEFMsMu\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/sgwDFLWsSqHxj7esQM1n8qOQk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/sgwDFLWsSqHxj7esQM1n8qOQk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/sgwDFLWsSqHxj7esQM1n8qOQk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/sgwDFLWsSqHxj7esQM1n8qOQk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ANJA ZAUBE \u2013 SYLVAN STRUCTURES & THICKET\",lZ2WhlLX5:\"14 SEPTEMBER 2015\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The second vinyl release on new Berlin label Nemorous Records is again by Anja Zaube, a rising star of the techno underground renown for her sophisticated soundscapes that form a backdrop to intelligent, dark techno sets. It's more about the experience when you see Zaube play, not riding free on high energy, but burying yourself deep in the moment as you follow her tasteful selections, elegantly mixed. She sounds her best on Berghain's funktion-1, where I hope she returns often, but is more often found at ://about blank, playing to a sea of disassociated dancers swaying deeply to the music. Those tears in timespace, where only the immediate exists and will dissipate along with the final notes of her set, are saturated with Zaube's sound. Here she presents us with another original EP that will sit comfortably in sets by DJs who strive for some emotional connection in their mixes: throughout her EP, Zaube creates meditative reveries where there is ample space for contemplation. It's pure pleasure to connect with her music on Berlin dance floors.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Ravenous (Blind Observatory remix)\" starts fast from a subaquatic opening, droning pleasantly out of the blankness with rising chords and beautifully sown notes that push up out of the earth and blossom in ecstatic melancholy. If you were expecting more dark urgency from the composer of \"Thicket\", you will be surprised to hear how light Zaube\\'s touch can be.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Lost Kopie\" has a dark, slow tempo to grind to. Hypnotic in its intent to pull you into an enclosed shell outside of which nothing exists, you feel yourself sway and move your hips, with your face turned up towards the strings sounding above you. The pace picks up deliberately, increasing the pressure, expanding the intensity without letting it burst, your breath unconsciously held, sometimes relaxing until it is there irresistibly again. It feels like a wave that is never going to crash, a desire that will never quite be satiated. And when it does, the last aftershocks pulse through you, slowing and dying and making you smile. This track leaves me with dilated pupils. \\xa0',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Wherever\" infuses a slow, deep, resonating bass with dreamlike modulating sounds. It is music for well into the middle of the party, when the first waves of pleasure have been enjoyed and you need to dig deep into yourself to find another strength. She picks up the pace, seducing us into movement. This is techno for the body, when your mind is about as blank as it can be, except for the sounds that stimulate recesses deep within your brain, when you dance, lips half open, feeling all of your muscles numbing, and your skin tingle at the resonating beat.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Ravenous\" picks up fast after the soft explorations of \"Wherever\". It logically follows the energetic end of a set. Famished crow-calls are sampled into the track, which has an ambience reminiscent of dark 80s synth-pop in the way the sound is processed, smothered in long chords before a high hat chases us towards the end. When the beat withdraws, I am floating over a sea of people left behind. Melancholic chords suspend me; a heartbeat bass drum leads to a sublime ending with little notes of hope scattered like tiny presents tinkling among the dark drone. Zaube softly wakes me from a dream that I did not want to end just yet, and holds us close with the faintest tinkling of bells until we return to our bodies, becoming complete again.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you want to listen to intelligent, sophisticated techno, Anja Zaube is for you. Ravenous left me hungry for more.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/nemorousrecords/a1-anja-zaube-ravenous-nmrs002?in=nemorousrecords/sets/anja-zaube-nmrs002\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/anja-zaube/29-09-13\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-anja-zaube-sylvan-structures-thicket\"},{hz3sj3gFn:\"2015-09-11T00:00:00.000Z\",id:\"OA_WFxeHR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/KoOVllUlu7Jg7POdeXopyO1aSI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"MIDNIGHT SHIFT FREE TRACK SERIES\",lZ2WhlLX5:\"11 SEPTEMBER 2015\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Free tracks reprise from Midnight Shift. Don't miss the downloads that have been given out courtesy of our label family. More will be added soon.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/midnight-shift/free-track-basic-soul-unit-undercurrent?in=midnight-shift/sets/midnight-shift-free-track-series\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"midnight-shift-free-track-series\"},{hz3sj3gFn:\"2015-07-07T00:00:00.000Z\",id:\"x505AHFUI\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/6EzJ37AVrbd1ChKwU4Z20LgecX0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/6EzJ37AVrbd1ChKwU4Z20LgecX0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/6EzJ37AVrbd1ChKwU4Z20LgecX0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/6EzJ37AVrbd1ChKwU4Z20LgecX0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: DYZFNKTN\",lZ2WhlLX5:\"7 July 2015\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"dyzfnktn aka Harv Chail, DJ, label owner of the steadily growing Phyla Digital and all-round scene stalwart has held his corner since taking to the decks in 2007-2009. Catch him represent the Singapura leftfield on 25 July before Puzzle and Objekt takeover.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Describe a day in the life of dyzfnktn.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I try to wake up at 8am for work, but spend at least half hour snoozing, before i realise I\u2019m running late and then scramble to get ready and leave the house. The rest of the day would involve me alternating between my day job, discovering new music (producers sending us new tunes/soundcloud/spotify) and spending quality time with my loved ones.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did you get started in the Singapore music scene?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Used to go for lots of band gigs/concerts throughout my school days, and then at some point i discovered electronic music. Chancing upon the Exitmusik and Frontal Labs forums definitely helped with the discovery of more dope music and nights. Going to Homeclub and Zouk a lot in the early days and mingling with people from different music scenes helped solidify my love for drum and bass and 4/4 music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite memory or rave moment in the scene?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"DJ Marky lifting up the turntable, turning it upside down and then proceeding to show us his mad skills by scratching the record. I was lucky enough to witness that twice. Priceless.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Your key influences in life?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Music has got to be one of the biggest influences, growing up listening to my Dad\u2019s and uncle\u2019s records has definitely made an impact on my life. Aside from that, travelling and food.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What makes a good record for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Nice variations in the drums, lots of low end frequencies, good sampling and groove.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"A record that represents you and why?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Prodigy - The Fat of the Land. I walked into my neighbourhood record store, and saw this cassette tape and the cover really intrigued me. I went ahead to try it out and my mind was blown. each track on offer was identified by its own singular and distinguished sound. The mish mash of different styles and genres really stood out for me and it inspired me to always keep my ears open to leftfield sounds.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"3 tracks on your playlist right now?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Peverelist & Hodge - What Your Heart Knows\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=lKad4cfz-H8&ab_channel=MachineFunkSavantage\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Randomer - Stupid Things I Do (New School Mix)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=zs8sI_Cwv9w&ab_channel=ourTunes\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"JETS - U-N-I feat. Jamie Lidell\"}),\" \",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tell us about Phyla Digital, where it came from and where is it going?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"it came from the desire to change the state of play. To provide a platform for Singaporean producers who deserved to be heard beyond their bedrooms. Now a growing movement with plenty of producers hitting us up from all corners of the globe, we are aiming to be a point of reference and an idea that catches on with our nation and globally. With the intent of keeping our focus on local producers and doing more shows in Singapore and the region, Phyla Digital has slated more tunes to be released from the pool of local talents here, including debut releases by FZPZ, Anomy, MXND//KRFT and a few other fresh faces.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Share with us 3 tracks from the label.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"https://phyla.bandcamp.com/album/the-freeform-ep-phyla004\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Fauxe - Slow Driving\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://phyla.bandcamp.com/album/outrage-of-modesty-phyla012\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"O$P$ - The Singularity is Near\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://phyla.bandcamp.com/album/insomnia-ep-phyla003\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Diphasic \\xa0- Soulness\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's the most challenging thing about owing a label?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I think the most challenging thing is agreeing on the direction with the people whose opinions you value (label mates/producers) and coming to compromise to make sure the output is of a desired quality.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who are some up-and-coming producers or DJs we should be watching?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Anomy, FZPZ, MXND//KRFT, Night Dives, Attagirl, the producers from HYBRDTHRY and the Akhyla crew from KL.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you see yourself doing in 5 years' time?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Hopefully having my own food business, and travelling the world to spread the Phyla sound.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's a pet peeve you have?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"People who make no effort to mask their BO (body odour)!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite drink?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Whisky Dry (the Long Island Tea at kyo club is pretty decent too!).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any surprises up your sleeve for the Objekt party on 25 July?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Get on the dance floor and you\u2019ll find out. :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/dyzfnktn\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/dyzfnktn\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/phyladigital\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/phyladigital\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://phyla.bandcamp.com/music\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://phyla.bandcamp.com/music\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/phyladigital\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/phyladigital\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift feat. Objekt // with Puzzle, dyzfnktn, Haan\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 25 July 2015\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"With:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Objekt\",/*#__PURE__*/ _jsx(\"br\",{}),\"Puzzle\",/*#__PURE__*/ _jsx(\"br\",{}),\"dyzfnktn\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP for complimentary entry before 12.30am: \",/*#__PURE__*/ _jsx(Link,{href:\"https://rsvpd.co/list/1593218414278012\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://rsvpd.co/list/1593218414278012\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-dyzfnktn\"},{hz3sj3gFn:\"2015-06-08T00:00:00.000Z\",id:\"Lv0ummGxZ\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Gh2YXMwcrDRbRkC1pfUjJN1spgE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Gh2YXMwcrDRbRkC1pfUjJN1spgE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Gh2YXMwcrDRbRkC1pfUjJN1spgE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Gh2YXMwcrDRbRkC1pfUjJN1spgE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SLAM - REVERSE PROCEED\",lZ2WhlLX5:\"8 JUNE 2015\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"SLAM's first album in seven years, 'Reverse Proceed', takes me back to Scotland. Not to recollections of the pink hills and heath that the morning train would take me through on my way back to Fort William after a Friday night out, but back to the nights spent in clubs listening to techno. I can't think of Scotland without thinking about Glasgow, and I can't think of Glasgow without thinking about the nights I spent at Pressure, the seminal monthly party SLAM put on at The Arches. This is by far the best party in Scotland, held in converted railway tunnels in the centre of the city. The space is airy and open above you, stretching up under Victorian railway lines that linked the city \u2013 which extended, through her ship building yards, steam engines and factories, out across the globe \u2013 to the enormous chamber you are dancing in, bathed in blue and white light. Glasgow Central Railway Station was once the centre of the world, one of the gates to everything else. When you are at Pressure, you are dancing beneath the centre of the world, in the original steel city.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=WRptf8RV22g&ab_channel=OfficialSomaRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Glasgow is a working class city; the same hard-work that characterises other former-industrial techno flash points like Detroit or Berlin. Glaswegians work hard; they have earned their weekend parties, and they are great fun to be around because they love to party hard. (It is for them, I imagine, that one of the best tracks on the album is called \u201CFactory Music\u201D.) Other people travel to Glasgow to party; Friday night there is as much fun as can be had in Britain, especially now that sniffer dogs are cruising the line at fabric (where SLAM have also left a considerable mark as DJs, including recording fabric09: SLAM).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Glasgow has the reputation of being a fighting city. Consequently, the police are everywhere on the streets \u2013 highly observable in hi viz jackets, relying on the panopticon of visibility to do its work, knowing that people behave differently when they are seen. Techno parties need to stay underground and out of trouble. The bouncers at Glasgow parties do a good job at keeping the partiers out of the way of the police. Glaswegian technophiles are there because they love the music, not because they want to get drunk and fight. They have worked hard all week in the ground zero of the industrial revolution. Industrial techno is their soundtrack; they are looking to escape; they are looking to explore themselves; they are not looking for trouble. They are looking for fun and cram as much energy into the brief hours that the clubs will contain, week-in, week-out. It's very regular, almost like Fritz Lang's Metropolis \u2013 and there is a reason that Jeff Mills did a soundtrack for the film.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The thing that holds the particular lives of these technophiles together in this grey and often bleak beautiful Victorian city is techno. The 1,000 people that will come to see Jeff Mills play Pressure \u2013 when the club will feel truly alive with the intensity of the predominantly-male, predominantly-straight crowd pumping all of their enjoyment into a party washed down with Tennents. It could be intense, with so many of these sweating, pale-skinned lads crammed into the same dance, happy for others to join them. But it never feels dangerous, not the way that straight angry techno clubs in Sydney can feel, fuelled with phobias and Fosters. It never felt anything other than straight lads dancing like they had to be at work early on Monday morning every Monday and who didn't give a shit as long as you were not in the way of their fun, or straight women weekly dancing off the same week and flicking their hair and sometimes keeping their eyes closed and moving like they wanted to disappear into the amazing music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These were the first techno nights I went to, and they are still among the best. SLAM are the key to techno in Scotland. They are the lifeline to the rest of the electronic scene that keeps Glasgow closer to the centre than it geographically is. SLAM's obvious musical brilliance is as important a part of the success of Pressure as the guest slots filled by Ben Klock or Chris Liebing or every one else who comes to Glasgow to play with them. And SLAM's label, Soma, is probably the most important UK techno label: not only for their own productions \u2013 at over 400 releases, they first recorded Daft Punk, and they still put out fantastic tracks like Gary Beck's \u201CBefore the Crash\u201D. The release of 'Reverse Proceed' is clearly a major event in Scottish techno.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There are two types of music on 'Reverse Proceed', one of the duo, Orde Meikle explains: \u201Cdeep pulsating warm up and throbbing techno\u201D [\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/podcast-episode.aspx?exchange=207\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RA Exchange 207\"})})}),\"]. These are the styles that match their two Scottish residencies: Return to Mono at SubClub, where they play the pulsing hard techno for which they are renown on dance-floors the world over since the 1980s, and their monthly residency Pressure at the amazing space, The Arches, were they warm-up for international acts when not holding the floor themselves all night. 'Reverse Proceed' is a showcase of both styles.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The journey starts with \u201CTokyo Subway\u201D, a hyper-modern sound with a frantic Japanese railway station voice-over setting us drift as far from The Arches as imaginable. It is this ability to dream, carried by that soft, almost aquatic sound that is heard from \u201CVisual Capture\u201D until \u201CCirklon Bells\u201D, that sets up the gentle beginning of this album, taking us far from ourselves, showing SLAM's skill for massaging the listener into a space where the harder techno takes over, and pounds the week away. The hypnotic effect feels like the start of a good night.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Reverse Proceed' is more than a techno album; it is a political album. If techno owes something to the context in which it is produced \u2013 if techno parties in post-industrial cities are a response to working hard all week, or being stuck in the monotony of trying to survive when not able to work now that the labour markets that used to float these industrial cities have largely dried up \u2013 then we need to think of techno parties as offering the potential of freedom for self-expression and self-exploration, combined with having as much fun as possible in as short a time. This ability to pop-up out of ordinary life and transform an ordinary space into something temporarily other-worldly is why techno is also the sound-track to free-parties and sex-parties around the world: how much fun is had depends entirely on how many sanctions are put in place. A part of this context is chemical stimulation \u2013 not many DJs tackle this issue as directly as SLAM, yet they all owe something to Sasha Shulgin's chemistry. 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It's a fundamental wrong. If I as an adult am not sovereign over my own consciousness then I am absolutely not sovereign over anything and can't claim any kind of freedom at all. And what has happened over the last forty, fifty years under the disguise of the War on Drugs is that we have been persuaded to hand over the keys of our consciousnesses to the state. The most precious, the most intimate, the most salient part of our selves the state now has the key, and furthermore they have persuaded us that that is in our interests. That is a very dangerous situation.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For twenty five or more years, SLAM has been the sound-track to the auto-pharmaceutical explorations of Glaswegians, and this album is set to be as well. At least, such might be inferred from the energy that would be necessary to dance like a drug-fucked puppet to \u201CFactory Music\u201D. The rest of the music is fantastic as well. \u201CCataccoustics\u201D is a classic hard track that encapsulates the amoral vision that techno affords, pushing the listener to dance, not question. \u201CIrritant\u201D is, to my ears, the most interesting track on the album \u2013 the kind that would fit into a long Berghain set after it jumps from its quirky digital beginnings to a dark, droning, rhythm; it could also be a killer set beginning (if you don't have more than 30 seconds between DJs). From the relentless drive of \u201CRotary\u201D we spin back to the dreamy, drony, soft sounds that let us into this album, in the final track, \u201CResolved\u201D, although really there are always more questions left unanswered. It was well worth waiting seven years for 'Reverse Proceed'. It is faithful to the Glasgow parties it grew out of.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Reverse Proceed' comes on slow, dances the partier through their trip as the tempo speeds up, and drops them off at the door as they walk out into the night. SLAM recreate a club night in their impeccable mix, imagining that one long dance that someone, somewhere is having. Listen to it like a journey \u2013 with its ambient soundscapes opening up into a continuous flow, through waves of techno to dance hard to, bringing you back to the streets of Glasgow, turfed out because the lights come on and the bouncers herd you back out into the dark, to stay out of trouble and away from the watchful eye of the law as Glasgow decides what to do at 3am. 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Enjoy quality music only limited by your Internet bandwidth from the likes of Legowelt, Max Cooper, Inigo Kennedy, Rennie Foster, Karizma, Tennis Rodman, Christian Prommer, Christian L\\xf6ffler, Joey Negro, Jozif, Comakid and Jimmy Edgar for Frankie Knuckles. 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With this track, we celebrate his life, his kindness, his love for music, his inspiration, his passion and all that he gave during his life.\"']}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/jimmyedgar/frankie-knuckles-baby-wants-to\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Christian Prommer - Waltz\"]})}),/*#__PURE__*/ _jsxs(\"p\",{children:['This track is taken from Christian Prommer\\'s \\'\\xdcberMood\\' album. 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You can have his edits but you can't download his talent, unfortunately.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Inigo Kennedy - Asymmetric Records (2004-2012)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Download link here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.asymmetric.co.uk/mp3.htm\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.asymmetric.co.uk/mp3.htm\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),'Who knew that Inigo Kennedy gave away his music or did his own cover art? Here\\'s his notes on these releases: \"ASY MP3 001 to 007 are encoded using LAME at an average bit rate of 192Kb/s. ASY MP3 008 to 011 are encoded using LAME at a variable bit rate of ~256Kb/s in full stereo mode and at maximum quality settings. ASY MP3 012 and onward are encoded using LAME extreme or 320Kb/s CBR. Alternative versions will not be made available.\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tennis Rodman - Morpheeus X\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Demo smoketape? OK.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://morpheeus.bandcamp.com/album/morpheeus-x\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"CMKD aka Comakid - GT WT\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Mastered by Neil Combstock (Zero dB), this free EP from Comakid aka CMKD from electrocaine music also comes with remixes from the likes of Faux, ZT, Derrick Motif and Notion A with rAin and AV.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/electrocaine/cmkd-gt-wt?in=electrocaine/sets/cmkd-gtwt\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"april-music-freebie-roundup\"},{hz3sj3gFn:\"2015-03-24T00:00:00.000Z\",id:\"r0xb4z8ns\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/dUPckieOyQfTzQatHG4w0ZVUY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/dUPckieOyQfTzQatHG4w0ZVUY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/dUPckieOyQfTzQatHG4w0ZVUY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/dUPckieOyQfTzQatHG4w0ZVUY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: HAAN\",lZ2WhlLX5:\"24 March 2015\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Newest kyo club resident Haan to join the ranks and one of the masterminds behind the Tropiclab collective graces the decks this weekend (Sat 28 Mar) for the Midnight Shift 'X' Series Label Showcase alongside John Heckle, Tapirus and Lily's Rose. Read on to find out all about Haan from his Manchester beginnings to his secret diggins.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/clubkyo-sg/haan-kyo-promo-mix-april-2014\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Listen to Haan \u2013 Kyo Promo Mix \u2013 April 2014 here\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us a bit about how you fell in love with music and picked up DJing.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It all started when I picked up my first vinyl in 2007; I was on a holiday and I decided to check out the local record store. Back then I was trying to mix records with my 1210s and a rusty Numark mixer in my bedroom (whilst also reading \u201CThe Art & Science of Playing Records\u201D by Frank B). I was very much into the sounds of electronic and dance music duo X-Press 2. Music has always been my first love and this journey thus far feels like second nature to me.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How's the scene in Manchester?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"In my honest opinion, that northern part of UK has more soul than anywhere else as evidenced from their memorable and inspirational pop-up parties, from The Warehouse Project to Zutekh. The scene in Manchester totally changed my perception towards music ever since.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How will you describe the Singapore scene to an outsider?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you're an outsider reading this, there is no better time to experience Singapore's music scene than the present. We've come a long way, seen many clubs and people come and go, each not withstanding the test of time. It's definitely the survival of the fittest. There is also a lot more interest and emphasis on local talents and it's most heartwarming to see locals and expats coming together to support good talent. The crowd\u2019s taste in music has evolved and gotten more refined; they know good music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us about Tropiclab.\\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tropiclab is\u2026a bunch of guys (Jamie React, Thomas Lubrano and myself) coming together for the love of good music. 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He incorporated Jazz, House and Techno all together and his tracks are timeless. \\u2028\\u2028\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite club in the world?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Not that I\u2019ve been to many but Sankeys in Manchester gave me goosebumps every time, especially during their now defunct \u201CContinue\u201D night. It was a launchpad for some of the big names in the scene now.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your own approach towards warming up a dancefloor?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I will read the crowd and create the right mood in the room so as to keep them warm and toasty before the main act comes on. 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Alex Q \u2013 Collette (Xhin Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"2. Mando Soria \u2013 Anciano (Tanner Ross Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. Exercise One \u2013 33 To Pay The Rent\",/*#__PURE__*/ _jsx(\"br\",{}),\"4. Morphosis \u2013 Impulse\",/*#__PURE__*/ _jsx(\"br\",{}),\"5. Architectural \u2013 Architectural 4.1 \\xa0 \\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A track you'll end a set with.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Mike Huckaby \u2013 Jazz Republic\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=FepiB-WfvvU&ab_channel=gmafx\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"or\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Gramatik \u2013 Just Jammin \\u2028\\u2028\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Most memorable gig(s) played thus far?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Super0, it was my first time being invited to play at a festival that I could only dream of playing at previously! Playing in the rain with TropicLab with sparks jumping about the plug but everyone was soaked and loving the tunes so we didn\u2019t stop.\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you for the Midnight Shift showcase?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"People already know what to expect for a Midnight Shift showcase so I\u2019ll just get straight to the point; with a forward-thinking sound.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"For more Haan:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/rhotd%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"https://soundcloud.com/rhotd\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Midnight Shift 'X' Series Label Showcase\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 28 Mar 2015\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"With:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"John Heckle\",/*#__PURE__*/ _jsx(\"br\",{}),\"Tapirus\",/*#__PURE__*/ _jsx(\"br\",{}),\"Lily's Rose\",/*#__PURE__*/ _jsx(\"br\",{}),\"Haan\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP for guestlist entry before 12.30am: \",/*#__PURE__*/ _jsx(Link,{href:\"https://rsvpd.co/list/599691130161679\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://rsvpd.co/list/599691130161679\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-haan\"},{hz3sj3gFn:\"2015-01-28T00:00:00.000Z\",id:\"oHlGbp4O4\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/atkH2cPwhkCSdmrJsS7ipsDIPU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/atkH2cPwhkCSdmrJsS7ipsDIPU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/atkH2cPwhkCSdmrJsS7ipsDIPU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/atkH2cPwhkCSdmrJsS7ipsDIPU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"JANUARY MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"28 JANUARY 2015\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Every month, we trawl the Interwebs for the best of free music downloads given out by the generous spirit of quality producers. 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This is something we strive for as humans but it is not always easily achieved even with family members. I tried to communicate this feeling in notes and patterns of the song which ultimately builds to a euphoric crescendo, representing our gradual daily progression to love others unconditionally.\"\\xa0',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Todd Edwards- Essential Edits\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://storify.com/attackmag1/todd-edwards-on-publishing\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://storify.com/attackmag1/todd-edwards-on-publishing\"})})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Todd Edwards celebrates winning back the rights to his music\\xa0by\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://t.co/4L49mm5q3a\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"sharing his edits\"})})}),\"\\xa0of some of the tracks used in his\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.bbc.co.uk/programmes/b01sd138\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Essential Mix\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Argy - Heart Beating (Argy NYC Vocal Dub)\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:['From Argy: \"Before i forget, my NYC version of Agoria\\'s \"Heart Beating\" which came out only on vinyl unfortunately: you can now download through my soundcloud page!\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Flying Lotus - Ideas + Drafts + Loops\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"133MB folder worth of assorted works from FlyLo. \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mediafire.com/download/6udrmt53tywgmtx/Ideas%2Bdrafts%2Bloops.zip\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Download it here\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Loose Joints - Is It All Over My Face (Psonic Psummer Edit)\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:['\"Re-edit of the mighty Is It All Over My Face by Loose Joints. (Not that it needed any edits..)\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/psonic-psummer/is-it-all-over-my-face\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Various Assets - Not For Sale: RBMA New York 2013\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:'\"Various Assets - Not For Sale 2013\\' is a collection of some of the music that was made during the Red Bull Music Academy during four early summer weeks in New York City last year. The double CD contains 30 tracks composed, improvised and discovered by the 62 international participants and a cast of high-profile studio team members, who all got their fingers dirty on synths, Mellotrons, vibraphones, drum machines and anything else they could lay their hands on. Enjoy!\"'}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://rbma.bandcamp.com/album/various-assets-not-for-sale-red-bull-music-academy-new-york-2013\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Jill Scott - Golden / Da Gramn remix (Darker Than Wax Free Download)\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:['\"Joko Roob aka Da Gramn from Perpignan, France is the latest addition to our growing roster of artists. Raised on a diet of Slum Village, J Dilla, Nujabes, Afta-1, Comfort Fit, Swede:Art, Sepalcure, MNDSGN and Portformat, you pretty much have an idea where Da Gramn is coming from sonically. Indeed, anyone who can pull off a Julien Clerc remix and make it sound like the freshest Juke number is good in our books. This particular track has been on rotation amongst the DTW DJs recently, leaving a rather significant mark on the dance floor.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Philogresz - The Lost Movie Trailer\",/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:['\"The Lost Movie is an outcome of Ilker\\'s cinematic perception, approach, interpretation of his constantly intriguing dusty compositions.\"\\xa0',/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/philogresz/the-lost-movie-trailer/s-6waTc\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Download the trailer to his movie-album for free here\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Boonlorm \"Terrarium II\"',/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/01/terrarium-ii\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"http://www.xlr8r.com/mp3/2014/01/terrarium-ii\"]})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:'From the fine XLR8R series of free downloads. \"For his recent Boonlorm project, Laposky built a skeletal house record by inserting objects into a grand piano \\xe0 la John Cage and capturing the results. \"Terrarium II\"\u2014taken from his remastered String Figures LP, which will see a collaborative re-release via Japanese label Snow Dog and Laposky\\'s label tomorrow\u2014blends the artist\\'s dissonant piano treatments with unabashed handclaps and cowbell rhythms, crafting an innovative hybrid between intellectual exercise and DJ utility.\"'})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"january-music-freebie-roundup\"},{hz3sj3gFn:\"2014-12-29T00:00:00.000Z\",id:\"Un2iaRlK1\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/tFcBxG6BmLeMKKi14nwkCV31Nuk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/tFcBxG6BmLeMKKi14nwkCV31Nuk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/tFcBxG6BmLeMKKi14nwkCV31Nuk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/tFcBxG6BmLeMKKi14nwkCV31Nuk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"DECEMBER MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"29 JANUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The giving game was strong this season. Enjoy our biggest crop yet of free music downloads that were available in December from the likes of thefullglass, 6am at the Garage, Inkswel, Santi, Midland, Machinedrum, Lone, Dr Packer, Latinaotearoa, Paula Temple and Lockah.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"The Full Glass Compiled - Free download\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Artist agency thefullglass releases a whopping compilation featuring 16 free tracks from their artists, including Midnight Shift artist Tapirus, as well as Nick Sinna, Drvg Cvltvre, Aroy Dee and Hinode. Check it or lose.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"6am at the Garage round up - various\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"6am at the Garage lovingly compiles a list of the festive freebies and mixes given out during this time and you can check it out in its full glory here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.sixamatthegarage.com/music/free-festive-tracks-mixes/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.sixamatthegarage.com/music/free-festive-tracks-mixes\"})})}),\"\\xa0with heavy duty business from the likes of Pezzner, Dirt Crew, Innershades and KiNK.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Inkswel - Believe in Me (Inxwel edit)\"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"From the Hot Shot Sounds label comes Aussie Inkswel and his free 'Believe in Me' edit for a freaky holiday season.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Santi - En El Camino\"]}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:'A chilled downtempo freebie from santi, featuring \"A mix of Afro-Latin rhythms, Jazz harmonies and Electronica.\" \"C\\xedclico is Santi\\'s first full-length album. It features Tu\u011F\\xe7e Kurti\u015F on vocals and Santiago Ferreira (Santi) on vocals, guitars and beats.\"'}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/santiandtugce/en-el-camino\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sade - Shelter Me (LNTG Rework)\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The master of edits himself Late Nite Tuff Guy releases a free download that stirred up quite a frenzy. \\\"As a Happy Holidays present to you I've decided to give you a DL of my previously unheard Sade edit, Shelter Me, one of my new favourites. My sincere thanks to you all for being on this incredible musical journey with me and I'm looking forward to a fantastic 2015 and want to wish you a very Happy New Year.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/late-nite-tuff-guy/shelter-me-lntg-rework\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Boards of Canada - Olson (Midland Re-Edit)\"}),' Midland says, \"Something I did a long time ago which was in my Fact Mix in 2010 and gave away for free. Keep getting messages asking for a new download so here it is as a mastered WAV.\"']}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/midland/boards-of-canada-olson-midland-re-edit\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Beyonce - Mine (Machinedrum RMX)\"]}),\" A Machinedrum remix of Beyonce? We're on it. Given away as part of Glasglow's Lucky Me's acclaimed Advent Calendar - one track for every day - giveaway. Access the full vault here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://thisisluckyme.com/advent/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://thisisluckyme.com/advent\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),\"https://soundcloud.com/luckyme/advent-21\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Lone - Life Time Loop\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Not much is known about this\\xa0sweet tune from Lone aka Matt Cutler but it is a hip-hop-ish melodic loop you might want to get your paws on.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Ray Munnings - Funky Nassau (Dr Packer Rework)\"]}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Classic funky festive edit thanks to Dr Packer.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Latinaotearoa - Bossa Nova Zelandia\"]}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:'We won\\'t miss an Isaac Aesili production. \"A very suave tune bringing you the flavours of summer. Beats by Dj PG, produced by Isaac Aesili. Vocals by Jennifer Zea.\"'}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/latinaotearoa/bossa-nova-zelandia\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Paula Temple - Gegen\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Get on this quick from R&S stable and British Noiscian Paula Temple as it expires 4 Jan 2015.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/paulatemple/paula-temple-gegen\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Oneohtrix Point Never - Still Life (Lockah DJ Bootleg)\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A breaky meets bass bootleg from Lockah of Oneohtrix Point Never's 'Still Life'. Yesh.\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"december-music-freebie-roundup\"},{hz3sj3gFn:\"2014-12-24T00:00:00.000Z\",id:\"HnO2VNUsg\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/81P24fBTDlniN5KGRSX0SJkRVDw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/81P24fBTDlniN5KGRSX0SJkRVDw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/81P24fBTDlniN5KGRSX0SJkRVDw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/81P24fBTDlniN5KGRSX0SJkRVDw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: OBJEKT - FLATLAND\",lZ2WhlLX5:\"24 DECEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"I guess, from her explosive introduction to this album on \u201CAgnes Revenge\u201D, that Agnes is an angry woman \u2013 I can't help but imagine a stroppy little frenchwoman with her heart set on repeatedly punching someone against whom she holds a vicious vendetta, but maybe that says more about my tastes for angry women? \\xa0She certainly makes an abrupt entrance, kicking open the door with a sonic boom with which TJ Hertz starts his masterpiece of hallucinogenic soundscape, Flatland, produced under the name Objekt.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=V3brU1aCCSM&ab_channel=TheResearch\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Flatland is not like a lot of electronic music \u2013 it isn't composed to dance to, although there are times when you cannot help but move around your kitchen, compelled by the tightness of some of the passages to some kind of jerky body-memory from the dark world of the clubs. There are other times, however, when you are tempted to look back over your shoulder in trepidation, if you let your mind sink too deeply into the black world of electronic torture that Hertz's music can evoke, leaving you always a little bit jumpy; always straying off the expected path, because he does not structure tracks in the same way that techno fans have come to recognise. This means that there are times when Flatland is difficult to listen to, with its extremely challenging sounds and its bent, but inspirational processing (which is a hallmark of the album), but don't give up. It is truly worth the effort to immerse yourself completely in the complex music of Flatland, many times. There is real genius in some of the composition.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=N0px8z9dJ_0&ab_channel=somefreedomfries\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you can you stop yourself being freaked out, there is much to admire on this album. There are little hooks here and there to help, like the relentless groove on the bleak track, \u201CDogma\u201D, or the rather more interesting beat on \u201CInterlude (Whodunnit?)\u201D. It is not just a driving rhythm that makes these minimal tracks (unlike on, say, \u201COne Stitch Follows Another\u201D, although it too has many strange twists); there are the copious little buzzes and squeaks and droning tones that Hertz has layered throughout the album to make for a dense listening experience that keeps you wondering what will happen next.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DvoECKUUDTQ&ab_channel=Voneuen\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And the tracks, happily to my ears, are vaguely arranged to make for a kind of stylistic progression, although not mixed together \u2013 There is some kind of sonic journey in there, but do not expect anything resembling a neat set that has been lifted from club-land. What we have before us is more of a of a soundtrack from a twisted futuristic film \u2013 not perversely noir like Parker Ellerman's short to Marcel Dettmann's \u201CSeduction\u201D (Dettmann II, Ostgut Ton, 2013), but rather a deconstructed scene-by-scene rendering of a toxic world of terrible dreams and livid nightmares \u2013 that is how intense the music can be.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/96300954\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Marcel Dettmann feat. Emika SEDUCTION\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/parkerellerman\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Parker Ellerman\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"https://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I wanted to review this album by imagining what such a film might look like \u2013 what kind of images these tracks evoke. \\xa0I soon realised that this was not a good ploy, as the more I listened, the darker my visions became \u2013 the things I ended up imagining on the third listening of \u201CFirst Witness\u201D will need to remain between myself and my analyst. Extreme scenes of excess, of boundaries broken and taboos ignored, fill my mind when I try to put words to the scenes that flooded my brain.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YRqt4ypZ8LY&ab_channel=PAN\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What this says, however, is that the tracks on Flatland are so pregnant with possibility that their adaptability to any kind of imagination is possible. The right DJ will even make you move to them. This album is so evocative that there is little else to say except to urge you to hear it. \\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Agnes Revenge\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"02. One Fell Swoop\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03. Ratchet\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04. Strays\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05. Agnes Apparatus\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06. Dogma\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"07. First Witness\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"08. Interlude (Whodunnit?)\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"09. Second Witness\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"10. One Stitch Follows Another\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"11. Cataracts \\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/1102603-objekt-flatland\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/1102603-objekt-flatland\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-objekt-flatland\"},{hz3sj3gFn:\"2014-12-09T00:00:00.000Z\",id:\"boGFUl7Ed\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/web8Eyc85gFMcA79JBojB3XuVE.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: STEFFI - POWER OF ANONYMITY\",lZ2WhlLX5:\"9 DECEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"We all know the power of anonymity, the power that a faceless body has over us on the dance floor \u2013 someone we want to take, not know; someone we want to use us how they desire without needing to tell us why. \\xa0Those hot, sweaty bodies. Those looks. Those blank tunes that suspend us in time, in that perfect moment before the first touch and the final kiss. We want to be that person who is nobody for them. \\xa0We want to know these things without being known. We want the light to fall on the curve of their body and not their eyes. \\xa0We don't need to know that we are being watched by people, unknown people, everywhere, crowding us together as we dance and watch and breathe in trying to separate their scent from the room. It is not too dark to see for miles, but it is too dark to see where they put their nameless hands. Everything is electric. Nothing is personal. All you can do is sink back, eyes closed, and let the music take you away.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=OUUdPCTgxlQ&ab_channel=MrLosos1234\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Steffi's music makes me feel good. An old, familiar, satisfied good. A genuine good that grows from within. I don't always want to always feel like I am going to crack under the black strain of industrial techno that makes me think to stay afloat. Sometimes I want to smile and feel light and loved. I want to feel like I am free. Sometimes I just want to shut out the world and dance. This is what Steffi's new album gives, but that is not all.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's not that Power of Anonymity calls me back to the last time I heard her, playing on her birthday in July with my favourites Stereogamous and Shaun J. Wright and Marcel Dettmann, with Steffi's new music summoning us to get lost in a crowd of sun-soaked clubbers recovering in the summer Lustgarten, feeling alive at this high-point of the Berlin year. Power of Anonymity isn't nostalgic music like that, but I'm reminded of nostalgia because it has a cleanness about it that recalls the excitement I felt when I first heard greats like Joris Voorn, a recollection of feeling, not a longing for things past. When I hear this album, I recognise a safe, familiar zone where I can drift for hours. Her familiarity is grounded in Berlin's minimal \\xa0sounds and in Panorama Bar's morning light, but the occasional musical d\\xe9j\\xe0 attendu makes me think of Chicago. I like knowing where I am with such certainty. I like knowing how my madeleine will taste before I dip it in my tech-house-tea.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'A number of these tracks will drive us through the night this festive season, through Berlin snow and Sydney sun. \"Selfhood\" is the track I fell in love with first, clinging to the tiny blips that make me want to move. \"Bag of Crystals\" is sure to be a dance-floor standard. \u201CHard Hitting Horizon\u201D has a warped, curved sound, pulsating with womb-like promise. \u201Cjbw25\u201D is dirty in the way Ben Klock is dirty; a clever, precise twist in the simple rhythm that makes you want to move in a way that makes the same people who were looking before look at you again. \u201CBang For Your Buck\u201D has such a sexy promise, I can barely wait to get back downstairs, to be up against the wall with an anonymous beauty, to indulge in the power that anonymity bestows.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pJ4elEszeRs&ab_channel=NOREDTHREAD\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Steffi's sound is precise and strong. She can be a strict mistress when she wants to be. It's easy to imagine how these tracks will be appear in mixes this new year, the killer tracks that hold it all together and remind us why she's a much-loved resident at the epicentre of European electronic music. When you're this good, you cannot remain anonymous. Is that what makes it so appealing?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Pip\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Everyday Objects\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Selfhood\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Power Of Anonymity\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Bag Of Crystals\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Hard Hitting Horizon\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Bang For Your Buck\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. JBW25\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Treasure Seeking feat. Dexter & Virginia\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Fine Friend\\xa0\",/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://ostgut.de/label/record/129\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://ostgut.de/label/record/129\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-steffi-power-of-anonymity\"},{hz3sj3gFn:\"2014-12-04T00:00:00.000Z\",id:\"I17IgUvIc\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"NOVEMBER MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"4 DECEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"'Tis indeed the season to give and receive as we round-up November's latest free music downloads. To be featured here, email us at \",/*#__PURE__*/ _jsx(Link,{href:\"mailto:info@mnshift.net\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"info@mnshift.net\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Redbull 20 before 15\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Counting down to the year 2015, Red Bull gives away 20 tracks for 20 days from the likes of Compass, TOKiMONSTA x Iza and Sizarr. Better hustle as there are only 1,000 downloads per day:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://20before15.redbull.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://20before15.redbull.co\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Will Saul & Komon - Bendy (from DJ Kicks)\"}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Bendy\" co-produced with Komon, was created exclusively for Will Saul\\'s DJ-Kicks mix. The full mix also includes new music from Bicep, Legowelt, George FitzGerald, Leon Vynehall, & many others.\\xa0Free download at:\\xa0',/*#__PURE__*/ _jsx(Link,{href:\"http://www.official.fm/tracks/U3eR\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.official.fm/tracks/U3eR\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/k7-records/will-saul-komon-bendy-from-dj-kicks\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"XLR8R's top downloads of 2014\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Giving away near 1 track per day, XLR8R compiles their top 100 downloads. Find them all here as they are released in installments:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/features/2014/12/xlr8rs-best-2014-top-downloads-1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.xlr8r.com/features/2014/12/xlr8rs-best-2014-top-downloads-1\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Juno Download The Great Christmas Free Track Giveaway!\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Not to be missed out, Juno Download and DJ Mag give away a free track from artists like Kerri Chandler, Steve Bug, Get Physical, Permanent Vacation and many more. Don't lag behind because there are limited downloads per day too. Get on it here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/christmas_free_track_giveaway/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/christmas_free_track_giveaway\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/christmas_free_track_giveaway/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"X0sar - PSYCHICK JUSTICE\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"You might not consider 1 Euro for free, but at the price, it's practically a no-brainer to download these experimental tracks from X0SAR, recent RBMA participant.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Perseus Traxx - A Trip from York to London\",/*#__PURE__*/ _jsx(\"br\",{})]}),\" A hefty bag of 16 bit wav field recordings released by Perseus Traxx aka Nigel Rogers. Check his Soundcloud page for more recordings.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Steve Spacek - Dollar (Adi Dick Remix)\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:'\"My take on a classic Steve Spacek joint that was originally produced by J Dilla. Respect to the architects. Coming soon... #RMXD Vol.2\"'}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/adidick/steve-spacek-dollar-adi-dick-remix\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Underground Resistance - Transition - Steff flavor\\xa0\"}),' Steff slows down a monster of an original track into classy downbeat. \"Dedicate to my Big friend Beppe. An edit of one of my favorite techno track !\"']})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"november-music-freebie-roundup\"},{hz3sj3gFn:\"2014-11-25T00:00:00.000Z\",id:\"eT81ozSqw\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/UVtF9XPGRcc7rvzVZVr6ZLiLMuM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/UVtF9XPGRcc7rvzVZVr6ZLiLMuM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/UVtF9XPGRcc7rvzVZVr6ZLiLMuM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/UVtF9XPGRcc7rvzVZVr6ZLiLMuM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DAEDELUS - THE LIGHT BRIGADE\",lZ2WhlLX5:\"25 NOVEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Daedelus\u2019 \u201CThe Light Brigade\u201D is, in effect, a threnody. It\u2019s a musical meditation on death by war, and I imagine that Alfred Darlington might have written it under the sway of a too-familiar feeling: that the world is slipping against the promise of progress, into some dark old thirst for bloodshed. It makes sense, then, that he would invoke one of the most baffling slaughters of modern history\u2014a military bungle that ended 118 lives in less than half an hour.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PLhWWVi-OXMCCYNwiP9fdCwfiV08NKC0Tg&v=eaheXqXQiLo&ab_channel=Brainfeeder\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Why Daedelus chose this particular example, against so many recent ones, is not entirely clear. It has been the subject of other pop music treatments, not least by Iron Maiden, and the inspiration for the famous poem. The choice is eerily prescient, though, given that the album was written before Ukraine\u2019s recent troubles. The rout of Lord Cardigan\u2019s Light Brigade in Crimea helped to galvanize Russian nationalism, defining their approach to that region up to today. In other words, Daedelus has actually written something very contemporary. It could be, in effect, a requiem for Malaysia Airlines 17.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PLhWWVi-OXMCCYNwiP9fdCwfiV08NKC0Tg&v=ofjFKtoaHrA&ab_channel=Brainfeeder\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Clearly, this is a pretty remarkable turn of events. Musically, though, the album is remarkable as well. There\u2019s a clear stylistic shift away from the Daedelus that everyone knows\u2014the guy with the clever glitches, Tropicalia samples and unreliable time signatures. He has mostly shelved his preference for short loops, opting for a more complex (and more traditionally \u201Cmusical\u201D) series of arrangements. In these, the analog and the digital are difficult to extricate. Instruments combine in the project of a delicate sonic layering. There are nods to the themes and passages of a song-cycle. Snippets of melody approach (but do not quite achieve) synchronicity. Guitar lines fade off, to be picked up later in alternate versions; chord progressions exit and reappear. As such, it\u2019s almost pointless to describe any of the album\u2019s individual songs; they have been written as part of a total, holistic composition.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Daedelus has always been a very knowing character, and his sophistication shows in the way he avoids the clich\\xe9s of anti-war music. There is none of the snare-and-pipe, the mistake Low made with their otherwise brilliant \u201CDrums and Guns.\u201D Percussion is there\u2014or at least, a pulse\u2014but does not appear as rhythm in any conventional sense. \u201CUntil Artillery,\u201D the first track, might have made a too-obvious link, but the beat is no more than a throb. Apart from a brief recital, a stanza or two of Tennyson\u2019s poem, the album\u2019s reference to its subject is limited to song titles and a vaguely hymnal sensibility. The power is communicated through quiet and ordinariness, and through a kind of traumatic repetition. I got the sense of being on the margins of something great and tragic, and also ineffable.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PLhWWVi-OXMCCYNwiP9fdCwfiV08NKC0Tg&v=a06DOmPsBkw&ab_channel=Brainfeeder\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The result is a weighty record, although not a heavy one. These are songs that, I imagine, would be more difficult to make than those that rely on a stylistic sensibility. Daedelus has recorded many of the latter. While I have loved his previous output, I have also felt that he is an artist who relies on a bag of tricks\u2014just that his tricks are very good, and the bag is deep.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PLhWWVi-OXMCCYNwiP9fdCwfiV08NKC0Tg&v=pO_IRtAOc-0&ab_channel=Brainfeeder\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CThe Light Brigade\u201D shows that this was quite wrong. It suggests that Daedelus can work through musical strategies that require quite distinct kinds of talent, with a depth of subtlety beyond many of his peers. His is a perceptive take on a requiem for our modern wars. It exists in a moment after the martial fanfare has become impossible, even as irony\u2014when it is left to the silent, and the banal, to play us out.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Until Artillery\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Baba Yaga\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Onward\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. The Victory of the Echo Over the Voice\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Sevastopol\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Tsars and Hussars\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Battery Smoke\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Belonging\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Pre-munitions\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Shot and Shell\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Country of Conquest\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://ninjatune.net/release/daedelus/the-light-brigade%20%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://ninjatune.net/release/daedelus/the-light-brigade\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-daedelus-the-light-brigade\"},{hz3sj3gFn:\"2014-11-12T00:00:00.000Z\",id:\"ZaS5BczsU\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/5eboEsxXtroivCNG0uCjZEb9XE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/5eboEsxXtroivCNG0uCjZEb9XE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/5eboEsxXtroivCNG0uCjZEb9XE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/5eboEsxXtroivCNG0uCjZEb9XE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: EJ MISSY\",lZ2WhlLX5:\"12 November 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"DJ, Clubber, Promoter, Administrator, Marketer and Booker, EJ Missy has done it all. She makes her long awaited debut on the Midnight Shift platform together with LOOP collaborator Avneesh this Saturday. Read on to find out what this fiery, sassy lass and former JUICE DJ Quest champ has in her crate and up her sleeves.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/ej-missy/ej-missy-live-at-kyo-21-june-2014\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Listen to EJ MISSY Live at Club Kyo Singapore 21 June 2014 here\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"For the record, what do you do?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Apart from DJing when I have the chance, I\u2019m on the marketing team full-time for kyo. Managing the social media, generate content for all publicity materials (online and offline), source for guest djs, process contracts, process DJ invoices, consolidate tech riders, sort travel arrangements, sort hotels and airport transfers. And when they\u2019re here, I am pretty much their tour guide, especially for those who're here for the first time. And on the gig night itself, I make sure everything runs smoothly for them.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did you get into djing?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I would like to believe that too much clubbing plays a part of it. After so many years being on the dancefloor, \\xa0I wondered how it's like \\xa0to be on the other side of the room. \\xa0In 2006, i did a mixtape. For fun. A friend who was then a graphic designer for Lifebrandz, sent that to Mr Has (without my knowledge) who was a resident at Balcony Bar. I then got a slot there playing for free drinks for a couple of sessions. Eventually i got into their roster which included other venues like Kandi Bar, Amino. The rest is history...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What has made you stay?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"MUSIC itself and the people i share it with. But most of all, \\xa0the people I have yet to share it with. I get high on how the same tune can move and affect different people in different ways and how people connect through music even when they\u2019re not speaking the same language. To be part of this process, and to be creator of these moments, is both a grand and humbling feeling.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Top 5 tracks of all time?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Cobblestone Jazz - India In Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"Booka Shade - In White Rooms\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Loco Dice - Paradiso\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=ZcQ60RWSGHo&ab_channel=pipo158\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Muzarco - Prophet on Jupiter (Guy J Remix)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Maurizio - M-4\",/*#__PURE__*/ _jsx(\"br\",{}),\"What will you play at sunset?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Saucy - Sex at Sunset\",/*#__PURE__*/ _jsx(\"br\",{}),\"Sebo K - Shades of Red\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Dominik Eulberg, Gabriel Ananda - The Space Between Us \\xa0(Original mix)\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=EaG1eR4koCI\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Sunrise?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Lawrence - Place to Be (Original mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Grande Torino - Agoria\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"John Beltran - Kissed By the Sun\\xa0\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Johnny D - Soleil\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Kyoto Jazz Massive - The Brightness of These Days\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=oLlCAHoFd-g&ab_channel=nsed\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tell us about the Singapore scene from your perspective.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It\u2019s slowly unfolding. People are more receptive of unfamiliar sounds & fresh ideas. The herd metality is still there but there are a small group of people who are willing to take the lead to be key influencers. I believe this group will grow in numbers, though hopefully for the right reasons.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How has working at kyo fit into your work as a DJ?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It made me understand the many aspects of DJing which you wouldn't otherwise see if you don't get to behind the scenes. Mostly the business aspect of it. The challenge to both educate and to please at the same time. Finding that balance is key.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Some special moments as a DJ to share?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Every gig is special be it in a bar or a club cos you never play to the same group of people. But if i have to list them:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"- I get to return to Colombo for a gig in 2009 with my then-partner Artihc\",/*#__PURE__*/ _jsx(\"br\",{}),\"- Invaded Zirca with our Loop techno nights\",/*#__PURE__*/ _jsx(\"br\",{}),\"- Chosen as a guest act \\xa0for Onewithaldrin 10th anniversary\",/*#__PURE__*/ _jsx(\"br\",{}),\"- Playing alongside my kyo colleagues including my boss on our Overtime nights at kyo\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Some of your favourite DJs and why?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Robert Babicz - He is a storyteller, DJ-wise and in person. Getting to know him personally and discovering what led him to where he is right now, \\xa0i have the utmost respect for his music and his art.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Xhin - Non-conformist. His take-it-or-leave it approach to music makes you feel that the only rules to break is your own. After you lose yourself in an hour of Xhin, you\u2019re never quite the same person after.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Oxia - He\u2019s a classic.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's next for you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I\u2019ve been a clubber, promoter, a DJ, an administrator, \\xa0marketer, a booker, so... running my own DJ booking agency comprising a roster of \\xa0high calibre & promising talents.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect for Midnight Shift's 5th anniversary on 15 Nov?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Music from the harder end of the spectrum. \\xa0Fiery but not overbearing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/ej-missy\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/ej-missy\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Midnight Shift 5th Anniversary feat. R\\xf8dh\\xe5d, Eddie Niguel + LOOP\",/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 15 Nov 2014\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"With:\",/*#__PURE__*/ _jsx(\"br\",{}),\"R\\xf8dh\\xe5d\",/*#__PURE__*/ _jsx(\"br\",{}),\"Eddie Niguel\",/*#__PURE__*/ _jsx(\"br\",{}),\"EJ Missy + Avneesh (LOOP)\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Visuals: Burrows x Brandon Tay\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/548900958573569/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"\\u2028\\u2028\\u2028\\u2028Facebook event page link\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),\"RSVP for guestlist entry before 12.30am: \",/*#__PURE__*/ _jsx(Link,{href:\"http://rsvpd.co/list/318426108359856\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://rsvpd.co/list/318426108359856\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-ej-missy\"},{hz3sj3gFn:\"2014-11-05T00:00:00.000Z\",id:\"NNGmSoWdI\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/D3dQaXZhQnOSIbBWydXbi2LntaM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/D3dQaXZhQnOSIbBWydXbi2LntaM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/D3dQaXZhQnOSIbBWydXbi2LntaM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: VLADISLAV DELAY - VISA\",lZ2WhlLX5:\"5 NOVEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"There was a time in electronic music before 120bpm 4/4 dancing. I don't mean way back when DJs worked out how to blend disco tracks together so that the loose hips of the 1970s could gyrate without dropping the beat all night in those sleazy gay night clubs where techno emerged. I mean right back in the past, before Roland had produced a drum machine, and before Pink Floyd had touched a mini moog. It started with blips and scrapes oozing out of the ether. Early minds heard the future as these pulsing sounds evolved into something composible.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Italian futurist Balilla Pratella discussed the artistic possibilities of sound in his Technical Manifesto of Futurist Music (1911): \\\"To present the musical soul of the masses, of the great factories, of the railways, of the transatlantic liners, of the battleships, of the automobiles and airplanes. To add to the great central themes of the musical poem the domain of the machine and the victorious kingdom of Electricity.\\\" One of these electronic futures was recording \u2013 and the technologies that evolved to capture and reproduce music were also used in composition itself, especially in the French avant garde's musique concr\\xe8te, such as Pierre Schaffer's Etude aux chemins de fer (1948).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=N9pOq8u6-bA\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Dominating the field of composers with an electronic oeuvre that grew out of their challenges to all aspects of music are John Cage and especially Karlheinz Stockhausen, whose constructed electronic soundscapes Valdislav Delay's 'Visa' recalls. Other aspects of contemporary popular electronic music have their roots in like-minded composers \u2013 especially Steve Reich, who explored repetition, percussively, musically and electronically (listening to him is how I first found a way into techno \u2013 he occasionally pops up at techno-festivals; we owe him the world).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The techno we love on dance floors today is a popularised form of electronic musical exploration that occupied the European and American musical elite for some time \u2013 rather like pop music has its heritage in the scales that J.S. Bach formalised for his Well-tempered Clavier. Sure, techno really comes to us via the electronic music of proto-techno groups like Kraftwerk, and through the clubs of New York, Chicago and especially Detroit, with their total colonization of the 303 and 808 that became the essential ingredient in social gatherings from illegal raves to Berlin sex clubs to nightclubs and warehouse parties around the globe. \\xa0But beyond these more familiar parts of the history of techno, in the deep past, is this avant garde genre. It makes a lot of sense for a contemporary techno producer/composer to go back to some aspects of this musical past, and it is in this way that I listened to Vladislav Delay's\\xa0'Visa'\\xa0, the latest offering of the Finnish techno-giant Sasu Ripatti, who clearly owes much to this musical heritage and who made full use of his time when the US denied him an entry visa by producing this wonderful album. The dancing that his American fans missed out on has allowed Ripatti to instead give us a passport to explore beatless electronica produced almost entirely on analog hardware. The result is intriguing and well worth hearing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Listening to 'Visa' is all about the experience, about being present, about following the sounds \u2013 about having no preconceptions, which Ripatti throws away with the 4/4 120bpm. You have to open your mind and let Vladislav Delay in. This is a different kind of listening \u2013 less with your body as it dances a sure time, more with your ears, which cannot know what is coming next. Your eyes are closed, your senses tuned to the slightest modulations in sound, you start to lose yourself. As you drift off,\\xa0'Visa'\\xa0becomes your world. Is it comforting? Is it terrifying? Are you going to freak out if you submit? Is it safe? Will you lose your shit? This is like having sex with unknown sounds \u2013 you only just met in a dark corner of a dark room, and you don't know if they are going to hurt you, or if you will let them change you. Will you run away, distressed, or will you keep coming back for more as you let Vladislav Delay take over your ears? It is not every album that brings these thoughts to mind.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I can't tell you what to expect. \\xa0When I say that \u201CVisari\u201D has heartbeat and a drone that is almost uterine in the way it muffles close around me, this can't mean anything concrete to you. \\xa0When the heartbeat stops I hold my breath, like I have just heard of a death, but it is not a death that you know. Yet there it is again, drowned out by the the overwhelming mess that we have to clear our mind of, struggling through the undergrowth of his soundscape to find something familiar to cling to. Do you hear that when you close your eyes and let this track drift along with you? Or \u201CVilhollinen\u201D, looped with grinding mechanised sounds like a train carrying steel through a factory \u2013 organ sounds, pipes letting off randomly, Ur-sounds, back to a time when the first pulsing modulations that entered the human brain were coming out of the massive pipe organs of Dresden and Leipzig where Bach played... These are the things I think I hear when I struggle to make sense of this psychic emersion. It is both bewildering and captivating enough to make me want to know more. These wild sounds are our musical past; analog distortions that take everything from physics and nothing from life.\\xa0'Visa'\\xa0\\xa0is an effort to listen to because there are no hooks to catch onto \u2013 but rarely does one complete an album with such a sense of achievement. And like all good music that requires effort,\\xa0'Visa'\\xa0requires intelligent listening.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"All of these tracks are an episode in a journey on their own; together they leave me feeling like my mind has been washed clean and I am ready to listen to music with fresh ears. It is a strange experience. Each time I have listened to\\xa0'Visa'\\xa0I have understood something different, but always with a sense that I am listening to a conversation between a significant composer and his past. Taking serious electronic composition outside of the elite world of universities and contemporary music festivals and putting it in a popular context is refreshing. It reminds us that techno is not just a beat to dance to in a psychedelic haze. It has an intellectual past, which Vladislav Delay's\\xa0'Visa'\\xa0reminds us of while contributing something new. It is a trip on its own with a meaning that may come to you in due course. Listening to\\xa0'Visa'\\xa0is like meditating to someone else's breathing. Let it in, or lose it. I chose to open myself and let it in.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Visaton\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Viaton\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Viisari\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Vihollinen\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Viimeinen\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/1118501-vladislav-delay-visa-limited-vinyl-edition%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/1118501-vladislav-delay-visa-limited-vinyl-edition\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-vladislav-delay-visa\"},{hz3sj3gFn:\"2014-11-04T00:00:00.000Z\",id:\"vy5r6nc4G\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"OCTOBER MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"4 NOVEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"12 picks for the month of October and guilt-free to download. 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You can get the vinyl here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/October%20Music%20Freebie%20Roundup/shop.wichelroede.net\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"shop.wichelroede.net\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),\"https://soundcloud.com/cremeorganization/dmarc-cantu-no-control-jtc-remix-mixfree-download-available-now-at-shopwichelroedenet\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/October%20Music%20Freebie%20Roundup/shop.wichelroede.net\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"BP Edits - The Red Star Glazer - Re-Visited (BP's 2014 Edit)\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"An oldie but goodie, check BP aka Brendon P's Soundcloud page for a veritable trove of free edits including Mara Hruby, Fred Wesley, Sly & The Family Stone and more, all proven to work on the dancefloor.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/brendon-p-1/bp-edits-the-red-star-glazer\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Freddy Fresh - Glad To Be Here Again-Freddy Fresh speaks out before launching NEW upcoming release\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Big daddy Freddy Fresh is back, and here's a download ahead of his new release. Click through to his Soundcloud page for more freebies.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Beatport Decade - Various\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Over 10 weeks, Beatport shares free tracks from different producers, one for each day of the week as part of its 10 year anniversary celebrations. By the time this article is published there will only be 2 producers left after great entries from Todd Terry, Maya Jane Coles and Bonobo. We're guessing techno would be one of the remaining genres, so keep your mouse on lock here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"https://pro.beatport.com/decade\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://pro.beatport.com/decade\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"#beatportdecade\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Order Records - Vol 1\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Singapore-based Order Records releases Vol 1 of 7 free tracks, including Night Dives, Gema + Darren Dubwise and SWTLKR. Check for sounds on the darker, bass-influenced spectrum.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/orderrecords/01-night-dives-highland?in=orderrecords/sets/order-vol-1\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"AxH - Creative Control\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:['American deep dubstep producer AxH is giving away a 24 bit WAV of Creative Control. \u201CFeel free to mix it, record it, bootleg it\". Check this and a regular listing of free drum and bass and affiliated tracks from ',/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/October%20Music%20Freebie%20Roundup/Kmag.uk\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kmag.uk\"})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/axhmusic/axh-creative-control-free-download-24-bit-wav\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Ultrademon - Choo Choo VIP (free download)\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Not one to disappoint, Ultrademon aka Albert Redwine gives up his Choo Choo VIP mix out now on Hyperboloid Records. Check for a funky, twisted one.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/hyperboloid/ultrademon-choo-choo-vip-free-download\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Jolly Mare - Giu\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"A trip between tropical funk and electro waves accompanied by the sampled voice of Loredana Bert\\xe9, the talented Jolly Mare's latest work for Bad Panda Records is hot and yours to cop.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/bad-panda-records/jolly-mare-giu\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Bicep & Hammer - I Believe\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"From the mighty Bicep. You can download their jam with Hammer at the beginning of their essential mix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/feelmybicep/bicep-hammer-i-believe\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"F \u2206 U X E - Free\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Another freebie from rising Singapore producer F \u2206 U X E on a different tip, in tribalish, loop-based percussive territory.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Fade to Mind - Various Bootlegs\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:['\"Kingdom twists Fatima Al Qadiri with Gangsta Boo, Prince William chops Miley\\'s Adore You, MA takes on Kelela, Massacooramaan vs Krayzie Bone and Rizzla mixes Lucid with DJ Dior\". Download 5 exclusive bootleg edits from the Fade to Mind crew over here: ',/*#__PURE__*/ _jsx(Link,{href:\"http://www.dazeddigital.com/music/article/21246/1/download-the-fade-to-mind-crews-free-bootlegs\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.dazeddigital.com/music/article/21246/1/download-the-fade-to-mind-crews-free-bootlegs\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/dazedandconfused/massacooramaan-krayzie-bones-bass-yarou-voyage\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"october-music-freebie-roundup\"},{hz3sj3gFn:\"2014-10-31T00:00:00.000Z\",id:\"nvxg34LiF\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/UwoxAdgRtF2pDeUr3fsLZqMKEKc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/UwoxAdgRtF2pDeUr3fsLZqMKEKc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/UwoxAdgRtF2pDeUr3fsLZqMKEKc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: STEWART WALKER - IVORY TOWER BROADCAST\",lZ2WhlLX5:\"31 OCTOBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"I've been waiting for the new Stewart Walker release patiently. To me, his ante penultimate album, 'Concentricity' (Persona, 2007) is one of the high-points of techno composition; it is the album I send to people when I want to give them something special. It is mixed perfectly, a trip in itself. More than once it was a salvation to me through the hard Scottish rains as I used to walk the shores of Loch Linnhe, drenched and dreaming of what was below those grey waters, desperately needing something reassuring to keep me from cracking in the cold wind that whipped me across my face. If someone you know thinks that they don't like techno, play this album to them. It will change them, and tie them to the space where they first heard it. It is complex and stunningly beautiful. As an album it is coherent, a techno symphony. It sounds as if it were meant to only be played in one go, and perhaps some of the reason that many people I know don't know this album as well as I believe they should is that the tracks (e.g. the incredible lynchpin, \\\"Fernbank 1991\\\", or the ecstatic \\\"Madness Like Schools of Fish\\\", which comes on early in the piece) are inextricably mixed into the very fabric of this masterpiece, and so they never reappear in other DJs mixes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/stewartwalker/ivory-tower-broadcast-samples\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=9JdCLdM0nyU&ab_channel=StewartWalker\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Unlike 'Concentricity', the tracks on 'Ivory Tower Broadcasts' (ITB) are not mixed together. We have a sense how they could sound in Walker's Boiler Room set from just before the release of ITB, but listening to the album gives me over to thinking of what other ways it could sound like mixed as a longer set. Where could it go?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Little hints of this much-awaited album are scattered around the web in live sets, such as one played live in D\\xfcsseldorf (Level Records Night, Foyer, 4 June 2011), which sits as a midway point between Concentricity and ITB. But imagining it mixed in Walker's subtle style is not so simple, as the album under review does not have the same kind of coherency as Concentricity, which sounds as if it were composed in one deep dive to the depths of techno. ITB, by contrast, feels like the tracks were written in spurts, in moments of snatched time, in different head-spaces. This, I wonder, might be why it is not mixed? But so to the reason might be that unmixed tracks better showcase the DJ as a producer (his minimal albums have discreet tracks; but his star began to rise seriously with his 2003 Live Extracts, which has perhaps made the listeners of his 2003-07 period think of him as a producer of beautiful long sets, practised in Tr\\xe8sor since his arrival at the inner circle of European techno).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pLzHDX9S1Fs&ab_channel=BoilerRoom\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What ITB shares with Walker's earlier works is the continuation along the path of polyrhythmic musical exploration, although here further incorporating instruments outside of the traditional techno range of drum machines and synths. Zithers and Kotos, not code names for girls' names, are some of the instruments that Walker has played on ITB. These acoustic instruments give the album a warmth that one could scarcely have imagined as possibly coming from the same man if we were to cast back to his minimal techno of, say, 1998. Before Marcel Dettmann had long hair and Blu had painted Kreuzberg, Walker had already made electro-acoustic experiments.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'He was a guitarist before turning his attention to deep explorations in the new, post-Detroit minimal techno \u2013 that sexual soundtrack that Berliners would writhe to for blissed-out days-into-nights-into-days-on-end in low-lit caverns that had once powered the edge of Eastern Europe, now covered in yellow fists as the new Berlin punched its way into the air waves of the clubbing world. Some of my favourite Berlin minimal tracks of the late-1990s and early-2000s were produced by Walker when Berlin was exploding into a full techno efflorescence. These are collected on \"Reclamation 1997-99\" (Persona 2001), \"Pleasure Island\" (Persona, 2001), and \"Degenerate\" (Persona, 2003). The attention to exquisite composition when everything else was stripped away in these minimal works remains utterly captivating. And when the tracks on ITB get it right \u2013 and in some moments they do \u2013 it makes sense that these new pieces are by the same minimal genius. This is not consistently the case on ITB.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Some of the tracks are delightful, and could be easily found in stylish lounge mixes. If I heard \u201CCandycoated\u201D in the foyer of the Michelberger Hotel, I would not be at all shocked. But some of the music would also work far away from the club world, perhaps as a movie sound track? Maybe that is where Walker has been these past few years? Imagine Walker's opening, \u201CDesolation Peak\u201D. It could set the scene in a film about an Australian in Berlin (we all know at least one): a meditative walk through G\\xf6rlitzer park, heading East, past the dealers, past the graffiti, over the water, and follow each track as you meander through this imagined late-summer's day, a different track, a different shot of a Berlin detail, as the camera drifts languidly past the lovers and the drunks and the drunk lovers. It is late afternoon, the sky is drenched with blue smoke rising from the park, and the world appears happy if you don't stop to look too long at the beer caps in the dried mud of the path, if you forget that in February the ground outside will be too foul and cold to get down on your knees. \\xa0Look up. \\xa0There is no green like that Berlin green, filtered through the whip-like leaves of the willows that take you to the Spree. What do you hear as you approach, when the sky starting to burn pink as the blinding light softens?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CSome Exits Have Been Chained (For Security)\u201D are the soft sounds flowing over the water at the end of the Indian Summer at K\\xe4ter Blau, if it is still open, again. And so on... Meditation over.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DlAu0wdqGKQ&ab_channel=FromNord\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"ITB is not an album for dancing to. It is easy to dream and get lost thinking about Berlin and how good it would be to see Walker make sense of his new album in a live set in a Spree-side outdoor bar of easy dancing under the trees. But: not all of it. The title of the track, \u201CSomething I Can't Remember\u201D, I expect to be reflexively prophetic. It is the low point not just of this album, but of the career of Stewart Walker, to my mind, which is already predisposed to want to love this music. Sometimes, I cannot.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u201CRose Machine\u201D is not far behind in its forgettable string arrangement, with a repeated sample that sounds a bit like a sneeze. Other tracks, like \u201CShakemaps\u201D and \u201CGone at First Light\u201D (which was a stand out moment in one of Walker's earlier mixes, but I can't remember which. Was it in Kentucky?); these tracks are much more interesting \u2013 to me it makes no sense that they are on the same album as my less-favoured tracks. Maybe an EP would have been a wiser release strategy, for on ITB the brilliance is spread too thinly? It should be clear that this is not my favourite album by one of the DJs I hold dearest, whose earlier releases I know by heart. I hope he can mix it in a way that makes it make sense, and I hope I am there to hear it happen.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Desolation Peak\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Gone at First Light\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Passing Through\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Candycoated\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"05. Something I Can't Remember\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Chakra (Interlude)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Rose Machine\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Exits Have Been Chained (For Security)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Caught in the Switches\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Shakemaps\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Feeling of Reeling\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/1103922-stewart-walker-ivory-tower-broadcast\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/1103922-stewart-walker-ivory-tower-broadcast\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-stewart-walker-ivory-tower-broadcast\"},{hz3sj3gFn:\"2014-10-24T00:00:00.000Z\",id:\"xYaF5NX3Y\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/pWa2VjSpPzNHSBFOuBgv2bX8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/pWa2VjSpPzNHSBFOuBgv2bX8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/pWa2VjSpPzNHSBFOuBgv2bX8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: PEAKING LIGHTS - COSMIC LOGIC\",lZ2WhlLX5:\"24 OCTOBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"\u201CInfinite Trips\u201D is a fairly expectable title for the opening track of a Peaking Lights album. Obviously, there\u2019s the drug reference (did we expect summat else?) to mark what follows as \u201Cpsychedelic.\u201D Trips\u2014get it? Of course you do. As someone born into postmodernism, I spent a long time wondering how literally to take them: the overt naff-ness of the \u201Cdruggy band,\u201D with its ecstatic and too-obvious references to the hallucinogenic. Is it supposed to be read as an anachronistic goof?\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The cover art for \u201CCosmic Logic\u201D and 2011\u2019s \u201C936,\u201D apparently influenced by 80s Miami and Japanese psych-art, could definitely be meant as kitsch. The lyrics are similarly hard to pin down. They tend to be charmingly clunky in a way that could be faux-na\\xefve\u2014\u201Csophisticated duh,\u201D in Dave Hickey\u2019s words\u2014or just, well, duh.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"But Peaking Lights are for real; very much so. In fact, this is a part of what is, to me, their strong appeal. They are one of those bands that are post-everything, and this includes being post-ironic. They display that millennial trait\u2014so irksome to those born in the seventies\u2014of genuinely admiring things that are, objectively, pretty bad. In other words, their nods to the poorer quarters of druggy culture are not a snide pose, as much as a love of heightened and altered experiences.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=uGLaI4ZzpcA&ab_channel=WeirdWorld\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The saving grace of Lights, for me, has been exactly this unfeigned sense of wonder. Whether it was about getting high or growing up, their wide-eyed appreciation seemed genuine in an era of painful self-awareness. This was communicated, in no small part, through their technical mediocrity as artists. There was a great intimacy to the records, an exposure in the middling skills that band-mates Indra Dunis and Aaron Coyes brought to the table. Something was radiant amid the murk, almost painfully present and bright. This was something precious; something the surgical ironists of a million Silverlakes couldn\u2019t fake. It was\u2014as nostalgic and uncool as this might sound\u2014personality. And this was the secret of their charm: Peaking Lights have always been exceptional at being mediocre.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This allowed them to explore familiar themes, and speak about them in ways that other bands couldn\u2019t. For all the snarky commentary, for example, \u201CLucifer\u201D captured something in the life of couple hood\u2014becoming a family\u2014in a genuinely affecting way. \u201CBeautiful Son\u201D is a lovely song, partly because of its simplicity. The subject of the record was even more likable because it was so far beyond the pale of relevance. What could be less appealing to hipsters than making a record about your kids?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But despite the title, the opening seconds of \u201CInfinite Trips\u201D do not suggest business as usual for the Lights. The song begins with a hoary rock \u2018n roll convention: the tap of drumsticks, counting in the beat. A guitar line chimes in\u2014perfect sunny melancholy, in the Californian bipolar tradition. It sounds like anything you\u2019d hear on a Real Estate record. The music sounds, more or less, like the work of an obedient West Coast indie band. Most noticeable, though, is the presentation of Dunis\u2019 singing; it\u2019s clear, and pushed right to the front of the mix. This is an inversion of the Lights\u2019 prior musical tendency, where the vocals are recessed, to blend into the foam of synth and guitar. Before \u201CCosmic Logic,\u201D they added mostly colour and mood, and the specifics of melody or lyric were somewhat beside the point.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What we are hearing, here, seems to be both a geographical and artistic shift. Many fans were concerned when Coyes and Dunis recently moved to LA. And from Madison, Wisconsin, no less\u2014that redoubt of Midwestern gentility. This relocation seems to have been matched by the transition toward a more self-conscious (and perhaps more orthodox) sound. In this sense, \u201CCosmic Logic\u201D appears to record the birth of a legitimate, career rock band.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Vv3YinIMkGA&ab_channel=8bits\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Stripped of the layered reverbs, echoes and drones, the songs\u2014beginning with \u201CTelephone Call\u201D and \u201CHypnotic Hustle\u201D\u2014have an explicitly No Wave feel. There\u2019s a lot of Tom Tom Club, for example, in the chanted rhyming couplets, and references to outer space and disco-era slang. Coyes\u2019 synths sound uptight, like a set of Roland TR patterns. \u201CDreamquest\u201D has a slightly more exotic, questing spirit, and \u201CBad With The Good\u201D appears to have some deep house in its DNA. In many ways, the grammar of the songs is familiar. It\u2019s their hierarchy, the layering of parts, which has been shuffled. It is surprising that this should make such a difference, that their compositions would be so sensitive to relatively minor adjustments. This gives certain tracks a directed, purposeful feel. Overall, though, you may feel the loss of that old intimacy\u2014strange, given that everything in the mix of \u201CCosmic Logic\u201D sounds closer, clearer, and more accessible.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=-xjZZVb3jhU&ab_channel=WeirdWorld\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What Los Angeles will do to Peaking Lights is an open question. Regardless, it would be a bit shitty of us to ask them to remain unchanged, to keep working the good old method that brings the feels. And even more, it would be missing the point\u2014given that so much of Coyes\u2019 and Dunis\u2019 project has been built around an open-ness to change and expansion. In this sense, I\u2019m optimistically reading \u201CCosmic Logic\u201D as a transitional work, mid-trip: half-baked and sometimes beautiful and full of intimations. \u201CAll the good songs have been written\u201D? I\u2019m not so sure.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Infinite Trips\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Telephone Call\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Hypnotic Hustle\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Everyone And Us\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Little Light\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Dreamquest\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Eyes To Sea\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Bad With The Good\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. New Grrrls\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Breakdown\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Tell Me Your Song\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://itunes.apple.com/us/album/cosmic-logic/id906751834\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://itunes.apple.com/us/album/cosmic-logic/id906751834\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-peaking-lights-cosmic-logic\"},{hz3sj3gFn:\"2014-10-17T00:00:00.000Z\",id:\"qXTtaJRRZ\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/LOOk8pGYBnH3NZjuO5TKUYl4o4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/LOOk8pGYBnH3NZjuO5TKUYl4o4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/LOOk8pGYBnH3NZjuO5TKUYl4o4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: TIN MAN - ODE\",lZ2WhlLX5:\"17 OCTOBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Who is Tin Man? From the storied Wizard of Oz tale, he is a woodman whose love for a woman caused him to be cursed by the witch. He was attacked by his own axe, which destroyed him and his flesh. Without a heart and only a prosthetic body made of tin left, he rusted in place in the outdoors until Dorothy and the Scarecrow discovered him. Together, they embarked to the City of Emeralds where he could ask the Wizard for a heart.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Of Finnish descent, the born Californian Tin Man aka Johannes Auvinen, purports to go on a similar journey, in search of his true self through music as the medium. Since releasing his first album \u2018Places\u2019 in 2004, \u2018Ode\u2019 is his 7th album. And along with his earlier LP \u2018Neo Neo Acid\u2019 (2012), is released on the Acid Test (sub-label of Absurd Recordings) label, which was founded upon the specific use of the seminal bass synthesizer machine called the Roland TB-303. Known for its acid sound, the Roland TB-303 can be heard in the works of Charanjit Singh, Josh Wink\u2019s \u2018Higher State of Consciousness\u2019 and Phuture\u2019s \u2018Acid Trax\u2019. Other producers in the Acid Test family include Iron Curtis along with his collaborator Edit Piafra known as Achterbahn D\u2019Amour, Recondite, Holder Zilske, Skudge and Donato Dozzy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It goes without saying that Tin Man has built a mastery over the synthesizer. In an \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/news.aspx?id=13433\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"earlier interview with RA\"})})}),', he shares, \u201CI fell in love with it so much that I could listen to acid house in the morning for breakfast,\" he says, \"drinking my coffee listening to some mental acid tunes.\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"See his top 5 favourite acid tracks here:\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/features/2014/09/hi-five-tin-man-selects-his-favo\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.xlr8r.com/features/2014/09/hi-five-tin-man-selects-his-favo\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})})}),\"\u2018Ode\u2019, however, as can be expected of the producer, is less freaked out breakfast mental and more, if one can say, measured. Doses of baselines are dished out in just-right doses, just enough to play its musical place in the overall track composition, rather than take centre stage as a leading mind-numbing synth line. In a sea of producers shouting for a hit, this quiet measured calm is indeed refreshing and soothing to hear. The album title itself already hints at a something more poetic, with the classical definition of the word \u2018ode\u2019 used to mean \u201Can elaborately structured poem\u201D in praise or glory. Tin Man is the manifestation of acid that has matured, refined, evolved.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=PdbpVZb26d4&ab_channel=CMPTD_VOID\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Upon a backdrop of carefully constructed rhythmic patterns comprised of twitching hi-hats, shuffling shakers and chugging groove, tracks such as the opening \u2018No New Violence\u2019, \u2018In Your System\u2019 and the title track \u2018Ode\u2019 showcase Tin Man\u2019s trademark cool and steely melodies. Subtle, understated, personal and imaginative, a slight twist of a knob is capable of transforming a pure sine tone into something darker and more sinister. The sweet and addictive melancholy stops for \u201Cbigger room\u201D tracks such as \u2018What A Shame\u2019 and \u2018Vertigo\u2019, the latter which even introduces a groovy element on the edges of house, of which Chicago house is purportedly too a love of the producer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=3t1Qm89DDYw&ab_channel=CMPTD_VOID\"})})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=xJ0AdUaZpJU&ab_channel=moreacidplease\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Of special note, available are 4 vocal takes on the CD version, which catapult his tracks into a different dimension altogether. It almost is hard to decide which version is better. Tin Man\u2019s own deliberately lazy, narcotized vocals dragged through a vocoder are part-spoken word, part-poetry enunciating his tracks to life, like a narrator to an unfolding scene. An atonal quality brings a folk or blues radio-like storytelling to the deeper tracks, \u2018No New Violence\u2019 and \u2018Memorphillia\u2019 while adding a more direct human connection to the more upbeat numbers, \u2018What A Shame\u2019 and \u2018Vertigo\u2019, which I would imagine to float above you in an embrace on the dance floor.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Another defining effort from the respected and influential Tin Man, a producer\u2019s producer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.tinmanmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.tinmanmusic.com/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/pages/TIN-MAN/134390536615720\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"https://www.facebook.com/pages/TIN-MAN/134390536615720\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist (2 x LP)\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. No New Violence\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. In Your System\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Depleted Serotonin\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. What A Shame\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Vertigo\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Memorphillia\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Ode\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist (CD)\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. \\xa0No New Violence (vocal)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. \\xa0In Your System\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. \\xa0Depleted Serotonin\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. \\xa0What A Shame\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. \\xa0Vertigo (vocal)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. \\xa0Memorphillia (vocal)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. \\xa0Ode\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. \\xa0No New Violence (instrumental)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. \\xa0What A Shame (instrumental)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. \\xa0Vertigo (instrumental)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. \\xa0Memorphillia (instrumental)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/artists/Tin+Man/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/artists/Tin+Man\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-tin-man-ode\"},{hz3sj3gFn:\"2014-10-13T00:00:00.000Z\",id:\"qIAIh2hk6\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/PMPKnCsgGioQBP8wCTA7JGuo764.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/PMPKnCsgGioQBP8wCTA7JGuo764.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/PMPKnCsgGioQBP8wCTA7JGuo764.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 620w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FLYING LOTUS - YOU'RE DEAD!\",lZ2WhlLX5:\"13 OCTOBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"As a title, \u201CYou\u2019re Dead!\u201D sounds either like a threat or a metaphysical speculation. As an album, apparently, it began as a hunch. Flying Lotus\u2014Steven Ellison to his mum\u2014claims that it popped up in discussion with bassist Thundercat. The pair was driving around Los Angeles, listening to George Duke. Ellison felt that the free jazz and fusion experiments of the 1950s and 60s left a lot of cues for new music. If anyone dropped a Duke record in 2014, he wagered, it would knock everyone dead.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/flyinglotus/youre-dead-teaser\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s a mad proposition. Only a visionary, or someone powerfully dilated, would opt to wander the free jazz outlands in search of the Next Big Thing. It\u2019s hardly popular territory. Music critics after Nat Hentoff have mostly discounted the genre\u2014for its academicism, inaccessibility, and paradoxically formulaic quality. Fans, also, saw it as pretentious experiment that led, basically, nowhere. Fusion, for all the respect it commands from heads, has been downgraded to a punch line in a Mighty Boosh bit, the musical equivalent of a brown shirt and pencil moustache. For Ellison, though, it\u2019s personal. The wild space of free jazz is actually a kind of family estate, passed down to him by his great-aunt, Alice Coltrane. It is not surprising that he would want to recoup the work of his heavyweight ancestors, to slot them back into a working lineage.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And \u201CYou\u2019re Dead!\u201D does kill. But not in Duke\u2019s way (or Trane\u2019s). The \u201Cfeel\u201D of free jazz, that uptight spontaneity, is there. But Ellison is too restlessly imaginative to work a nostalgic angle. He plays with the genre in numerous ways, and enlists multiple partners\u2014Thundercat, Herbie Hancock, Kamasi Washington and Miguel Atwood-Ferguson, among others\u2014to find links between his influences and his output.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=2lXD0vv-ds8&ab_channel=FlyingLotusVEVO\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"In a sense, each of the 19 tracks represents an alternate present, in which jazz somehow remained relevant. These visions have a strange economy. The songs are short, with several coming in under the two-minute mark. They are dramatically dense, and occasionally expansive. Many seem like the sketch of a complete musical program, a hundred other albums in short-form. Where his forebears were spacey and voluble, Ellison seems impatient\u2014jotting down ideas, and barely following them to their conclusions. In so doing, though, he escapes the jazz stigma of length: that endless noodling, the tongue-speak of \u201Clegitimate\u201D genius. Instead, he sections the source elements, testing their mix in permutations. \u201CDead\u201D kills the formula of the jazz session, pulling apart its timescale. Tracks were recorded separately, with collaborators contributing lines, now and then, in his home studio. This took the most fetishistic aspect of jazz\u2014its presence, required by the improvisational format\u2014and simply trashed it. The slippage one hears on \u201CYou\u2019re Dead\u201D is the social ideal of the studio session translated into the digital era.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The first 30 seconds of \u201CTheme\u201D sets the stage. It\u2019s orientalism turning suddenly into hard bop\u2014the arc of \u201CA Love Supreme,\u201D in fast forward. As with much of FlyLo\u2019s output, this gesture works on a number of levels. The Eastern influence is, famously, Coltrane\u2019s. It\u2019s a midcentury clich\\xe9. It is also Ellison\u2019s own spiritual preoccupation, and points back to \u201CUntil The Quiet Comes,\u201D 2012\u2019s meditation on death and jazz. The opening drone is beautiful\u2014a cry reverberating across some distant plane. It could be a reed (a Duduk?) or the fuzz on an imperfect synth setting. It lasts only a few seconds, a breath of sadness or longing, before Ellison locks in the album\u2019s musical framework: uptempo drums, pads, saxophone runs, and Thundercat\u2019s articulate bass. These opening tracks are lovely\u2014as are the later returns to jazz on \u201CTurkey Dog Coma\u201D and \u201CMoment of Hesitation\u201D\u2014and they recall the cinematic colour of many 60s compositions.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Elsewhere, the album is all careful contrasts. Ellison expands his formula more obviously into other genres, into trip-hop, bass, R&B, and points in between. The modal jazz palette turns into left-field hip hop on \u201CNever Catch Me,\u201D a chord cycle featuring blazing vocal support from Kendrick Lamar. It seems simple, but the track is hard to pin down stylistically; it veers toward footwork before returning to a long, soulful third act that sounds like a spare twist on drum and bass. The jumpy mood contrasts heavily with the next song, \u201CDead Man\u2019s Tetris,\u201D which features Snoop Dogg and also Ellison\u2019s alter-ego, vocalist Captain Murphy. It\u2019s on the menacing end of dubstep\u2019s half-time throb, and the vocals feel more like chanted threats than rap per se.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Again, the feel shifts with the elastic soul of \u201CTurtles.\u201D We get a brief glimmer of the old FlyLo, a snatch of syncopated drum programming that echoes back to tracks like \u201CCamel,\u201D before fading into chimes and na\\xefve vocals. \u201CReady Err Not,\u201D which follows, is a perfectly (almost quaintly) structured song. It has a beautiful sense of arrangement, with notes of something new age\u2014Tangerine Dream? Ray Lynch?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These tracks mark the start of a metaphysical turn, as the last quarter of \u201Cdead\u201D veers heavily into trippy contemplation. At times this is murky, as in \u201CThe Boys Who Died In Their Sleep\u201D\u2014a disturbing eulogy for Austin Peralta, the LA pianist (and son of Z-Boy Stacy Peralta) who died suddenly in 2012. Other portions, like \u201CDescent Into Madness,\u201D have the feel of a psychedelic show-tune. This passage feels much less compressed, giving the close of the album a different kind of intensity: here, death is real death, and we are thinking in cosmic proportions. There\u2019s elegance to it, though; it\u2019s neither a d\\xe9nouement nor a collapse into fug. There\u2019s a strangely elegiac feel, and\u2014if I\u2019m not reading it wrongly\u2014a return to the awed grace of A Love Supreme. Flying Lotus is mature enough, as an artist, to express something that usually turns into kitsch. Death is not treated like a piece of bong-wisdom. Neither is it a joke, anymore. But it\u2019s not sadness, either. \u201CProtest,\u201D finally, captures the sense of being very near to something enormous and ineffable, announced by that cry which opens the album: a moment to take a last look at our burdens before we lay them finally, sweetly, down.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Theme\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Tesla [ft. Herbie Hancock]\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Cold Dead\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Fkn Dead\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Never Catch Me [ft. Kendrick Lamar]\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Dead Man's Tetris [ft. Snoop Dogg and Captain Murphy]\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Turkey Dog Coma\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Stirring\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Coronus, the Terminator\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Siren Song [ft. Angel Deradoorian]\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Turtles\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Ready Err Not\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Eyes Above\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Moment of Hesitation [ft. Herbie Hancock]\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Descent Into Madness [ft. Thundercat]\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. The Boys Who Died in Their Sleep [ft. Captain Murphy]\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Obligatory Cadence\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Your Potential / The Beyond [ft. Niki Randa]\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. The Protest\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://warp.net/records/flying-lotus/watch-youre-dead-album-trailer\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://warp.net/records/flying-lotus/watch-youre-dead-album-trailer\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-flying-lotus-you-re-dead\"},{hz3sj3gFn:\"2014-10-11T00:00:00.000Z\",id:\"sHN1_VDTg\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/oMNyQ3nZZFMDQ4amrAFcnEdno.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/oMNyQ3nZZFMDQ4amrAFcnEdno.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/oMNyQ3nZZFMDQ4amrAFcnEdno.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: TRANSLLUSION - THE OPENING OF THE CEREBRAL GATE\",lZ2WhlLX5:\"11 OCTOBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"It is hard not to feel emotional while writing this review of Transllusion. So much background must be covered and also explained to provide context to this very valuable reissue, that comes just shortly after the death anniversary of its creator, James Marcel Stinson (14 September 1969 - 3 September 2002).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'An appreciation note written by Underground Resistance reads: \"James Marcel Stinson...Negative evolution cycle completed. Now in sonic infinitum mode.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'James Marcel Stinson, along with Gerald Donald, was a primary member of the influential Detroit project Drexciya. While much of the project and band is shrouded in mystery, and deliberately so, what we do know is that Stinson was a quiet member who was described by fellow collaborator and producer Dennis Richardson as \"ultra-low-key\": \"You see him on the street, he\\'s an everyday guy. You get him in the music studio, and he\\'s a maestro.\" A married truck driver with seven children, Stinson was once reported to say that music was his third love after God and his family.']}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Zef4dTm5z_4\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Much of the project's mythology, including its tropes of the Afro-American aquatic voyage also belonged to Stinson. An obituary for Stinson \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.dustedmagazine.com/features/21\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"written by Ben Tausig\"})})}),\" explains the mythology succinctly: \\\"According to legend (and album notes), the Drexciyans are an actively subversive race of superhuman, aquatically inclined beings who were born to pregnant slave-mothers brutally hurled from ships carrying human cargo over two-hundred years ago. Drexciya's metaphor of the African journey through modernity is a brilliant summation of a massive history, and it serves as a poetic introduction to the issues which so many Detroit techno musicians consider central to their art and their lives.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Stinson's own announcement of releasing 'seven storms' in the form of seven LPs in a rare interview with Detroit Free Press writer Tim Pratt can be alluded to his seven children, whom he has dearly left behind. He said: \\\"Harnessed the Storm is one in a series of seven individual storms, which are LPs. The albums are sent to different labels. Harnessed the Storm is one, Transllusion is two, and the Other People Place is three. Much like storms or tornadoes, you don't know where or when they're going to show up, but there's four more. They were all made within one year.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Unfortunately, only three storms have come to light. These three storms along with a final album 'Grava 4' as Drexciya on the Clone label are to be his final works. 'Grava 4' is named after an actual star adopted by Drexicya and is for me, a shining example of Stinson now living among the stars as planet Drexicya.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A little more context before the music: Transllusion is one of the solo project names of Stinson and the two releases under this moniker are 'The Opening of The Cerebral Gate' (released on Supremat, a sub-label of Tresor dedicated to the more abstract and experimental electro sound) and 'L.I.F.E' (released on Aphex Twin's Rephlex label). Now on to the music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As an album, 'The Opening of The Cerebral Gate' contains the trademark neo electro-bass sound established by the band for Detroit. Now that the electro genre is facing a mini revival of sorts and in part fueled by the rather recent Drexicya reissues, the comeback of this album makes it ripe for picking.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This 3LP reissue package (Tresor 270) includes the vinyl version of the album as it was originally released plus a bonus 12\u201D featuring \u201CLook Within\u201D, \u201CUnordinary Realities\u201D and \u201CDo You Want to Get Down (Vocal De Void)\u201D, available for the first time on wax. This reissue is further accompanied as a bundle by a 3-track 12\\\" EP called 'Mind over Positive and Negative Dimensional Matter' (Tresor 271) featuring tracks 'Power of The 3rd Brain', 'Disrupted Neural Gateway' and 'Do You Want To Get Down?'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The first track -- the rude and shocking awakening of 'Transmission of Life' -- with its blaring alarm sound is a wake up call. I often skip this track purely because it is as jarring as it is intended to be. Next, 'Negative Flash' and \u2018Walking with Clouds\u2019 touch that breaky, shuffly sweetspot aimed at the feet - get into a DJ set already!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The track \u2018Cerebral Cortex Malfunction\u2019 asserts personality with randomly triggered sound samples influenced by komputer friends. \u2018Unordinary Realities\u2019 shares the same vein of cuteness, one can\u2019t help but feel that for Stinson, technology was really one of his good friends.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=llxsqiXFxSs&ab_channel=afishinsearecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Of the album of extremely catchy electro breaks and loops, \u2018Dimensional Glide' stands out for me as a more evolved species. A driving, arpeggiated pulse and a quiet, chintzy synth counterpoints the sweet main melody before gliding to oblivion. Contained within is a sincere moment of human expression.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Co6ZcFnSswY&ab_channel=theluigipop2\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Also of mention is \u2018War Of The Clones\u2019 with its distorted amped up drums and input of keys conjuring up a horrific war scene populated with armies of robots marching in unison. Soaring pads temper down the tension creating a mixed effect of fear and hope that is overall uneasy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Of the EP bundle, \u2018Do You Want To Get Down?\u2019 gets a second airing on the B side, along with \u2018Disrupted Neural Gateway\u2019, which is one of my picks because of a more sinister undertone that heralds more to come. \u201CPower of The 3rd Brain\u2019 works just as well, with a held-back approach making it a good choice as a bridge or a pause.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Overall, Tresor has reissued a hot package littered with jams you\u2019ll be hard pressed to select just one as a standout. As one of the legacies of a great man and musician, Transllusion and this album should, forbid, not be missed by any serious collector of Drexciya for filling in an important piece of the legend.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist (Tresor 270)\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Transmission Of Life\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Negative Flash\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Walking With Clouds\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Cerebral Cortex Malfunction\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Cluben In Guyana\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Look Within\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Unordinary Realities\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Dimensional Glide\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. War Of The Clones\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Crossing Into The Mental Astroplane\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Do You Want To Get Down?\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Do You Want To Get Down? (Vocal De Void)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist (Tresor 271)\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"A1. Power of the 3rd Brain\",/*#__PURE__*/ _jsx(\"br\",{}),\"A2. Disrupted Neural Gateway\",/*#__PURE__*/ _jsx(\"br\",{}),\"B. Do You Want To Get Down?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/18072-transllusion-the-opening-of-the-cerebral-gate%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/18072-transllusion-the-opening-of-the-cerebral-gate\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-transllusion-the-opening-of-the-cerebral-gate\"},{hz3sj3gFn:\"2014-10-01T00:00:00.000Z\",id:\"y18HUFCJX\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/4CPkRgpyVSPpvoA1Yzo5RaFMvM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"SEPTEMBER MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"1 OCTOBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Yet another bumper crop of free downloads rounded up in September, from the likes of the labels and collectives International Feel, Darker Than Wax and Through My Speakers to the artists Funk D'Void, David Marston for Soul Clap, Cottam, DJ Total M, Ripperton, The Cronton Pidgeons, Leo Zero and Parental Control, plus, Midnight Shift's own Eddie Niguel, Simon Hinter and Ultrademon.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"International Feel - We are Five Download 1 - 5\"]}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Spain's International Feel label is five years old. And to celebrate they have given away 5 tracks for download, including an instrumental of DJ Harvey's Locussolus - I Want It. Check their Soundcloud page for all 5 downloads.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Funk D'Void - \\\"Breathe (Bootleg Mix)\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:['Funk D\\'Void aka Lars Sandberg shares this bootleg for download with a piano sample from Australian band Severed Heads. \"This is a beautiful day It is a new day We are together, we are unified And all for the cause...\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Soul Clap (ft. Robert Owens) - Misty (David Marston remix)\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Featuring a collaboration with legendary Robert Owens, this is a super smooth and funky slo-mo remix from David Marston of Soul Clap's 'Misty' that has been making its rounds in the form of its club version.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/discobelle/soul-clap-ft-robert-owens-misty-david-marston-remix\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Eddie Niguel - Unreleased Projects - From The Vault #001\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Midnight Shift artist Eddie Niguel gives away 3 tracks made earlier under his 'Edel' moniker in the afro, techno and dub vein. Enjoy!\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Cottam - Promised Land\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"As a thank you for all the support, breaking through and prolific artist Cottam releases an unmastered wav that for some reason was never released.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/cottam/cottam-promised-land-free-wav-thank-you\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Darker Than Wax compilation - 10K Facebook Likes\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Singapore-based Darker Than Wax label hits a milestone with 10K Facebook Likes and releases a hefty 21-track compilation that is diverse yet chock-a-block with rithmns and talent.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/darkerthanwax/kerem-the-truth?in=darkerthanwax/sets/dtw-10k\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Evolv - Laminated Maps (Simon Hinter Rmx)\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Midnight Shift artist Simon Hinter shares an excruciating delicate and melodic remix excursion of Evolv's 'Laminated Maps', a knack in which he has found a niche in.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"DJ Total M - Get It Right (Total M Au Naturel Edit)\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Word on the street is that DJ Total M is none other than Miles Maeda from Chicago. Or maybe it's not that much a secret. Anyway, his edits and jams have proven themselves on the dancefloor, so cop yours today.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/dj-total-m/get-it-right-total-m-au-naturel-edit\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"The Trp & Michael Tousana - Catching Fire (Ripa's Cholo Edit)\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"We're not too sure how long this download will be enabled, so get it while it's hot. Ripperton makes an atmospheric edit of The Trp & Michael Tousana perfect for those sets in the sun.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/ripperton/the-trp-michael-tousana-catching-fire-ripas-cholo-remix-forfunofficial\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tessela - Hackney Parrot (the Cronton Pidgeons Rmx)\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Not much is known of The Cronton Pidgeons. But his/her/their remix of Tessela's 'Hackney Parrot' is kinda fly.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/the-cronton-pidgeons/tessela-hackney-parrot-the-cronton-pidgeons-rmx\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Ultrademon - Where Do I Go\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Midnight Shift artist\\xa0Ultrademon's soon-to-be-released 'Where Do I Go' on Hyperboloid is \\\"a laid-back outing which pairs deep 808 kicks with loose hats, miniature snaps, and an evolving series of sugary synth melodies\\\".\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Download from the XLR8R blog here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/09/where-do-i-go\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/mp3/2014/09/where-do-i-go\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"LEO ZERO EDITS 'ZEN ONE'\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Made especially for the Magik Forest festival curated by Psychemagik, Leo Zero finds an amazing 'Zen One' tune to fit the vibe. In his words, \\\"99 BPM CHUGGING RHYTHM - check + FLAMENCO GUITAR - check + TRIPPY ACIDY ARPEGGIO check! - what's not to love?\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Through My Speakers - Summer Compilation\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Pay as you please, a summer compilation by Berlin-based Through My Speakers. Includes Walter Vinyl's 'Selftitled' and other jams by Sabrina, She's Drunk and Radar Bird.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://throughmyspeakers.bandcamp.com/album/nurned-01-tms-summer-compilation\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Parental Control - Every Saturday Night\"}),\" Last but not least, husband-and-wife duo Parental Control made up of Casie Lane and Vijay Swtlkr out of Singapore put up the unreleased housey 'Every Saturday Night' for your download.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/parental-control/every-saturday-night-parental\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"september-music-freebie-roundup\"},{hz3sj3gFn:\"2014-09-11T00:00:00.000Z\",id:\"BXZwKUHrK\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Ui1J4V28QmpXOyDKUa4FH0fSLHg.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SHXCXCHCXSH - LINEAR S DECODED\",lZ2WhlLX5:\"11 SEPTEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"No wonder Swedish duo SHXCXHCSSH has been much talked about in circles (despite the double whammy of having an unpronounceable name AND being anonymous), because they are that good.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/dazedandconfused/sets/shxcxchcxsh-linear-s-decoded\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"'Linear S Decoded', out on Shifted and Ventress's Avian label, is such a delight to hear. From the first awakening light of 'Entering the S - Cloud', we are brought to the other, lesser known side of techno and a more melodic and musical shadow from its militant dance-centric brother. The entire album is delivered with a smooth and easy confidence that comes with a knowing that they have brought something unique to into this world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As in \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.dazeddigital.com/music/article/21474/1/stream-the-swirling-melody-of-shxcxchcxshs-new-lp\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"this interview with Dazed Digital\"})})}),', the duo enlightens: \"Grooves and soundscapes are what we work with the most. It\u2019s what we are. The foundation. But this time, we wanted to get out of that brutalism that it often ends up like. Melodies can do things that nothing but melodies can do. I don\u2019t know what that is, but whatever that is you don\u2019t really need much of them. A little something is often enough for you to feel it.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Mood, texture and character shine in this album -- at times broody and at times uplifting, much like a time-lapse of a soundscape over different weather changes from sun and shine to cloudy and windy. The effects are modulated, almost muted like being underwater, so that the result is a sense of well-balanced calm. If uplifting, it is never to the point of ecstatic hyperbole. And if anything, there is only a gentle melancholia to the more down tempo tracks. Uncomplicated melodies, a continuing atmosphere of tape, hiss and dirt that is lo-fi, characterful and textural permeate the album to create something distinctive and cohesive.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This is clear to me in tracks such as 'The Roots' and the album's ended, 'Monolithic Conclusion'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There are tougher tracks that won't sound out of place in a typical club setting. Tracks like 'Elocution', 'The Repelling of the Quantitative Invasion' and 'Rudimental Retreat' will provide breathing space and depth. The aquatic theme is present in track names like 'Wading Guise', 'The Under Shore' and 'Sub Mission - The Atlantic Vision' and comes through in the sound design. Of all, my favourite is 'Drain The Lord'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I couldn't help but bring to mind a similar approach by other techno artist Recondite. Although vastly different in execution and use of texture and sound design for example, perhaps parallels can be drawn in the preference for subtly effective melodies with little embellishment.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Overall, an album that shows how a little goes a long way, compelling one to listen through without pause and appreciate a slow, steady and ultimately satisfying journey from beginning to end.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Entering The S-Cloud\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Drain This Lord\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Wading Guise\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. The Roots\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Elocution\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Helical Dialog\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. The Under Shore\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. The Repelling Of The Quantitative Invasion\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. A Sunny Day In Ostrogothia\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Rudimental Retreat\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. This Hmming Raverie\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Sub Mission \u2013 The Atlantic Vision\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Monolithic Conclusion\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/shxcxchcxsh-linear-s-decoded/541127-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/shxcxchcxsh-linear-s-decoded/541127-01/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-shxcxchcxsh-linear-s-decoded\"},{hz3sj3gFn:\"2014-09-05T00:00:00.000Z\",id:\"JdlTpRcYc\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/cSrFAEvlnRQylHoPPUT6STKOSPw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: BOTTIN - PUNICA FIDES\",lZ2WhlLX5:\"5 SEPTEMBER 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:['What a great album from Guglielmo \"William\" Bottin aka Bottin based in Venice, Italy. He presents his fourth LP out on Bearfunk after the concept album \u2018Horror Disco\u2019 (2009), I Love Me Vol. I (2004) and \u2018Chilli Reception\u2019 (2002) and builds on his disco track record with a fun album with guest appearances by none other than New Romantic luminary Steve Strange, lead singer and frontman of the band Visage, singer-songwriter Lavinia Claws and long-time collaborator Rodion.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"According to Bottin, \u201CPunica Fides is a Roman expression that means \\\"treachery\\\". The concept behind the album (made clear in the song titles) is manipulation, falsehood, seduction (and the will to be seduced knowing it's a lie), propaganda but also parody and satire. I think music (and especially dance music) is always also a parody. A dance track is a parody of itself and of other tracks that came before it. The album is not as soundtrack and nostalgic as \u2018Horror Disco\u2019 was, I think this is a musically diverse album which ranges from synth-house, dark electronica, neo-new-wave dystopian landscapes, space disco and Italo disco. I suppose it's more of a dance record, which reflect the past 5-6 year touring the world as a DJ, as well as the will of creating my own musical bubble.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Does the music meet up to the concept then? In Bottin\u2019s case, the short answer is \u201CYes.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Opening with \u2018Lies\u2019 and \u2018Flow of Persuasion\u2019, both tracks generate anticipation for the rest of the album to unfold. When the first vocal track \u2018Poison Within\u2019 featuring the famed Steve Strange arrives, we are brought into 80s new wave pop sensibilities, and what a treat it is to hear a legendary voice belting out a catchy, sing-along for those old enough to know Visage yet young enough to enjoy this modern interpretation. There are several versions of 'Poison Within' including an instrumental, radio edit and Dutch duo Mason available. Next, \u2018Lust for Deception\u2019's scale-based melody proves a bit too much for this listener, although the bass line and overall groove will be a kicker in the clubs.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JejIkNJiWSQ&ab_channel=BOTTINandfriends\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Standouts include \u2018All for One\u2019, his collaboration with Rodion, 'Plastic Forgery' (which you can see his really cool and inventive homemade video) and the straight-up \u2018Spacetime Syndrome\u2019, a fitting song signalling almost the end of the album. Optimistic bright chords and refrains that seem to just bounce gleefully off each other in a 3rd dimension create an uplifting hit that deserves to be aired as much as possible.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Ending the album intelligently with a vocal version (Reprise) of the first track \u2018Lies\u2019, featuring Lavinia Claws, the album ends just as it started with. Although this time, a dirtier incarnation with Lavinia\u2019s haunting Lolita voice and a bass delay.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Throughout the album, Bottin\u2019s talent is evident during the breaks, when a different side, even an underside of the tune is discovered. To me, these breaks such as in the tracks \u2018Poison Within\u2019, \u2018Lust of Deception\u2019 contain some of the album\u2019s best moments. His multi-instrumentalist chops (adept in drums, guitar and trumpet) comes through in the album song after song with tight structures and arrangements that hold their own. There might not be an \u2018Inspector Norse\u2019 here, but you will find many crossover gems perfect for the radio or the basement party that will segue seamlessly between the new, cosmic disco of late yet containing a richness and depth that can only come with a knowing nod to historical precedents.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"From his broad knowledge and passion for all things disco, Bottin has dissected, mirrored and reconstructed the genre while suggesting new parallels with others. Parody as it may be (or as he may think), Bottin may very soon find his own unique voice in the genre, for the talent is very clearly present.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Lies\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Flow Of Persuasion\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Poison Within feat. Steve Strange\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. One For All feat. Rodion\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Lust For Deception\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Plastic Forgery\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Dirty Continuum\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Spacetime Syndrome\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Lies reprise feat. 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Here, we gather 15 of the more outstanding giveaways. Sit back, make a cup of tea and click download.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tonality - Various\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A resurgence of Jay Tripwire's boutique label Tonality is celebrated with a free pack of 9 tracks, including Jay's own productions together with Christian Soule and Black Gadsby. Welcome back. Download here:\",/*#__PURE__*/ _jsxs(\"strong\",{children:[\" https://www.dropbox.com/s/njbcxf2oz6d4zay/TONALITY_FREE.zip?dl=0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Space Dimension Controller - Electropod-250 Collision\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The b-side of The Love Quadrant 'Electropod-250 Collision' is up for free download for it's 5th year anniversary as it is never getting repressed.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Syd Arthur - Hometown Blues (Psychemagik Remix) \"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Psychemagik does it again with Syd Arthur's 'Hometown Blues'. Click through the links for your download.\",/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://soundcloud.com/psychemagik/syd-arthur-hometown-blues-psychemagik-remix\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Legowelt - I Have a Soul and Baia De Guanabara\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),'We don\\'t know what\\'s better. Legowelt\\'s productions or his descriptions of them. Both go together like bread and butter: \"Some creamy electro-techno with copious amounts of tape juice and a superthick 3 layer bassline like a luscious chocolate cake. What you hear Juno 106 Korg Mono/Poly TAL electro\" plus \"A slow drifting timid techno jam like this zeppellin Just jammed losely out of the sleeve\" Download from his website here:',/*#__PURE__*/ _jsxs(\"strong\",{children:[\" http://awolfe.home.xs4all.nl/\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Avalon Emerson - Various\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A neat package containing 13 tracks, Emerson's newly shared free collection covers bootleg edits of Actress, Dusty Springfield, and Blue Hawaii, alongside a handful of remixes, and a number of the budding producer's earlier tracks. Download here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://avalonemerson.com/cybernetic-comeup%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://avalonemerson.com/cybernetic-comeup\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"dj Khalab- EBOKA\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"#tribal #afrofuture #shamanism #beat\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"EBOKA is the name of a thousand-year old plant from central Africa, used in ancient times as hallucinogenic substance during initiation rituals, and nowadays as drug treatment. All the hashtags above plus a somewhat tripped out beat extravaganza coming out soon on Black Acre Records.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://soundcloud.com/khalab/eboka\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Gold Panda - Clarke's Dream\",/*#__PURE__*/ _jsx(\"br\",{})]}),'A jazzy snazzy jam from Gold Panda for the download. \"MPC loops, jams and edits, Chelmsford 2014.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The 65D Mavericks - Beginnings End\",/*#__PURE__*/ _jsx(\"br\",{}),\"ever vivid - Lost Love\",/*#__PURE__*/ _jsx(\"br\",{}),\"Inceptive \u2013 Ebullition \u2013 2001\",/*#__PURE__*/ _jsx(\"br\",{}),\" \"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://surfacerecords.bandcamp.com/track/inceptive\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"A triple giveaway from Nick Dunton of The 65D Mavericks and his other moniker ever vivid on his label Surface Records. Get it before it's gone.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"DJ Shadow - Ghost Town\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),'DJ Shadow releases The Liquid Amber EP on his new same-named imprint. In his words: \"Ghost Town\" is an ambitious ride through many of the micro-genres within the Future Bass umbrella that have inspired me recently\".',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Myles Serg\\xe9\\xa0- UNTLD #99\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"From the 'Reclusive Perfectionist' Myles Serg\\xe9, comes this free effective techno driver with an interesting pure sine tone throughout.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Ultrademon - Drive U Crazy (Machine Girl's [UN]d3\u2206D cPuNx MiX)\",/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=mRxK7qhzbcU&ab_channel=ultrademon\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Following the release of his recent Voidic Charms LP, Ultrademon (pictured above) has enlisted NYC producer Machine Girl to remix album cut 'Drive U Crazy', which you can download off the XLR8R blog here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/08/drive-u-crazy-machine-girls-un-d\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.xlr8r.com/mp3/2014/08/drive-u-crazy-machine-girls-un-d\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Syndicate - The Beat Invitational EP\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://syndicatesg.bandcamp.com/album/the-beat-invitational-ep\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"Tracks collected and curated by Singapore audio-visual collective Syndicate presented in The Beat Invitational EP, an intimate beats airing session where up-and-coming producers share their latest mixdowns.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Valerie June - 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Free Download Series\"}),\" \"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://soundcloud.com/darkerthanwax/yk-butter-coffee-darker-than?in=darkerthanwax/sets/freebies\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Singapore imprint Darker Than Wax does it again with their Free Download Series. Over 100 tracks to date representing quality and diversity across the globe, from beatmakers such as Trian Kayhatu, KA-YU, Obivon, Bilal and Dusty Feathers to but name a few.\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"august-music-freebie-roundup\"},{hz3sj3gFn:\"2014-08-28T00:00:00.000Z\",id:\"LCZnuamny\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/GTbFxkP3CA7kHUZrWpR40hgonkA.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FABRIC 77 - MARCEL DETTMANN\",lZ2WhlLX5:\"28 AUGUST 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Everyone who knows techno knows Marcel Dettmann. For this reason, his visit to fabric in London this weekend is of special importance - to release his first mix for the esteemed label of a club that is justifiably famous. Leaving the club where he is an iconic resident to play at London's finest techno venue necessarily involves change, for the hedonism of Berghain only works in Berghain. Gone are the \\xfcber-long Klubnacht sets that flow into each other day-upon-night-upon-day, beyond the limits of human endurance. Gone is the safety of knowing that you don't have to leave before you are ready, that there are no mirrors to reflect an image of what you have become, that people will leave you the fuck alone to be who you want, to drown yourself in a watery death of perfect techno that will evaporate when you have danced yourself clean and returned to your life, refreshed.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/fabric/fabric-77-marcel-dettmann-promo-mix\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"On fabric77, like at fabric itself, there is a slice of the possibilities of techno, constrained to fit London's ways as much as an album's length. Rather than climbing up the stairs to disappear in the hallowed blue light of Berghain, Dettmann here descends down to this favourite London space, deep below Clerkenwell, in the industrial caverns filled with iridescent green lights flickering trippingly through the vapours of dry ice that hide the eyes prying from the perimeters. In fabric, everything is focused on the dance floor at the centre of the earth. What we are offered on this album is a taste of what is new right at this moment on one of the world's most important techno dance floors. Much of the material is from Dettmann's MDR label, with tracks from Norman Nodge, Answer Code Request, Wincent Kunth, Ryan James Ford, Dario Zenker, FBK, RSPCT, Fran\\xe7ois X, M_Lock 4, and Marcellus, as well as one of Dettmann's own three tracks (the other two remixed from Ostgut Ton releases). So, in a sense this album is a showcase of Dettmann's tastes as a producer as well as of his skills as a DJ. The result is an elegant set that journeys between the two clubs. Nothing feels out of place, ever. We are in capable hands.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Ryan James Ford's \\\"Arthure Iccon\\\" opens the mix. It is slow, mythically summoning direction from the pale mists to set us on our way through the up-beat \u201CSun Position\u201D by Persuader. Terence Fixmer's \u201CInside Of Me\u201D keeps things sinister with some creepy vocals whispering over a solid track. Dettmann builds the album with his own track \u201CApron\u201D, PAS The Rhythm Remix, the first of three instalments of his own music. Answer Code Request's \u201CTransit 0.2\u201D drives up and out of \u201CApron\u201D; in so doing, Dettmann takes what would have been a structurally important half hour of a long set, and bonsais it into five minutes on an album that covers so much ground.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Those minutes of Dettmann's track could last an eternity as they break away from the constraints of time through meditative almost-repetition, a modulated change that borders insanity as you obsessively submerge into the track, letting it pull you along outside yourself. Dettmann is strict and clear, pushing us forward with a snare drum that stings like a slap repeated on the same spot over and over.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Dettmann's own compositions are the muscly frame of this set. When heard on his own recordings (Dettmann II of 2013, where \u201CRadar\u201D and \u201CLightworks\u201D were originally were released), they are sparse, unframed, austere. \\xa0Here Dettmann's compositions are the spiny backbones of the mix, present at three equal interludes. Setting them in a composed structure that moves across so much of the techno spectrum, framing them with tones so subtly related, allows Dettmann to keep his own sound present, while simultaneously performing the work of his favoured producers. The result is a set that still sounds like the Dettmann we know from Berlin but with softer edges; compressed into a time-frame that works just fine as an album to listen to on its own, when walking through the city to escape into the music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"While some tracks might have been made for Berghain, some sound like they were chosen for the pretty clientele of fabric, elegantly corporate in a world of their own beneath the City. (This is particularly true of the tracks with vocal samples.) But Dettmann mixes for London's elite just as easily as for Sydney's straight roof-top partiers with memories of Ibiza spangled in their eyes, or any other techno audience between there and the dark halls of Berlin.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"fabric77 gives the listener samples of a whole array of techno possibilities, from heavy-sounding tracks like FBK \\\"It's Not The Point\\\", to the light fogginess of Monobox's \u201CFilm\u201D. He is not stuck in a cul-de-sac of only playing one sub-genre of techno; Dettmann's sets around the world show how he is continually exploring the parameters of electronic music, always looking for something fresh to show to new audiences. This is why he is so good to dance to, and why he never sounds quite the same.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?2149\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"recent RA spotlight about his musical tastes\"})})}),\"\\xa0described a love of electronic music that had roots in the East German town of P\\xf6\\xdfneck, and which flourished when he snuck in under-aged to the underground techno clubs Tr\\xe8sor and E-Werk (\u201Cwhere the gays were\u201D), before Berghain opened its doors with him at the helm. The club became a world within the world, and Dettmann taught himself to be a master of this space. Broad, exceptional taste has made it possible for him to take control of many dance floors since, tailoring the set to the crowd and the space. A magnanimous DJ, he gives the dancers exactly what they need, but not more than the space deserves. On fabric77 we get fabric as Dettmann imagines it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=hum4O8aqhPc&ab_channel=gfk56\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm not the only reviewer to imagine smoking a joint to Dettmann's dry-mouthed remix of Paperclip People's \u201CCountry Boy Goes Dub\u201D, or perhaps a break for a sneaky Marlboro two thirds of the way through. Back on the dance floor, Norman Nodge seems to have tailored his sound to an angry British crowd on \u201CBB 1.0\u201D, with a sampled phrase repeated, punctuating the most violent track on the album. \u201CRising\\\" by Fran\\xe7ois X follows, turning dark at the thumping bass of the \\xd8 [Phase] remix of Dettmann's \\\"Lightworks\\\", which is pared down to a brilliant minimal nothing; a precise, haunting track that pierces as relentlessly as the torture machine in Kafka's Penal Colony. That incessant kick drum. Those fragmented synth lines that float by offering no comfort, and barely any relation to the original track that we search for in the desolate soundscape.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CM_Lock 4\u201D by Lockermatik keeps us submerged, drifting forward in a dark suspension. In Dettmann's typical style (typical, at least, of the sets I have seen him play at Chinese Laundry in 2013 and 2014), he throws the listener a lifeline, and with lighter sounds draws the tone up towards the surface. By Joey Anderson's \\\"Repulsive\\\" (Marcel Dettmann Edit), the sense of the album is a little lighter. You can imagine the DJ starting to dance with himself in the box, as he does at that point in a set when he knows he has nailed it and the punters below him are truly happy and the music is winding its way home. A techno-joy distilled from the long flow of Dettmann's ordering tracks that sound so different into seamless contact, this is what makes the man move contentedly to himself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The penultimate track, \\\"Flash\\\", by Marcellus, ominously grows out of Dettmann's relaxed dance into the brooding sounds one might expect to hear in one of his epic Berghain sets. It could be the beginning of something else entirely. It is menacing, and seems to seep back through the earth under London to that other club. Is this calling us back to Berghain? My eyes are closed tight; involuntarily I'm moving. Am I starting to rematerialise in that sub-aquatic blue light? Or has Dettmann tricked my mind into imagining it is coming home? Something happens right before the last track by Vril, \\\"Torus XXXII\\\": the charted path through the sounds opening up before us changes. We start to sense that the world that Dettmann has given us is beginning to dissipate. By the time we realise it, it has happened. My eyes open, the Berghain blue light fades through fabric green to the night time where I find myself, alone. I'm not in the club. I'm not anywhere. I'm lost following the beautiful lines of this track as element by element fades out. I'm waking from a dream, slowly becoming conscious.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Perfect techno does this. It structures a journey that you can lose yourself in, stepping out of time and into the temporary zone gifted by the DJ. As this beautiful track fades, line by line, I feel sad, not because it is over, exactly - but because Dettmann kindly reminds us that these sets take us outside of ourselves in an apparently inexhaustible way, and when they end, when the experience is over, we step back into a world that has stopped offering the total protection of being immersed in something so absolute. The resolution brings us gently home with no comedown, but as with all great pleasures, we are left wanting more as the memories dry on our skin.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01 Ryan James Ford - Arthure Iccon [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"02 The Persuader - Sun Position [Concrete Music]\",/*#__PURE__*/ _jsx(\"br\",{}),\"03 Terence Fixmer - Inside Of Me [Planete Rouge]\",/*#__PURE__*/ _jsx(\"br\",{}),\"04 Marcel Dettmann - Apron (PAS The Rhythm Remix) [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"05 Answer Code Request - Transit 0.2 [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"06 Dario Zenker - Nearlin [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"07 Monobox - Film [M-Plant]\",/*#__PURE__*/ _jsx(\"br\",{}),\"08 FBK - It\u2019s Not The Point [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"09 Marcel Dettmann - Radar (Byetone Remix) [Ostgut Ton]\",/*#__PURE__*/ _jsx(\"br\",{}),\"10 Rod - RSPCT [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"11 Paperclip People - Country Boy Goes Dub (Marcel Dettmann Remix) [Planet E]\",/*#__PURE__*/ _jsx(\"br\",{}),\"12 Norman Nodge - BB 1.0 [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"13 Francois X - Rising [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"14 Marcel Dettmann - Lightworks (\\xd8 [Phase] Remix) [Ostgut Ton]\",/*#__PURE__*/ _jsx(\"br\",{}),\"15 Lockertmatik - M_Lock 4 [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"16 Wincent Kunth - Carlre [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),\"17 Joey Anderson - Repulsive (Marcel Dettmann Edit) [Dekmantel]\",/*#__PURE__*/ _jsx(\"br\",{}),\"18 Marcelus - Flash [MDR]\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/fabric77\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://bit.ly/fabric77\"})})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=snXBlbQrfAY&ab_channel=fabriclondon\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-fabric-77-marcel-dettmann\"},{hz3sj3gFn:\"2014-08-05T00:00:00.000Z\",id:\"YnN_ET2Xl\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/kcjeY1XaWwqjz1GZzdISXC4yU.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FABRIC 76 - DEETRON\",lZ2WhlLX5:\"5 AUGUST 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"From broken beat to the beat-less, Deetron accomplishes another trademark mix where ever track is gold under his deft hands. A feat where many try but only few manage to succeed.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DKl_dKtkE-w\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"A true veteran who is equally accomplished as both DJ and Producer, Deetron is likely a hero and inspiration to countless music professionals. Since his last well-balanced \u2018Balance mix which saw a double mix with one CD entirely mixed on vinyl and the other entirely digital, Deetron returns with Fabric 76, another outstanding mix series for the famed London club.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Not everyone can appreciate a Deetron set. Because like life, this mix is unpredictable. There are curveballs, surprises, reflective and energetic moments. If you prefer monotony and single-coloured sets, then this mix is not for you. But for those who love variety, then Deetron has done another amazing job of picking up the electronic world\u2019s finest in one mix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'In his words, \u201CI basically followed the pleasure principle when approaching the mix,\" he says. \"I started to pick my favourite pieces of dance music regardless of age or sub-genre and didn\\'t really begin to structure the mix until all the tracks had been cleared, except for one. So as I began to throw the tracks together as spontaneously as possible, the structure of the mix began to take shape.\u201D',/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=QhmZab2ja60&ab_channel=7296272962\"})})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=TzV_lnuZnUU&ab_channel=SevenDavisJr.\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Collecting an impressive and very tasty 28 tracks into the mix, Deetron\u2019s trademark 3-deck fast mixing showcases the prime portions; the meaty parts of each track before moving on to the next wave. Tracks are layered and sequenced to create new tracks in themselves. Plotted on a graph, his mix is a series of ever-increasing and undulating peaks, culminating in Nils Frahm\u2019s \u2018Says\u2019 with the applause at the end a cheeky ender to the performance.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The variety will keep all music fans on his side. From the percussive opening overlaid with Jaime Read\u2019s \u2019Timewave\u2019 to the raw and rough beats of Greg Beato to the slow and soulful Seven Davis Jr.. To the broken beats of Four Tet & Danjah to the beat-less Design A Wave, Deetron does not stick to one particular subset. And that is a good thing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The journey is fast-paced but restful. How he manages to accomplish such a juxtaposition yet keeping constant pace is mastery at work. No doubt at a club, this mix would have brought clubbers to new highs and lows.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you can't get enough of Deetron, check out his promo mix here: \",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/deetron/deetron-fabric76-promo-mix\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Johnny Blas - Picadillo (Carl Craig's Breakdown Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Jaime Read - Timewave\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Baba Stiltz - Palats\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. SoulPhiction - Mind & Body\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. DJ Sneak - Who's Knocking\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Juxta Position - Mercy\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Redshape - Finizh\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Ripperton - Searchin 4 You\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Greg Beato - Who\u2019s The Licho In Charge Ovaa Here\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Tom Trago - Elite\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Seven Davis Jr. - One\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Galaxy 2 Galaxy - Timeline\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Afefe Iku feat. Osunlade - Bodydrummin\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Marquis Hawkes - Honey Kisses\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Gemini - New Style Of\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Presk - Rais\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Ondo Fudd - There Will Be A Time\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Four Tet & Terror Danjah - Nasty\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. Seiji - More Of You\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. E-Dancer - The Move\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. Moderat - Bad Kingdom (Marcel Dettmann Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"22. Caribou - Irene\",/*#__PURE__*/ _jsx(\"br\",{}),\"23. Joe - Slope\",/*#__PURE__*/ _jsx(\"br\",{}),\"24. Atoms For Peace - Before Your Very Eyes\u2026\",/*#__PURE__*/ _jsx(\"br\",{}),\"25. Function - Falling The Same Way (Dommune Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"26. Design A Wave - Weird F\",/*#__PURE__*/ _jsx(\"br\",{}),\"27. Juxta Position - Mercy (Loop)\",/*#__PURE__*/ _jsx(\"br\",{}),\"28. Nils Frahm - Says\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.beatport.com/release/fabric-76-deetron/1306637\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.beatport.com/release/fabric-76-deetron/1306637\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-fabric-76-deetron\"},{hz3sj3gFn:\"2014-07-29T00:00:00.000Z\",id:\"H852A5gQ8\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/nHF7U9cXMKhdEb9dtPqRmy4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/nHF7U9cXMKhdEb9dtPqRmy4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/nHF7U9cXMKhdEb9dtPqRmy4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/nHF7U9cXMKhdEb9dtPqRmy4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"JULY MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"29 JULY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"There's a whole lotta lovin' in this bag of free downloads, including whole albums, bonus cuts and reworks, thanks to Chevel, Tapirus, Gramatik, Michael Mantra (RIP), Pional, Woo York, A Sagittariun, SWTLKR, Monk, David Marston, Birth of Frequency and Kim Ann Foxman.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Chevel - Sketches and Drafts\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Chevel of the Enklav label says grazie: \"As a way of saying thanks to all of you who have supported me in my musical journey so far I decided to release two unedited albums of my own for free! Please download and spread the love\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Download here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.enklav.it/grazie1000/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.enklav.it/grazie1000/\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tapirus - Delysid\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Midnight Shift artist Tapirus gives out 'Delysid' on XLR8R. \\\"A bonus cut from the EP's sessions, \\\"Delysid\\\" is an appropriately expansive production, one which is led by slightly jacked rhythms and a rounded bass sequence. From there, Ravenberg builds a lush sonic atmosphere full of deep-reaching pads and weightless synth movements that gracefully float atop the track's rhythmic core.\\\"\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Download here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/07/delysid\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/mp3/2014/07/delysid\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Gramatik - Various\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'What the...Gramatik gives away his entire discography for free. In his words: \"Besides the BitTorrent Bundle, all of my albums are also available for direct download on my website for FREE! #digitalfreedom\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Download away here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.gramatik.net/select/releases/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.gramatik.net/select/releases/\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Michael Mantra - D/A [Silent Season]\"]})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Rest In Peace Michael Mantra (1950-2014). In memory of Michael, Silent Season are offering this D/A for free download. 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This is a lead-up to his second Ep entitled 'Many Ways' which we hope to be sharing with you sometime later this year, but in the meantime, delve into some electric soul.\\\"\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Ce\\xfa - Bobagem (David Marston and Dan Izco Minha Beleza Remix)\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/discobelle/ceu-bobagem-david-marston-and-dan-izco-minha-beleza-remix\"}),/*#__PURE__*/ _jsx(\"p\",{children:'Out on Soul Clap records, Philadelphia based producer/dj David Marston recently released his fantastic EP \"Jamaicalia\" and gives away this remix for free.'}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Birth of Frequency - Town\"]}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Based in Paris, Birth of Frequency offers 'Town' a straight-up techno banger that will please the heads.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Kim Ann Foxman - Let Me Be The One\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"With a new release soon out on Heidi's Jackathon Jams label, Kim Ann Foxman lets out a freebie on Mix Mag: \\\"Today we have a free download of Foxman's Fantasy Instrumental of 'Let Me Be The One' and this one is a tropical roller suited for any bumping house set. It's super-dreamy and delicate enough to warm up any room nicely. Grab it now.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Download here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixmag.net/music/exclusive-music/kim-ann-foxman\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.mixmag.net/music/exclusive-music/kim-ann-foxman\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"july-music-freebie-roundup\"},{hz3sj3gFn:\"2014-07-17T00:00:00.000Z\",id:\"lifkGLACN\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/vP0X4ydE1arHWJ0HJHkPkGVi3jo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/vP0X4ydE1arHWJ0HJHkPkGVi3jo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/vP0X4ydE1arHWJ0HJHkPkGVi3jo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/vP0X4ydE1arHWJ0HJHkPkGVi3jo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: IRON CURTIS\",lZ2WhlLX5:\"17 JULY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Fresh from his LP release as Achterbahn D\u2019Amour (love rollercoaster) and a string of European gigs, Iron Curtis aka Johannes Paluka is back on our shores to reprise with another enchanting set. Read here for this exclusive interview ahead of his set on 19 July 2014 at kyo, Singapore.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/dazed/exclusive-iron-curtis-mix/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=resource_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Exclusive Iron Curtis Mix\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/dazed/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=profile_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Dazed\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=homepage_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Mixcloud\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Go Germany! Are you a football fan?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I have to admit, i am. I really like to watch a good game (or listen to it on the radio). I love the drama and the tension. And the German team did pretty well, right? However, I dislike the overwhelming patriotism during the world cup and corrupt institutions like the FIFA.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do you normally prepare yourself for a gig?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Packing my recordbag takes me forever: I'm just done with stuffing records into it when I MUST leave the house for the gig. \\xa0I'm always late and always think I'm not prepared well enough - even though I spent the whole day listening to and sorting tracks and records. In my early DJ-days, I had the idea of preparing for a gig as a zen-like ritual - \\xa0however, ever since i'm djing, this ritual always escalates way to quickly.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=brvfBMNF7BQ&ab_channel=MidnightShiftSG\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"We heard you've moving house, how's the record shifting going?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It did go pretty well! Thanks to all my friends who hauled up my records to our new flat on the 4th floor. By the way: Shouts to Yanneck (Quarion) who introduced me to this fine technique of using paper bags instead of boxes to carry records. Tip!\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Between your gig in 2012 and now, what's changed musically?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well, it's a constant change-not-change: I'm listening to all different kinds of genres and certain styles attract my attention sometimes more sometimes less. In 2012, I had a phase where I was digging techno quite alot. These days it's - once again - Belgium and Dutch electro tracks that get me going. My love for house music will never change though. I guess these changes are also related to the musical projects I'm involved: Working on our Achterbahn D'Amour album for Acid Test and playing more gigs with my mate Jool definitely led me to this darker and more abstract side of techno, while my solo work as Iron Curtis is definitely rooted in house music.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=eIYk68ogzCE&ab_channel=moreacidplease\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Back in Singapore! What's some things you are looking forward to?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'm so looking forward to meeting my peeps from Midnight Shift and Cosa Nostra and to the extended chilli crab dinners we will have!\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A song or album, mix currently on repeat?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'm really feeling the new Timber Timbre LP. Moreover I enjoyed Credit 00's splendid mix for Juno Plus....\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite way to start a morning?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"With a tea and a cigarette.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"FORWARD feat. Iron Curtis (GER)\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"\\u2028\\u2028ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 19 July 2014\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"With:\",/*#__PURE__*/ _jsx(\"br\",{}),\"Iron Curtis\",/*#__PURE__*/ _jsx(\"br\",{}),\"Cosa Nostra\",/*#__PURE__*/ _jsx(\"br\",{}),\"Norman C\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Visuals: Burrows\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/659829857419009/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\\u2028\\u2028\\u2028\\u2028Facebook event page link\\u2028\\u2028\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP for guestlist entry before 12.30am:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/kyo_july2014wk3\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://bit.ly/kyo_july2014wk3\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-iron-curtis\"},{hz3sj3gFn:\"2014-07-03T00:00:00.000Z\",id:\"b2GuECFrR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/8fY5t9jbtp3LqXjpHyiJsw2dg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/8fY5t9jbtp3LqXjpHyiJsw2dg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/8fY5t9jbtp3LqXjpHyiJsw2dg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/8fY5t9jbtp3LqXjpHyiJsw2dg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"JUNE MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"3 JULY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The regular round up of lucky 8 legit downloads for the month of June, featuring Eddie Niguel, Machinedrum, Magda + NYMA, Extended Play, Abhi//Dijon, Application, Chief and James Pants.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Eddie Niguel - Life\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Midnight Shift label artist Eddie Niguel offers his track 'Life' while his recent remix of Iron Curtis's 'Never Give Up' makes the rounds on RMX 002 (available on 12\\\" and digital). 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Download these edits off the neat DTR website here: ',/*#__PURE__*/ _jsx(Link,{href:\"http://d-t-r.org/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://d-t-r.org/\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Aphex Twin - Windowlicker (Extended Play Rework)\"]}),\" From the Musicis4Lovers blog comes this unique rework by Extended Play out of Houston Texas.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Abhi//Dijon - Twelve (La-No refix) | Darker Than Wax Free Download\"]}),' \"La-No returns with another of his trademark re-fixes, twisting Abhi//Dijon\\'s Twelve into a slow bass-heavy number with shuffling percussive elements and spaced-out snares. It almost takes us back to the early days of Spacek and New Sector Movements, and we definitely welcome that.\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Application - Front End\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"'Front End' is one of 10 tracks which will appear on System Fork, the upcoming album from Application, a new project launched by Martin and Richard Dust of UK outfit The Black Dog.\\\" Download the track off XLR8R here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/06/front-end\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/mp3/2014/06/front-end\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Chief - Games!\"}),\" \"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Singapore-Mauritian outfit has this exclusive giveaway track (in WAV) with Chief's podcast together with an exclusive mix by the chief himself you can access here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://electrocaine.com/podcast/064\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"electrocaine.com/podcast/064\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/electrocaine/chief-games\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"James Pants - Various\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\" Sir James Pants offers some new short jams and earworms in the form of '133 BPM Drum Trak', 'Bleep', 'Papgayo' and 'Lobby'. Grab the rest off his Soundcloud using the link above.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/jamespants/papgayo\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"june-music-freebie-roundup\"},{hz3sj3gFn:\"2014-05-31T00:00:00.000Z\",id:\"C9XzvbDtO\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/6IjbzLHfd5NQ29eDw9NBTZRAQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/6IjbzLHfd5NQ29eDw9NBTZRAQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/6IjbzLHfd5NQ29eDw9NBTZRAQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/6IjbzLHfd5NQ29eDw9NBTZRAQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"MAY MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"31 MAY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Something for everyone in this batch of freebies in May. From the likes of Life on Planets, STINGRAYS (Relocked), Will Saul, James Pants, HudMo, Bodhi, Kaytronik, Rocky Siffredo, Electro Guzzi, Leo Zero, FAUXE and Nightwave.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Life on Planets - Fields of the Sun\"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:'In preparation of their upcoming appearance for Crew Love NY at Output, Life on Planets worked an 808, an acoustic guitar and a microphone to create this springtime jam \"Fields of the Sun\". Get a taste of their forthcoming release on Double Standard Records.\\xa0'}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/wolf-lamb/life-on-planets-fields-of-the-sun\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"STINGRAYS - Unleashed #04 (Relocked) (Free Download) (A Free To Public Release)\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:'Here is our next installment, \"STINGRAYS - Unleashed_#04 (Relocked Promo)\"... an industrialized dark experimental track for you to keep...'}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/stingrays/stingrays-unleashed-04-relocked-free-download-a-free-to-public-release\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Will Saul - Various giveaways\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"New A&R for !K7, Will Saul has given away one track a week in the month of May if you follow and Like his Facebook page. The tracks included '3000AD', 'Sequential Circus', 'Mbira', and 'Pause'. We're not sure if you can still get '3000AD' when you read this, but hope you do \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/WillSaulMusic/app_220150904689418\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"James Pants - Fountain\"]}),\" James Pants (Stones Throw)'s 'Fountain' is sleek and groovy, while it lasts.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/jamespants/fountain\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Hudson Mohawke - 100HM\"]}),\" Off the Grand Theft Auto's soundtrack, HudMo gives his 100HM beat for free.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/hudsonmohawke/100hm\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"FMM: Bodhi - LVE\"]}),' A \"dancefloor roller\" from Welsh gents Bodhi gets the club going, presented by Annie Mac.']}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/annie-mac-presents/fmm-bodhi-lve\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Kaytronik - Mary Mary-DIRT (K2's Mean & Clean REDIT)\"]}),\" Kaytronik aka Karizma does it again with another freebie rework, this time of Mary Mary's 'Dirt'. Check out his soundcloud page for more free downloads.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Disco Reggae edit (Rocky Siffredo cut)\"}),\" Death by disco edit in the form of a disco reggae cut. By the one Rocky Siffredo.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/rocky-siffredo/disco-reggae-rocky-siffredo-cutwav-download\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Electro Guzzi - \\xa0Atlas\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),'Ahead of the release of Observatory, its third studio album for the Macro label, Elektro Guzzi has sent over blistering teaser track \"Atlas.\" The Austrian trio of Bernhard Hammer, Jakob Schneidewind, and Bernhard Breuer together create live techno with bass, guitar, and drums\u2014no loops, no overdubs. Via XLR8R. ',/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/05/download-atlas-elektro-guzzis-up\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Get on it\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\".\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The House Crew feat. Bonz - Dance To The House( Leo Zero Remix)\"]}),\"Boompty, jackin straight up houser with a jazzy touch reworked by prolific producer Leo Zero who also gave us the album 'Acid Life'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"F \u2206 U X E\\xa0- Close 2 U\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Masked and unidentified Singaporean producer offers up this cool, chillwave number. What a teaser.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Nightwave - Grinder\",/*#__PURE__*/ _jsx(\"br\",{})]}),'Glasgow\\'s club queen @nightwave808 has been cranking out a fine string of rave-ready late night anthems over the past couple of months, getting her very own @heka-trax imprint off the ground to a booming start. On \"Grinder\" - a special one-off treat that the RBMA alumna is kindly sharing with us - Nightwave whips out her signature energetic thump, all the while delving off into unusually technoid territories.\\xa0']}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/redbullmusicacademy/nightwave-grinder\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"31-5-14-may-music-freebie-roundup\"},{hz3sj3gFn:\"2014-05-22T00:00:00.000Z\",id:\"D5jyTqA5A\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/D7PBGcmUH0ZDWv2lZevBQpd4YY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/D7PBGcmUH0ZDWv2lZevBQpd4YY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/D7PBGcmUH0ZDWv2lZevBQpd4YY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/D7PBGcmUH0ZDWv2lZevBQpd4YY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: MIX ARCHITEKT\",lZ2WhlLX5:\"22 MAY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"From Steve Jobs to erowid, Rumi and Bruce Lee. An incredible piece of writing and other musings from Mix Architekt (Tim Walter) ahead of his set with Perc this Saturday at kyo.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"There isn't much information about you online...\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I woke up this morning to martial law being declared across the entire country of Thailand, which has been my home for the last 5 years. It's been an amazing time of transformation and change for me, though rather than hippie dippy ramblings of light and love, these changes have been about finding myself completely at odds with the foundations of society and culture. It has been a blessing to stress test my value system, confront and challenge ideas of truth, and quite often force radical changes in my person.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"While I\u2019ve had social media connections in the past, quite recently I decided to cancel accounts with those providers, as I personally am not interested in continuing exchange based on the parameters they offer. I find it to be a feudal system that reminds me of politics rampant throughout the world, marginalizing expression for simple reinforcement cycles directed by a commercial entity. While this may have answered the needs of the masses for an easier to use internet that allows everyone to emulate trappings that were once reserved for celebrities, it is seriously not my bag.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"My biggest crisis is entirely personal - I need more headspace from the plague of memes. I\u2019m not talking about the often zen-like feedback loop of xzibit yo dawg car in your car cycles; it's a direct toxicity to the information virus of opinions, conjecture, and mis-information that exhausts me. \\\"you'll never believe what happens\\\" end hooks, comments that make gross simplifications of complex topics, 150 character limits to the unlimited variety of expression. I\u2019d rather work with words that are only limited by the attention span of the reader, actual reality conversations that require listening more than speaking, and being with my associates in person more often than not.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When it comes to presenting one's self to their audience, I\u2019m redefining what that means to me. There are social/industry norms that are well accepted - in trend copy that encourages excitement about mundane happenings, lists of people and events that masses came to see rather than yourself. I wish to share something a bit more real and raw about myself. Sometimes it's short and simple, other times I\u2019m considerably long winded.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Yet the conflict is strong - the masses have said Facebook is the Internet experience they want. But then soundcloud followers and comments dominate a certain music sphere (which i\\'m more ready to accept, as it\\'s a bit more direct to the music than others.) Yet in thailand, being \"online\" currently means being on naver\\'s line application. For now, I\u2019m happy to isolate myself from all of this. My current works are not so important that the world needs to know what I ate for breakfast. I do like community projects though, such as photoshop challenges \"birds with arms\", or the many uniquely visual memes associated with Thai transport minister Chadchart.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A bit about your background?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My lineage is a bit twisted with mixed blood culture clash that brought me a round the planet, though the more stable elements of my life offered a deep sense of appreciation for music, reading, and the value of apprenticeship. I\u2019m a high school dropout, which is something i encourage more people to do. Getting a genuine taste for learning and craft, one where the reward is the work itself, is much preferred to pavlovian responses to financial incentive. That puts me in conflict with the industry regularly, if not entirely. As I think Steve Bug once said, though modified by me - the performance is free, you're only paying for the time away from family, friends, and workshop.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Refining my craft from all sides of the stage is how my life runs. Playing in bands, writing music, DJing brings me on stage, engineering has me at FOH mixing or optimizing, and developing and designing sound systems and products is both at the lab and in the field. This started very early in my life - in bands starting in my teens, DJing, mixing, recording, eventually getting on the road and touring. Learning how, why, and when to do things with incredible teachers. This carries on to the present.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\u201CThe Industry\" though, can go fuck itself. Short fused development cycles are generating legions of inbred mutations which are either retarded or still born. This is quite present in many forms of media from music to visual design, writing styles to food recipes. It is a literal fuck fest that has babies pregnant with babies, rather than allowing ideas to cultivate into something strong that only comes from a bit more time and often more isolation.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Using the early print based publishing industry as an example, by the time a book reaches the lap of a reader, the story may be a few years old, and if you were outside of the domestic market it would be a long time in wait. Currently, fragmented ideas propagate akin to a virus - the term is well used, and at this point I\u2019d rather work at clearing out my existing infections, rather than welcoming more.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Techno in its many commoditized forms - music, performances, machines, etc. - is horribly susceptible to this meaningless short-cycle mentality. How many zombie clone songs invade the charts, all trying to be the next big room tune with a chicken fart in the breakdown peak only to be forgotten the next week? Is the personal trade show that comes out for playing music that is closer related to a metronome needed, stimulating a constant need to buy more and one up the next performer? Or at the other extreme, is smaller, cheaper, shittier what we need? No. And then we get the vinyl purists who only care about craft, back in the day, vintage-only old boys club that you can only buy into? I\u2019ll pass on that too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I\u2019m not interested in chasing profits at the expense of my art, tools, or trade. My scale adjusts accordingly - with a limited market I can stick closer to my ideals and focus on quality over quantity. I\u2019d like to write a song that is relevant for longer than a weekend, and listen to music, work with tools, that all are still parts of my life years later.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite parts of working with music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Music is my favourite form of therapy, which takes me well outside of the labyrinth of thought and speculation, pulling me into the ever narrowing present. I hopelessly enjoy the perceived space/time manipulations that come from different tempos, time signatures, and rhythms, as well as the amazing range of emotional currents that come from intervals and phrases.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What projects are you busy with now?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"The luminant is my new band, which is 12 songs deep into the demo phase with many more on the way. It\u2019s a total celebration of bass for me, and a return to a heavy emphasis on stringed instruments, different time signatures, and deeper harmony than I\u2019ve ever written before. King crimson and Robert Fripp have had a big affect on my life, especially the principles in guitar craft and the associated new standard tuning. NST isn't really all that new, since it's based on 5th's which is the same tuning used on viola, cello, etc. my basses are all tuned CGDA, rather than EADG, which extends both the top and bottom range, and more importantly, gives easy access to very interesting chordal combinations that are not available in standard tuning. The instruments breathe a new life and vibe which has inspired me to write modulating harmonies as much as heavy doom metal.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"My other big project is a company called Union Audio Co Ltd, with Andy Rigby Jones, the designer of all the Xone series DJ products. We both were associated with Allen & Heath for years, and we're developing unique tools that will radically change the landscape of expression for the performance of electronic music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pMrjRdLGLr4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do you feel about being back in Singapore and playing with Perc again?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"This is my fifth performance in Singapore, third with the bootleg crew. Though I\u2019ve passed through immigration at Changi endless times for countless reasons. Singapore has felt like an adopted home for a while now, cultivated by the dear friendships made, wide range of projects done, and a growing knowledge of the SMRT system.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"One of the things that fascinates me about Siingapore, are the cracks appearing in society. While it's easy for tourists to be captivated by opium dens of consumerism, the streets are lined with 3rd generation dynasties dragging their feet in search of what\u2019s next to distract them as they squander their forefather's legacy, a conflicted middle class questioning the demands pushing on them from all sides, and scores of immigrants who can't escape the shadows of caste. The super powerful float in the background with corporate and political mouth pieces offering a buffer from everyone else's reality. Yet recent events show that molten rage won't be kept at bay, though tragically the fire often consumes those wielding it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The currents of angst flowing through society can serve as an amazing fuel for expression and change. Currently I see most of it turned inward, often shown through the extremes of art - be it grindcore bands, noise acts, confrontational visual artists, long winded writers :-)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There needs to be a mindful transition that prevents burning one's own neighborhood, social bridges, or self. The darkness is something to celebrate, not for suffering's sake, but as a means to create something new, impregnated with your own light. Time is on everyone's side. People are getting old and dying, not everyone is going to carry on with the status quo. There is always resistance, but the rigidity that comes from mono cultures eventually snaps. As Bruce Lee and many other philosophers say - one needs to be like water to wear down stones.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Performing with Ali is always a blast, and conversation is equally enjoyable as his finely crafted sets. He is an important figure in the new generation of techno, speaking with a weight that is perfectly matched by the sonics of his tracks, and continuing to push the genre forward free of sentimental trappings and consumerist trends.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite moments of your first trip?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I had consumed about 15 grams that were recently harvested from pastures in Sonoma County, offered to me by an associate of mine i knew through the reggae community in San Francisco. While the herb of choice for most rastas was of a different nature, the bay area has a deep history with psychedelics and was the perfect place to embark down a path that was well worn from those who came before me.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Being an Aries with the fire of a dragon compels me to dive in head first, quite often with no safety mechanisms in place. Currently, I was alone, having recently gone through traumatic changes in relationship, residence, and path. Sitting on a lumpy futon in a backroom of a soma district loft, in a mild amount of darkness obscured by the amber glow of streetlights. An obscure tape of the works of Rumi played, and immediately began confronting me, as much as comforting me, with an English translation of works written in the same script as half my blood. Torment and tears were the start of the veil being lifted - just underneath the surface of my consciousness and not much farther back in actual time. What were the big themes? Responsibility for one's actions and the brutal need for a deeper awareness, rather than self absorption. A bit ironic, considering the circumstances, no?\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"My own imprudence for moving deeper brought me to a mirror - often touted as feedback loop with eye and mind by the vaults of erowid, yet another mechanism of narrow views. Confronted by the outer shell formed from the experiences of the inner seed, I thought back to the angst ridden days of monasticism and shaved heads, now replaced by dreadlocks that hadn't been washed in months. In the temple the militants always talked of dead cells and shit coming from our hair - needing to cut it off to remain clean. These locks felt like that embodiment of all my shit, emotionally or otherwise - allowing me to see it finally. It wasn't all that much of a pretty sight, though perspective is everything. Lots of people stepped into my circle based on their own fetish for appearance, looking for exotic tastes. But then I had to ask myself, is keeping this obvious expulsion of shit nothing more than holding my own cross, reveling in self pity, and reaping the social benefits of another's fever?\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I was overwhelmed with the desire to urinate, but the thought of spilling phosphates into the toilet was just too much to bare. Instead, I felt myself called to repatriate these fluids with nature, specifically at a large tree up in Lafayette Park. Converting from nakedness into a socially presentable state, I hit the streets in the early hours of the morning with widened pupils, rushing from the comforts of 12th and Folsom to the stark commercial landscape of Van Ness Avenue.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Looking up at the crest, one saw chain reactions of green, amber, to red. While yellows are to signal caution, isn't there some pop-psy rambling of being the colour of arguments - thus creating the chaos of running lights as one tries to avoid falling into the raw passion of red - frustrated at a full stop, precious minutes slipping by. There were few cars to confirm or deny these sentiments, and i walked on with ease - till i was confronted by another glyph of red and amber. This one baring my own astrological symbol, much to my dismay. McDonald\u2019s! No! It rang with bitter resentment - as a vegetarian and an Aries - the red fury of mars, golden arches frustrating the lives of cattle, making humanity fat, and hiding the green that was shared with the traffic lights - yes, profit from this suffering! It had to end.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'And it did. I quickly passed by this temple of doom to be confronted with another red, gold, and green figure - this time a bread box van with a star of david on its back and the words \"jah works\" emboldened on its side. Taking a closer look at this box of ras, I saw two dreads sitting in side, looking back at me with as much surprise as I had. Recognition set in - \"genie bass man!\" called one of them. \"ya haffie cum in mi charriot man, cold set in and ya na haffie coat and tings.\" The door opened, out wafted the smoke, and in came this genie into the bottle of jah works and saint germain.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'I knew jah from the scene - he was a vocalist with a cd out, and was playing regularly. I was the bassist of a well gigged reggae outfit, backing a few different artists in the region (and half-persian, thus \"genie\"; my initiated name in sanskrit also translated to \"an auspicious invocation\" in simple form, so it wasn\\'t entirely misplaced. Too bad I didn\\'t - and still don\\'t - have a rug!). We had been on the same bill many times around the festival and club circuit. Funny seeing you here in this minefield of colours.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CYa maan, I & I hafie do jah real work, bringin' peace to the troubled. I man mus trod de path with I, come through babylon gates to find truth in Zion.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The chariot set off into the side streets of San Francisco, eventually stopping at a boarded up warehouse whose better days were spent being an auto shop. We disembarked to the rumbling of bass, greeted with a dirty set of ladies underwear covering a parking meter, and shoes hanging from the power lines. The audio spectrum got a bit wider as a door opened and a pair of hoods walked the three of us up a flight of steps entering a loft space with half finished framing, paper walls, and a few common areas, bathed in red and blue lights. Music pounded and so did cocks - serious bitches made for fucking led their johns to alcoves for business. While working women come in many forms, I had never seen such a muscular presence in hip and leg, that appeared to have the fitness to snap a brother like a twig.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Weapons adorned the coffee table like books, set in front of the loft boss, who exchanged a warm greeting with us, and immediately pulled jah to his side to get to work. The rumble of rivals, parole issues, and pimpin' stress was large, and jah was here to nurse deep wounds for people that no one wanted anything to do with - other than cops or gangs, both looking for a beat down. Tensions are high, words are even louder because of the music, but the work must be done. saint germain and I head into the kitchen to reason with less noise.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\u201CI man come ta do da work where no man tread. dees bwoys forgotten and under mind, suffarin choice ills - but we haffie bring dem up. and wa work is dat? na, just lending ear so they na haffie fears, iya. some times to speak true be de hardest ting, coz dat hate comma like a flood. pushing toward a fuss, bringin de gun. always end with blood and fire. but dat man just need a listen, and jah work in mysterious ways. iya see ya pain too, maan. ye got dat heart on ya sleeve but knockin it inna every man. dat blood and bruise run deep, makin ya crazy like a duppy come haunt. but all dis come to an end maan, put it inna de earth. de seed inya wanna grow, so it hurts inside, trying to get out. break da seed out and nurture it wit de best of care, pull dem weed off and let jah sun shine bright. i man needs room ta grow, too much shade makes ya weak like de prophet say. but set ya roots strong anna grow tall, outta dis skin fo ya new one, ras!\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There was no dam that could hold those emotional currents at bay, and flow my tears the rasta man made.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Some exciting producers right now?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Excitement comes in many forms and the thrill may not always be pleasurable. In my own world, the political strife in Thailand is producing the most excitement on a daily basis. While endless diatribes have been offered from the left and right, who or what is affected the most by these power plays - politicians or finance? Finance is the main factor here - taking a page out of the American foreign interest handbook - crash the economy to devalue local currency, destroy speculative markets, and buy low. Patriotism gets the masses worked up to die for ideals and honour, free of charge. Let their blood fertilize the soil which will bare the new malls and condo complexes, at a substantial savings. Is it no surprise that Thai companies bought out into a well known beverage empire when the baht was at its strongest, and now local acquisitions are happening at it's lowest? The difference is close to 20% - a major savings for transactions in the billions.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect to hear from you at kyo this Saturday?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My intention will be deep and heavy bass vibes, but we'll see if the sound system is up to it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Philosophy to making music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Much like sculpture - minimalism is a destination, not a starting point. Apparently my written answers are quite the opposite.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Some last words of wisdom to impart?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"you don't know what you know,\",/*#__PURE__*/ _jsx(\"br\",{}),\"until you know you know,\",/*#__PURE__*/ _jsx(\"br\",{}),\"you know?\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"B x Midnight Shift 002: Perc (UK)\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"\\u2028\\u2028ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u2028Sat 24 May 2014\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"With:\",/*#__PURE__*/ _jsx(\"br\",{}),\"Perc\",/*#__PURE__*/ _jsx(\"br\",{}),\"Mix Architekt\",/*#__PURE__*/ _jsx(\"br\",{}),\"Norman C\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/268865953293764/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\\u2028\\u2028\\u2028\\u2028Facebook event page link\\u2028\\u2028\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP for guestlist entry before 11.30pm: \",/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/bxmnsperc\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://bit.ly/bxmnsperc\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-mix-architekt\"},{hz3sj3gFn:\"2014-05-07T00:00:00.000Z\",id:\"Qau8VPafl\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/nZDLWb5FjYoD03yPUlLucMXui98.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/nZDLWb5FjYoD03yPUlLucMXui98.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/nZDLWb5FjYoD03yPUlLucMXui98.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/nZDLWb5FjYoD03yPUlLucMXui98.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: KINK - UNDER DESTRUCTION\",lZ2WhlLX5:\"7 MAY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"A funny thing happened one funny, sunny, Sunday afternoon in November last year. It was around lunchtime that day and I'd just trotted downstairs to the coffee shop below my flat to get some eats and treats. The night before, at kyo, Strahil Velchev, better known to the world as KiNK, had just played a blinder, and to top it off, with a great impromptu jam session with our rising local musical star, and Lego-mad-semi-sax-god, Kevin Guoh, who we all know better as Kaye.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Mad nights like that leave one absolutely famished the day after. Anyway, imagine my surprise to see KiNK, sitting in that same coffee shop alongside Kavan, kyo's marketing and booking chief and Midnight Shift head-honcho (also my former Noisy neighbour). Of course, we got our respective meals sorted and proceed to chat about his stay and the night before and his plans for the year to come. Before we knew it, time had passed and he had to get back to sort out his packing before his flight home that night. The only problem that presented itself then was, the sky had turned ashen, and before you could say KiNK, the rain had come crashing down. So, living within the building, I asked Strahil and Kavan to wait for me at the table while I went up to get two umbrellas for them. \\xa0But KiNK was having none of it, he insisted to come up and look around my bedroom studio, so, to cut a long story short, I'll always remember that fateful day, Sunday the third of November 2013 as the day I \\\"had\\\" KiNK in my flat. Needless to say, I refused to wash my floors for a week.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Anyway, having put that fateful day in that special little treasure chest now, onward to the 'business' at hand. When we talked about Strahil putting an album together, eventually, I suppose he didn't want to jump the gun in many ways but the one thing we were both certain about, was that it was in the works and that it would be finished after the touring had stopped. We all know his DJ and live sets can be totally diverse and if his work with the recent Rachel Row album is any suggestion to go by in every sense, there's a jazzual and soulful side to this Bulgarian that most purists don't tend to see, or don't want to. Whichever that case in point may be, we've both always felt that purists don't have much fun anyway and that the joy of producing an album is that its overall and final output is one that has to reflect the personality, influences and ability of the person behind the mixing desk.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"After a string of top-notch releases via Dirtybird, Ovum, Rush Hour and Systematic, the hype was steadily building around the LP after he announced a May 5 release this year. Under Destruction, will land on Stefan Goldmann and Finn Johannsen's Macro, a fitting debut for both Strahil and the label alike.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A result of an amalgamation of jam sessions in his home town of Sofia, the album kicks off with that quirky KiNK personality that pours itself like a matrix of liquid colour all over its opening track aptly titled 'Drama\u2019. It's a hypnotically bell-driven excursion down the rabbit hole into La La Land, literally, as those child-like vocals suggest that KiNK is the Pied Piper and you, the listener, his willing followers that he picks up along the way with his quirky, haunting melodies. You may even find yourself singing, or trying to sing along to this unconsciously at some point.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Kakavida\u2019 which follows, the word itself being Bulgarian for \u2018cocoon\u2019 (not the club) or \u2018chrysalis\u2019, suggests metamorphosis and the conversion from pupa to butterfly, or moth. Again, like its predecessor, it starts and remains beat-less for most of its duration, choosing to unleash its rhythmic arsenal of beats and synths when one least expects it but, as this one does, it highlights more of KiNK's demented musical genius coupled with his tendency to unleash the unexpected at the most benign moments.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=_X4G6oRRpSM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=kink303\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The short interlude, \u2018Kokiche\u2019, as the title suggests, could be a tribute of sorts to the Kokiche Col, the ice-covered col of elevation over 800 meters extending 650 meters on the Trinity Peninsula in Graham Land, Antarctica, which links the Aureole Hills to the northwest to the Detroit Plateau to the southeast, named after the settlement of Kokiche in Southern Bulgaria. It's becoming quite clear as the album progresses through this 'Pied-Piper's' journey, \\xa0that the fat of the land we find ourselves navigating with him, is his own neighbuorhood and that somehow, he has no intention of keeping it totally pedestrian or touristy either.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Melodia\u2019 takes the album up a notch and slaps straight in with its Detroit-esque leanings, bringing together the beats, hats and bass-lines evolving melodically around a steady groove, punctuated by a majestic string laden break-down, almost as if KiNK is suggesting we break for a little Rakia before the journey continues. And it does, as he wants it to.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Povreda\u2019 and \u2018Sintezator\u2019 that follow, the latter being in reference to the KORG Sintezator synthesizer, threatens to cause serious body-jolting injury to those who tread without caution through their beat-laden and bass heavy meanderings. Source of uncertainty is KINK pouring out his life on canvas once again; driving, menacing and super-wavy...Welcome to the weird and wonderful world of KiNK, and the album's almost in full swing now\u2026\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=UUWUHkvwSIviQPGTE0rzVRWg&v=O8rHjrG3HM4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=kink303\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\u2018Tel\u2019 takes the album in to a tad slower territory showcasing more of Strahil\\'s versatility and more of his attention to detail and love for influences of the motor city. This one, by far, being one of my favourites on the LP. \u2018Teleport\u2019 and \u2018Tok\u2019 highlights his penchant for the dark and strange and more sinister sides of spacey, weird electronica. in KiNK-speak: \"the fact that there was no local electronic sound when I grew up, and the electronic music that would eventually become popular here, like Trance and Progressive House, made me curious about the different scenes around the world, like in Chicago, Detroit, New York, London, Berlin and Amsterdam. Missing specific influences at home made me a more diverse artist. I also have to mention a few names, like this little record store, \u201CDiukian Meloman\u201D. I found it in 1995, at that time they had a deal with labels like Warp and Ninja Tune, and it opened my eyes.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's clear that many of those early influences are represented, in pure post-modern love here. Pure analogue bliss, and strangeness all-in-one.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Another one of my favourites from all these 'Destructions' and one that I ironically can't quite wrap my head around totally, is \\\"Summa Technologies\\\", but I suppose that will be one conversation that I will leave for the next time we unexpectedly meet in some random spot around the world. I intend to ask him about that one as I will on the inspiration behind the album's closer \\\"Vodolaz\\\", its meaning I have no knowledge of, (breed of Russian dog or watch come to mind) but the track itself, sums up a breathtaking trek thru KiNK's day-to-day neighbourhood treks, a tour of his backyard, and in a strange way, with a certain uncertainty of where this journey will end.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=dYQs9PWYjGo&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In some way, he could be taking you back to his pad in Sofia, where the afterparty and jam session that follows may be a sight to behold, as is this breathtaking debut by one of my favourite electronic producers of the modern world. And I hear that there's another Rachel Row album in the works too...mmmmm....KINKY.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Dama\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Summa Technologiae\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Vodolaz\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Sintezator\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Source Of Uncertainty\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Povreda\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Kakavida\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Tok\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Teleport\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Melodia\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Tel\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Kokiche\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Buy:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.beatport.com/release/under-destruction/1257043\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.beatport.com/release/under-destruction/1257043\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-kink-under-destruction\"},{hz3sj3gFn:\"2014-04-29T00:00:00.000Z\",id:\"pLUziAufi\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/jWEvlz3IawkMaIIrtTPRI9Kjwzg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/jWEvlz3IawkMaIIrtTPRI9Kjwzg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/jWEvlz3IawkMaIIrtTPRI9Kjwzg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/jWEvlz3IawkMaIIrtTPRI9Kjwzg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"APRIL MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"29 APRIL 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A bumper crop of freebies this April - not necessarily released in April, but found by the team in April. Enjoy quality music only limited by your Internet bandwidth from the likes of Legowelt, Max Cooper, Inigo Kennedy, Rennie Foster, Karizma, Tennis Rodman, Christian Prommer, Christian L\\xf6ffler, Joey Negro, Jozif, Comakid and Jimmy Edgar for Frankie Knuckles. In no particular order.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Christian\\xa0L\\xf6ffler - Veiled Grey\",/*#__PURE__*/ _jsx(\"br\",{})]}),\" Taken from his album 'Young Alaska', Christian presents a landscape of melancholia with a glimmer of hope.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/ki-records/christian-loffler-veiled-grey-taken-from-his-forthcoming-ep-young-alaska\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Frankie Knuckles - Baby Wants to Ride (Jimmy Edgar Edit)\",/*#__PURE__*/ _jsx(\"br\",{})]}),'A tribute to the late Frankie Knuckles from Detroit star Jimmy Edgar: \"What else can I say about Frankie that hasn\u2019t been said this week? With this track, we celebrate his life, his kindness, his love for music, his inspiration, his passion and all that he gave during his life.\"']}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/jimmyedgar/frankie-knuckles-baby-wants-to\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Christian Prommer - Waltz\"]}),'This track is taken from Christian Prommer\\'s \\'\\xdcberMood\\' album. Here is what Ralf Summer had to say about it on the national (bavarian) radio BR2 Z\\xfcndfunk: \"One of the album highlights: \"Waltz\", a tune between minimal-classic of a Steve Reich and minimal-house of the clubs\".\\xa0',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/compost/christian-prommer-waltz-free\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Z Tillahun EthioHouse BOSS DR660 Legowelt Remix\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Download link here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://awolfe.home.xs4all.nl/ZTillahun_Sobana_LegoweltBossDr660Mix.mp3%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://awolfe.home.xs4all.nl/ZTillahun_Sobana_LegoweltBossDr660Mix.mp3\\xa0\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"You can't refuse a Legowelt. \\\"A little present for U my BOSS DR660 drummachine remix of the supercool Ethiopian pop disco classic Z Tillahun's - Sobana Pingponged on 1993 vintage normal I type cassettetape for extra foggyness 320kpbs MP333333 Get it before it gets you!\\\"\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Rennie Foster - Free RF Downloads Here\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),\"We struck gold here with this package from Canadian Rennie Foster. Support the artist. 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Here if you haven't already copped it, his rework of Sade's Stronger Than Pride.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"https://soundcloud.com/kaytronik/stronger-than-pride-fo-sho\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"jozif - RA Podcast Edits\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"From his RA podcast from years back, jozif offers 3 re-edits up for grabs. You can have his edits but you can't download his talent, unfortunately.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Inigo Kennedy - Asymmetric Records (2004-2012)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Download link here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.asymmetric.co.uk/mp3.htm\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.asymmetric.co.uk/mp3.htm\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),'Who knew that Inigo Kennedy gave away his music or did his own cover art? Here\\'s his notes on these releases: \"ASY MP3 001 to 007 are encoded using LAME at an average bit rate of 192Kb/s. ASY MP3 008 to 011 are encoded using LAME at a variable bit rate of ~256Kb/s in full stereo mode and at maximum quality settings. ASY MP3 012 and onward are encoded using LAME extreme or 320Kb/s CBR. Alternative versions will not be made available.\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tennis Rodman - Morpheeus X\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Demo smoketape? OK.\",/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://morpheeus.bandcamp.com/album/morpheeus-x?from=embed\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"CMKD aka Comakid - GT WT\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Mastered by Neil Combstock (Zero dB), this free EP from Comakid aka CMKD from electrocaine music also comes with remixes from the likes of Faux, ZT, Derrick Motif and Notion A with rAin and AV.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/electrocaine/cmkd-gt-wt?in=electrocaine/sets/cmkd-gtwt\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"29-4-14-april-music-freebie-roundup\"},{hz3sj3gFn:\"2014-04-25T00:00:00.000Z\",id:\"Ps9_KbE90\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/xDm2yNN5LwpSIyWYvj3ITYbJ2ls.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/xDm2yNN5LwpSIyWYvj3ITYbJ2ls.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/xDm2yNN5LwpSIyWYvj3ITYbJ2ls.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/xDm2yNN5LwpSIyWYvj3ITYbJ2ls.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: SYAFIL\",lZ2WhlLX5:\"25 APRIL 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A homeboy through and through, Syafii - thrower of 'Good Times' and some of the sickest parties in Singapore - got his musical education from his bigger brother ranging from Run DMC to 808 State and Goldie by age 13. Here, we find out more about our man to play come Sat 26 April at the Midnight Shift Label Showcase feat. Kirk Degiorgio.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What do you do, and how did you come to be doing it?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I make music, DJ and run a monthly party called Good Times with my main man Eric Foenander. When I'm not doing these things, I'm cooped up in an office editing copy for a women's magazine. Won't tell you which. :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us a little about the history of Good Times.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Good Times started out as a one-off birthday bash for my mates Eric and Syaheed at Blujaz Cafe. It went really well, so the birthday boys decided to make it a monthly gig. After a stint as a regular DJ there, I decided to get involved with the planning side of things and the guys were more than happy to have me on board. Six years later and the party's still going on strong. I'd like to think it's because of the casual, fuss-free setting and open and eclectic music policy, but it's probably because of the big ass smoking area.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Best Good Times party so far and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Probably last year's New Year's Eve party, which took place over all three floors of Blujaz Cafe. We had a lineup of live acts on the first floor, DJs playing house and UK Bass on the 2nd floor, and hip-hop and dub on the 3rd floor. The place was packed all night, and the fact that the lineup was 100% local shows there's definitely a market for home-grown talent.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"The future of Good Times?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Eventually, we'd like to do a day-long festival featuring top local DJs and live acts.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What makes a good DJ to you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"A good DJ engages both head and feet.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What makes a good party?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Good music, good company and exceptional ventilation.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is a typical day like for you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"After a day at the office, I'm either hanging out in my backyard with my housemates, making tunes in my room or checking out some gig. Quite unexciting lah.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/syafii/tangkapsteam\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Who/what do you attribute your musical education to?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My brother played a huge part in my musical upbringing. He got me into Run DMC when I was 7, 808 State when I was 10, and Goldie when I was 13. He used to run drum and bass parties with the guerrilla collective back in the late 90s, and the crew's uncompromising, music-first approach influenced my sensibilities as a promoter in a big way.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Your description of the Singapore electronic music scene?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Not to sound hyperbolic, but I think it's on the cusp of a kind of renaissance. I mean, think about it: there's an unprecedented level of cross-pollination going on, with weekend after weekend packed with parties featuring inter-collaborating artists from different collectives. The quality and quantity of producers and DJs here are also steadily rising, and there's a flourishing ecosystem of performers, promoters, labels and music journalists. The scene has never been healthier.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Some of your favourite producers or DJs?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Producers: Kassem Mosse, Ricardo Villalobos, Joe, Actress, Florian Kupfer, DJ Koze, Lukid, Daphni, Joey Anderson, Omar S, Young Marco and Four Tet AKA Burial.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There's some overlap when it comes to DJs: Dixon, Ben UFO, Mr Ties, Kassem Mosse, Ricardo Villalobos and Twitch & Wilkes of Optimo.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Top 5 music albums of all time?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"5 difficult lah. 9 can? In no particular order:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Aphex Twin - Selected Ambient Works 85-92\",/*#__PURE__*/ _jsx(\"br\",{}),\"Mr Bungle - Disco Volante\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"My Bloody Valentine - Loveless\",/*#__PURE__*/ _jsx(\"br\",{}),\"Dillinger Escape Plan - Calculating Infinity\",/*#__PURE__*/ _jsx(\"br\",{}),\"Radiohead - OK Computer\",/*#__PURE__*/ _jsx(\"br\",{}),\"Autechre - Tri Repetae\",/*#__PURE__*/ _jsx(\"br\",{}),\"Jaco Pastorius - Jaco Pastorius\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Meshuggah - Destroy Erase Improve\",/*#__PURE__*/ _jsx(\"br\",{}),\"Ol' Dirty Bastard - Return To The 36 Chambers\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you on 26 April at kyo?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"A diverse selection of tunes, ranging from the classic strains of house and techno to the progressive sounds of UK Bass and Berlin tech.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Point us to an Internet link\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.bringinthecats.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.bringinthecats.com\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Label Showcase with Kirk Degiorgio\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"ky\u014D\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sat 26 April 2014\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"10pm onwards\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/1491770387708407/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Facebook event page link\"})}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP for guestlist entry before 11.30pm: \",/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/mnskirk2014\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://bit.ly/mnskirk2014\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-syafil\"},{hz3sj3gFn:\"2014-04-05T00:00:00.000Z\",id:\"geogH15e1\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/t8YNtqq2d5sWJd5m2njWzbcHETk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/t8YNtqq2d5sWJd5m2njWzbcHETk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/t8YNtqq2d5sWJd5m2njWzbcHETk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/t8YNtqq2d5sWJd5m2njWzbcHETk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"MARCH MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"5 APRIL 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A super mixed bag of ten free downloads for March. If you have a promo you would like to share as a download, email us at info [at] mnshift.com.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:'Trevor Jackson : \"tomorrow, forever\"'})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"From Output Recordings, Trevor Jackson offers a free excursion recorded from the Red Bull Studios in Paris.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Wiretap-String Mix-Original mix Blackdogs Dust Science 2006/7 dedicated to Richard Polson (RIP)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'\"Wiretap Instrumental, dedicated to Richard Polson (RIP) and released on The Blackdog\\'s Dust Science label in 2006/7\" put out by Nick Dunton of Surface Records.'}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/surfacerecords/wiretap-string-mix\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Joakim - On The Beach\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"First single of Joakim's upcoming new album 'Tropics Of Love'.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\\"This is the cover of one of my favorite songs by one of my favorite artists, On The Beach by Neil Young. When i first heard that song, i felt like i could have or should have written it. The lyrics are so dark and beautiful, they relate to the slightly autistic part that a lot of artists are hiding and the artist condition in general. But I'm no Neil Young when it comes to song-writing, so instead of trying to write something as good, I decided to make a cover, twist that blues tune and turn it into something completely different and (much to my surprise) even darker, to the point where most people don't even recognize the original song.\\\"\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/joakimbouaziz/joakim-on-the-beach\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"TOKiMONSTA - The World is Ours\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'\"This song has been very close to me for years. I loved it too much to ever release it officially---all these mp3s online are poor quality rips off youtube or myspace. 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Enjoy.\\\"\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Fatima Yamaha - Fatima Yamaha\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"We cheat - not released in March, but found during this time. A free bag of proto-electro sounds from one Fatima Yamaha (Of Turkish and Japanese descent) available from D1 Recordings.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Download here:\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.d1.ie/music.php?intLabelID=1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.d1.ie/music.php?intLabelID=1\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Bonnie Baxter - B15\"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Not the most fully realised of productions. But heck, Ninja Tune stands for something? Bonnie Baxter aka Shadowbox from Brooklyn gives an experiment B15 for free.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Hands In - Polyester Itch\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Psychedelic lo-fi talent out of Portland. Name your price for this new 9-track from one Erick Cosby. All his other albums are similarly priced if you are so inclined.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://handsin.bandcamp.com/album/polyester-itch?from=embed\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Jonas Reinhardt - Virgo Cluster (The Beat Broker Remix)\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Just one of the many delicious downloads off the XLR8R blog. Here's an upbeat disco number from the San Francisco-based Voltaire label's Viare 12\\\" compilation.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Download here: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/03/virgo-cluster-beat-broker-remix%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/mp3/2014/03/virgo-cluster-beat-broker-remix\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"5-4-14-march-music-freebie-roundup\"},{hz3sj3gFn:\"2014-03-22T00:00:00.000Z\",id:\"a4cBNTYs8\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Cvck524RLqWLoe3b3ttN6dJOIEs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Cvck524RLqWLoe3b3ttN6dJOIEs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Cvck524RLqWLoe3b3ttN6dJOIEs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Cvck524RLqWLoe3b3ttN6dJOIEs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LEGOWELT - CRYSTAL CULT 2080\",lZ2WhlLX5:\"22 MARCH 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"For a producer notorious for manifold aliases that he's used over the years, keeping up with Danny Wolfers is not exactly the most easy thing to do. Just look them up if you will: Polarius, Smackos, Raheem Hersel, Squadra Blanco, Nacho Patrol, Gladio, Klaus Weltman, Salamandos, Venom 18, Franz Falckenhaus, Phalangius, Jackmaster Corky...the list goes on by the way...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But whether it be the \\xa0African-influenced output of Nacho Patrol, or the somewhat 'surfer-house' leanings of Trackman Lafonte & Bonquiqui, make no mistake about it, Wolfers is probably one of the most under-rated and hardest working producers in electronic music today. From his first first vinyl release for Unit\u2019s label, Bunker Records, which became an instant cult hit, to seminal tracks like \\xa0the unstoppable \u201CDisco Rout\u201D to the imagined soundtracks on his Strange Life Record, this Dutchman from the Hague, began producing music since the early 1990s after he came in contact with the sounds of Detroit's Underground Resistance, Model 500, Blake Baxter (probably his all-time favourite producer) and Chicago heroes such as Farley Jackmaster Funk, Armando Gallop and Mr. Fingers.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Later on this palette of influences grew with early \\xb5-Ziq, Aphex Twin, Drexciya, various releases from the Irdial Discs label. He marks his major influence as 'Unit Moebius' after he heard them on the radio. He describes their sound as \\\"a punky palette of RAW freaked out Lo-fi Chicago trax and deep detroit jams made with machines which were found next to the garbage can\\\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/cremeorganization/creme-12-73-legowelt-crystal\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"On his massive output, as he so boldly puts it, \\\"some people get dismayed because I release three records a month, like how some wankers hate on L.I.E.S. records because they think they release too many. Why the hell would you get upset because a label releases a lot of records? You gotta be some frustrated asshole if you got problems with that. Isn't it the job of a label to release records?\\\" Let's not even get to the remixes he's done for artists over the years (I'll let you look that up).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Crystal Cult 2080' is the latest offering from this visceral producer, and possible trans-dimensional being, Danny Wolfers, known to most, now, as Legowelt; the moniker itself, being the direct German translation, simply meaning, World of Lego, which Danny claims he chose for no particular reason. He had announced the impending release of his 'Crystal Cult 2080' LP from as far back as October of last year. And despite dropping a muggy four-track EP as a taster, the album appeared to slip off the radar, with nothing forthcoming by the end of the year.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"However, Wolfers has recently revealed that the album, is now set to surface in late March this year. The album, a 10 tracker, that is also set to be released on Vinyl as well as on cassette and other digital formats, (the digital format's bearing two bonus tracks) is named after Wolfers\u2019 beloved Roland JV2080 synth, while the 'Crystal' part stands for the self-made DIY germanium crystal compressor that was used in the production of this album as a whole, and was recorded around the world, with tracks laid down in Los Angeles, Detroit, Tokyo and Gran Canaria, amongst other places. It also comes off the back of a couple of more than decent 12\\\"s for L.I.E.S. and fledgling Spanish imprint Riverette.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His return to the Cr\\xe8me family, comes two years on, after his first self-relesed album in 2011,The Teac Life, and his more recent, second release, The Paranormal Soul, on Clone in 2012, This latest offering, takes a deeper and darker approach to Wolfers distinct acid drenched sound. On working with Cr\\xe8me again, Wolfers says \\\"I have been with Cr\\xe8me since the day it started in 2000; it's one of my 'home' labels. I've released more than 20 records on there now. A lot of bigger labels wanted to release this, but I didn't feel like working with any corporate bullshit of fermented worn-out dance industry corpses, so I just send it to TLR and he was like, 'Okay, cool, let's do this\\\".\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Danny also explains why he references the Roland JV2080 synth in his album's title, saying, \\\"It's a cool synthesizer that goes pretty deep. It's a digital synth from the '90s that's really cheap nowadays 'cause all the kids want analogue stuff. But with machines like these you can make more mysterious, interesting sounds. It's not bound by the usual analogue 'pwioooo bloop bleep' sounds. I use a lot of analogue synths, too\u2014I am not anti that at all, I love those things\u2014but sonically analogue synthesizers can become quite boring quickly.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As a matter of fact, right from the very start, \u2018Crystal Cult 2080\u2032 drags you into the deepest realms of occult electronic music with tracks rigged with moody basslines, hypnotizing arps and flowing grooves. Take the opening track 'Experiential Awakening', as a clear example of how Legowelt\u2019s signature sound shimmers and shines through each and every bar of it's entire eight minutes and eight second onslaught as Wolfers layers mystic and fuzzy atmospherics over melodic synth lines, spoken vocals and driving beats.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As the album presses on, it soon becomes apparent that we\u2019re dealing with another extraordinary piece of Legowelt fantasm here. 'Ancient Rites Demoni Mundi' is Wolfers furnishing his rhythmic parchment further, with dark haunting melodies, mind-boggling hypnotic sound patterns, trippy waves and staccato grooves. 'Excalibur R8MK2' and \\xa0'Psychotic Endurance' journey deeper into Legowelt's world of the occult, mythical and supernatural crossing latitudes, attitudes, sonic borders and spatial reason.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Never intending to slow down even for a minute, he unleashes another haunting piece of dark, spacey mastery with the almost ritualistic 'How I Live' following that with what seems to be a mission statement in 'The Future Of Myself'; another hauntingly dreamy, breathtaking synth-textured excursion. If you think that an Amygdala hijack is imminent here, at this particular point, you wouldn't be far wrong, but it's not really quite finished yet.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Fundamental Superstition' continues in pace, as the entire album has thus far. This being one of the album's less darker tracks, but still bearing the sonic signature of the sound and synth nerd that Wolfer's professes himself to be. The album's title track 'Crystal Cult 2080' veers back into darker and sinew snapping territory flooding those visceral rhythms with a thick dark ooze of pads, synths, hazy effects and hints of sweet, beckoning, impish vocal seduction, but thankfully, just hints.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When 'The Spring Comes Again' continues on that infectious floor on the floor path, swirling, hypnotic strings, synths, voices and acid lines that all come together captivatingly, gently building and culminating into an infectious groove of euphoric and great evocative power.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Cyberspace Is Still Happenin' For Real' which closes off this vinyl edition of the album isn't as one expects either. Instead of ebbing into ambient calm, it brings the listner into to more unadulterated chaos, whether voluntary or involuntary, it doesn't really matter now, because the journey is almost complete and by Wolfer's fundamental philosophy of synthesis and sound - \\\"the sound I wanted to achieve was a sonically colourful palette with lots of saturated warm sounds, to cultivate the listener's inner harmony and fantasy. A compact selection of songs, no fillers, packed with heat. You get everything from energetic kung fu techno, to sensual fairytale flute trips, to the ancient magick scales of notorious alchemists.\\\"\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Crystal Cult 2080\u2032 is quite a piece of work really. it is in every way a brilliant album. And again, if you we're in someway to look at it as a 'concept' album again in some respects, you needn't seek any absolution for that view. But in many respects it's so much more. It's trippy when it needs to be, impish in some places. Haunting? Definitely. Spiritual? In many ways. Runneth over with plenty of organic lushness too. Wolfers has crafted something that's probably going to be appreciated beyond this galaxy as well. It's probably by far Legowelt\u2019s most mysterious, supernatural and ritual work to date.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Experiential Awakening \",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Ancient Rites Demoni\\xa0Mundi \",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Excalibure R8MK2 \",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Psychotic Endurance \",/*#__PURE__*/ _jsx(\"br\",{}),\"05. How I\\xa0Live \",/*#__PURE__*/ _jsx(\"br\",{}),\"06. The Future\\xa0Of Myself\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Fundamental Superstition \",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Crystal Cult\\xa02080 \",/*#__PURE__*/ _jsx(\"br\",{}),\"09. When\\xa0The\\xa0Spring Comes Again\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Cyberspace\\xa0Is Still Happenin' For Real \",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Lighthouses & Fried Fish Disks \",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Distant Meadow\\xa0In Your Soul\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Crystal Cult 2080 will be released in late March 2014. Pre-order:\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.godspill.net/collections/legowelt-crystal-cult-2080\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.godspill.net/collections/lego\u2026rystal-cult-2080\"})})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-legowelt-crystal-cult-2080\"},{hz3sj3gFn:\"2014-03-17T00:00:00.000Z\",id:\"HPMbCDLFA\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/bZBUIteXzZCt7s8cwBT3kPGDnt0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/bZBUIteXzZCt7s8cwBT3kPGDnt0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/bZBUIteXzZCt7s8cwBT3kPGDnt0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/bZBUIteXzZCt7s8cwBT3kPGDnt0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: STL - AT DISCONNECTED MOMENTS\",lZ2WhlLX5:\"17 MARCH 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Shrouded by this Internet age of self-promotion, remarkably little is known about Stephan T. Laubner \u2013 neither does he hanker after the exposure.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"He is based in the Harz mountains of central Germany; his abbreviated STL moniker is virtually un-googlable; he rarely speaks with the press and has no social media presence; his label, \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.something-records.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Something\"})})}),\", is as imprecise as it gets; most of STL\u2019s material is vinyl-only, a selection of CD releases available by mail-order from his website and even fewer digital downloads listed on online music stores.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Yet, regardless of his outlier persona, he has produced some of the finest loops in recent electronic music history and has earned a somewhat cult status in House and Techno. Experimental in his approach but rooted in classic Detroit and Chicago functions, STL\u2019s works are much more subtle than just another race on the trails of radicalism.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=nu1Io413hQM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Jap001\"})})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=xfQxWXaH75E&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=mambule\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"'At Disconnected Moments' is released by Smallville Records, a Hamburg-based label established by Just von Ahlefeld and Julius Steinhoff (a/k/a production duo, Smallpeople), and Peter Kersten (a/k/a Lawrence).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Launched in 2005 as a neighbourhood record store, Smallville Records is steadily becoming one of House music\u2019s most discerning purveyors, having released the deeper likes of Christopher Rau, Dave \u2018Move D\u2019 Moufang, Moomin and Benjamin Brunn. At Disconnected Moments marks STL\u2019s first LP to have been released outside his own Something Records.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Working with \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?1184\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\u201Calmost 100% hardware\u201D\"})})}),\", STL\u2019s analogue sound has avoided being surgically sculpted or \u2018abletonnised\u2019; rather, it is created by a inimitable collision of living, breathing, dirty, organic grooves. \\xa0Even his heavily dubbed out tracks beam with colour and brilliance.\\xa0In Amelie\u2019s Dub, the galactic bass-line plods steadily alongside slinky syncopated rattles as the track is caramelized by wispy daydream-like tones.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=g875VZERqYw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=CriticalEars\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Another standout is the acclaimed Silent State, which has quite possibly reached earworm status. \\xa0It had been part of an earlier Smallville EP release back in 2009 \u2013 not that this makes it any less exceptional. \\xa0There is a rigour inherent in any repetitive music as echoes shiver and shimmer, skimming the surface of a cruising melodic beat clinging to metronomic deep-etched grooves. \\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=72HZ8t5oN88&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=foodope\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"The album then detours onto unmapped terrain plunging listeners into heavy-lidded head-nodding. Ghostly Ambit turns up the grime with a slurry of rhythms wrung from spongy grooves that unfurl in four dimensions.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=sXJvXmjDBE8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=CriticalEars\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"'At Disconnected Moments' is an assured collection showing STL\u2019s affinity to the deeper, dubbier and dustier trenches of House and Techno. \\xa0Far from being a one-trick pony, STL\u2019s singular aesthetic is spun from finely-tuned transmissions from his internal universe. \\xa0This album is evidence of his persisting virtuosity, and the rare mix of discretion and authenticity he bestows to everything he touches. \\xa0\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-stl-at-disconnected-moments\"},{hz3sj3gFn:\"2014-03-10T00:00:00.000Z\",id:\"AdIHd_MOo\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Q6HeS8nCkU3Lqv1oPuNsZdofRY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Q6HeS8nCkU3Lqv1oPuNsZdofRY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 501w, ${new URL(\"assets/Q6HeS8nCkU3Lqv1oPuNsZdofRY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 588w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: MOODYMANN - MOODYMANN\",lZ2WhlLX5:\"10 MARCH 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"By right, Detroiters like Kenny Dixon Jr. should be bitter. They were forced to watch their city die, only to see its ruins romanticized by hipsters and academics as a sort of modern Picturesque. The city's cultural output suggests, though, that its people never saw their failure under the sign of either the purely negative or the sentimental. On the contrary: they have spent a lot of energy creating alternate worlds that refuse the harsh reality of the American economy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How can we understand Detroit Techno\u2014a space of pure industrial fantasy\u2014except against the closing of factories, and the collapse of the Modernist grid into a half-agrarian patchwork? How to explain the city's stubbornly positive strain of House, in a place where more than 6,000 houses have been taken down in the last five years?\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/28718566\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Lecture: Moodymann (London 2010)\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/redbullmusicacademy\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Red Bull Music Academy\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"https://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"One byproduct of collapse seems to be a strange kind of freedom\u2014an atmosphere in which artists have been willing to take big risks and create tiny, eccentric worlds. Failure kills, but it also makes space for surprise: cinemas become parking lots, white boys become rap gods. In a place where the basic condition of life is impossibility, the unlikely has become a kind of artistic medium.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Dixon, aka Moodymann, is an icon of his city\\'s bent for self-making: an inventive, charmingly crotchety character who always seems to be having a joke at our expense. This may be why Detroit is such a strong presence on his luminous self-titled album, released on the eponymous KDJ label. On \"No,\" Moody asks \"are y\\'all mad \\'cause I\\'m a local Detroiter?\" An extended sample from Richard Pryor imagines Homo sapiens emerging in Africa, asking, \"where the fuck am I, and how do you get to Detroit?\" The city comes to sound aspirational, almost utopian\u2014for the first half at least, until the famously high murder rate comes up, in the intro to a spooky, thickset re-tooling of Lana Del Rey\\'s \"Born To Die.\" From here, the humour turns dark, and Dixon\\'s ironic performance gets more complicated.']}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=1XytFu93Zro&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=IndiciousSoul\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=iX8X9RIO_cI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=IndiciousSoul\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Moodymann's personal kingdom works, in many ways, like a fun-house mirror of Afro-American music\u2014overseen by his distorted alter ego, a Blaxploitation Mephistopheles (see the album cover). All the familiar parts are there. Very familiar, in fact, as Moodymann likes to mess with clich\\xe9s, in particular. But nothing sounds quite the way you'd expect it. It's as if Soul, Blues, R&B, Hip Hop, and the orchestral pimp-Baroque of Mayfield and Hayes have suddenly been transposed into the language of House and Techno. It's an artificial move that sounds remarkably natural, and hints at the scale of the talent at work here. So does the surprising warmth that Dixon somehow wrings out of electronic genre pieces, especially at the low end. Many tracks have a tight, organic room-sound that could have come from one of Motown's famous session teams.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'The anachronism is very, very intentional. Dixon has long insisted on House and Techno as merely the latest points in a progression of black music. He has recalled in many interviews the inclusive nature of the sounds played in Detroit, that \"we listened to everything.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=5SWFx6Ro9gk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=zoics06\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'The album seems to ask what would happen if all of it existed in a shared present\u2014that is, if the pleasures of rare taste made time irrelevant. There\\'s that nimble organ on \"Ulooklykicecreaminthesummertyme,\" which follows a trajectory linking light Jazz to AM radio funk, to The Revolution. Muddy Waters sounds oddly present singing \"Mannish Boy\" over the bubbling fretlessness of \"Sunday Hotel.\" Moody\\'s own voice has a timeliness that\\'s also hard to place, a mix of gravel and smile that sometimes sounds, in contrast to Waters\\', like a sample. Tempo-wise, Dixon places a lot of his tracks at the border between House and Disco, making it hard to pin them down historically. To nail down this vibe, there are many clips that bring in fragments of Detroit\\'s history, its fantasies and violences and classic records. Tracks like \"You\\'re 2 Moody\" sound a bit like Too $hort\\'s \"$horty The Pimp.\" But like everything here, it doesn\\'t feel the same. Its irony is built around a core of reverence. Moody worships at this church; it\\'s a small but important difference.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=oQGMKN-Dp9s&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=IndiciousSoul\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:['Like a number of other albums in the last year\u2014Darkside\\'s 2013 release, for example\u2014\"Moodyman\" feels microcosmic. But not because it is constrained. Dixon is the ruler of a tiny kingdom; but he re-arranges its finite landscape into a whole lot of configurations. It recalls days when Rap artists still enjoyed the freedom of pastiche, before getting bogged down in the theatre of being \"real.\" Perhaps this is why parts of the record recall other older material: 90s Hip Hop production, but also strange outliers like the Avalanches and Cassius-era Zdar and Boom Bass. Like these, the album occasionally feels unfocused, and draws a bit too heavily on mood (yup) where it\\'s musical ideas run thin. Regardless, \"Moodymann,\" like Moodymann himself, is a tightly conceived, totally self-aware product. It may be a fantasy, or a fever-dream, but its rare groove and cranky spirit are Detroit in a bottle.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Jimmy D... Nickle\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Hold It Down\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Never Quite The Same\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Desire Featuring \u2013 Jose James\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. You're 2 Moody\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Lyk U Use 2 Featuring [Uncredited] \u2013 Andr\\xe9s\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. No\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. I Got Werk\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Max Julien Jacket\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. IGuessuneverbeenlonely\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. U Don't Even Lyk This Song\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Come 2 Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Ulooklykicecreaminthesummertyme Featuring [Uncredited] \u2013 Nikki-O\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. How Do U Get 2 Detroit\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Radio\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Yet Unknown\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Born 2 Die Featuring Lana Del Ray\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. The Most Fearful\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. I Still Don't Know Yo Name\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. Watchin U\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. PonyDownCrew\",/*#__PURE__*/ _jsx(\"br\",{}),\"22. Got Dem Freaks Wit Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"23. Freeki Muthafucka\",/*#__PURE__*/ _jsx(\"br\",{}),\"24. Sunday Hotel\",/*#__PURE__*/ _jsx(\"br\",{}),\"25. Girl\",/*#__PURE__*/ _jsx(\"br\",{}),\"26. Sloppy Cosmic\",/*#__PURE__*/ _jsx(\"br\",{}),\"27. Heaven\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/kenny-dixon-jr-moodymann-moodymann/519231-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/kenny-dixon-jr-moodymann-moodymann/519231-01/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-moodymann-moodymann\"},{hz3sj3gFn:\"2014-03-05T00:00:00.000Z\",id:\"FoYWaGXWT\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/sTnA9EvFZYpK0Pjl1KKB6uXCiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/sTnA9EvFZYpK0Pjl1KKB6uXCiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/sTnA9EvFZYpK0Pjl1KKB6uXCiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1000w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ACHTERBAHN D'AMOUR - ODD MOVEMENTS\",lZ2WhlLX5:\"5 MARCH 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"There's a lot to be said about musical collaborations. One could either wince at the atrocity of the end result or stand spellbound at the pure genius of it. The middle ground is most often confusion. The last time I stood spellbound at a meeting of the minds, poured out on musical parchment so elegantly and eloquently was when Henrik Schwarz and Bugge Wesseltoft unleashed the indelible masterpiece 'Duo\\\" on Jazzland in 2011. Of course there have been times when I've failed to notice the odd crusty residue of probable strokes of genius strewn across this vast musical landscape of electronic music, but then again, if anything out there is THAT brilliant, I'm sure it would have caught my radar at some point.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/tissue-magazine/tissue-magazine-mixtape-17\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Odd Movements', the debut full-length by Achterbahn D'Amour, is the collaborative effort of Johannes 'Iron Curtis' Paluka and J\\xfcrgen \u201CJool\u201D (Edit Piafra) Albert. And while this, in most respects cannot be compared, musically, to the Schwarz/Wesseltoft collaboration, on most levels, the duo have indeed tangled together a 9-track mind-bender that is both caustic and atmospheric in every respect. Paluka and Albert's fixation on bringing the best out of their respective classic Roland boxes (the TB303 and the TR606) forms the basis of the album's distinct sonic result, which is also the sum of their three Acid Test EPs, two of which were released on Absurd Recordings\u2019; a Los Angeles-based Acid Test sub label.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In many ways, one could view the entire concept of 'marriage' and reciprocal relationships to be a rather transparent feature of this album, and if one were to look at it, per se, as a concept album, you wouldn't be too far from the truth. For those who aren't acquainted with the 303 or the 606 in any way, they were two box-like computer controlled analogue musical instruments, released by Roland in 1981, both being almost identical in size and built solely for the unique purpose of allowing individual artists to play (or practice) music without the addition of anyone else. They were built as a matched pair to complement one another; the 606 providing the rhythm accompaniment while the 303 was largely a bassline composer. However, their lack of popularity saw their quick demise soon after, (because they were partly a 'bitch' to programme, amidst other synthetic shortcomings) and although, many 80's synth-pop bands were instrumental in crafting their sound around these 'groove-boxes', they never really became the essential sought after 'tools of the trade' until electronic greats like Aphex Twin, Plastikman, Larry Heard and Hardfloor, to name just a few, carved out a new reputation for them as quintessentials in the production of techno and house. The TB 303 soon gained it's notorious reputation as the 'Acid Box' - an analogue representation of it's persona and personality even to this very day.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Anyway, enough said on that and down to the album proper. Achterbahn D'Amour, loosely translated, as a combination of German and French to mean 'Roller Coaster of Love' is pretty much what you'll get here, and 'Odd Movements', aptly contains some of their strangest music thus far. Take the opener 'Holy Romance Empire', which starts off like any garden variety deep house track, until it quickly decides to reveal its true self in vibrant Technicolor. Dark, lush, cinematic synths inundate those jaunty beats as that acid line swoops in, almost like a Roller Coaster in many ways, but the ride is generally, only, just beginning.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Passagen', that follows, continues the ride in its broken jerky, almost classic electro inspired slow building groove that accentuates into THAT melodic acid line again, providing more of a pedestal for it than its predecessor. The rolling, jacking snares and claps that punctuate the track's progression are as raw as they come before allowing its rising tide to ebb back into more bass driven serenity.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=eIYk68ogzCE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=moreacidplease\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=U2hlkkBV3og&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=moreacidplease\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Jaws of J.O.Y.' is another bass-driven mind bending and obtuse route into lo-fi sonics, leaving the acid lines and beats to take precedence while all other textures lay buried under a thin film of dirt and dust. One thing that Paluka and Albert do very well on this roller coaster ride so far is to keep their balances in check. And just when you think that an overdose of acid is imminent, 'Ladbroke Culture' shakes off the albums traditions eschewing a more linear techno driven approach that keeps the rhythms at bay so that plentiful arpeggios and spooky keys can playfully linger without interruption - definitely one of the albums more enticing and satisfying moments.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=qt2BlzEAIic&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=moreacidplease\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"As is the title track, 'Odd Movements' is a beat-less ambient excursion that allows the acid lines to float freely in the breeze. This one too is rather captivating in so many different ways. 'Teen Sleep' continues down the ethereal path that hovers over much of its mysterious one-chord pad-driven groove. 'My Demands' keeps the groove chugging along; its gritty tom and snare smacks adding a tinge of dirt and distortion to the record\u2019s rich and emotional textural palette, and a vocal that hints 'protest song' in so many given respects.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Mm7_Muq4xdI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=moreacidplease\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"This emotional roller coaster ride continues in maddening catchiness with the brutally bass laden K\\xf6nigst. The theatrical lushness that provides a few bars of gentle respite don't last too long though as the drums and dirty hi-hats whisk this roller coaster ride back on its way into somewhat more brutal curves and crevices before ebbing into the dynamic and textured beauty of the album closer 'Cream & Treacle', which, as many of the great 303 tinged moments on this, manifest themselves as throughly funky, but on this, thoroughly breathtaking.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"All in all, Achterbahn D'Amour manages to, as all good albums should, leave you with enough shades, textures and layers within it's odd movements to warrant another ride on this roller coaster. I started this review in many ways, by viewing it as a 'concept' album. The electronic marriage of two machines that were made for each other. And while some may argue that there isn't anything absolutely groundbreaking here in many respects, Achterbahn D'Amour have indeed created something special. It may take some time to assimilate into your internal clock, but the quality of their ideas and forward-thinking approach towards concept-driven techno is refreshing and exciting, and whether wholly innovative or not, deserves your immediate attention.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Holy Romance Empire\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Passagen\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Jaws Of J.O.Y.\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Ladbroke Culture\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Odd Movements\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Teen Sleep\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. My Demands\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Kongistr\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Cream & Treacle (I&M)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://boomkat.com/vinyl/937005-achterbahn-d-amour-odd-movements\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://boomkat.com/vinyl/937005-achterbahn-d-amour-odd-movements\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-achterbahn-d-amour-odd-movements\"},{hz3sj3gFn:\"2014-03-04T00:00:00.000Z\",id:\"MHbVHo9IO\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/NwY1Iox5V8USiwRvJla2FQxLHo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/NwY1Iox5V8USiwRvJla2FQxLHo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/NwY1Iox5V8USiwRvJla2FQxLHo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/NwY1Iox5V8USiwRvJla2FQxLHo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"FEBRUARY MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"4 MARCH 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The freebie roundup is back with the best of February in a dozen. If you have a promo download you would like to share, email us at info [at] mnshift.com.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Cottam - Like You've Never Danced Before\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"An unmastered, unfinished demo by Paul Cottam.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"https://soundcloud.com/cottam/cottam-like-youve-never-danced\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Simon Hinter - Gaia\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Next to be released on the Midnight Shift label, Simon Hinter from small town Siegen, Germany drops a track 'Gaia' for free.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Benedek - Ease Out\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Old chi-town deep house number that is sleek and slinky. By Los Angeles producer Nicky Benedek.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/vanhai/van_hai-dernier-amour\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Actress - Miami Retirement Condo\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Download link here:\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.sendspace.com/file/axr27q\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.sendspace.com/file/axr27q\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Hot off his LP Ghettoville, Londoner Actress gives away the fragmented, moody 'Miami Retirement Condo'.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Van Hai - Dernier Amour (Ripperton's No Love Lost Reshape)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:'\"3 Years ago, the magic happened. For those who still not know/own it. Free service. Have a nice everything.\"'})}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/vanhai/van_hai-dernier-amour\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"T\\xf4g - Maridalen (Skateb\\xe5rd Remix)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"From RedEye Transit Records out of Austin, TX, a discoey, neo-italo number as remixed by Bergen, Norway's Skateb\\xe5rd.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/skatebard/t-g-maridalen-skateb-rd-remix\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Lane 8 - How I Feel (FE036)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"A remake of the classic Nina Simone - Feeling Good, released by Fresh Express.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/frenchexpress/how-i-feel\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"The Jaydes - Hidden Pleasure (Pulse Radio Exclusive)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:'\"To celebrate, The Jaydes are giving away their track \"Hidden Plesure\" from the new \"Wilde Liebe\" LP, which celebrates 10 years of the Wilde Agency, one of dance music\\'s foremost booking agencies.'})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Planet Gong - Rexia (Olin Edit)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Released in 1994, 'Rexia' gets a second lease of life thanks to Olin and his modernized re-edit of the classic from the Planet Gong album 'City of Hope'.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"New #77 - Free Download\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"From the #Unknown camp based out of London, a deep house number #77 to add to your sets for free.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Bintus - Cylinder Bop\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Download link here:\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2013/12/cylinder-bop\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/mp3/2013/12/cylinder-bop\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"From the label Power Vacuum, Bintus who has shared a Rinse.FM show with Ben UFO, gives away Cylinder-Bop, a preview from his Live* & Locked LP.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Everybody Loves The Sunshine - The Reflex Rework\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Version of Roy Ayers sung by Heidi Leonore, reworked by The Reflex.\"})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"4-3-14-february-music-freebie-roundup\"},{hz3sj3gFn:\"2014-02-24T00:00:00.000Z\",id:\"nRO9_freW\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/gz4iBKhWAVxGmZ2JNaMqBJAKU.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: RON MORELLI - SPIT\",lZ2WhlLX5:\"24 FEBRUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"It would be easy to dismiss the collection of tracks presented on Ron Morelli's 'Spit' out on Hospital Productions. For the large part drone-y, loopy, lo-fi, raw and decidedly unmusical in the conventional sense, the short 8-tracker that clocks in at slightly under 35 minutes took me multiple listens, and each time produced a different reaction.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The first was a meditative experience. A small smile curled on my lips as I polished off the LP as a whole, no track in particular stood out. I remember feeling calm and my ears cleansed. The other attempts unearthed the stand-outs for me, tracks like 'Modern Paranoia' and 'Crack Microbes' became my picks, with no doubt the selection being different for everyone else.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=ib0LjJruwa0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=0AntN\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"'Modern Paranoia''s backbone is reminiscent of Sunpeople's 'Check Your Buddha' released on Trelik, but breaks free with a modulated note that sounds as it has been pulled like plasticine to great result. The album's opener and closer, 'Radar Version' and 'Slow Drown' act like palate-cleansers for my ears, reconfiguring the frequencies to be heard or unheard. Possibly the most irritating track on the album, 'Sledgehammer II' should come with a warning label - acceptable only in deeply hungover state.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Ron Morelli is the man behind the \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?1702\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"label of the moment\"})})}),\", L.I.E.S. (Long Island Electrical Systems) from New York, and in some part responsible for the resurgence of interest and activity of its music scene. Featuring the ruthlessly talented from Legowelt and X0SAR to Greg Beato, Steve Summers, Florian Kupfer, Beau Wanzer and Terreke, L.I.E.S. has established accolades including Resident Advisor's Label of the Year (2012). Ron's personal output as a producer is commendable and sits comfortably right next to the label's quirky revenge of the nerds roster.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"01. Radar Version\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"02. Modern Paranoia\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03. Crack Microbes\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04. Sledghammer II\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05. Fake Rush\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06. Director Of...\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"07. No Real Reason\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"08. Slow Drown\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://boomkat.com/vinyl/815836-ron-morelli-spit-vinyl-edition\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://boomkat.com/vinyl/815836-ron-morelli-spit-vinyl-edition\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-ron-morelli-spit\"},{hz3sj3gFn:\"2014-02-17T00:00:00.000Z\",id:\"pur8dyz60\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Ylh25EmDUwraDtV3bwFQOEf8fs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: TERENCE DIXON - BADGE OF HONOR\",lZ2WhlLX5:\"17 FEBRUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Out on the highly reputed Surface Records, owned by The 65D Mavericks, Terrence Dixon's vinyl-only LP navigates around an ironically, wonky subset of outsider techno that comes from a high lineage of the likes of Drexciya, Suburban Knights and even of first acid house pioneer, Charanjit Singh.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Bubbly, modulated acid lines, choppy hits and snaky synths take us through the album which dives deep under the surface to uncover subterranean sounds for the listener -- the seldom-aired, alienish, chaotic quality that defies boxes and convention. Other reviewers have called it 'groggy', 'lopsided', 'asymmetrical', 'quirky'. Make it of what you will, it is definitely extra-ordinary.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Especially, tracks like 'Lock Out Chamber' reference early proto acid while more percussive-based tracks such as the brilliant, swirling 'Deploy' and the breathtaking banger 'The Mission' throws producer punches in a sea of copycats. Overall, tracks such as 'Incoming' appear as tightly programmed machine jams; infinite loops that mature the more they progress into the abyss.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=6rtQHeapqjc&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=PatVforMatt\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"With 'Badge of Honor', Detroit techno and its key soldier Terrence Dixon can stand proud to not fall as others might have fallen to the fanfare trappings of modern replicant techno that are a far cry from the roots. This is the origins of techno from the depths of someone at the sidelines, who makes music 'Out of Time' and out of water. Truly a piece of spellbinding work, please take note.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"01. Operation Acoustic\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"02. Out Of Time\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03. Incoming\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04. Lock Out Chamber\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05. High Current\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06. Deploy\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"07. The Mission\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"08. Ships In Fog\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"09. Ocean To Sea\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"10. Space Probe\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"11. Light Years\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"12. The Atlantic\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"13. Radio Room\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"14. View From A Lighthouse\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"15. The Connection\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://clone.nl/item29489.html%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://clone.nl/item29489.html\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-terence-dixon-badge-of-honor\"},{hz3sj3gFn:\"2014-02-17T00:00:00.000Z\",id:\"ZrPdVaqLN\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ykFufkJfEHWvlWpk5SuBujdIYpw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/ykFufkJfEHWvlWpk5SuBujdIYpw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/ykFufkJfEHWvlWpk5SuBujdIYpw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LUCY - CHURCHES, SCHOOLS AND GUNS\",lZ2WhlLX5:\"17 FEBRUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Announced in December and due to drop on the 17th of February, Lucy\u2019s controversially titled 'Churches, Schools and Guns' is set to deliver \u201Cmisdirection and unpredictability\u201D. It\u2019s the Italian-born, Berlin-based producer\u2019s second full-length studio album to date following his 2011 debut, Wordplay for Working Bees, as well as the second artist album on his Stroboscopic Artefacts label to get a full vinyl release (after Zeitgeber, Lucy\u2019s collaboration with Speedy J).\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"My top picks for the tracks on the LP are, incidentally but also rightly so, the tracks that have been reworked on the 4-track remix EP \u2013 currently out as a fitting teaser to the full-length release (and with an enviable roll call of producers including Milton Bradley).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Much of the album seems to aim at creating dissonance: \u2018The Self As Another\u2019 is both dark and uplifting; a majestic, gliding soundscape to a ritualistic dance performed under the pale moonlight. \u2018Laws and Habits\u2019 starts off with a punchy entrance, and then you can really hear Dadub\u2019s precise mastering on this that makes it sound like fireworks are going off in the lower register, all before the moody synths finally creep in. In \u2018Catch Twenty Two\u2019, we feel like we\u2019re surveying the ruins of a bleak dystopia through an unrelenting curtain of rain, yet there is hope in the form of something light and melodious that pierces through the ominous ambience now and then.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://framer.com/projects/Midnight-Shift-Landing-Page--hjkAQYN9FQviEpokIhJN-7ALLA\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://soundcloud.com/otherfacts/salp002_sacd005\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018The Illusion Of Choice\u2019 is perhaps my favourite, machine-gunning it hard right from the beginning, bearing all semblances of THE fierce techno onslaught we\u2019ve been waiting for that matches the album title\u2014but then we are blindsided as the melodies soar again, and this time they sound\u2026 almost as if they\u2019re aspiring towards something greater.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Not on the remix EP but interesting nonetheless is \u2018The Best Selling Show\u2019, which reminds me of a sped-up carnival nightmare in the best way possible. \u2018Follow The Leader\u2019 is another number that evokes ritual, perhaps more obviously, with the chant of a Buddhist monastery set to a 4/4 beat.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With Churches, Luca Mortellaro\u2019s experimental approach to production continues to become more refined, as one might expect from the boss of an imprint known for pushing the boundaries of techno. Far from being a club-centric album, several of the tracks on here would in fact work exceedingly well as film scores, albeit of some very weird, very futuristic or artistic films. And that\u2019s a good thing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album will be available on CD, digital and 3xLP vinyl.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. The Horror\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Leave Us Alone\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. The Self As Another\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Human Triage\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Laws and Habits\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Follow The Leader\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Catch Twenty Two\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. The Illusion Of Choice\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. We Live As We Dream\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. All That Noise\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. The Best Selling Show\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Falling feat. Emme \\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.stroboscopicartefacts.com/shop/releases/albums/#product-3052%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.stroboscopicartefacts.com/shop/releases/albums/#product-3052\\xa0\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-lucy-churches-schools-and-guns\"},{hz3sj3gFn:\"2014-02-08T00:00:00.000Z\",id:\"lZlZHqWro\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/cx6NxuXpARRs3hQMKGuLPW6fVSY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/cx6NxuXpARRs3hQMKGuLPW6fVSY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/cx6NxuXpARRs3hQMKGuLPW6fVSY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: TERRENCE PARKER - LIFE ON THE BACK 9\",lZ2WhlLX5:\"8 FEBRUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"What are the privileges of being a musical legend? Among other things, you can name your record after a golf story.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Download the track 'Saved Forever' for free on \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.rollingstone.com/music/news/sav3d-forever-planet-e-mix-by-terrence-parker-free-mp3-20140127\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Rolling Stone\"})})}),/*#__PURE__*/ _jsx(\"em\",{children:\".\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Detroit House luminary Terrence Parker did just this on \\\"Life On The Back 9,\\\" a hefty new release on the Planet E label. The title recalls an anecdote told to the artist by his father. Mr. Parker (senior) advised his son to hang on for the long game, to have faith, because things often come right in the end. As such, the \u201CBack 9\u201D of the golf course stands for life's second act\u2014and, more broadly, for remixes, revivals, and new chances. It's an apt title for an album that meditates on a 30-year career at the centre of a genre.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Heads love Parker because of his role in the history of a scene, and because of his skilled, highly innovative turntable technique. For obvious reasons, the latter doesn't translate onto a record of original tracks. Which leaves us with only the former\u2014and with the question of what we should expect of living legends.\"}),/*#__PURE__*/ _jsx(\"p\",{children:'In the case of Parker, and his fans, existing seems to be the most important thing he can do. He is an artifact. And as such, his authenticity is the biggest part of the story. The sentimentality that electronic music fans feel about such people seems to be in proportion with the shortness of their history as a community. The word \"soul\" is thrown about, a lot, to describe this experience. His blackness, his Detroit-ness, and his Pentecostalism, all seem to be crucial essences. His use of a 20-year-old telephone handset instead of headphones is, likewise, a small but important symbolic touch.'}),/*#__PURE__*/ _jsx(\"p\",{children:\"It's no surprise, then, that this album breaks little new ground. The songs have a somewhat shopworn feel. It is not a greatest hits collection, and at the same time, it does not offer much that is relevant to the sort of music that is being produced currently. Nor do the religious themes of Parker's Inspirational House movement help much, musically. His record is Inspired, but not really inspired. Many of America's Christian songs have been its most searching, its most strange and tender, and poetic. But Parker's overtly churchy tracks\u2014like \\\"GOD He is\\\"\u2014are not. They tend to be blunt dancefloor tools, hammering home their message through the big lungs of a house diva. There's almost no new landscape in more than 120 minutes of \\\"Back 9.\\\" It seems to be shaped less by a spiritual yearning than by the valedictory atmosphere of a secure faith and a successful career. Fair enough. But should we really expect so little of Parker? Should we be okay with him (ahem) phoning it in?\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The answer, I think, is yes. If you love House, the chances are that you also love its highly formulaic quality. It's a shibboleth. You are a believer, and anyone who insists on innovation is missing the point. House has always been strangely personal; it's about who you are, and how you feel. We could even argue, and probably without even pissing too many people off, that it is basically a static genre\u2014an affective form. We don't expect it to evolve much. Instead, the records become a kind of craft-work. They are simply more or less skilled play, according to rules that were set early on. Parker is a living reliquary, an embodiment of this idea.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"His intentions as a Christian artist, again, are also worth thinking about. The musical dullness of \\\"Back 9\\\" is, for this reason, not an index of its earnestness or intensity. Inspirational house is, like many forms of charismatic religion, a kind of code. It signals a depth that exists beneath the everyday world, which some can read. It's not gospel. The organ figures are breathtakingly conventional; the spirit either moves in you when you hear them, or it doesn't. The power is in how you read them.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"This makes perfect sense, because House culture has long been a spiritual orientation, its music a set of ecstatic triggers. And to be fair, these are largely devoid of content. Whether your ecstasy hails from Faith, from Pride\u2014or from, well, Ecstasy\u2014it doesn't really matter, except to you. This means that the record will mean a whole lot more to some rather than others. But to those who have faith in Terrence Parker, I imagine it will mean a great deal.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Finally (Baby Be Mine)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Night Light\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Saved Forever\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. God He Is\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Spiritual Warfare\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. The Friend I Lost\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Hiding In Your Love\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Selah Interlude\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. My Virtuous Woman\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Open Up Your Spirit\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Pentecost\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. The Back 9\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/terrence-parker-life-on-the-back-9/514961-01/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/terrence-parker-life-on-the-back-9/514961-01/\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-terrence-parker-life-on-the-back-9\"},{hz3sj3gFn:\"2014-01-28T00:00:00.000Z\",id:\"an7qI7FtF\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/FtJhzOyR9na1kbHLESYXA90vZfY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/FtJhzOyR9na1kbHLESYXA90vZfY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/FtJhzOyR9na1kbHLESYXA90vZfY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/FtJhzOyR9na1kbHLESYXA90vZfY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"JANUARY MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"28 JANUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Every month, we trawl the Interwebs for the best of free music downloads given out by the generous spirit of quality producers. Please support the artists if you enjoy.\\xa0Here's 10 for Jan.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"John Talabot - 08-01\"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\\"It's my bday today. here a demo I'll never be able to finish or properly release because I lost the files. free download. thanks.\\\"\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/john-talabot/08-01-demo\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Terrence Parker\\xa0 - 'Sav3d Forever' (Planet-E Mix)\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.rollingstone.com/music/news/sav3d-forever-planet-e-mix-by-terrence-parker-free-mp3-20140127#ixzz2rft0dOof%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.rollingstone.com/music/news/sav3d-forever-planet-e-mix-by-terrence-parker-free-mp3-20140127#ixzz2rft0dOof\\xa0\"})})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Before his new LP on Planet E, TP releases this for free.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"The song \\'Saved Forever\\' has a deep spiritual meaning behind it,\" Terrence Parker tells Rolling Stone. \"While composing this song I thought on how God has unconditional love for us. This is something we strive for as humans but it is not always easily achieved even with family members. I tried to communicate this feeling in notes and patterns of the song which ultimately builds to a euphoric crescendo, representing our gradual daily progression to love others unconditionally.\"\\xa0']}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Todd Edwards- Essential Edits\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://storify.com/attackmag1/todd-edwards-on-publishing\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://storify.com/attackmag1/todd-edwards-on-publishing\"})})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Todd Edwards celebrates winning back the rights to his music\\xa0by\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://t.co/4L49mm5q3a\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"sharing his edits\"})})}),\"\\xa0of some of the tracks used in his\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.bbc.co.uk/programmes/b01sd138\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Essential Mix\"})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Argy - Heart Beating (Argy NYC Vocal Dub)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'From Argy: \"Before i forget, my NYC version of Agoria\\'s \"Heart Beating\" which came out only on vinyl unfortunately: you can now download through my soundcloud page!\"'}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Flying Lotus - Ideas + Drafts + Loops\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"133MB folder worth of assorted works from FlyLo. \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mediafire.com/download/6udrmt53tywgmtx/Ideas%2Bdrafts%2Bloops.zip\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Download it here\"})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Loose Joints - Is It All Over My Face (Psonic Psummer Edit)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'\"Re-edit of the mighty Is It All Over My Face by Loose Joints. (Not that it needed any edits..)\"'}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/psonic-psummer/is-it-all-over-my-face\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Various Assets - Not For Sale: RBMA New York 2013\"}),'\"Various Assets - Not For Sale 2013\\' is a collection of some of the music that was made during the Red Bull Music Academy during four early summer weeks in New York City last year. The double CD contains 30 tracks composed, improvised and discovered by the 62 international participants and a cast of high-profile studio team members, who all got their fingers dirty on synths, Mellotrons, vibraphones, drum machines and anything else they could lay their hands on. Enjoy!\"']}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://rbma.bandcamp.com/album/various-assets-not-for-sale-red-bull-music-academy-new-york-2013?from=embed\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Jill Scott - Golden / Da Gramn remix (Darker Than Wax Free Download)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'\"Joko Roob aka Da Gramn from Perpignan, France is the latest addition to our growing roster of artists. Raised on a diet of Slum Village, J Dilla, Nujabes, Afta-1, Comfort Fit, Swede:Art, Sepalcure, MNDSGN and Portformat, you pretty much have an idea where Da Gramn is coming from sonically. Indeed, anyone who can pull off a Julien Clerc remix and make it sound like the freshest Juke number is good in our books. This particular track has been on rotation amongst the DTW DJs recently, leaving a rather significant mark on the dance floor.\"'}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Philogresz - The Lost Movie Trailer\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:['\"The Lost Movie is an outcome of Ilker\\'s cinematic perception, approach, interpretation of his constantly intriguing dusty compositions.\"\\xa0',/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/philogresz/the-lost-movie-trailer/s-6waTc\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Download the trailer to his movie-album for free here\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\".\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:'Boonlorm \"Terrarium II\"'})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/mp3/2014/01/terrarium-ii\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/mp3/2014/01/terrarium-ii\"})})})}),/*#__PURE__*/ _jsx(\"p\",{children:'From the fine XLR8R series of free downloads. \"For his recent Boonlorm project, Laposky built a skeletal house record by inserting objects into a grand piano \\xe0 la John Cage and capturing the results. \"Terrarium II\"\u2014taken from his remastered String Figures LP, which will see a collaborative re-release via Japanese label Snow Dog and Laposky\\'s label tomorrow\u2014blends the artist\\'s dissonant piano treatments with unabashed handclaps and cowbell rhythms, crafting an innovative hybrid between intellectual exercise and DJ utility.\"'})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"28-1-14-january-music-freebie-roundup\"},{hz3sj3gFn:\"2014-01-20T00:00:00.000Z\",id:\"Z0dbYYNv0\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Y7yJ5K7Cd9Qomu14VUgiPPYCwY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Y7yJ5K7Cd9Qomu14VUgiPPYCwY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/Y7yJ5K7Cd9Qomu14VUgiPPYCwY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SHIFTED - UNDER A SINGLE BANNER\",lZ2WhlLX5:\"20 JANUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=wbp_reN_ik0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=PatVforMatt\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It's the first notes of the opening of a long set that win me, that bind me in a nutshell and make me the king of infinite space - a space that expands so infinitely that the world disappears from my closed eyes and I submerge, my body sinking-swimming into the depths; the rhythm anchoring me in the set until it is time to resurface, letting the waves of the set wash through me.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Shifted's first track, \u201CCore of Stone\u201D does the same thing in, breaking me with a style \u201Cmore skuffed and raw sounding,\\\" as he told Aaron Coultate in an RA interview. I am in this album, because he is not afforded the luxury of a club to capture me, with its spangled darkness to submerge me to the ocean bed where the music comes from. \\xa0The DJ is not present. We will not stare him down like Marina Abramovic as we move to his set. His art has to hold us, track after unmixed track. This he does like a master.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Z1r5M89eyBw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Macadali\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Rough sounds, steady rhythm, where are we going? Where is \u201CChrome, Canopy & Bursting Heart\u201D (the second track) taking us, with its reverberating bass pounding deep and slow? What spaces will I find myself in with her, anchored to this album? This is one of those albums that will be listened to constantly in intimate spaces, for the composition is so good. And out of these spaces where we have made this album the soundtrack to our pleasures we will hear it, drifting by like submarine kelp as we swim our ways through long techno sets in our favourite clubs, awash with bliss at finding these sounds in another infinite space. This reclamation of tracks in another set is what I look forward to the most every time I hear an amazing album like 'Under A Single Banner'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Track three, \u201CSuspended Inside,\u201D is the highlight of the album for me, with its highly complex percussive sounds mixed in such a frantic way, over-sating me through excessive stimulation. And when Shifted lets up, I am left only with memories as he peals back the layers like fragments of a remembered dream (perhaps of Jeff Mills, whose influence is most found in this track? Is this track a sophisticated Oedipal act?).\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YWO72Xrtchw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Macadali\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"He holds us in suspension, atomic corpuscles flowing through arteries that contract and expand to the pulsing beat. I am suspended while this track is inside me, every movement profound, giving relief and tense agony simultaneously, keeping me on the edge of a wave that never breaks and only gets bigger. Who could mix this into a set without losing the the infinite scope this track has set? (Answer: Jeff Mills.)\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"This album is sparse; this album drives relentlessly nowhere. Its sound processing is complex; there is always something to discover in this repetitive landscape too, on \u201CBurning Tyres\u201D; on the frenetic \u201CPulse Incomplete,\u201D which is like the soundtrack to a nervous breakdown \u2013 there is nothing to hang onto for safety; one can only ride out this track by letting it in and moving to it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=dqqEG5ny_y8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Macadali\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This will be the perfect dance track for serious technophiles. The last two tracks, \u201CStory of Aurea\u201D and \u201CWash Over Me\u201D, do precisely that \u2013 and draw us back to sand at the edge of the sea to draw new faces, only to wash them away as Shifted's waves wash over me. This techno is truly great.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=thkpmnuL3M4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Macadali\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=yNs_vtSyb90&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Macadali\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. 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Wash Over Me\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/827290-shifted-under-a-single-banner-gatefold-vinyl%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/827290-shifted-under-a-single-banner-gatefold-vinyl\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-shifted-under-a-single-banner\"},{hz3sj3gFn:\"2014-01-06T00:00:00.000Z\",id:\"rWRELtEmf\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/kPr1kAEUBUIxEF4G4Okg2M0WOjA.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: C.SPENCER YEH, OKKYUNG LEE, LASSE MARHAUG - WAKE UP AWESOME\",lZ2WhlLX5:\"6 JANUARY 2014\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Steve Coogan recently commented, in Esquire: \\\"I like things to be about something. You watch somebody juggle and it's impressive, but it doesn't mean anything.\\\"\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"C. Spencer Yeh, Okkyung Lee, and Lasse Marhaug's \\\"Wake Up, Awesome\\\" is an apt target for Coogan's comments, a clever bit of juggling that pulls out every available trick to make itself conspicuously meaningless. Elegant bits of string performance mix with studio chop-and-screw, funny mouth noises, cello farts, and dusty samples. It has no coherence as an artistic product, except what it is not\u2014the album is an exercise in negativity, in showing what its creators are trying to avoid. And as with so many projects that begin with this attitude, it quickly becomes enslaved to technique.\"}),/*#__PURE__*/ _jsx(\"p\",{children:'The bulk of sound on the LP is devoted to a virtuoso production exercise, of the \"what is that noise\" variety. There are few structures besides repetition. There is tempo, sort of, but no time.\\xa0'}),/*#__PURE__*/ _jsx(\"p\",{children:'Then the mask breaks, and (by way of dabbling with its opposite) the album becomes, occasionally, very appealing. \"Ophelia Gimme Shelter\" is lovely: a more cerebral, less chamber-y version of a composition by Hildur Gudnadottir, perhaps. Likewise \"Mission Nothing,\" which is a sad and perfect little nocturne at the centre of the maelstrom. But the composers quickly move away from songs like this\u2014from songs at all, in fact. They know the pitfalls of this arena. Presumably, unlike Arvo Part, they are wary of being accused of sentimentality or academicism. Why make minimalist mood-pieces when you can force the strings to sound like a grinding saw for 3 minutes? I am guessing that the purpose of those impossibly elegant moments is phatic, as if to say, \"we can do these things that you like, and extremely well, but we know better.\" \\xa0'}),/*#__PURE__*/ _jsx(\"p\",{children:'What they know, of course, is the cred that is still attached to noise. What\\' s interesting about such \"challenging\" music, however, is precisely how unchallenging it is, from a critical standpoint. Leading-edge publications love what they don\\'t understand, and genuinely admire work that is \"difficult\" (as opposed to \"accessible\"). For contrarians, \"Metal Machine Music\" and the Boredoms\\' \"Super Roots\" series are still touchstones of impossible cool, in part because they make so little compromise with conventional music\u2014and also, presumably, because they managed to piss off so many listeners.'}),/*#__PURE__*/ _jsx(\"p\",{children:\"I, myself, love many of the modern classical composers who would be seen as the grandparents of this kind of project. But Berg, Messiaen, even Schoenberg, combined the post-tonal with references to other music\u2014with stuff that, for whatever reason, meant something. Berg liked to work in snippets of folk song, in order to channel exactly the kind of sentimentality, the sweetness, that Yeh, Lee and Marhaug are so allergic to. But this meant that these great compositions were able to work in a meaningful area between received forms and the new space of the post-tonal. They were in conversation with something, and for this reason you can understand what they are about\u2014which is more, in the end, than a bunch of cool methods for generating sounds.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The opening track, \\\"Wake Up Awesome,\\\" is perhaps the most interesting thing on the record. This is precisely because, like Berg's music, it has some sort of vestigial reference. It is either noise becoming music, or the reverse. It has a kind of heightened context, as the opener; it sounds, in a beautifully casual way, like an orchestra warming up. There is a very limited sense of pressure, here\u2014it is as if the composers haven't really started, and thus don't feel the need to be important, or coolly evasive.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:'The irony of \"Wake Up Awesome\" (both the album and the track), is that they make one long, somewhat conservatively, for a genuinely \"classical\" sensibility. One where the meaningful forms were already supplied, and artists could put technique in the service of interpretation (gasp) and not in being strange for its own sake. For all of the clever glitches and the conceptualist bombast, the gentle moments on \"Wake Up Awesome\" suggest that Yeh, Lee, and Marhaug may sometimes be more comfortable within the reassuring constraints of form, rather than its opposite.'}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Wake Up Awesome\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Hairslide\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. The Mermen of Poetry\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202804. Ophelia Gimme Shelter\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. The Mermaids of Extended Technique\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202806. Magic Seagull Lamp\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Mission: Lazy\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Mission: Nothing\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Throw Down the Fishcake\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Neutrons Whatever\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202811. Serious Cat\u2019s Milk\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202812. Anise Tongue and Durian Wet Dream\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Mission: Possible\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202814. RSVP Skunk\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Tonight We Sleep Like Empty Hard Drives\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-c-spencer-yeh-okkyung-lee-lasse-marhaug-wake-up-awesome\"},{hz3sj3gFn:\"2013-12-31T00:00:00.000Z\",id:\"V0KK_8A13\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/jFwlXFikzdVrSpydQQMqA7XNK4E.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/jFwlXFikzdVrSpydQQMqA7XNK4E.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/jFwlXFikzdVrSpydQQMqA7XNK4E.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/jFwlXFikzdVrSpydQQMqA7XNK4E.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"FESTIVE MUSIC FREEBIE ROUNDUP\",lZ2WhlLX5:\"31 DECEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"This festive season saw a bunch of giveaways from the music world. Here's a winning 12 that caught our eye.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Four Tet\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"A whopping 15 tracks of previously unreleased material from Kieran Hebden via Sendspace. Consolidated download links here:\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.self-titledmag.com/2013/12/16/four-tet-floods-sendspace-with-previously-unreleased-material/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"http://www.self-titledmag.com/2013/12/16/four-tet-floods-sendspace-with-previously-unreleased-material/\",/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mediafire.com/download/ypi876dcu30ek25/Four%20Tet%20-%20Twitter%20100k.zip%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.mediafire.com/download/ypi876dcu30ek25/Four%20Tet%20-%20Twitter%20100k.zip\\xa0\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"KiNK - Work Live (edit)\",/*#__PURE__*/ _jsx(\"br\",{})]}),'\"Hello my friends, Merry Christmas to those of you, who celebrate it, I wish all of you and your families to be healthy and very happy! Here is something little that Santa Claus found in the secret KiNK tapes for you \\xa0Both are download links, have fun!\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/kink/kink-work-live-edit\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Eduardo de la Calle\",/*#__PURE__*/ _jsx(\"br\",{})]}),'\"Hi everyone!! celebrating the 5,000 fans following my facebook during my ascension period here I gift a special mash up Marvin Gaye edit track for you all mates! Thanks you so much... your support is essential, the download of the track is free!\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tokimonsta\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"A fun remiX-y present from LA-based Jennifer Lee who has released on Brainfeeder and Ultra Records.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Artefakt\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Dutch techno duo gives away a live recording of their upcoming track, 'Oracle'.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Darker Than Wax\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"6-track X'mas bundle collection from beatmakers\\xa0Trian Kayhatu, Common, Pepin, Juno Akasawa, Obivon and Paul Maxwell & Wayvee. Courtesy of Singapore-based label stable.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"electrocaine\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Mauritian-Singapore audio-visual collective electrocaine with 7-track hip-hop remix freebie from Franck Valat.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"https://soundcloud.com/electrocaine/pete-rock-ill-take-you-clsr?in=electrocaine/sets/clsrmx-01\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Brendon P\",/*#__PURE__*/ _jsx(\"br\",{})]}),'\"Not ever put this one up since I did it in 2009 - a combination extension off the LP Cut and the Blackjoy edit, guess there\\'s never a better time to give this out - Happy new year everyone, all the best for 2014 =)\"']}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Quell\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'\"It\\'s been a while since I did a bootleg kinda thing, but I think this one is more than fitting to the holiday spirit. I did this a few years back and I have been playing it every now and then ever since. There have been many people who have been asking me what this track is when I play it, so the right thing to do would be to share it with everyone.\"'}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/quell/usher-u-got-it-bad-quell\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Kiat + Vandetta\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Kiat & Vandetta from Singapore label Syndicate joined forces once again & this time for a wonderful Christmas gem.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Baaz & Iron Curtis\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'\"hey guys, please feel free to download the original version of \"K.M.S.\" here. It\\'s the stunning Soulphiction Remix of this track that you\\'ll find on the Office002 12\" \"What abouttalkabout\" by Baaz. Hope you\\'re feeling our lil tune!\"'}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/iron-curtis/baaz-iron-curtis-k-m-s-orginal\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Locked Groove & Talbot Wood - Dualism\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Watch out for a remix by Locked Groove on Midnight Shift in the new year. In the meantime, enjoy this electronic masterpiece with Talbot Wood.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/fadercurle/dualism\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"31-12-13-festive-music-freebie-roundup\"},{hz3sj3gFn:\"2013-12-30T00:00:00.000Z\",id:\"rPMCGEZLI\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/2ix725bJwf2RJDeonmEbWA8Drkc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/2ix725bJwf2RJDeonmEbWA8Drkc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/2ix725bJwf2RJDeonmEbWA8Drkc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: RAUDIVE - A SYSTEM OF OBJECTS\",lZ2WhlLX5:\"30 DECEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Oliver Ho has spent close to 2 decades now, as a DJ and a producer defining the very depth of \\xa0his music in the best way that he knows. His diversity over the years has seen him explore Techno and House in as many given styles as you would care to imagine, ranging from the deep tribal sounds of the \u201CUniversal\u201D album, to the dark abstract noises of his Veil album, to the funkier house sounds of his Birdland project. From his work on Blueprint records in 1996 to further releases on Surface, Drumcode, Meta, Chango, Light and Dark and Continual, Oliver has just about covered every cosmic division of the genre.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In 2010, Oliver launched Wires, his new label which explores the areas in between techno, experimental, post-punk and industrial new wave. The amalgamation of all these ideas, inspiration and sounds have been distilled down into his current Raudive project.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Raudive 'sound', takes the percussion of his earlier releases over the last 15 years and mutates it into a slower deeper groove; a fusion of funk and house layered playfully with the electronics of techno. The debut record on Klang Elektronik, \u201CThe Audio EP\u201D was closely followed by many releases featuring the Raudive sound evolving on record labels such as Klang, Music Man, Pokerflat, Cocoon, We Are and Macro. Oliver\u2019s unique sound has gained praise from many djs such as Trevor Jackson, Chloe, Laurant Garnier, Ricardo Villalobos and Sven Vath.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/oliverho13/a-system-of-objects-lp-preview\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'A System of Objects' is Oliver's second LP release as Raudive on Stefan Goldmann and Finn Johannsen's Berlin based label \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/record-label.aspx?id=1111\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Macro recordings\"})})}),\". First previewed on Soundcloud in September this year, and released in November, Oliver has has opted for a rawer, more experimental approach to this album. And although some of the tracks on this album aren\u2019t entirely removed from the mood of \\xa0his Raudive debut, Chamber Music, in their murky layering of sounds, \\xa0A Chamber of Objects still manages to weld together minimal techno and house with classical, Afro and tribal tinges, with the pulsating rawness and industrial brittle that make this outing a particularly memorable highlight.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The haunting playful 'Afro Wig' is a Kalimba-laden melodic, bassline driven track punctuated by some sinister synths along the way. The dark and cinematic 'Blood Hair' that follows sounds almost Asian in some strange way, (almost like the opening sequence to an Indonesian horror flick). The album continues down this dark and haunting path with 'Carcass', the string-laden 'Dusk'. Visceral and dancey, 'Visitor' in the middle is both effervescent and percussive in playful Raudive fashion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Fragments' take it back into ambient territory while the percussive and semi-jazzual 'Furniture' brings the album into the \\\"playground\\\" with it's cheeky sax rants, funky bass and guitar licks and vocal interventions. This one's easily by far my favourite off the album and also the point where the album gets more interesting too and highlights Oliver Ho's experimental diversity and cheekiness to a very large degree.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The percussive onslaught continues on 'Missing In Action', with its latin-esque undertones, again layered mischievously with a lazy melody and that little hint of a vocal that creeps in and out of it through the length of it's hypnotic head-nodding four and a half minutes. The tempo's scale upwards again on 'Ruins', yet another percussion driven tune; this one taking a very 80s industrial new wave approach in it's entire arrangement.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Slowing Time' does as it suggests and chugs along sexily and suggestively and yes, rather playfully too. Small changes continues in slo-tempo mode before the electro tinged 'Summoning' wraps it up in the darker undertones that kick-started the album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=y2yq_oPbBHQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=L3xone\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Oliver puts it rather mildly when he says, \u201CEven though I make stuff that is supposedly for DJs to play, a lot of my stuff isn\u2019t very \u2018dance-y\u2019. It\u2019s more dance music put through a filter.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Whether you end up dancing to this or not, 'A System of Objects' is guaranteed to garner some emotional response - for myself, most of it was positive. Probably because of Oliver Ho's tendency to weld mischief into the fray and open my mind even further to the fact that intelligent, experimental electronic musicianship like this still continues to exist and turn the pages of the industry like a book that you just can't put down. It also explores contemporary society\u2019s dependence on technology and maps an obliquely constructed world in which you lose all certainty of what is nature and what is design. In fact it reminds me of what Kraftwerk used to do once, and a path I hope they will take again at some point in their career.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And since it's Christmas time and this is released on CD as well, I'd recommend it as something you could wrap lovingly and place under the tree, for anyone who loves their techno to be intelligent and a tad mischievous. A final point some may want to take note of is the cover art on the CD, which is adapted from a still taken from the Maskencollagen series of photography by celebrated artist Jens Ullrich and features a booklet containing 20 further prints by him.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'll take this opportunity to say Happy Christmas and Happy Holidays to everyone too and hope that more of this daring mischief continues to take place in 2014.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Feral\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Slowing Time\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. African Wig\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Ruins\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Visitor\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Dusk\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Furniture\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Carcass\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Blood And Hair\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Missing In Action\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Floor\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Small Changes\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Fragments\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Summoning\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/cds/832163-raudive-a-system-of-objects%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/cds/832163-raudive-a-system-of-objects\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-raudive-a-system-of-objects\"},{hz3sj3gFn:\"2013-12-24T00:00:00.000Z\",id:\"uWD5ALZX5\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/4vc5pCEizBAMyGwLgVvCfVlWiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/4vc5pCEizBAMyGwLgVvCfVlWiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/4vc5pCEizBAMyGwLgVvCfVlWiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/4vc5pCEizBAMyGwLgVvCfVlWiM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: CONFORCE - KINETIC IMAGE\",lZ2WhlLX5:\"24 DECEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Conforce a.k.a. Boris Bunnik has returned to the Amsterdam-based Delsin imprint (home of artists like Redshape and Population One) and released Kinetic Image, the much anticipated follow-up to Escapism, his last LP under the same alias.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I had the pleasure of speaking with this unassuming Dutchman from the island of Terschelling at his recent Super 0 gig in Singapore, which was probably one of the best nights I\u2019ve had in town thus far. To soak in that kind of deep, throbbing, Traversable Wormhole-esque sound design through the big speakers, on the dance floor, was a rare occurrence on this island for sure.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But the dance floor was certainly not what Bunnik had in mind when he conceived Kinetic Image, a title that refers to the notion of making \u201Cmoving images and art that evolve and unfold like passing landscapes\u201D. Little wonder considering the fact that Bunnik is also an avid documentary photographer and audiovisual designer when he is not otherwise DJing and producing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Here, instead of the club heavy sound that one might expect under the Conforce moniker, we are greeted with a more cohesive album designed to be listened to in one sitting: an atmospheric journey that rejects the 4/4 grid with liquid ease, opting for syncopated rhythms and a distinct aquatic vibe that runs through most of the tracks. Influences from his other aliases (Silent Harbour, Hexagon and Versalife), particularly towards the deep, dubby and ambient end, are also apparent.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A full studio production and a labour of love, the album was borne out of Bunnik\u2019s tireless experiments with synths/machines and audio tools, in order to create different rhythms and sequences that spoke to him. \u2018Excess Mortality\u2019 makes a fitting entrance for an album, a dark opener with a heavy bass before the moody synths and bubbling clicks take over.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=8kmaOmbcbiw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=WatchTheHype\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2018Scientific Trajectory\u2019 is probably my favourite, the sci-fi shrillness of it counterbalancing the deep, bubbling darkness perfectly.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u2018Formerly Programmed Decisions\u2019 sounds like something out of a TV thriller, full of high tension, and the rhythm programming is just gob-smackingly excellent on the headphones with this one.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It is said that Waddenislanders are known for their resourcefulness in using anything and everything that washes ashore. Bunnik is proof of that same resourcefulness and imagination, delivering an album that is abstract yet alchemistic; light and subtle, yet deep and intricately put together all at the same time. And if the nuances don\u2019t grab your attention right away, they will at least grow on you in electronic bits and crackles.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"01. Excess Mortality\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"02. Spatiotemporal\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03. Temporary Reversals\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04. Semantic Field\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05. Scientific Trajectory\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06. Underwater Settlers\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"07. Formerly Programmed Decisions\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"08. Abundance Of Selves\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"09. Optimum Pace\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"10. Anti-adaptive State\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.delsinrecords.com/release.php?idxRelease=3703\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.delsinrecords.com/release.php?idxRelease=3703\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-conforce-kinetic-image\"},{hz3sj3gFn:\"2013-12-19T00:00:00.000Z\",id:\"WnncjUb4H\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/NYMkJJiW4DyFa9X9Rc1ONBDt7Dc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/NYMkJJiW4DyFa9X9Rc1ONBDt7Dc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/NYMkJJiW4DyFa9X9Rc1ONBDt7Dc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: EMPTYSET - RECUR\",lZ2WhlLX5:\"19 DECEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"em\",{children:[\"Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"- John Cage, 1957\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Emptyset is back with their third album called Recur, released on October 28th under the revered electronic label Raster-Noton, sharing catalogue space with Byetone and Alva Noto.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Known for their experimental music inflected with industrial sound, the Bristol duo is made up of American-born sound artist, Paul Purgas and co-founder of the Multiverse family of labels, James Ginzberg.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Perhaps describing their music as \u201Cexperimental\u201D is a bit of an understatement, considering they were brought together by a shared fascination for the material reality of sound, by employing processed sine wave and creating music by manipulating noise.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Tf7-LoSlZww&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=chookiessss\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=aBFbVUu183Q&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=chookiessss\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Their much-marvelled release of 2012, Medium, was produced in an unfinished Gothic mansion. Extreme bass and feedback were pushed through the house, utilizing the building\u2019s structure and irregular spaces to inform its sound. The skeletal compositions were then fleshed out back in the studio, culminating in its final form with spectacular results. They returned in the same year with Collapsed EP, a ginormous 14,000 square foot live sound experiment at the University of Westminter\u2019s Ambika P3, inhabiting all of its triple-height performance space.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=l8Vr3qGoEFg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=chookiessss\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Emptyset\u2019s singular style is a breed of deconstructed, purified dubstep, with liberally processed sounds that echo the atmosphere of ceaseless manufacturing with a suggestion of dystopia. Their sound has been classified as \u201Cindustrial techno\u201D and that label would not be too far off the mark. The tracks in Recur feature sounds that evoke a sense of being enclosed deep within the bowels of a factory working at full speed, complete with escaping gas from valves. Each is engineered with an uncompromising integrity that you are compelled to respect; the tone is hostile, and unapologetically so. The name Recur is exceedingly apt as it reflects the repetition and symmetry at the centre of the music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For instance, \u201CFragment\u201D is the antithesis of melody but instantly gratifies as it sweeps you up in a pulsing, unrelenting rhythm using a variation of sounds you would least expect to hear in music.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u201CLimit\u201D features unadorned frequencies and glitchiness, interspersed with aperiodic waves of magma. The track is saturated with schizophrenic growls and sizzles enough to suffocate a baby animal.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It takes a discerning ear to appreciate Emptyset\u2019s latest production (read: if you can do without a melodic line, or the traditional bass drop, then this album is for you) but if you can, you will be gradually, unknowingly, elevated to a cataleptic order. This album skillfully toes the line between being artfully abrasive and discordantly mechanical.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"01. Origin\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"02. Fragment\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03. Disperse\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04. Order\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05. Absence\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06. Lens\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"07. Instant\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"08. Recur\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"09. Limit\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.raster-noton.net/main.php?action=products&dat=296%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.raster-noton.net/main.php?action=products&dat=296\\xa0\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-emptyset-recur\"},{hz3sj3gFn:\"2013-12-12T00:00:00.000Z\",id:\"NrX5nAGPG\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/wtGc5f4XSjs8q27to1plrEX5gCw.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: EGYPTRIXX - A/B TILL INFINITY\",lZ2WhlLX5:\"12 DECEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"An interesting quirk of today's music is that a record can be great without being particularly good. \\\"A/B Til Infinity,\\\" by David Psutka, AKA Egyptrixx, is one example. It's a dualistic exercise in dark electronica, a pleasing and exquisitely crafted collection that's chock full of not much ideas.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Compared to \\\"Bible Eyes,\\\" Egyptrixx's previous effort, this new album shows a consolidation of technique. There are no first-release jitters, here. Psutka is no longer trying to show everything he's capable of, and A/B radiates the confidence of a personal project reaching adulthood. He has all the 'trixx he needs, and now appears to respect their limits as well.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=r91LvnSW2gM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=tomchung\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=sX8vqltLVos&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=NightSlugs\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),'The entire territory of \"A/B Til Infinity\" is, in fact, staked out by the end of the third song. It\\'s a schizophrenic realm, neatly divided between dark New Age-ish dirges, and dance-y numbers. The title track, number 2, feels straight out of the 80s New Age playbook. It\\'s Jean-Michel Jarre, circa \"Oxygene\": all ominous pads and stiff arpeggios, until an insistent handclap brings it up to date. Somewhat, at least. Psutka seems to want something that could be played at the Acropolis. It\\'s all very literal, and feels odd when followed by \"Alta Civilization,\" a lush and very contemporary lesson in lurching tech-house.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Re-treading New Age is a safe move. Probably too safe. The only thing that is immune to critical bombast, these days, is the \"authenticity\" of the offensive: Black Metal, bad 80s, cheesy types of Ambient, violent Rap, and noise of various kinds. The invocation of a likable form of crap puts Egyptrixx in a very secure position. In fact, there are several strains of the atmospheric on \"A/B Til Infinity,\" and all sound a bit easy. Sadly, for example, Psutka chose to pull out the shopworn Noir of British RainyNightBus music. By rights, Burial\u2014or maybe Orson Welles\u2014should be getting royalties from everyone who opens a track with rain, distance police sirens, and ominous footsteps on the stairs. The stuff is reliably beautiful, and it feels like hedged bets.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Tactically, the schizo structure is medicine and sugar. Half of the LP establishes its \"concept\"\u2014facile as it may be\u2014and the other gives us sounds we can nod our heads to. I have to admit a huge suspicion of records that use this formula. Disingenuous bands like Crystal Castles love it; it allows them to present themselves as \"edgy\" while remaining completely digestible. But Egyptrixx is a clever guy, and we had best read the title as a little cheeky. The \"A/B\" refers to this album, but also to the recipe that defines most popular music. It could theoretically go on forever; in reality, \"Infinity\" barely lasts 45 minutes.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'What more than saves the record from ironizing triviality is that both \"A\" and \"B\" are, for the most part, shockingly well done. The music is dense, and perfectly spatialized. There\\'s real depth, between a breathy aether and a bowel-quaking rumble that fulminates at the low end\u2014exploding in throbs that are reminiscent of Pantha du Prince or Caribou at their best. The sounds themselves are nicely made, existing (again, after Oxygene) at some nimble fulcrum between analogue and digital.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Even better, the album progressively merges the influences of Arena Ambient and danceability during its second half. And here's where it all gets genuinely weird, and very good. Psutka's works are themselves interestingly, if intuitively, composed\u2014even more so when they combine totally opposed genres, rather than alternating among them. These blend in strange ways, and evolve satisfyingly over three and four minute outings. The songs don\u2019t appear to be driven by musical ideas, but instead by a smart combination of stylistic elements. This, ironically, is what is so attractive about the proposition of \\\"A/B Til Infinity.\\\" It may be an accident of the medium, or it might be a sly creative wit, an act of misdirection. A+B. It's something to think about. For now, at least, that's enough.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=gTTG6Pqimyk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MalcolmZell\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Ax//s (intro)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. A/B til Infinity\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Alta Civilization\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Bad Boy (reduced)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Adult\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Disorbital\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Water\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. My Life is Vivid, My Eyes are Open\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. A.C.R.R.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/egyptrixx-a-b-til-infinity/2340962-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/egyptrixx-a-b-til-infinity/2340962-02/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-egyptrixx-a-b-till-infinity\"},{hz3sj3gFn:\"2013-12-09T00:00:00.000Z\",id:\"wlTg3Vmep\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/vwLiYkqMGyazwB9tod8iUhnWY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/vwLiYkqMGyazwB9tod8iUhnWY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/vwLiYkqMGyazwB9tod8iUhnWY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/vwLiYkqMGyazwB9tod8iUhnWY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"SUBALTERN SOUNDBITES\",lZ2WhlLX5:\"9 DECEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"\u201CWhen I was a foetus, I was nostalgic for when I was sperm,\u201D says Mike Sandison, one half of Boards of Canada, in a 1998 interview dug up by a recent FACT magazine feature. And here we have three wholly sentimental releases: one by throwback lad Lone, the other two from the legendary vanguard of Photek and Orbital, who\u2019ve both been making music since I was, well\u2026sperm.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Various Artists - Photek DJ-Kicks\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Photek\u2019s recent revival and accompanying adoption of a grand, cinematic sound is on full display in this DJ-Kicks submission. Here, the ex-junglist takes concerted stock of his newfound tastes in modern dubstep, its ambiguous \u2018bass music\u2019 variants and deep/tech house - basically anything but the austere drum\u2019n\u2019bass which so captivated listeners back in the \u201890s. In place is an aesthetic that is big, bold and clearly more accessible and human. But make no mistake; this is one forsaken, bereft being straggling his drunken way through the seedy alleyways of the city. Sombre, yes, but Photek\u2019s smooth, consummate wielding of mix dynamics liberates it from certain wallowing, and creates an utter head-trip of a narrative. The selection features six exclusive tracks both self- and co-produced with the likes of Pinch, Boddika and Kuru: music with nothing on the ornate, polychromatic material of Photek\u2019s past, but still technically impeccable and compositionally imposing at their very heart, as previously pointed out \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/20/Review:%20Photek%20-%20Avalanche%20/%20Aviator%20/%20Closer%20EPs\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"here\"})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.dj-kicks.com/photek-dj-kicks\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.dj-kicks.com/photek-dj-kicks\"})})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Orbital \u2013 Wonky\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Has it really been close to a decade since we last heard of Orbital? Aside from a greatest hits tour - and the appearance of \u2018Halcyon\u2019 on an SBS TV Mobile jingle - the Hartnoll Bros have pretty much laid low since the disaster that was \",/*#__PURE__*/ _jsx(\"em\",{children:\"Blue Album\"}),\". Now they\u2019re back and\u2026 \",/*#__PURE__*/ _jsx(\"em\",{children:\"Wonky\"}),\"?\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Q9675nvyses&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Orbital\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Really? Title aside, Orbital\u2019s most pop-oriented release ever kicks off on an inauspicious note with the pass\\xe9, comeback wince of \u2018One Big Moment\u2019. A slew of ecstatic carnival anthems follow suit, assailing the ears with commercial gratification, and the wretchedness really sinks in with \u2018Beelzebub\u2019: an absurd reinterpretation of their classic \u2018Satan\u2019, now defiled into the kind of big room growling, \",/*#__PURE__*/ _jsx(\"em\",{children:\"wobbling\"}),\" brostep that Skrillex would have doled out on a timid day in Starbucks. Even the second-half shift into a breakbeat workout can\u2019t salvage Orbital\u2019s flagrant intent to cater to today\u2019s \u2018scene\u2019 - and how they flounder to do so. But let us not bury the magic of their earlier efforts. Based on an old track uncovered while cleaning out their tapes, \u2018Stringy Acid\u2019 is a charmingly written, wondrous surge of Orbital at their most lustrous and powerfully stirring, circa 1991. It will have the middle-aged dancers jumping off their massage chairs, but whether the rest of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Wonky\"}),\" allows a new generation to understand the true fuss about Orbital remains to be seen.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://orbitalofficial.com/shop.asp\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://orbitalofficial.com/shop.asp\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/orbital-4\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/orbital-4\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Lone - Galaxy Garden\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For the majority of young producers making their mark right now, discovering and embracing the tropes of 80s/90s dance music profusion seems to constitute their rite of passage. Lone can probably lay claim to being part of the first wave to assimilate the neon veneers, pumped up BPMs and boisterous hooks of eras gone by; offering bright respite and rebellion against the post-Y2k culture of shadowy minimalism. He perseveres with the celebratory vibes on his latest full-length, unashamedly drawing from a proven bag of tricks to produce a doggedly faithful listening experience. Two collaborations with another romantic hat, Machinedrum, appear as largely reinforcing showcases of the keyed up, frenetic footwork he\u2019s been conquering the world with.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YS_rllOZp9w&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Then there\u2019s the pleasantly delightful \u2018Lying in the Reeds\u2019 with its PLUR chords yanked up and down their pitch range at the gleeful mercy of its creator.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rzpKXzYWn_g&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=R%26SRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Unfortunately, the rest of the album is gorged with ideas and a sound that is starting to render itself oddly tedious and lacklustre. Perhaps it\u2019s just become difficult to ignore the niggling doubt of whether such nostalgia presents anything fresh and distinctive from the very records they pay homage to. Or perhaps basking in the sunshine for too long has simply resulted in over-baking instead. Whatever the case, I\u2019ll have some darkness now, please...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://randsrecords.greedbag.com/buy/galaxy-garden\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://randsrecords.greedbag.com/buy/galaxy-garden\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"9-12-13-subaltern-soundbites\"},{hz3sj3gFn:\"2013-11-26T00:00:00.000Z\",id:\"NFUrj403q\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/rR978Baznpiz7JLZuBBbjiDf0k.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/rR978Baznpiz7JLZuBBbjiDf0k.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/rR978Baznpiz7JLZuBBbjiDf0k.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: L.B. DUB CORP - UNKNOWN ORIGIN\",lZ2WhlLX5:\"26 NOVEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"The first time that I heard Luke Slater DJ was my first night at a Berghain Klubnacht. At the end of his set, when I was collapsed against the wall next to the DJ booth, sweaty, over-danced, sort-of in shock, he turned to me and said \u201CHow was that?\u201D My racing mind failed me \u2013 I had been thrown into the deepest pool of techno I had faced to this point: a long set that pushed relentlessly through every barrier, through every desire, through every pill I had swallowed, ever. Nothing was left to be done. He had come from somewhere else to send the room deep into a blue haze of bodies and sweat and rhythm and pure energy. Or something. \\xa0I really didn't know what was happening. \\xa0I turned to him and said \u201CYou were fucking awesome.\u201D I truly meant it, like I have meant little else. He was fucking awesome. Never before had such an intense waves of techno hit me so hard as at my first Klubnacht. \\xa0This wasn't just the perfect sound system, or the huge dark industrial hall in beloved Berlin, or the sense that I was playing in the most adult playground on earth. \\xa0It was also that Luke Slater was completely in tune with the minds of his crowd \u2013 he took them through this journey and sent them away enriched. At the end of his set I collapsed against the wall in awe of what he had just done to me. I wanted to know more about him.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The Klubnacht experience is not easily bottled. To further explore the mind of Mr Slater, subtler forms are necessary \u2013 for as great as his CLR podcast from a night in Fabric (London, UK) is, there is, as we all know, a massive experiential difference between atomising in a club to Planetary Assault System and strolling down King Street in Sydney with a recorded set in one's headphones, as pleasant as this experience is in my quotidian life.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Enter L.B. Dub Corp, and the new recording, 'Unknown Origin'. This is Slater out of the club and curled up on the sofa with you.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"L.B. Dub Corp is one of the many recording names of Luke Slater, and 'Unknown Origin' takes forward the earlier 12\\\" recording under this moniker, 'Take It Down (In Dub)' (Ostgut Ton, 2010). His point of departure has been to do the opposite of Planetary Assault System: take the music out of the extreme space of a club; give it a story; use different styles; use words and voices. The experience is not the totalising effect of which Slater has consistently proven himself to be the master when he makes the world his own with his powerful, muscular techno; rather it is very subtle, intelligent music that expands into the world modestly but with purpose (and there is a political purpose in some of these tracks). It is still danceable, but the dance does not leave one devastated, sliding down the concrete wall of a Berlin techno paradise. It is the pleasant dance of knowing that you are a part of something bigger and more connected. That, to me, says intelligent producing.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Some of the music is pure dub: such as the tight and nuanced \u201CL.B.'s Dub\u201D or \u201CEver and Forever\u201D. Some of it goes back to imagined musical roots, such as \u201CNearly Africa\u201D, which is a combination of African traditional vocals, a splash of bluesish piano and spoken words, calling on the listener to drift out of their hypnotic dance and \u201Clook to Africa\u201D.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=G04r9HVQKAs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=andre3000bah\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sometimes these tracks are simply funny, like \u201CGeneration to Generation, with the bent sample: \u201CIt is uncool to wear shades after sunset, unless you should be wearing shades after sunset, in which case it is uncool to take them off\u201D.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=l9csMm0cr_A&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=kubk0\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YYVgYliBEwg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=RecordloftBros.\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The most interesting track for me was one of the two collaborations with radical British poetic genius, Benjamin Zephaniah, whose Utopian prophecies on the track \u201CI have a dream\u201D are politically astute, parodic takes on contemporary British culture. Try this line:\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"\u201CI see thousands of muscular black men on Hampstead Heath, walking their poodles, and hundreds of black female formula one drivers racing around Birmingham in pursuit of a truly British way of life.\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Gender norms being challenged, gay bodies being celebrated, ethnicity being treated as a real factor in cultural change \u2013 all in one sentence that points some of the path for the salvation of the UK through social inclusivity, even if this dream is tongue in cheek.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As much as I love him, there simply isn't that kind of politicism in Jeff Mills' recordings \u2013 or any other techno guru's (and I don't think we can include DJ Deep's sampling of Martin Luther King's famous dream oration on his RA podcast as a serious intervention into the racial politics of contemporary Paris). And I was not expecting it to come from Luke Slater, either. When Zephaniah's silky voice says \u201CLet me hear you say \u201CMulticulture\u201D. (Amen.) Let me hear you say \u201Croti, roti\u201D, we are hearing one of the finest observations in electronic music about the issue of cultural assimilation through a crass commodification that pervades Brtitish culture, which fails to address the ethnic diversity that underlies many of Britain's current social problems.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This is not the kind of dub where bitches and hoes are found objectified; Slater is no Russell Brand \u2013 he doesn't do slut shaming or anything pathetic like that. Rather, this is intelligent, political dub music. Multiculturalism is more than a varied diet of curry and shepherd's pie; and Luke Slater is more than simply a masterful techno DJ. It took a dub album by a techno superstar to throw the political power of the spoken word onto the socially-inclusive dance floor. \\xa0Think hard while you are doing that slow dub dance in your lounge room before you are ready for another Planetary Assault.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Take A Ride feat. Benjamin Zephaniah\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Nearly Africa\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Ever And Forever\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. L.B's Dub\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. No Trouble In Paradise\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. I Have A Dream feat. Benjamin Zephaniah\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Turner's House\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Generation To Generation\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Any Time Will Be OK\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Roller feat. Function\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/lb-dub-corp-unknown-origin/2327553-02/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/lb-dub-corp-unknown-origin/2327553-02/\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-l-b-dub-corp-unknown-origin\"},{hz3sj3gFn:\"2013-11-25T00:00:00.000Z\",id:\"RPh9WtxBP\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/eJf0AVrvp40yEBiSIpAsulKLtc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/eJf0AVrvp40yEBiSIpAsulKLtc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/eJf0AVrvp40yEBiSIpAsulKLtc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DJ RASHAD - DOUBLE CUP\",lZ2WhlLX5:\"25 NOVEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"DJ Rashad would like you to know that he doesn't give a fuck. In fact, he seems to care a whole lot about not caring\u2014and rarely has not caring sounded like so much work. His new project, 'Double Cup', seems to be all about this contradiction. Like much of his work in the micro-genres of juke and footwork, 'Double Cup' is all about being committed. It's an extreme approach to a rather directionless musical moment, where most sophistication is invested in looking, lovingly, backwards. And for this reason, Rashad's aggressive solution will likely continue to polarize listeners.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Double Cup' extends a lot of the sonic elements familiar from Rashad's impressive career output. There is the obsessive and frantic deployment of cheap and nasty sounds, hooks built out of chopped and accelerated R&B vocals. You might well hear echoes of early Kanye, here. This is because Rashad and West share a common referent: the Hip House sound of Chicago. The elements of juke or footwork\u2014and whatever the hell Double Cup is\u2014make more sense if you remember the up-tempo house beats of that sub-genre, its party-people raps and soul samples. The most famous example is still Rob Base and DJ E-Z Rock's \\\"It Takes Two,\\\" but it's not a true specimen (not least because it's from New York). More typical were songs by Fast Eddie, The Mixmaster, or Fax Yourself, all staples of radio stations like WKKC 89.3, where Rashad started spinning in the 90s.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The interesting question, here, is Rashad's own role in this legacy. On songs like \\\"Through The Wire,\\\" Kanye can't help but make the beats sound luxurious and expensive. He swings the track; it's hip-hop, after all. The appeal of Rashad is his refusal to do exactly that. He never eases the intensity of his flayed-nerve beats, never allows them to relax. His intentionally cheap drum sounds convey the sense of something put together on a mid-1980s analog set-up. Like footwork rhythms, these stick to that robotic, uptight pulse that you can't quite place\u2014as if the patterns have been quantized on a machine that didn't have the programming capacity to produce the minute syncopations that project what drummers call \\\"feel.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Get it? Rashad wants to be absolutely sure that you do. He hammers together choppy runs of sixteenth notes against his smooth, human-voiced samples to make sure that the contrast is there. And if this wasn't enough, the songs lurch in and out of double-time, an effect that makes us even more aware of just how metronomic the whole jalopy is. He doubles it, halves it, and resections it. But like the album art, that perfectly chosen pointillist flyover of Chicago, the grid remains dominant. Rashad might erase a point, or let another bisect a silence. But he never breaks the distribution with a groove. No matter how strange the variations are, the album has a mathematical core that is inexorable. It is this, combined with an undeniable ghettoism, that gives Double Cup its toughness. The guy is committed; he means this stuff.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'What is interesting about the power of the grid is how does not cramp the volume of Rashad\\'s vision. This is the brilliance of the record, a freedom that seems to grow from using familiar fragments of hip-hop and R&B in utterly perverse and unexpected ways. We hear this, almost right away, on \"Feelin.\" It launches the record with stuttering vibe hits, the kind on cheesy hip-hop intros that say, \"introduuuuucing!\" The whole thing starts to get odd, and compelling, when Rashad strings these out for a whopping four and a half minutes. It\\'s as if the vamp has taken over the rhythm, a kind of ludicrous pompousness that can only be a laugh at the expense of a genre.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Those vibes are a pretty fair warning of what\\'s to come. With \"Pass That Shit\", we get the throbbing wall of sound that is typical of footwork, which counter intuitively dissolves into three minutes of menacing calm and never explodes again. Rashad knows how the song is supposed to be structured, and, just like track 7 says, gives exactly zero fucks about delivering on it. This formula, the failure-to-launch, is one of the devices that Rashad uses repeatedly on the record, maybe most effectively on \"Everyday of My Life.\" He has a bunch of these up his sleeve. \"Pass That Shit\" takes the same down-tempo beat structure, and a more or less conventional rap refrain, and puts them over a pulsating R&B ostinato that is too heavy and insistent to be comfortable. It\\'s the moment when the weed-music starts to get a little paranoid. \"Only One\" takes a yearning soul vocal and likewise queers it, as if beating Burial at his own game, with the most beautiful and startling arpeggios recorded recently.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These songs don't have a subject. The subject of 'Double Cup' is the music itself. Most of the lyrics\u2014chants and slogans, mainly\u2014are about having plenty of dope and booze. They are boring in the precise way that much hip-hop is boring. It is better to ignore these; or rather, to understand them as intentionally generic. Like most of the album, the musical devices are rhetorical, samples that stand in lieu of content. For all of the \\\"realness\\\" of Rashad's project, most of his elements are distanced in order to be used in a hyper-artificial way. They are there to be screwed with and masterminded: a play of energetic glyphs and residues, on a luminous matrix that presents itself in exactly the middle of nowhere, coincident with the city itself. \\\"Out of the farmland/ and in to the grid,\\\" as another song once put it, perfectly.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Feelin (Rashad feat Spinn & Taso)\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202802. Show U How (Spinn & Rashad)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Pass that Shit (Rashad feat Spinn & Taso)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. She a Go (Rashad feat Spinn & Taso)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Only One (Rashad feat Spinn & Taso)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Everyday of my Life (Rashad & DJ Phil)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. I Don\u2019t Give a Fuck (Rashad)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Double Cup (Rashad feat Spinn)\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202809. Drank, Kush, Barz (Rashad feat Spinn)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Reggie (Rashad)\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202811. Acid Bit (Rashad & Addison Groove)\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202812. Leavin (Rashad & Manny)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Let U No (Rashad feat Spinn)\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. I\u2019m Too Hi (Rashad feat Earl)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{}),\"Vinyl\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/dj-rashad-double-cup/506446-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/dj-rashad-double-cup/506446-01/\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Digital\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/dj-rashad-double-cup/2291676-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/dj-rashad-double-cup/2291676-02/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-dj-rashad-double-cup\"},{hz3sj3gFn:\"2013-11-19T00:00:00.000Z\",id:\"Hx9vMTfpY\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/NlkOpd4aasnxsb4BMK9Xnjo3ZX4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/NlkOpd4aasnxsb4BMK9Xnjo3ZX4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/NlkOpd4aasnxsb4BMK9Xnjo3ZX4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/NlkOpd4aasnxsb4BMK9Xnjo3ZX4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: RECONDITE - HINTERLAND\",lZ2WhlLX5:\"19 NOVEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Dsytopian, Hot Flush and Midnight Shift artist Recondite who also has his own Plangent label releases his 2nd LP 'Hinterland' on the famed Ghostly International label. After his much acclaimed debut 'On Acid' on the Absurd/Acid Test label, the producer has become somewhat of a connoisseur's choice. His delicate, sophisticated output carries with it an air of finesse, adding a much-needed capsule of quality to the plethora of dance music out there.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/ghostly/recondite-rise?in=ghostly/sets/recondite-hinterland\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This album follows in the vein of the producer's repute. From the first note of the long-player, one is lured to take a step through the woods. And then a next and a next, trekking through the hinterland of Recondite's mind. If anyone has taken a walk in the Lower Bavarian woods (where Recondite is from), it probably might feel much like this album. If can be argued that music is also a thumbprint on geography, then this album is a good case for it. Like the European temperate climate, 'Hinterland' is wintry, cold and still, at times, and it takes a native to understand the beauty in this.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"He \",/*#__PURE__*/ _jsx(Link,{href:\"http://ghostly.com/releases/hinterland\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"explains\"})})}),', \"I tried to capture the area\u2019s mentality and natural environment within the album,\"\u2026\"Particularly the moods that behold the emotions of the four seasons, which differ a lot in this region.\u201D',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The names of the tracks offer further clues. Like the artwork on his Plangent releases, they take cue from his love of nature. Simply, 'Leafs', 'Stems' and 'Floe' are found objects from his Hinterland trek that are now imprinted musically on record, while 'Rise', 'Still' and 'The Fade' act as temporal signposts to the album. The climax of the album comes in the tracks 'Abscondence' and 'Clouded' - the battles of our lone hiker - before 'Fey' appears to restore faith and calm.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=gNShVEPTJ0k&ab_channel=GhostlyInternational\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tracks like 'Abscondence' which was chosen for pre-release preview majestically wells up to a crescendo, a tinkling refrain keeping suspense throughout the composition. 'Clouded', is a more solemn number with sinister tones that blink their way like a light signal through a foggy night. 'Fey' has a cinematic progression to it. Beginning with a meditative note, decaying hand claps and other percussive elements, shakers, claves, become present before revealing a hopeful but ultimately sad melody.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album's ender, 'The Fade' is more upbeat than expected of its track position, and is also one of my favourites in the album. Behaving like a stripped down version of progressive house and rave, the track reaches a climax, only to hold back from becoming a full blown epic number as is in Recondite's style to be reserved. A remix would seem to be of interest here, and the song's cousins 'Riant' and also 'Abscondence' are other evidences of Recondite's mastery in electronic melody.\",/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=7rnDzSUNbU0\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album's bonus track, the tribalesque 'Grove' summons forth a 'wetter' atmosphere, with carefully placed instrumental drops creating a rich ecosystem of sounds to wonder and get lost in. A blueprint of instrumental techno?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What set Recondite apart are his carefully crafted soundscapes, a ear for detail and fine melodies of the wistful kind. In a few years, the producer has defined a sound all to himself that clearly cuts through the air, be it in the dungeon-like caverns of Berghain or in the misty outdoors of a festival in Taipei. At moments chilling, at others even sterile, Recondite has always taken a clinical approach to his music. But the melodies of his music betray him, and rather than sounding heartless, the result is full of heart.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Rise \",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Leafs \",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Still \",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Riant \",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Stems \",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Floe \",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Abscondence \",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Clouded \",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Fey \",/*#__PURE__*/ _jsx(\"br\",{}),\"10. The Fade\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://ghostly.com/releases/hinterland\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://ghostly.com/releases/hinterland\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-recondite-hinterland\"},{hz3sj3gFn:\"2013-11-13T00:00:00.000Z\",id:\"gkDHp9ngI\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/U0LCbHYc6PlcJDTH2WadtCSO9zA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/U0LCbHYc6PlcJDTH2WadtCSO9zA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/U0LCbHYc6PlcJDTH2WadtCSO9zA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/U0LCbHYc6PlcJDTH2WadtCSO9zA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SPECIAL REQUEST - SOUL MUSIC\",lZ2WhlLX5:\"13 NOVEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:['Paul Woolford certainly knows how to turn a record into an event. Many will know the Leeds DJ and producer from a series of sterling techno and house tracks, such as 2006\\'s \"Erotic Discourse\" and \"Untitled,\" re-released this year on Hot Flush. His credentials are well known. The fella is legit, and heads can sense immediately the depth of the sounds he puts together. Special Request is one of his noms de spin, the title under which he works out an obsession with the underground British music of the 1990s. Like other dominant figures in the UK scene, Woolford has a deep love of Jungle and Rave white label culture, its open platform and experimental ethic. His latest, Soul Music, is a full-on immersion in the sounds of the era, produced using genuine synth equipment and a localized radio loop to give his sounds the patina of the recent past.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm less credulous than others\u2014hello, Pitchfork\u2014about the conceptual nature of this experiment. I'm sure that a room full of plastic synths is a very exciting prospect to authenticity-hipsters. The fact that this is seen as an extreme commitment to nostalgia shows, perhaps, how low the bar to conceptualism has fallen.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PLiUhw6-0x9fNkyw50HCXnlrj4vw-CKwtg&v=5I5Y3UA8M0c&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Houndstooth\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),'There\\'s no denying, though, that Soul Music is a great record. The opening track, \"Forbidden,\" is a killer: beautifully crafted, propulsive, and built from a series of perfectly complementary reverberating chords. \"Undead\" follows a similar formula, but with its own charm, upping the frequency of spasmodic jungle breaks until they become the centroid of a continuous rhythm. It\\'s a clever inversion, to say the least. After a brief lull, the album storms back with \"Soundboy Killer,\" possibly the most hard-riding track I\\'ve heard in years (that wasn\u2019t juke). The fact that it is built around a naff vocal couplet borrowed from The xx\\'s \"Shelter\"\u2014possibly the least roughneck reference imaginable\u2014only makes all the grit more charming. \"Ride VIP,\" a sort of re-remix of a Lana Del Rey track, is perhaps the most seductive thing on the album. This has less to do with the smoky vocals and more with a sped-up version of the irresistible baseline from Ghostface Killer\\'s \"Daytona 500.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I agree with Pitchfork, though, that an air of radicalism hangs over Soul Music. An interesting question is why. The standard critical line is that Woolford's project uses the tropes of jungle and rave in new ways, bending their conventions. A simpler explanation could be that the best examples of these genres still sound relevant, all these years later. In fact, this is not such a far-fetched possibility. Doesn't Photek's \\\"Seven Samurai\\\" still sound path breaking, with its salvos of rhythmic blast and heavy silence? Roni Size/ Reprazent's best work still feels elegant beyond expectation, and Goldie's \\\"Kaiser Salsek\\\" is as angular and scary as anything on Fuck Button's last record?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm willing to believe that there are subtle advances here that I'm not hearing. And there are some that I am. There is certainly a delicious heaviness to the beat structure, a crazed quality to the number and intensity of fills, which is Woolford's own contribution. The blend of techno and jungle is also something new, and quite different from what the Prodigy did in this space. But as good as this record is, I feel that I've heard much of it before.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And anyway, who cares? We hardly need to anoint Soul Music with the label of conceptualism in order to make it worthwhile. It's a great work by an artist who knows exactly how to put a high-quality track together, in jungle or in techno. We should be able to simply appreciate the craftsmanship. Why should just appreciate the artistry of an electronic master, even of a retired genre?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The anxiety that frames this album, the pressure to be original about being derivative, is a real problem. One of the best things about Soul Music is that it makes this effort seem totally unnecessary. We enjoy the music for what it is. Ironic, then, that the need to be clever sometimes leads Woolford into clich\\xe9d sentimentalism. In 2014, do we still need artists to open songs with sampled record crackles, and radio fuzz? No, we don't. As the late Lou Reed said, sometimes you just play the song and try not to fuck it up.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"CD1\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Special Request - Forbidden\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Special Request - Undead\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Special Request - Cold Blooded\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Special Request - Body Armour\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Special Request - Lockjaw\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Special Request - Ride VIP\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Special Request - Soundboy Killer\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Special Request - Broken Dreams\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Special Request - Black Ops\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Special Request - Capsules\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Special Request - Deranged\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Special Request - Descent\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"CD2\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Tessela - Hackney Parrot (Special Request VIP)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Lana Del Rey - Ride (Special Request Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Special Request - Mindwash\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Special Request - Alone\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Special Request - Mindwash (Anthony Naples Aftermath Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Special Request - Lolita (Warehouse Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Special Request - Vapour\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Special Request - Deflowered (Kassem Mosse & Mix Mup Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Special Request - Mindwash (Anthony Shakir Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Special Request - Capsules (Lee Gamble Full Length Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Special Request - Deflowered (Hieroglyphic Being Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://store.houndstoothlabel.com/soul-music.html%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://store.houndstoothlabel.com/soul-music.html\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-special-request-soul-music\"},{hz3sj3gFn:\"2013-11-11T00:00:00.000Z\",id:\"MhMNxADk5\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/H2MttMz19zq8c37A2ffTjinzPZs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/H2MttMz19zq8c37A2ffTjinzPZs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/H2MttMz19zq8c37A2ffTjinzPZs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SEQUENCE REPORT - SECROMANCE\",lZ2WhlLX5:\"11 NOVEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Sequence Report, the new electro project from Chicago's Tevo Howard, is a strange kind of nostalgia project. And in the spirit of full disclosure, I have to confess that I am the exact market for this record, an easy target for the brand of sentiment that it tries to create. Howard and I are the same age, more or less, and we both grew up hanging around Chicago's North Side and digging through the crates at Wax Trax. 'Secromance', for all of its flaws\u2014and it has some big'uns\u2014impossibly captures the feeling of tramping home through the Chi-town winter with a strange and beautiful record in your bag, that bright and secret thing, a telegram from some like-minded soul.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Howard's approach is a kind of eccentric traditionalism; his best work, to date, have been a series of house records. \\\"Without Me\\\" is probably the one that is best known, and for good reason. It's a technical yet soulful little track that builds around the vocals of Tracey Thorn, using clipped drum samples and organ tones. It's a tiny masterpiece, showing exactly how much affect a talented musician can wring from a mostly bankrupt formula.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sequence Report is another of today's genre projects, which Howard concocted from a global map of early electro influences, from Manchester to Kraftwerk's D\\xfcsseldorf. All the familiar sounds are there\u2014in particular, the venerable Emulator III patches, sounding as grand and meaningful as they did for Nitzer Ebb, Front 242, and Depeche Mode. Due to Howard's iconoclasm, though, the end result winds up warmer and more affecting than it has any right to be. It is also far more original. Sequence Report is another example of that odd oughties animal: the record studied up from obvious antecedents that nonetheless finds its own creative territory.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'The issue with \\'Secromance\\' is the vocals, which, like the rest of the album, seem to be a high-concept lark. It\\'s a dialogue between two synthetic voices, female and male, reciting the sort of sci-fi future-babble that we know from Detroit techno cuts. It\\'s a duet for a broken, posthuman age. The female has British authority, a school-marm aspect. She is a clear nod to the Art of Noise, and (in case we didn\\'t get it) Howard even processes her, on \"Tragedy,\" with a Max Headroom stutter. The woman asks officious questions and makes assertions. The male is mostly comic pathos\u2014not the depressive social machine of \"Fitter, Happier,\" but the drone that Beck played for laughs on \"Hell Yes.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Their dialogue is a one-liner, or maybe two. It would be great for a four-tracker. As it is, it's not compelling enough to carry an album. But like everything on 'Secromance', there's an undeniable attraction to it, a warm and mysterious vibe that is too smart to be just a goof. There is a strange intimacy, a funny/sad near miss of meaning, the pillow talk of artificial intelligences. The whole album channels this sensibility: a mix of nonsense, miscommunication, and longing for meaningful contact. The joke is a little close to the bone, and this elevates it. The device made me feel a genuine longing for all that gorgeous postmodern bullshit that the Art of Noise, among others, blessed us with 30 years ago.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Howard is too sly to see his main character\u2014the machine searching for contact\u2014as anything but a pop clich\\xe9. This might be why he often pulls back to deal with it from an ironic distance, before sneaking the genuinely emotive back in. His ambivalence is ours, and it means that we also can not fully immerse ourselves in the world of the record.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For this reason, 'Secromance' is strongest in its first three or four tracks, in the moment before the devices get tired. By the time I hit \\\"Beauty To Body Count,\\\" an irritating track built on the bad kind of repetition, I was half done. Howard certainly manages to pull us back in several times before the end, though\u2014mainly when his interlocking melodies build toward something really great.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'This happens, in particular, on \"Been Steppin To Your Love,\" which is so good that the formula suddenly sounds momentarily fresh, again. But by the time \"See Quincy Report\" ends the album in an abrupt fade, the fatal flaw of the project becomes clear. It\\'s all been about inconclusiveness. And like Howard\\'s spectral machines, we have been waiting for a moment of connection that never came. \\xa0',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=e94jTHLqsRo&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TevoHowardRecordings\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Emotion Number Eight\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Tragedy\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Possession\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Beauty To Body Count\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Even With All Odds\u2014Catch 22 Mix\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Exotic Object\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Been Steppin\u2019 To Your Love\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. See Quincy Report\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/sequence-report-secromance/2238702-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.junodownload.com/products/sequence-report-secromance/2238702-02/\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/user/tevohowardrecordings%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.youtube.com/user/tevohowardrecordings\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/tevohowardrecordings\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/tevohowardrecordings\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-sequence-report-secromance\"},{hz3sj3gFn:\"2013-10-31T00:00:00.000Z\",id:\"tBID_mvrP\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/9H7oQYrFBcLMlQGDI2dnG36GiPg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DEETRON - MUSIC OVER MATTER\",lZ2WhlLX5:\"31 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Techno purists aren't going to love this album and neither are the hipsters, but hey, hipsters are the exact same bunch that thought that Stacey Pullen was a woman. Nevertheless, I love this album - for every ounce of diversity and soul that it comes with, and will be probably be playing it A LOT in the months to come.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Over many recent conversations with producers, DJ's and musicians alike, it seems that our main gripe, apart from the state of current pop music, is the whole 'rise of the techno hipster movement' that's been the rising tide in clubs over the last year or so. And with most 'hipsters' in general, it's actually quite easy to spot them on a dance-floor, based on the notes we've exchanged and our experiences with them over the course of time. However, like it or not, a lot of individuals base their ideals over experiences read, not lived, and more often than not, the choice to follow the wrong perceptions of the like-minded.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/musicmanrecords/01-deetron-feat-ripperton-1?in=musicmanrecords/sets/deetron-music-over-matter\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"I had the pleasure of reviewing Deetron's 'Balance Mix' on this blog in October of 2011, and that, already, a deck-bound statement, 3 decks actually, of how far this man had come in his craft as a DJ. One thing I love about Sam Geiser, better known as Deetron to his growing fan-base, is his ability to merge the \\xa0aesthetics of everything great about dance music and churn out some of the most soulful and divine music any great DJ would take the upmost pleasure in playing. Always paying attention to substance more than style or even genre for that matter, Sam's made an art of this - switching tempos, driving rhythms, intricate layering \u2013 welding pop undertones with a rich coating of melodic, hook-laden sensibilities.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"He's now dropped a cracker of a long player in 'Music Over Matter'. His second album, eight years after the release of 'Twisted' in 2007, is much more a collaboration-heavy affair in comparison to his debut, which could be said to have been a more introspective outing then. What hasn't changed between the two, is the glossy approach to his production style and the influence and essence of the Detroit sound, which one will find within a great many tracks on this new album too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Opening the album with a proper punch, \\\"Thinking\\\" takes Geiser on a trip through his soul and R&B roots enlisting the help of fellow swiss home-boy Ripperton and London house producer Cooly G on vocals. A tapestry of broken beats and sketchy bass drive the mainstay of this one layering and swirling with greater intensity as the minutes march on building into it's four on the floor signature change punctuated by subtle acid stabs before it draws to it's eventual climax.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PL4-7eLazbzYOkNMFAIrT-AhasfsD6FZ1M&v=76p0k928KgU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MusicManRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"'Crave' that follows, sees DFA stalwarts Hercules and Love Affair take centre stage on vocal duties for an arpeggiated synth driven disco-fied journey that pay every dividend of respect to the 80's synth-pop influence that was so much the basis of many an early techno record to come out of Detroit in the early 90's.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PL4-7eLazbzYOkNMFAIrT-AhasfsD6FZ1M&v=tlpSODiPfNg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MusicManRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Seth Troxler lends his vocal talent on the driving and sensually sinister 'Love Song' before Deetron decides to fly solo on the deep and hauntingly melodic 'Sing' before the next collaborator takes up the microphone. Up and coming Belgian soul singer Delvis exercises his smooth, sultry vocal chords to lhe very limit on the stylish, classy deep, chuggy, Kerri Chandler-esque 'Insatiable'.\",/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YL79WVsRPoo&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=On-Point\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PL4-7eLazbzYOkNMFAIrT-AhasfsD6FZ1M&v=iq75m5HQKJs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MusicManRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"This slick deepness continues on the already pre-released 'Rhythm' with British crooner dropping his 'Breach' guard to nip in and do what he does best.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album takes a little turn with Geiser's next 'solo flight' as 'Come Away Further' breaks it down into a more jerky broken string-laden affair - stick very slick though, by all accounts. German DJ and Producer (and one-time music journalist) Fritz Kalkbrenner takes up co-pilot duties next on the lucious 'Bright City Lights', keeping in tune with the warmth we've become accustomed to from young Fritz. 'Count On Me' keeps that lush deep-house vibe flowing on Geiser's next solo effort, before he introduces British bad-boy Simbad on vocal duties on 'Strange Things'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=PL4-7eLazbzYOkNMFAIrT-AhasfsD6FZ1M&v=FT1HEWyNBZ8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MusicManRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The most surprising collaboration on the album comes in the inclusion of Australian born, British based singer George Maple, who, along with Jessie Ware, Jess Mills and Lulu James , is part of what no one is calling minimal tech-soul. George (she's female, for those who don't know her work) lends that smooth sultry, sensual vocal touch to another one of the albums lush laden tunes, 'Rescue'. I dare say that I quite like this actually.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=ecTKxPCGNC4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MusicManRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The album rounds off on a more up-tempo note with Deetron back in solo-flight again,. 'Can't Love You More' and the already massive 'Starblazer' bring an end to the record in true Deetron fashion, which is needless to say, slick, driving, diverse, deep and groovy. Don't look for anything 'ground-breaking' or life changing here though. It is what it is, an album of great dance music, made for the dance-floor by a person who's a master craftsman at doing this.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Thinking feat. Ripperton & Cooly G\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Crave feat. Hercules & Love Affair\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Love Song feat. Seth Troxler\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Sing (Album Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Insatiable feat. Delv!s\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Rhythm feat. Ben Westbeech\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Come Away Further\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Bright City Lights feat. Fritz Kalkbrenner\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Count On Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Strange Things feat. Simbad & Justin Chapman\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Rescue feat. George Maple\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Can\u2019t Love You More\",/*#__PURE__*/ _jsx(\"br\",{}),\"Bonus track: Starblazer\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Review:%20Deetron%20-%20Music%20Over%20Matter/%20http://www.juno.co.uk/products/deetron-music-over-matter/507258-01/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/deetron-music-over-matter/507258-01/\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-deetron-music-over-matter\"},{hz3sj3gFn:\"2013-10-30T00:00:00.000Z\",id:\"ELfNVXE9N\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/FGbalYZr6xw76gfAtDRVg2BfgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/FGbalYZr6xw76gfAtDRVg2BfgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/FGbalYZr6xw76gfAtDRVg2BfgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/FGbalYZr6xw76gfAtDRVg2BfgI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: WILLIAM J\",lZ2WhlLX5:\"30 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"William J's forward thinking selection, quick mixing, versatility, and strong knowledge of dance music history has been bubbling up in the Singapore underground. Catch him representing his Darker Than Wax label stable this Saturday before KiNK.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Hometown:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I moved around too much to have one. Singapore is home for now. I still have love for Vancouver though.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Horoscope:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Not a believer of horoscopes.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite cuisine:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Chey Sua Carrot Cake, Blk 127 Lorong 1 Toa Payoh\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Your sound has been described as fresh, evolving, genre defying, never the same. Do you agree?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I want to be open to as many sounds as I can.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do your approach DJing?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Like cooking.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"And producing?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Like studying.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Hardest thing about doing what you do? And the best?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Getting burnt out on music you love can be hard at times, although usually doesn't last long. Best part is going to Swee Choon after a gig.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do you find the Singapore scene as opposed to other places you've been?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Better than a lot of places and very good right now. I think people shouldn't complain as much, I feel lucky to be here. Definitely needs some new smaller venues though.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A place you would recommend visitors to Singapore to go?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Jurong Hill\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us about your involvement with the Darker Than Wax stable.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I help with different aspects of running a \",/*#__PURE__*/ _jsx(Link,{href:\"http://darkerthanwax.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"label\"})})}),\". We also share a lot of music and ideas.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Hardware or software?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'd use hardware if I had it. For DJing I prefer not to use a laptop.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Latest song purchase?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"0H91 - Stealth\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A song you will play at dusk?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Fatima - Technology\\xa0\",/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Pj5dof1nJ4o&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=rubenroca\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"And at dawn?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Vybz Kartel - Clarks\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who or what are some of your important influences?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Brackles, Neil Young, El-B, James from the Abbot and Keefer Flower Shop.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Give us a music link:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/gafacci\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/gafacci\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Advice to DJs/Producers just starting out?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Stay hungry and rarely leave your room.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you on 2 Nov with KiNK?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Big house and garage riddims. Maybe some grimey bits.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's next in the pipeline for you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Zoukout + making beats, new Darker Than Wax nights.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift Reprise with KiNK\",/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Sat 2 November 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/352324281580303/?fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/mnsreprisekink\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/william-j\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/william-j\"]})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-william-j\"},{hz3sj3gFn:\"2013-10-29T00:00:00.000Z\",id:\"XgAtxnxHb\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/1pSmvtxc9lonjXlpd5FLAthZ7SQ.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: KWES. - ILP\",lZ2WhlLX5:\"29 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=escJcBgeIv0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TomMorrisStAndrews\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It's a common fantasy that many of us share: the chance of seeing through the eyes of someone with a unique and gifted perception of the world.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Lately, I've been wanting to see through the eyes of Kwesi Sey, also known as \\\"Kwes.\\\" Sey has chromesthesia\u2014a neurological disposition in which sound is associated, in the mind's eye, with colour. For such unique individuals, our polychromatic world is already embedded with song. Or, at least, with tonal structures. And the reverse is also true: music is already a quasi-visual art, built from complicated gradients and hues that play in the periphery of their view.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'As a producer and multi-instrumentalist, chromesthesia has been good to Sey. At the hoary age of 26, he\\'s collaborated with the xx and Bobby Womack, among numerous others, and reworked portions of Damon Albarn and Jamie Hewlett\\'s \"Monkey.\" He gained massive, instant cach\\xe9 for being sampled by the mighty Kanye on a Pusha T track. More notable, though, have been a series of EPs under his own name. Calling artists \"composers\" is a pretentious tendency of the laptop set. In the case of Kwes, however, the label is probably accurate. He is very much a composer. And if one saw sound as he does, one might suspect him of being a strange sort of painter as well.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Much of \"ilp,\" his new full-length album, feels painterly. This would be, in part, because elements are brought together in compositions and not (gasp) in patterns. Themes come and go, without necessarily being repeated. Much like classical music, the songs seem to privilege space over time. Electronica\\'s dependence on the build and release of tension is unnecessary for Kwes. His arrangements seem to have enormous room in them, and only a notional pacing. Maybe this is because they are still absolutely organic in their conception. At root, \"ilp\" still feels like it was made by singing and playing a keyboard. For this reason, Sey\\'s output doesn\\'t suffer the cramped feel of tracks built on Ableton grids or loop sequences.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'In the best of Kwes\\' compositions, musical ideas show up with different personalities. They announce themselves, they sneak in, or (like a familiar character) casually drop by. This is the hallmark of what Sey calls \"Free Pop,\" a loose working frame that, to greater and lesser degrees, refers back to R&B conventions. It\\'s an interesting idea, especially given that pop is one of the most formulaic\u2014that is, least free\u2014forms of music. On tracks like \"36\" and \"B_shf_l,\" this oxymoronic approach works perfectly. The song structure is there, but Sey lets it evolve into a series of alternating lines that grow in interest while maintaining a pretty much constant level of intensity.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'On \"Cablecar,\" he pulls the formula so far apart that sweet, lurching pauses appear before every snare hit. It\\'s proof of his talent that these seem like the most relevant thing in the song.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=yQP-DMlr7V4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=kwes.\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Being a composer is not the same as being a song writer, however. Sometimes, Kwes excels at one while duffing the other. His permissive structures don't always gel, and when the parts don't captivate, the whole thing maunders. There are parts of \\\"llp\\\" that just don't work. Or rather they work dramatically less well than on \\\"Meantime,\\\" his previous EP. \\\"Rollerblades,\\\" which is about\u2014yes\u2014a romantic rollerblading lesson, falls into this category. To be fair, it's a summertime urban nostalgia jam, which has long been R&B's most boring sub-genre. Even Frank Ocean couldn't work it, and if you've heard the Coldplay samples on \\\"Strawberry Swing,\\\" you know how hard he's tried.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It is in these lesser tracks, though, that you realize just how difficult Kwes' Free Pop is to pull off. It depends, largely, on the combination of musical intelligence with the extreme gentleness of Seys' persona. If the songs weren't great, his faux-naif pose would be too cute by half. As it is, much of \\\"llp\\\" is perfect, and, miraculously, does not become cloying. In 2013, it feels like a glorious still-point among the macho bombast and consumerist sexing-up of most pop music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Kwes proves that you can speak loudly by being quiet. This doesn't mean that he only shines against the vulgarity of the Miley Moment, however. His world of colour feels like an expanded view that is just beginning to come into focus.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Purplehands\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. 36\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Rollerblades\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Cablecar\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Flower\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Hives\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Broke\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Chagall\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Parakeet\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. B_shf_l\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://bleep.com/release/45903-kwes-ilp%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://bleep.com/release/45903-kwes-ilp\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-kwes-ilp\"},{hz3sj3gFn:\"2013-10-25T00:00:00.000Z\",id:\"WdLNpJoOO\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/tr5bkarbdzh7udsDY5etbcvAZo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/tr5bkarbdzh7udsDY5etbcvAZo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/tr5bkarbdzh7udsDY5etbcvAZo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/tr5bkarbdzh7udsDY5etbcvAZo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: B\",lZ2WhlLX5:\"25 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=LHi06NXft8E&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MichelleHo\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tommy Four Seven at BT47, Singapore 17 Oct 2013.\"})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Who is B made of and what do you guys do?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"B is made up of close friends sharing a common interest for electronic music, in the broadest sense of it. We\u2019ve been pushing gigs since 2006 under different monikers with more recently focusing on techno. We\u2019re currently working on our label which will be out in due time.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Why call yourselves B?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"B is just an imprint. People need associations to whoever is pushing our gigs somehow so we decided that B would be simple enough.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How did B come to be?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"We started out being inspired by the punk\u2019s DIY ideology and how we can adopt this in pushing electronic music through our gigs. After a hiatus, we got a call from a good friend in Allen & Heath to host a tour they\u2019re doing so we toyed around with the idea to host it in a raw setting.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With the rising costs of living in Singapore, we then noticed an increasing number of empty shop houses for rent. Similar to the abandoned warehouse parties during industrial Germany in the 90s, we feel it would only be apt to bring that spirit in a local context. This inspired us so we borrowed an empty shop house from a nice property agent for free, pooled different sort of sound and DJ equipment together from friends and have everyone contributed something from drinks, website design to logistics.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The first B gig was a great success so we dedicated a new series focusing on techno.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is the philosophy or motivation behind B?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"We are always motivated by the people and the environment that spur most of our work. We wanted our work to be honest, raw and unpretentious thus our personal motto - Fuck the Fluff.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Some heroes or influences?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Notable ones would be Richard David James aka Aphex Twin because his music is always evolving. Sandwell District because they believe that the music itself should always takes centre stage instead of the hype and the late J.B. Jeyaretnam because he was the first original punk in Singapore to stand up against the establishment and status quo.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A personal favorite memory?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Each of our gig brings a special memory to us. Different people coming together making sense of the environment is just magical. \\xa0This drives us to do what we do.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us a bit about what you think of the current Singapore scene.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"There are too many opinions on the scene. You take what you make of it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"One place you will bring a visitor to in Singapore?\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"We usually try bringing them home for some home-cooked dinner to let them in abit on how we live in Singapore.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did the collaboration with Midnight Shift come about?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It started out with a humbling email from Kavan & Debbie on our first B gig. They believed in what we do and have always been supportive of it ever since. After a few conversations, it actually came naturally that it\u2019s only right to collaborate. We really wanted to make things happen and we went for it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Top 3 tunes of the moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"There's so much good music now and it\u2019s impossible to streamline our Top 3. However, here are some tunes and labels that we\u2019ve been listening to recently.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Radial \u2013 Asiel\\xa0\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Oscar Mulero \u2013 Disinformation (Xhin remix)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Lag \u2013 Sama Doma\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://soundcloud.com/lag/lag-sama-doma\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Top 3 labels of the moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Downwards, Semantica, Stroboscopic Artefacts\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favorite DJ mix?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Surgeon's This Is For You Shits\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Hardware or software?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It doesn\u2019t matter to us really. It\u2019s all about directing the experience that can come through various mediums.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Complete this sentence. Music is\u2026\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What will you be wearing for Halloween?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Shorts and sandals but we doubt the lovely ladies at Kyo will let us in.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from B on 26th October?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"You can expect total mayhem or clean good fun; it\u2019s all in your head.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Halloween tune?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Hostile \u2013 Demons, Devils, Darkness\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=0SjI75_7m1o&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Fetish\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Halloween Special: B x Midnight Shift 001 feat. International Mystery Guest\",/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Sat 26 October 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/217656518402702/?fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/bxmns001\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-b\"},{hz3sj3gFn:\"2013-10-24T00:00:00.000Z\",id:\"LHX2k5ope\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/eLfYE5cRazl81IJA7coM02PKZFA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/eLfYE5cRazl81IJA7coM02PKZFA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/eLfYE5cRazl81IJA7coM02PKZFA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LAUREL HALO - CHANCE OF RAIN\",lZ2WhlLX5:\"24 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"'Chance of Rain' will be released on Hyperdub on 28 October 2013.\\xa0Stream the album here:\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://pitchfork.com/advance/264-chance-of-rain/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://pitchfork.com/advance/264-chance-of-rain/\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"On her forthcoming second LP, experimental maven Laurel Halo designs soundscapes that bear testament to her growth as a musician. Now based in New York and from Ann Arbor, Michigan, the classically trained and now\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?1870\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"golden girl of electronic music\"})})}),\" has been releasing music since 2009 on labels Hyperdub and Liberation Technologies.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Released on London\u2019s bass music label, Hyperdub, 'Chance of Rain' reveals Halo\u2019s Detroit and UK techno influences, with facets of break-beat and drum & bass.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The vision of decay and hope underpinning this album is consistent throughout, evident in its titular track. An unerring jungle-esque thumping bass-line duels with analogue atmospherics, as maniac beats jostle to keep up the energy and pace until 'Chance of Rain' finally relents to the piano\u2019s pacifying echoes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Thrax' conjures an insectoid menace with a warped bass workout, overlaid with skittish stabs at its veneer in an icy stoicism. Mellow chimes add depth and a sonorous flavour against the mildly disconcerting rustle of metallic pulses and gut-wrenching resonance across the bass space.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Some psychelic elements are also woven into the construct of 'Serendip'. The tracks opens with the quiver of a lone bead, bouncing off a membrane held taut against an undertow of arpeggios licking at the feet of a turbid bass-line. Waves of spectral drones slither across, transmitting shivers of warm and cool paranoia.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Her much-lauded debut release, 'Quarantine' (Hyperdub 2012), was a gem, even named #1 Album of the Year by The Wire Magazine \u2013 submerged sounds and beguiling vocals unravelling under the strain of an infinite ambient expanse. Brutal and exquisite, disquieting and magnificent, all at once.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"While 'Quarantine' had been meticulously crafted and recorded in a studio, 'Chance of Rain' features a rhythmic shift towards live improvisations.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://secretthirteen.org/secret-thirteen-interview-laurel-halo/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"As Halo explains\"})})}),\", \u201CSequences were made from scratch for live performances, then reconfigured to be synthesized as individual tracks, and then an album.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The result is an almost primal metamorphosis. \u2018Chance of Rain\u2019 is rich in ambivalent impulses that come together in a thrilling tension to inspire a sense of dialogue and movement.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/hyperdub/laurel-halo-ainnome-taken\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Of special note, her album cover is designed by her father in the 70s.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),\"\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Dr. Echt\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Oneiroib\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202803. Serendip\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Chance of Rain\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Melt\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Still/Dromos\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Thrax\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Ainnome\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. -Out\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/laurelhalo\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://soundcloud.com/laurelhalo\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-laurel-halo-chance-of-rain\"},{hz3sj3gFn:\"2013-10-23T00:00:00.000Z\",id:\"r5wD67Uql\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/POYbgXq9ikqN22H5NSH3ZQdIhI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/POYbgXq9ikqN22H5NSH3ZQdIhI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/POYbgXq9ikqN22H5NSH3ZQdIhI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/POYbgXq9ikqN22H5NSH3ZQdIhI.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: ZUL ANDRA\",lZ2WhlLX5:\"23 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Local scene-star Zul Andra writes, promotes, organises, DJs, \\xa0and now will hold his own behind the mic for B x Midnight Shift 001 this Saturday at kyo. Let's hear it for the one-man flag-bearer and friend of everything electronic music in Singapore.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"You're a man of many talents, what exactly are some of the things you are involved in?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I write on nightlife, drinking and music for Esquire, inSing.com and The New Paper and currently enjoy a deplorable relationship with \u201Coff stone\u201D (or \u201Cdeadline\u201D, for all you mere mortals.) That\u2019s my day job.\\xa0\",/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"I just submitted a piece for SMILE, Cebu Pacific Airways\u2019 in-flight magazine. Expect a steady increase of Filipinos to attend some of the best music festivals across Asia by next year.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Also just worked on a video interview series with Red Bull premiering in December. Raw and intimate. I like raw and intimate stuff. Other than that, I handle the publicity front for Feedback Asia, a booking agency based in Singapore, and secretly wish that there were no such thing as Greenwich Mean Time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sometimes I DJ, not really the best out there. But according to the revellers at Gem Bar every Friday and the quarterly parties I throw at Loof called JACK\u2019S HIT, I haven\u2019t had a bottle thrown at me yet.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite hat that you wear?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Snapback caps. I tried a fedora once; didn\u2019t fool anyone. Straw hats are cool when I\u2019m not wearing them.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What drives you to do these things?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Because I used to shave my hair off, but since now I have hair, it\u2019s an embarrassment to my family and humanity in general. That\u2019s why I usually wear a snapback cap.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Oh you mean the work I do? I think that\u2019s the only thing I\u2019m good at. My litmus test is my previous best and worst work. I\u2019m still in it after 7 years, so I must be doing something right.\\xa0Ultimately, I love nightlife and music. I love sharing about what\u2019s good from those. But to be frank, I\u2019m chasing a certain feel. An experiential feel where revellers on the dance floor, the music, the lights, the vibe all become one. It\u2019s as rare as they come.\\xa0I\u2019ve always used this analogy: To throw confetti in the air and trying to share with you what that feels like whether in words or in music. I haven\u2019t done it to the best of my ability yet, and probably never will. That\u2019s why I\u2019m doing all these things - to continuously incite that euphoric feeling through different channels. Is that ethereal enough for you?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's your favorite accomplishment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"When I was asked to handle the PR and marketing strategy for a string-quartet called VOX ahead of their first solo concert earlier this year. I got them as far as ChannelNews Asia and a wealth of media coverage. They sold-out their concert. Well, not because of what I did, but that was the first time they had such a coverage. The backstory is, I haven\u2019t done PR and I don\u2019t think I\u2019m a really good PR practitioner judging from my social awkwardness and impatient nature. I\u2019m not a fan of small talk and empty promises. But I guess that worked and it helped that I fully believed in what VOX was all about.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"And the not so favorite?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I had a terrible time in I-S magazine when I was their staff writer and web editor. Mostly because I couldn\u2019t fit in their structure and office politics was something really new to me. I was handling nightlife, but it was subsequently pushed to the last few pages and I had to put out a few fires here and there against a backdrop of corporate politicking. It affected my work and I didn\u2019t like that.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But to be fair, that was my first stint as a full time writer and I owe it to the editorial team led by Terry Ong who groomed me to what I am today. I wouldn\u2019t have kept up with what I do now if I-S wasn\u2019t both a positive and negative anchor.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us a bit more about JACK\u2019S HIT, the concept, motivation and people?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Different variations of house music from both veteran and emerging DJs. It\u2019s simple. But I guess the difference lies in how it\u2019s packaged. I get all the DJs to go through a photo shoot and they will front all the marketing collaterals. I don\u2019t allow monikers, only their real names, and there are no ball of flames or fireworks in the artwork, just them standing there. It\u2019s stripped bare, and it gives the night a human touch.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The last time I had Debbie Chia headlining and backed by veteran DJ Lawrence Chee and up comer William J, someone thought they were a band called JACK\u2019S HIT because it looked like that in the posters. That was hilarious.\\xa0JACK\u2019S HIT is actually a means to an end. The finale is sometime in the middle of 2014 and I plan to call all the DJs back for one last hoorah. Then, JACK\u2019S HIT will cease to exist and be nothing more than a memory. On to the next concept after that, but it will always be about putting together new and seasoned DJs.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What about your DJ mixes?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I don\u2019t know why people bother to listen to my mixes. And by people I mean industry professionals. It\u2019s odd, and a bit frightening. I mean I make mixes because I want to listen to some shit on my bus rides. I put it on Soundcloud because I don\u2019t want to stretch the space that my phone does not have. But people are listening, City Nomads picked up on it and Deezer wants me to do something. So now, I\u2019m pimping the mixes out. I\u2019m not technically a good DJ to begin with.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There are two types of mixes I do. One is your standard 4/4 and the other is like listening to a film. The latter is really inspired by a Nicholas Jaar mix on BBC Radio 1. I remember being in my room at W Hotel, Bali being so high on shrooms and listening to that alone. I think I listened to the two hour-long mix twice and left for breakfast overflowing with rainbows. Chasing that feels ever since. I used to do mixes every month, but now bi-monthly because I don\u2019t have the time to curate it and I don\u2019t want to put out something shabby. I realised the mix always start with a female vocalist, then something familiar or something appealing next. The rest is one big emotional wreck after the other.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s like putting together one big jigsaw puzzle. 4/4 is pretty straightforward, you play with the bars, keys, pitch, tempo and it\u2019s sorted. But the stuff I do involves chin-stroking stuff. Like if one track ends with a violin, I need something similar to start for the next track. Frank Sinatra\u2019s \u201CDeep In A Dream\u201D is next, oh, lets put Chet Baker reciting the same song (extracted from the documentary, \u201CLet\u2019s Get Lost\u201D) to introduce it. You know, stuff like that.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Where are some spots you are playing at and how are they going?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Right now it\u2019s Gem Bar every Friday. Just got off a month playing there with Paul Seow. Ann Siang Hill has an odd crowd. Sometimes it feels like a riot is about the start, other times you wished a riot had started because it\u2019s too quiet. But the regulars at Gem Bar are open-minded and they know their music. It\u2019s a small venue, so you can really feel the vibe from one end to the other.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I\u2019m planning to do more parties there with a bunch of DJs because Gem Bar has other really nice rooms. Now it\u2019s just a matter of conceptualising it, finding out what discerning listeners want, and not be too self-indulgent.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Top 5 music tracks of the moment?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:['\\u2028\\u2028Disclosure \u201CF For You (Onra Remix)\". \\u2028\\u2028',/*#__PURE__*/ _jsx(\"br\",{})]}),\"The hair on the back of your neck asleep? Listen to this.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Claude VonStroke \u201CDood\u201D\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Cheeky song.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Sweater Beats \u201CThat Feel EP\u201D\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Ok I cheated. There are four songs on this EP, but the mini-mix is gorgeous.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/symbols/sweater-beats-that-feel-ep\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Fauxe \u201CSlow Driving\u201D\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Cos\u2019 romance. And this evokes images of sipping hot mocha beside a fireplace.\",/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"The Hics \u201CTangle\u201D\\u2028\\u2028\\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"First track off my September mix. Heart wrenching stuff.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/the-hics/tangle\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Sum up the Singapore scene in 7 words or less.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Doubt is a manmade illusion. Bacon. Period.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who or what are some of your inspirations?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Generally good natured, hardworking people earning a decent living and a kind of open worldview that puts mainstream media to shame. You can be a garbage man or a CEO, doesn\u2019t matter. If you have the abovementioned qualities, you\u2019ve inspired me to some degree and I will follow you on Twitter.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"So what's next for you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I need a break. I need to meet Mother Nature and share insights. Touch Earth once again. I was thinking of Myanmar, through Nepal and down to India. But my wallet suggests Pulau Ubin. It\u2019s all up for negotiation at the moment.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When I return, hopefully not dressed in a robe of some kind, I\u2019d like to curate a mix for performance art. This is actually in the very early stage of discussion, but may or may not see the light of day. Also, an Asian travel, nightlife-leaning website.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Track you'll play on a hot day?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Eilish Ellen\u2019s cover of \u201CHot in Herre\u201D\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Track you'll play on a stormy day?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Snow Patrol \u201CWhat If The Storm Ends (Aaron Static Remix)\u201D\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=axddmUg0bpA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=miscimusic\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Local DJ/Producers to watch?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Fauxe, Botanical, Gema, Intriguant, Serene Rene-Ong, Amanda Keisha Ang, William J, Weish from sub:shaman (if she decides to go solo.)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Complete this sentence. In a perfect world...\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"John Lennon\u2019s \u201CImagine\u201D come true.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you this Saturday for Halloween?\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Myself.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Halloween Special: B x Midnight Shift 001 feat. International Mystery Guest\",/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Sat 26 October 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/217656518402702/?fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/bxmns001\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-zul-andra\"},{hz3sj3gFn:\"2013-10-21T00:00:00.000Z\",id:\"Ii3ce2MdF\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/6oosU9FrnH6aac8xTJNJd8jA7I.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/6oosU9FrnH6aac8xTJNJd8jA7I.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/6oosU9FrnH6aac8xTJNJd8jA7I.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/6oosU9FrnH6aac8xTJNJd8jA7I.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FOUR TET - BEAUTIFUL REWIND\",lZ2WhlLX5:\"21 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:'I recall vividly, the moment, when I played Four Tet\\'s \"Peace For Earth\" on a white sandy beach in the Maldives on a bright sunny evening last December. It was 3 days before Christmas and the sun was making its usual exit over the interminable horizon, leaving behind those luscious pink and golden hues that, makes every sunset of everyday, a different and yet, breathtaking experience, especially on a day as clear as that was. The reaction from the people on the beach was everything any DJ who builds a pre-sunset soundtrack could ever hope for, save two emotionally-void individuals (the gist of that story, I shall save for another day, if you haven\\'t quite guessed already). Anyway, every other emotional response from every other individual, save those pulse-less two, to every extent, brought to being, the very essence of \"Peace For Earth\", and I think that\\'s something all of us, human beings and political leaders all across the globe, alike, secretly wish could happen, in a perfect world.'}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=MQLUXbQjISg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=webjunkie01\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"There's always something about a Four Tet album release that evokes a certain emotional response from any individual who has been touched by Kieran Hebden's musical hand, and mind. Whether one views him as a trend jumper, or Johnny-come-lately artist, or simply a musical genius, make no mistake, there's always a point when you'll come to a greater appreciation and understanding of where you need to be at any given point in time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'When Kieran Hebden announced that \\'Beautiful Rewind\\' was finished on the morning of July 22nd this year, he put it very plainly that there would be \"no pre order, no YouTube trailers, no iTunes stream, no Spotify, no Amazon deal, no charts, no bit coin deal, no last minute rick rubin.\" Hebden further wrote on Twitter: \"The album is all done and just getting some copies made and then will get it into the shops for you. LP, CD and Internet versions. deluxe sendspace edition with art print and unique numbered download code.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Anticipation, to say the least, was spreading like a rampant virus at that point and for days thereafter. However, a few brows were furrowed when \"Kool FM\" was released as the lead single. I certainly scratched my head and with pursed lips, wondered a little about where Hebden was going to take this one.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The single's title, in itself is named in honour of a 90s pirate radio station, instrumental in the development of Jungle and Drum n' Bass. It seemed, at the very beginning, to be nothing close - a very simple, stylised dance track; somewhat ordinary in every degree, but, somehow, you felt that it was going to take a mad curve along the way. It does after about two minutes, tearing in to a matrix of slashing, mangled drum breaks and rubbery basslines, abstracting that era's chopter rhythms and throaty MCs along itss way.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It drew quite a bit of flack among some producers who spoke out against the track. Zomby blasted Four Tet on Twitter, recently stating: \\\"Still pissed u have the audacity to call a bait tune 'Kool FM' when you're about as much to do with Jungle as i am with Heavy Metal\\\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=l9cd1dF34A8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=intelligentbass\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Make no mistake though, that whatever the topic of debate surrounding this single release may be, the rest of the album, borrows, without apology, from a trend but sounds undeniably like a Four Tet record. From the Jungle-tinged \"Gong\", which opens the album to its urban-tinged closer \"Your Body Feels\\'.']}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"For those who've followed through on Kieran Hebden's musical journey from the get go, you might remember \\\"Love Cry\\\", from 2010's excellent \\\"There Is Love in You\\\", being an actual club hit, as did several of the tracks from last year's \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/114/Review+Four+Tet+Pink\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"'Pink', a compilation of extended, dance-friendly singles\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'If Hebden has been hopping trends, he\\'s been doing so with a great amount of taste, style and finesse. If \"Gong\" sounded rough, raw and, to some extent chaotic to some of you, then \"Parallel Jalebi\" that follows, tidies up and smoothens out all that sub-urban chaos. There\\'s almost a visceral and ironic twist to every Four Tet album though. Stompers like \"Buchla\" and \"Aerial\", which masterfully integrate sampled MCs into their jerky rhythms, stand in contradiction to \"Unicorn\"\\'s shimmering pools of melody.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Beautiful Rewind' is Four Tet''s audacious trip back in time, revisiting the old, and yet to a greater extent, it's also, his rush into the new. Hebden's insidious navigation through this bubble that he's created, and although, at times when you feel that, through his incessant wanderings in flight, there seems to be no landing strip in sight, you'll find it in 'Our Navigation\\\" or even \\\"Ba Teaches Yoga\\\" ; both of which bear that significant Four Tet touch - his ability to merge psychedelia and a plethora of melodic ideas, voices and rhythms into something so sun-drenched, it kind of takes your breath away.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=kxCdfb8n_R4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=SauceMons\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"To a large extent, 'Beautiful Rewind' is pretty much Kieran Hebden stalking the past, and that, to some may seem like nothing ground-breaking or new. But for as much flack as Hebden takes for repeating what other artists have already done, he's managed to combine the best elements of Jungle, Bass, Drum and Bass and Breaks and weave his magic around them in the most tasteful of ways. It's his musical recollection and journey through a musical sub-culture that he's loved and cherished, and although, some may draw critical comparisons and references to the fact that he's never been a part of that sub-culture, this still feels to be a very personal body of work and, to Hebden, obviously something close to his heart.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Perhaps his personal connection to all this, may mean even more to Hebden himself, than to anyone else, and also probably he's chosen to go independent and release this album via his own Text label. But, that aside, 'Beautiful Rewind' is indeed a fine body of work. It's almost like rhythm and voices breaking through a rubbery web of radio static, grime and pink noise.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I guess I'll leave you with a few random lines lines from author Stephen Sparks: \\\"Morning light through a paint flecked window; a tree you walk past everyday, the ruins of a nest exposed as the leaves fall away; a gust of wind scraping leaves along a pavement\\\"...that's pretty much what this album gives you.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Footnote: This isn't the only album Four Tet has coming out soon. He also produced 'Wenu Wenu', the new album from Omar Souleyman, watch for it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Gong\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Parallel Jalebi\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Our Navigation\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Ba Teaches Yoga\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Kool FM\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Crush\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Buchla\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Aerial\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Ever Never\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Unicorn\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Your Body Feels\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/823747-four-tet-beautiful-rewind\"})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-four-tet-beautiful-rewind\"},{hz3sj3gFn:\"2013-10-16T00:00:00.000Z\",id:\"vGY82FE_h\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/kKfEUN7WDVYvrtgg1kOuHVFyXIU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/kKfEUN7WDVYvrtgg1kOuHVFyXIU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/kKfEUN7WDVYvrtgg1kOuHVFyXIU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/kKfEUN7WDVYvrtgg1kOuHVFyXIU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: MARCEL DETTMANN - DETTMANN II\",lZ2WhlLX5:\"16 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"'Dettmann II', the Berghain minimal magician\u2019s sophomore album released on Berghain label \",/*#__PURE__*/ _jsx(Link,{href:\"http://ostgut.de/label/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Ostgut Ton\"})})}),\", is a subtle step up from his debut effort ('Dettmann'), this time containing more well-rounded offerings and more spacious sound design, along with your usual dancefloor-oriented loop techno. Add in some noteworthy guest collaborations (Shed, Levon Vincent and Emika) and the album is well worth a listen.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Even so, I\u2019ll admit that I didn\u2019t take to 'Dettmann II' quite so immediately. In \u2018Throb\u2019, a single kick drum provides the only percussion instrument in a track that otherwise relies heavily on undulating sounds and delay effects. At first I was ambivalent \u2013 but a second listen convinced me that this economical use of instruments does work here, and even stands out as somewhat genius against the more typical club numbers on the album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Indeed, the weaker parts are oddly not the ones designed for home-listening. The thumping number that is \u2018Ductil\u2019 for example, would probably sit quite well in the middle of a DJ set. But take it out of that context and it\u2019s a track that, despite its urgency, doesn\u2019t quite head anywhere, missing the subtle snap, crackle and pop of the other tracks. Tracks like 'Lightworks' which, in my opinion anyway, is minimal done right, is light, but also deep and catchy, with little sound nuggets to look out for along the way.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=3gqMCdRc4hY&ab_channel=NOREDTHREAD\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=3grVaz3cSj4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=NOREDTHREAD\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Soar\u2019 is yet another standout \u2013 A long journey on a night train: oftentimes mellow, occasionally filled with intrigue, and ever-chugging towards its destination. While \u2018Outback\u2019 (co-produced with Levon Vincent) holds our attention with dark, man-machine type sounds, juxtaposed with high-pitched, mecha siren-like wails, all layered over plenty of cinematic grandeur. Just really lovely.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=-MfsswoQt5o&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=anotherAB\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Finally, \u2018Seduction\u2019 reminds me of the dancing Oracle scene in the movie 300, only re-imagined with a techno pulse and the breathy, ethereal vocals of Berlin chanteuse Emika.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=cr03ppobuhU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=InterFerence\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=1FqIYBW-i5g&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=BoilerRoom\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"All in all, certainly not a bad album \u2013 but as Dettmann\u2019s work marries minimalism with attention to detail, decent headphones (or a really good sound system), plus a discerning ear, are all good things to have when listening to 'Dettmann II'.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Arise\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Throb\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Ductil\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Shiver\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Lightworks\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Soar\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Outback\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Seduction feat. Emika\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Radar\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Corridor\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Stranger\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Aim\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/marcel-dettmann-dettmann-ii/502635-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/marcel-dettmann-dettmann-ii/502635-01/\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/marcel-dettmann-dettmann-ii/2287022-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/marcel-dettmann-dettmann-ii/2287022-02/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-marcel-dettmann-dettmann-ii\"},{hz3sj3gFn:\"2013-10-13T00:00:00.000Z\",id:\"TV6eiWZ94\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/n7gCfwzppQVkLpMx2Fn3qsNHxM.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DARKSIDE - PSYCHIC\",lZ2WhlLX5:\"13 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"In 2013, electronic music suddenly seems a whole lot less electronic. Perhaps embarrassed by the bro-ness of EDM, the genre\u2019s elite artists seem keen to distance themselves through rock riffs, funk throwbacks, even orchestral works. This might explain the return of Nile Rogers' famous guitar chops on Random Access Memories, Matmos' collab with the Arditti String Quartet, or Flea and Joey Waronker bringing arena-rock credentials to Atoms For Peace.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's easy to see why Nicolas Jaar\u2014Ivy League graduate, label impresario, musical sophisticate\u2014would want to find his own distance from mainstream, dance-oriented products. With the strikingly assured Space Is Only Noise (2011), the Chilean-American had already announced his arrival as a composer in pursuit of artistic distinction.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And in 'Psychic', Jaar and band mate Dave Harrington have made one of the year's best albums. But what is it, exactly?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Certainly, it is an elaborate studio project\u2014a \"headphone record.\" In the 1970s, this was the territory of prog-rock and psychedelica. The domain was recently reclaimed by alt-electronic acts such as Caribou and Fuck Buttons. In Jaar\\'s version, also, we get a lot of sophisticated references and expensive-sounding stuff: synth stabs from Vangelis, authentic Hammond organ farts, and a deliciously thick low end.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Yod9tQdibDY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"It's space-rock, for sure. But inner space. Jaar manages to conjure an expansive emotional landscape within an inward and rather constrained palette of sound. 'Psychic' is a microcosmos, a galaxy of infinitely small gestures. And at this tiny scale, every move feels important. You notice the arrival of some unidentifiable percussion, somewhere behind your head. A record crackle at the high end, over Harrington's delicate fretwork seems important, somehow. And then there's the easy intimacy, on \\\"Sitra,\\\" of a tinkering organ straying, as if by accident, into the left channel. Paradoxically, one feels the presence of a grandeur, a Jon Brion-like intensity, in these miniature contraptions. Jaar's controlled implosion packs a heavy pull.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'This intimacy works beautifully against the album\u2019s haunted influences. At the beginning of \"Paper Trails,\" you might have thought you were listening to a Nick Cave track. To add to the chill, the song is driven by a guitar lick that might have been lifted from \"Black Magic Woman.\" Elsewhere, \\'Psychic\\' travels the darker byways of American Soul. The close, spooky vibe of \u201CMetatron\u201D recalls the Delfonics, Bohannon, or the Isaac Hayes of \"Walk On By.\" There are echoes of Curtis Mayfield\\'s cinematic ghetto dystopianism: swelling, menacing strings and dramatic silences.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=9llB3fL-qXY&ab_channel=IsaacSoto\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"In the 90s, these noir references would have been labeled \u201Cacid jazz,\u201D or possibly \u201Ctrip-hop\u201D\u2014especially combined with the wide berth Jaar gives to conventional dance rhythms. When we do get something resembling a propulsive beat, he keeps it to a simple kick-snare figure. In \\\"Paper Trails,\\\" a pulse drops in halfway to remind us that this is, after all, electronic music. 'Psychic'\u2019s drift away from the dancefloor is made clear, again, in Jaar\u2019s famous insistence on slowness. There's not much here that creeps above 100 BPM. This puts Darkside more in the company of ambient artists like John Hopkins, or Mount Kimbie.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Slowness gives Jaar the space he needs to work his magic. But there's a fatigue associated with being atmospheric, a risk that the spell might wear off before the end. It nearly does, particularly in those moments where Jaar's limits as a musician can't be saved by the beauty of the concept. \\\"Greek Light\\\" is plagued by an awkward repeating vocal riff that's only slightly less grating for being looped and overlapped. Elsewhere, the dangers of being at a genre\u2019s edge appear to put Jaar in a state of anxiety. He seems worried that we might not notice him breaking the rules. Will the whole project be less bewitching if we were to just think of it as down-tempo neo-soul? You can sense this fear at the halfway mark, toward the end of \\\"Paper Trails.\\\" As if unsure, Jaar calls in the synth pads to bring digitalism back in. They sound thin; regardless, we didn't need them.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=uR0RD8hKXUA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=IsaacSoto\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"For the most part, though, 'Psychic' is an achievement. The insistence on the analog, Jaar's battle against the clich\\xe9s of his medium, produces a rare and seductive lack of clarity. Darkside\u2019s debt to Pink Floyd\u2019s album has no doubt been exaggerated. There is nothing so bright about this record, nothing so angular or prismatic. Sonically, Jaar wants to chisel off the edges, to rediscover something organic, something blurred and unstable. That this is an obsession of the moment makes it no less beautiful. Harrington\u2019s tiny scratches on the guitar strings will remind you that, behind everything, there are skilled hands to take us home.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Golden Arrow\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Sitra\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Heart\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Paper Trails\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. The Only Shrine I\u2019ve Seen\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Freak, Go Home\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Greek Light\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Metatron\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://store.matadorrecords.com/psychic%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://store.matadorrecords.com/psychic\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-darkside-psychic\"},{hz3sj3gFn:\"2013-10-04T00:00:00.000Z\",id:\"FIDmwyvzd\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/HpKRTILi2APgXSHBRKsg25Rqh9s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: MODERAT - II\",lZ2WhlLX5:\"4 OCTOBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=mdbxbOvJpb8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=FACTmagazine\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Moderat is no stranger to the world of electronic music, having already released an eponymous debut album in 2009 to broad appeal. Made up of members from Apparat and Modeselektor, both established acts in the Berlin music scene, such a stellar lineup sometimes confuses expectations as too much association is made to prior acts. With \u2018II\u2019, Moderat carve deeper into the subtle hues that inform the brash minimalism and introspection synonymous with their sound, further cementing the trio of Sascha Ring, Gernot Bronsert and Sebastian Szary as a unique entity.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s questionable whether sophomore-album syndrome exerts its force in quite the same way anymore, and even if it does, Moderat seem to have navigated well away from most of its pitfalls. The 4 years since the first album is a long time in the world of music. We can easily witness the rise and fall of entire movements and trends within even half that time, and Berlin itself exerts its own positive pressure as a cultural capital. To emerge with a new piece of work that is as forward looking as it maintains continuity with what was great before is exactly what Moderat have accomplished with much success and resonance.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Throughout the sum total of the new album, one gets the sense that a path of refinement rather than reinvention was taken. The trio deepened in their ability to transmute the creative tensions rife in their process into moments that transcend boundaries. The swiftly transforming synth beds convey a sense of knowing familiarity and freshness, retaining a human warmth that is becoming more and more fleeting in modern music. After a wistful and stylistic intro piece, Moderat\u2019s first single \u2018Bad Kingdom\u2019 sees Sascha Ring deliver his most powerful vocal performance in the album. Starting out at such an upbeat pace might have been better left for a later part in the album. But nevertheless, the song shines as one of the album\u2019s gems with its funky minimal break-beats and epiphanic recounting of a tale of success gone wrong.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=I1gewNVv1UY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Pitchfork\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"One striking thing about the songs is how listenable they are without being devoid of any sense of a narrative. The elements work together in glorious harmony and one can only wonder how painstakingly dwelled upon they were.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The interplay between the various talents of the trio is apparent, and forceful abrasiveness is implied but the line out of a calm moodiness never crossed. It terms of mood, \u2018II\u2019 is a welcome addition to the recent landscape of electronic music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Let In The Light' presents another laid-back journey into a wash of ambience punctuated by a hypnotic pulse. Its melody is catchy and nodding, and strangely reminiscent of \u2018Crystalized\u2019 by The XX, which one can easily sing over the tune from. Despite the generally downbeat tone of the album, there is no lack of shifts in contrast, one just has to know where to look for them. The passages fleet from pole to pole in intensity, as demonstrated in the track \u2018Milk\u2019, which makes a wonderful backdrop for any kind of involved daydreaming.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In a time when it\u2019s anyone\u2019s guess as to what form the next revival or sound might take, Moderat offers us a possibility that most would be able to derive much from. Sonically traversing the various eras, the trio have stitched together a record that celebrates the tension between underground credos and popular sensibilities. Knowing that no one need squint too hard to find worthwhile moments certainly proves a good thing.\\u2028\\u2028\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. The Mark (Interlude)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Bad Kingdom\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Versions\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Let in the Light\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Milk\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Therapy\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Gita\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Clouded (Interlude)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Ilona\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Damage Done\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. This Time\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-moderat-ii\"},{hz3sj3gFn:\"2013-09-22T00:00:00.000Z\",id:\"t9OpvXALp\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ZlMOfpNuWDFRbgXU4BH68vuZvk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/ZlMOfpNuWDFRbgXU4BH68vuZvk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/ZlMOfpNuWDFRbgXU4BH68vuZvk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/ZlMOfpNuWDFRbgXU4BH68vuZvk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LAWRENCE - FILMS & WINDOWS\",lZ2WhlLX5:\"22 SEPTEMBER 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Behind imprints Dial, Laid and Smallville, Lawrence aka Peter Kersten has been no small contributor to the underground electronic music world. Shaping its sensibilities and culture through the labels' releases, parties and artists, he has been a nexus of influence out of his base in Hamburg. As a producer, he has worked surely and consistently, churning out 6 albums to date and countless singles either as Lawrence, Sten (his techno oriented material), or lesser known projects Lloyd (abstract hip hop) and ambient guitar project called Bordeaux.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"From his eponymous album 'Lawrence' in 2002 to 2009's 'Until Then, Goodbye', the producer and DJ is back with his sixth album effort, 'Films & Windows'. A well-composed gathering of tracks with a consistent vision and mood throughout, the album is the sublime expression of an artist's pursuit of intention and talent. Like all his previous output, this album is another testament to the producer's ear on quality.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Though what should be filed under deep house, the album opens with an ambient film-scorish prelude, 'The Opening Scene', which also sets the tone for what is to come -- a filmic album of soaring possibilities and tender moments brightened with cosmic wonder. Apparently inspired by an endless number of screened movies and real-life films, 'Films & Windows' is pensive and thoughtful.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The album's title track, 'Films & Windows' plays on tambourine shakes, discordant notes and instruments sounding out of tune, creating an atmosphere that is eerie, dramatic yet strangely alluring. The disharmony soon gives way to soaring synths like sunlight flooding in, blanketing the track with a broad stroke of resolution.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Etoile Du Midi' begins quite the opposite. Soaring synths melt away before what was once a harmless kick drum thud becomes the backbone of a chugging, shuffling track. Squeaky accents combine with the subtle tinkling of keys and the occasional modulation and cosmic effect, showcasing the producer's individualism and personality.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"'In Patagonia' and 'Lucifer' would be personally my more club picks of this album, though by any measurement shy of the likes of being 'bangers', depending on your taste preferences. The Kyoto Metro inspired 'Kurama' features the elements of such a ride while staring out a train window -- chugging, percussive, pensive and transient.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The suspenseful penultimate track, 'Creator (Final Call)' alternately builds tension to offer vocal relief before the album reaches its conclusive end. The closing track mirrors the opening and ends the album on an ambient, filmic note. 'Teenage Barb' is a hip-hop-esque piano instrumental with a cosmic synth waving its last goodbyes.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Where modern genre tracks favour straightjacketed formulas and big hooks to capture attention, Lawrence's music shuns the approach, preferring an expressionist style of music with the artist at the centre. Buffeted by an international community of friends, family and fans who feel the same way, there is no want for Lawrence to produce the music he does best any other way.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"01 The Opening Scene\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"02 Marlen\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03 In Patagonia\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04 Films & Windows\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05 Etoile Du Midi\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06 Lucifer\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"07 Kurama\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"08 Angels At Night\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"09 Har Sinai\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"10 Creator (Final Call)\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"11 Teenage Barb\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-lawrence-films-windows\"},{hz3sj3gFn:\"2013-07-29T00:00:00.000Z\",id:\"eKZe_DIZ7\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/027S8xOUmjaziNoRDKWxBsViLM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/027S8xOUmjaziNoRDKWxBsViLM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/027S8xOUmjaziNoRDKWxBsViLM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: BALANCE PRESENTS GUY J\",lZ2WhlLX5:\"29 JULY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"I've been fortunate, to have had the pleasure of reviewing quite a few of the 'Balance' mix packages that have been released thus far and to say the very least, the quality control has not wavered one bit. And on this package, it would seem that the Balance team have upped their game a tad. \\xa0Instead of preparing a traditional DJ mix for the regular series, they've instead chosen Guy J to curate the next entry into the \u2018Presents\u2019 offshoot, following its launch with jozif earlier this year.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"For those who aren't acquainted with the man, or his body of work, Israel\u2019s Guy J is one of the pioneers who helped bring the classic sounds of progressive house together with the cutting-edge aesthetics of modern techno. Growing up, he was immersed in Israel\u2019s dance music culture, and a burgeoning scene that is known the world over for its epic parties. From its own Love Parade to major clubs and radio shows, the country has long been a bastion for underground electronic culture. \u201CIf you looked for it, it was right there\u201D he recalls. But while the country was chiefly known as the world\u2019s chief exporter of psy trance, Guy and his contemporaries have spearheaded an acclaimed new wave of Israeli house and techno music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His work is always touched with a magic and emotion that very few rival. Never one to be pigeonholed, his portfolio is a diverse beast, with releases finding their way onto Tiga\u2019s increasingly eclectic Turbo imprint amongst others. To feature on two labels that are essentially synonymous with two very different scenes is testament to his versatility, and above all, the quality and conviction of his productions.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Handpicked by John Digweed as one of the next-generation stars to be showcased on his Bedrock label, Guy J has been extraordinarily prolific in the studio; a fact that\u2019s reflected in how he approached his entry into the Balance series. And what he\u2019s unveiled for his fans is definitely a treat \u2013 a sumptuously programmed mix that\u2019s comprised entirely of his own productions, remixes and edits. It blurs the line between artist album and mix compilation in the same fashion as Sasha\u2019s Involver series. There's also a heavey 'Northen Exposure' influence about this mix, (minus the 100 minute breakdowns) that were so much a part of the whole 'Epic\\\" and \\\"Progressive\\\" movement that swept the mid and late 90's. But do not make the mistake in thinking that this is a full-on onslaught on progressive house alone. It's much, much more. It's a diverse, luxurious journey.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Indeed, from the opening hypnotic opening vocal refrains of \"No One Gets Left Behind\" by DJ Yellow & Flowers and Sea Creatures into the deep progressive sweetness of \\'Menthol Rage\" by Roger Martinez & Secret Cinema, Guy J deftly weaves his subtle magic building and keeping a groove that pays tribute, not only to the classic essence of the old school but in many delicious ways, merging everything that makes this new wave of progressive\\'s hybrid sound seem like the genre never left itself too far behind the massive steps that house and techno always seemed to take.']}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JWbwWqvihD8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=mfhd\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And once he gets past the funky inklings of Henry Saiz's \\\" Santa Fe\\\" he doesn't waste anytime in taking this mix up into more sensual, melodic dancefloor bliss. It's no wonder that, given the length and breadth of Guy J's deliverance here, that he's hot property on the international circuit today. Given also that many mixed compilations can tend to get too indulgent or at some points, too 'noodly' to some effect, this one just goes straight for the jugular, but keeps an entrancing pace and balance in its track selection and execution, as tracks like the Pezzner remix of Pavel Petrov's \\xa0\\\"Fever \\\" re-edited, by Guy J himself, and weaved and layered with the a cappella of DJ T's \\\"City Life\\\" cause haunting hypnotic mayhem in the mix.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JsRuPfRU_lg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=4chuar\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"And as the mix chugs on, with Dactilar's \\\"Day one\\\", Echomen's \\\"Perpetual\\\" and the seminal \\\"I'm your country\\\" by Guy Mantzur, it's clear that this mix not on bears Guy J's 'John Hancock' but reflects the person that he describes himself to be and what makes him tick: \u201CI\u2019m very sensitive person, so I think what I make is what I feel at the moment I make it\u201D he explains of the deeply emotional qualities of his music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\u201CI started as big fan of trance and progressive, and got exposed later on to techno and house/deep house. I\u2019m trying to put all this together in my music; a bit of everything. The fact that Balance is a such a respected series is what made me want to create something that was a bit more timeless, so it\u2019d be on the same level as their previous releases. I would have given my best regardless of the label, but knowing that it\u2019s Balance meant I had a goal to reach for, and I believe it worked out for me.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Bringing the mix to it\\'s climax with WOW\\'s \"Killa\" and taking it down to scintillating depths with Robert Babicz\\'s \"Duba\", right at the end, \\xa0Guy J has delivered a mix that is diverse as it is euphoric and breathtaking and, one that flows immaculately from start to finish.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"I think today all the genres are mixed, and there\u2019s not much point in putting yourself under any one sound. I\\'m just making house music, and I\u2019m very influenced by progressive sounds, by trance at some points, so I like I mix all that together.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Guy J has weaved 80 minutes of music into what seems like only 10. Sounds like the end of a great night when you stand there and wonder as the house lights come on, \"Now, where did all that time go?\" Balance has delivered, yet again, a compilation that oozes quality. And just to add further to Guy J\\'s accolade, \\xa0there\u2019s the small matter of a release on Cocoon, one of the most highly regarded labels in techno and beyond, and some exciting collaborations in the pipeline with some other inspiring artists. As always with this unique talent, it\u2019s quality, not quantity. Each of his releases is met with a swell of anticipation, and for once in this often over-hyped world, it\u2019s fully justified. Easily, for me, this is mix compilation of the month! Thank you Balance.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. DJ Yellow & Flowers and Sea Creatures \u2013 No One Get Left Behind (Guy J Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Roger Martinez & Secret Cinema \u2013 Menthol Raga (Guy J remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Henry Saiz featuring Fab Morvan \u2013 Santa Fe (Guy J Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. APM 001 \u2013 Migrants (Radio Slave Accapella) (Guy J Edit)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Juan Deminicis \u2013 Once upon a time (Guy J remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Navar \u2013 Phases Of Grief (Guy J remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Pavel Petrov \u2013 Fever (Pezzner mix)/DJ T Ft. Cari Golden \u2013 City Life (Accapella) (Guy J Edit)\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Lanoiraude \u2013 Waitin\u2019 (Charles Webster mix) (Guy J Edit)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Dactilar \u2013 Day one (Guy J remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Echomen \u2013 Perpetual (Guy J remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Guy Mantzur \u2013 I\u2019m your country (Guy J remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. WOW \u2013 Killa (Guy J Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Robert Babicz \u2013 Duba (Guy J Remix)\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-balance-presents-guy-j\"},{hz3sj3gFn:\"2013-07-12T00:00:00.000Z\",id:\"iJZNuAfAx\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/AxJIPKaTlb4OjQTULc9aRFHIpM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/AxJIPKaTlb4OjQTULc9aRFHIpM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/AxJIPKaTlb4OjQTULc9aRFHIpM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/AxJIPKaTlb4OjQTULc9aRFHIpM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: AVNEESH\",lZ2WhlLX5:\"12 JULY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Mauritian/Martian Avneesh joins our showcase tonight. Find out more about the multi-tasking music lover and man behind underground outfit electrocaine who not only lives and breathes music, but shares it with the world through his various projects and manifestations. Enjoy this one.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Hometown:\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"The exotic island of Mauritius\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Astrological sign:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Virgo, perfectionist they say. It's more like not being able to finish things on time. Haha :D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who is Avneesh? Tell us a little about what you do. (It's alot!)\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm a graphic artist/designer living in Singapore and been here since 2004. I also one half of electroca\\xefne in Singapore. I manage projects from web, print to video for electroca\\xefne both in Mauritius and Singapore. On the side I love finding new music and collecting music on a daily basis if possible. And yeah, create mixes to share with people and more than happy if I get to do that live. While doing so, I keep finding new talents and guest acts for the electroca\\xefne podcast also. I do live visuals and pretty lights in clubs and parties. I guess there's quite a few more things going on but I'll say I get myself involved in everything that touches sound and visual arts.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who are some of your musical heroes?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"There's so much people but here's a few just on the top of my head:\",/*#__PURE__*/ _jsx(\"br\",{}),\"Kurt Kobain\",/*#__PURE__*/ _jsx(\"br\",{}),\"Yann Tiersenn\",/*#__PURE__*/ _jsx(\"br\",{}),\"Kenny Dixon Jr\",/*#__PURE__*/ _jsx(\"br\",{}),\"Fourtet\",/*#__PURE__*/ _jsx(\"br\",{}),\"Modeselektor\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Some favourite labels:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Ninja Tunes\",/*#__PURE__*/ _jsx(\"br\",{}),\"Warp Records\",/*#__PURE__*/ _jsx(\"br\",{}),\"50Weapons\",/*#__PURE__*/ _jsx(\"br\",{}),\"Ostgut Ton\",/*#__PURE__*/ _jsx(\"br\",{}),\"Hessle Audio\",/*#__PURE__*/ _jsx(\"br\",{}),\"Perlon\",/*#__PURE__*/ _jsx(\"br\",{}),\"Roul\\xe9\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe your DJing style:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Everyone who asks me this, I always answer the same thing as I think it the core of DJing. I describe it as storytelling. You need to be able to bring someone on a journey and get their attention all the time. Just as if you're reading a story to a kid, if the kid sleeps or walks away, you've lost. There's also no genre boundaries for me, only good music and I try my best to get the best cuts independent of style. It's all about the groove.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Best gig to date:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Sound of Filaos 2012, Mauritius. It's an annual party electroca\\xefne organisers on a island outside mauritius with help of friends in mauritius. Last year's party was off the hook with a great attendance and amazing response from the crowd.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"If you could change one thing about the industry?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"The industry keep changing to the new digital age. To me, digital music should be free or something of that kind. This is something that would change the DJ scene completely. It's slowly going that direction now. Most biggest releases are going back on records. The physical item should be the one that you're able to purchase.\",/*#__PURE__*/ _jsx(\"br\",{}),\"The digital age has brought up a lot of DJs as the music is so easily accessible and wether you want it or not, people will keep pirating it. So yeah, I'm for more vinyl releases.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Where do you find your inspirations?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I live and breathe music I guess. Music is the main part of my life/job. But I would say the inspirations comes from the wide library music I'm lucky to have which keeps growing daily.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is one common misconception about you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"People often tend to pigeon hole me to one specific genre here which has its pros/cons. It's always good to surprise people. And oh, everyone thinks I'm 16 years old. Haha\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Mauritius vs Singapore?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's totally 2 different worlds. Different people, different mindset. I would choose Mauritius though over Singapore. People are more open in a way to the music you play. That is because the music scene is still growing and people tend to accept more and there's more outdoor parties. In Mauritius, you can just decide to make a party and get it done in a few days with easily 100people and rocking with a sound system on a beach.\",/*#__PURE__*/ _jsx(\"br\",{}),\"I think also, the money part plays also. Removing that aspect, everyone is at the same levels. No judgements, just good vibes and music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Last song I downloaded:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Omar S - Just ask the lonely\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"First vinyl I bought:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Wow, that's a while back. It would have to be some random record back then. More like I had to start somewhere. I can tell you which record back them meant the most to me:\",/*#__PURE__*/ _jsx(\"br\",{}),\"It's a limited pressing of Massive Attack - Teardrop (Minilogue remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Last vinyl I bought:\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Vinalog - Frames (Thanks to Jeanne Roboh for that)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"My teenage obsessions:\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I loved my bicycle. I would use all my pocket money to get something for it, like even if i didnt need to.\",/*#__PURE__*/ _jsx(\"br\",{}),\"And the second one would be, how would you say, fishes? I used to have 2 aquariums I think.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite city in the world:\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I havent seen it all but yeah, for the music, it would definitely be Berlin.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Song to play at sunset:\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Francois K - Awakening\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=9OFPjAP3SxA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=deepin93\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Song to play at sunrise:\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Bob Marley - Roots Rock Reggae (any Bob actually would do, but that one is my fav) \",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Point us to a YouTube/Vimeo link:\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=9TnqY-OwJr0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=electroca%C3%AFne\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you for Midnight Shift?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Well, I've been by the side of Midnight Shift from the start I can say and Midnight shift is always been\",/*#__PURE__*/ _jsx(\"br\",{}),\"forwarding thinking and breaking boundaries, bigger and bigger I have to say. It's an honor to be able to helm the decks for their showcase. I would say to take whatever you expect from an amazing night and forget about it. I like the element of surprise and unexpectation. It's the best when you receive something unexpected, you can't describe the happiness and joy :) So I'll do my best to serve you my best findings and cuts from old to new.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/avneesh/mnsjuly13\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Kerri Chandler - Mommy What's A Record\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Laszlo Dancehall - Ain't No Time\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Roland Nights - Breezin'\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Jerome Sydenham - Ecoute!\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Jack Fell Down - Brothers and Sisters\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Panos & Sentaza - French 75 feat. J.Expo (LEFTWING & KODY Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Icarus - Like I do\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. The 2 Bears - Work It Out (DJ Sneak Dub)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Quell - Right\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Julien H Mulder - Old Rutins\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Alden Tyrell & Gerd - Luv Thang\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Deetron - Character\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Serge & Tyrell - Pump-O-Matic\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Spoork - Freek Like Me (Doorly Freak-Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Cosmin TRG - Sommer\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Dexter - Thing\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Hound Scales - Surrender Dorothy\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Romanthony - Let Me Show You Love (Gerd's Crooklyn Full Vox Mix)\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/avneeesh\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"https://www.facebook.com/avneeesh\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/avneesh\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/avneesh\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Label Showcase feat. Terrence Parker\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"Fri 12 July 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/290279754450972/?fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/mnstparker2013\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-avneesh\"},{hz3sj3gFn:\"2013-07-11T00:00:00.000Z\",id:\"j171Zx6sS\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/VXUdc0VOdgtL897paoaNDBo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/VXUdc0VOdgtL897paoaNDBo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/VXUdc0VOdgtL897paoaNDBo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/VXUdc0VOdgtL897paoaNDBo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: SHIGEKI\",lZ2WhlLX5:\"11 JULY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"img\",{alt:\"\",className:\"framer-image\",\"data-framer-asset\":\"data:framer/asset-reference,5uE5ejDMTybtF86grPzP0vgyYe8.png\",\"data-framer-height\":\"249\",\"data-framer-width\":\"164\",height:\"124\",src:new URL(\"assets/5uE5ejDMTybtF86grPzP0vgyYe8.png\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,style:{aspectRatio:\"164 / 249\"},width:\"82\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"From Japan to Sydney and Singapore, Shigeki has been in the circuit since 1999, carving his unique sound between deep, soulful, progressive, tech house, nu-disco and chillout. Now part of a dynamic duo dishing out the business every Friday with Brendon P, Shigeki will be showcasing his Samurai skills at kyo for the Midnight Shift Label Showcase featuring Terrence Parker.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Hometown:\"]}),\" Nagoya, Japan\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Astrological sign:\"}),\" Cancer\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What would be your claim to fame?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I have deejayed in all kinds of places - bar, club, gym, church, theatre, hotel, shopping mall, park, beach, boat, cruise ship, warehouse, etc.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What would you say your style as a DJ is?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Versatile and unique between deep, soulful, tech and progressive house, nu disco, classic disco and chillout. I'm big on music with melodies and \\xa0because I used to play the violin when I was a kid and it makes me happy when I hear beautiful chords or harmony.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you get into DJing?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I bought my first decks back in 1998 before I left Japan and learned how to deejay by experimenting and making errors. Once I gained some confidence, I recorded my sets and shared them with my friends. My first gig came from someone who heard one of these mixes by chance and it was in a gym. Back then I didn't have a fancy flight case to carry my decks so I stacked them in a suitcase and wheeled it carefully every time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Last song I downloaded:\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Kraak & Smaak - The Future Is Yours (Adriatique Illusion Rework) [Jalapeno Records]\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite home-cooked meal?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Sukiyaki and shabu shabu. I like it when the whole family sits around a big pot and enjoy the food together. They remind me of the good times in my childhood even though I often used to fight with my sister when she tried to steal my food.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's your current obsessions?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Prawn Mee from the shop on the corner of Neil Road and Duxton Road. The standard prawn mee soup with the yellow noodles is yummy but I love the one with the white noodles and in the thick white soup. On one occasion I had two servings back to back. It's that good!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe Brendon P:\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Brendon is an incredibly talented deck master with a heart as big as Diana Ross. I'm very fortunate to work with someone whose knowledge of music and deejay skills are inimitable yet who is so humble and supportive. He also has the passion and drive to find and push the latest sounds that's coming out, which I find is very inspiring because there's tons of music coming out every day - both good and bad - and it's not easy to stay hungry all the time. It's been a real pleasure playing back to back with him and building our regular Friday night together at Kyo, and I have a feeling we will be having a lot more fun together.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is one common misconception about you?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Shigeki is my real name. I have had people calling me all sorts of names and even mis-spelling it on event ads, pay cheques etc. Here are some examples: Shitake, Shideki, Shegaykey.. (the list goes on.)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Some of your favourite DJs?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Aeroplane, Joey Negro, Peter Rauhofer. I was very sad when Peter passed away earlier this year because he was one of the DJs/producers I have always admired because of his amazing remixes and dj skills. He influenced a lot of DJs and producers around the world and his legacy and music will live on for generations to come.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite labels?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Get Physical, Kitsune, Toolroom.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Digital or Vinyl?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Digital since 2005.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Crowd teaser or crowd pleaser?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It depends on the type of gig I'm doing. I can be a crowd teaser when I'm playing a set in a club as I try to move between a few different styles to keep the set interesting and unpredictable. On the other hand, I would go all the way to please the crowd if it was like a wedding or someone's birthday party.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"5 secret weapons?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I'm a samurai and don't share my secrets. Lol\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"If you could change one thing about the industry\u2026\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Less EDM sound and more music with good melody and soul.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we look forward to for your Midnight Shift performance?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Between Terrence Parker, Avneesh, Brendon and myself you can expect to hear the whole spectrum of house music and we will keep you dancing and smiling until very late.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. Kraak & Smaak - The Future Is Yours (Adriatique Illusion Rework) [Jalapeno Records]\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Inkfish - Change (Original Mix) [Inkfish Recordings]\",/*#__PURE__*/ _jsx(\"br\",{}),\"03.1. Artful & Ridney - Missing You (Instrumental) [Extra Dry]\",/*#__PURE__*/ _jsx(\"br\",{}),\"03.2. Seal - Killer (Acoustic) [Warner Bros]\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Riva Starr feat. Rssll - Absence (Adam Port Remix) [Snatch! Records]\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Moon Rocket - White Flowers (Moon Rocket's Ristretto Mix) [Salted Music]\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Deeplomatik -\\xa0 Better House (Original) [Salted Music]\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Submotion Orchestra - Thinking (Mark Knight Remix) [Toolroom Records]\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Amirali - Melancholia (Original Mix) [Crosstown Rebels]\",/*#__PURE__*/ _jsx(\"br\",{}),\"09.1. Ridney - It's Over (Original Mix) [Great Stuff Recordings]\",/*#__PURE__*/ _jsx(\"br\",{}),\"09.2. Blackbox - Everybody Everybody (Rockapella) [Seven Inch Records]\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. The Revenge - Maia (Original Mix) [My Favorite Robot Records]\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/djshigeki\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"facebook.com/djshigeki\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.djshigeki.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.djshigeki.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.soundcloud.com/shigeki\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"soundcloud.com/shigeki\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/shigeki/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.mixcloud.com/shigeki/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Label Showcase feat. Terrence Parker\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"Fri 12 July 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/290279754450972/?fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/mnstparker2013\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-shigeki\"},{hz3sj3gFn:\"2013-07-08T00:00:00.000Z\",id:\"QknXe2NOu\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/dVvtW9RyPr60eHRlNgBPTmVPY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/dVvtW9RyPr60eHRlNgBPTmVPY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/dVvtW9RyPr60eHRlNgBPTmVPY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/dVvtW9RyPr60eHRlNgBPTmVPY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: BRENDON P\",lZ2WhlLX5:\"8 JULY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Brendon P needs no introduction. A stalwart of the Singapore scene (also reviewer for this blog), DJ for 33 years and with productions on labels such as Los Grandes, Love International Records, Rawjak, Reversoulmusic, Eclasia, Audio Parallax and In The Woods, BP has mentored whole generations of DJs while continuing to rock dancefloors around the island with his encyclopedic knowledge of burners. Catch him this Saturday for the Midnight Shift Label Showcase featuring Terrence Parker.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When and where was the mix recorded?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I recorded it live in one take at the Pop Trash DJ Studio late one night, almost got locked in the building too, had to wake the guards up to let me out..... oops. Anyway, it's a combination of some of the newer tunes that I totally enjoy, combined with a few current updates of a few classic tunes that we play on our Friday nights at kyo, I hope you'll enjoy it as much as I had putting it together.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe your dream gig and the music, people involved\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Well, ideally it would probably be in the new \\\"Output\\\" in Brooklyn (as I do love New York City to bits, and have great respect for Nicolas Mattar and what he's been doing in pushing it forward there). A close second being Panorama Bar in Berlin (ha ha, I think I'm dreaming a tad too 'big' here eh?) Ideally I would love my closest friends and the people that I hold dear across the globe to be there - but I don't think the promoters would fly them ALL up. Musically, it would be, errmm...interesting.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What would you say your style as a DJ is? What about the music that you make?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I've been DJ'ing close 33 years now, and, I'm a Gemini, which means that I grew up with a wide spectrum of music, and also, that there's two sides to me, and both sides love a wide variety of music 'styles' so I'd rather let myself just play and let the 'evil twin' out every now and then. I don't like staying to just 'one' particular genre really, unless the party, or club, itself deems it so. As for what I make, hmmm...I suppose what ever ideas I have that come to me at the time and what I've always challenged myself to do, but never really got down to doing. It normally gets a little crazier when the evil twin nudges me around.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is one common misconception about you?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Several actually, that I'm 'moody' and that I'm gay being the bulk of them. I don't really mind or care actually, because I do have quite a few very close gay friends, and, to some extent, 'moody' keeps the douche-bags at arms length, most of the time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite movie?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Of all time? Jaws, definitely! Stephen Day will attest to that. We almost got security in a club racing towards us, because we were re-enacting a scene from the movie, and they thought we were about to pick a fight with each other. I'll let you figure out which 'scence' it was though...Hilarious!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite city in the world?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Well, New York actually, still, for now. These days I'm keeping my options open until I get around a little more.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Last song I downloaded:\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The Todd Terje remix of Bryan Ferry's 'Don't Stop The Dance' - he's done his 'Dolle Jolle' thing again. Interesting.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe Shigeki:\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"He's probably one of the best co-residents I've ever had the pleasure of working with. He's humble, honest, knowledgeable, considerate, confident, and very skilled at what he does, and is always willing to learn new things too. And I like it that we are both very self-critical and always want to do better in our craft and in our work, and just to be better people as we grow, and enjoy our work too. Our styles are pretty different in some ways, but we flow very well between our respective sets (so I've been told, by a few people). That's not easy to find these days, really.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"A musician/persona that you admire? Why?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Oh, I've always admired Stevie Wonder in many ways. He's blind, but plays almost every musical instrument that I can think of, and wrote the most simple, and yet thought provoking songs ever (save 'I just Called to Say I Love You' which is probably one of the few Stevie songs that i REALLY DON'T LIKE) When I lost the hearing in my right ear, his disability was the inspiration that I drew from to continue doing what I do and just moved along. Prince and Marvin Gaye would tie in for a close second.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What were some highlights of your career to date?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Well, this year, there's been the 'Training Shed' gig, that was totally 'off the hook' and probably one of the best reactions I've had in Singapore in a long, long time. The recent Wax-On-Wax-Off party at Loof was really fun too. And. of course, there's my current Friday night residency with Shigeki at kyo that I'm enjoying thoroughly.\\xa0 I suppose you could add playing 6 hours all on my own to a full house in Cielo in New York in 2010 as another one of them, and that Midnight Shift party with Argy at Velvet in 2011 was rather awesome as well. All the DOOMPH parties, as well as my respective residencies at NOX, Zouk and Velvet too. Those are the one's that come to mind the most.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"If you could change one thing about the industry...\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It'll be the bitching and backbiting by some of the 'holier-than-thou' DJ's and promoters who claim that they're trying to make it 'better' but are actually creating a more elitist and segregated environment. STOP BITCHING and START DANCING, and having fun again...and maybe we'll all get somewhere together...eventually. Also the government's archaic policy of not granting licenses to the more forward-thinking bars to allow DJ booths and DJs playing in them. How cheesy Karaoke bars and seedy nightclub's get their 'Class 1' licenses approved so easily is beyond me and reflects a great deal on the lack of savvy and foresight of the country as a whole.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"As a teenager, I worshipped:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"GOD, I still do =) for all other earthly beings, there's my Parents, Siblings, Depeche Mode...and Prince!\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we look forward to for your Midnight Shift performance?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Well, Shigeki and myself are on warm-up duties that night, so we'll be playing back to back from 10-30 pm. We're not going to take it too far over the edge, but expect a set that's very 'us'; lots of groovy energy, funky and quirky moments - the dancefloor will be the best place to experience it.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Movement - Feel Real (Morgan Geist Remix) [Modular Records: June 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Deetron feat. Ovasoul 7 - Out Of My Head (Original Mix) [Music Man Records: Apr 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Clayton Steel - Passion (DJ T Remix) [No. 19 Music: Mar 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. KiNK & Sierra Sam feat Hollis P Monroe & Overnite - My Space (Black 80's Home Studio Mix) [Upon You Records: May 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Tiga & Jori Hulkkonen - Trust Your Body (Original Mix) [Turbo Recordings: May 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Apollonia - Visa Americain (Original Mix) [Apollonia: July 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Quell - Them Crowd Kids (Original Mix) [Ibadan: June 2013]\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Romanthony - Ministry Of Love (Andre Crom 2013 Remix) [Glasgow Underground: June 2013 - Original Version released on Azuli Records, 1995]\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Brotherhood Of Soul - I'll Be Right There (Hands In The Air Dub) [Strictly Rhythm: 1995]\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Mood II Swing - Closer (Fred Everything & Oliver Desmet Remix) [Amenti Music: Apr 2008 - Original Version released on King Street Sounds, 1994]\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. George Morel - Let's Groove (DJ T 2013 Remix) [[Get Physical Music: June 2013 - Original Version released on Strictly Rhythm Records, 1996]\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/djbrendonp\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"facebook.com/djbrendonp\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Artist%20Interview:%20Brendon%20P/mixcloud.com/brendon_p/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"mixcloud.com/brendon_p/\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/brendon-p-2\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"soundcloud.com/brendon-p-2\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Label Showcase feat. Terrence Parker\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"ky\u014D\",/*#__PURE__*/ _jsx(\"br\",{}),\"Fri 12 July 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/290279754450972/?fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/mnstparker2013\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-brendon-p\"},{hz3sj3gFn:\"2013-06-19T00:00:00.000Z\",id:\"UnWFU_67_\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/whRsiH76EqOc6PlUBLWWGw6TE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/whRsiH76EqOc6PlUBLWWGw6TE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/whRsiH76EqOc6PlUBLWWGw6TE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/whRsiH76EqOc6PlUBLWWGw6TE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ULTRADEMON - SEAPUNK\",lZ2WhlLX5:\"19 JULY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"As leader of the seapunk movement, Ultrademon aka Albert Redwine aka Fire for Effect based in Chicago releases his first full length album under Fire For Effect Records (a subsidiary of Rephlex Records, started by Aphex Twin). Also a Midnight Shift artist and owner of his own label Coral Records Internazionale, Ultrademon has been stirring controversy and commotion with names like Rihanna and Azealia Banks thrown in the mix. The crux of it is how seapunk has been co-opted and commercialised by the music industry without giving props to its proper founders: Ultrademon and his sidekick, Zombelle.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For more on the seapunk wave, you can refer to articles written \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.guardian.co.uk/music/2012/dec/14/seapunk-has-now-gone-pop\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.chicagoreader.com/chicago/seapunk-twitter-tumblr-ultrademon-zombelle-molly-soda/Content?oid=5389539\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\" and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.interviewmagazine.com/culture/zombelle-ultrademon-seapunk\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\", and the H\u2206SHTAG$ video series by Red Bull Music Academy. But for now, let's dive into the music.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DRtR_mEUiXE&ab_channel=RedBullMusic\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"This album, from start to finish, is quite a ride with lots of fun. On first listen, its unabashed youthful energy and apparently short attention span might put off the serious, high-brow listener, but give it a chance to refresh your senses and let you get acquainted with an entirely imaginary world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album has a mix of energetic numbers such as 'Dolphin', 'The Bayou' and 'Bahrain' and more pensive tracks such as 'Rare', 'Dreamo' and 'Post Solstice'. Like the deep blue sea that can be tumultuous in a storm or calm before one, this album flows well like a DJ mix. While some artists prefer to cover and mask their inspirations, Ultrademon is unafraid to show in full technicolour what he is influenced by: the sea, dolphins, 8-bit, computer games and acid. This album is afterall an amalgamated expression of who he is and what he stands for; an uniquely hybrid product borne out of modern living in a virtual world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The first track, the self-referential 'Chatroom with Enya', puts the entire album in the author's context. Directly addressing the seapunk genre, chatroom style, it marries cheeky vocal drops with a bass house formula, soaring to a sweet climax before falling back in line.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The next wave is followed seamlessly by 'Rare', reminiscent of deep house but rescued by Ultrademon's distinctive bloopy beats. Next, 'Dreamo' goes deeper still into the chillout realm, with decaying soaring synths taking one to somewhere lost at sea.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=28qKa3PxFrg\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"One of the more unique tracks in storytelling is 'Bayou'. Changing its beat structure several times over the track and with an overly emotive synth sounding like dolphins crying, it manages to pull the heart strings and keep the mental faculty entertained with a simple vocal chop going: \\\"What can I say?\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Post Solstice' is an all-out epic number that would not be out of place at sunrise, or used in a car commercial. The layered melodies playing out over and on top each other repeatedly is even breathtaking. Admittedly, 'Post Solstice', the height of the album, may be my favourite track here.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"After this middle repose, the album leaps into frenetic footwork, dubstep territory, with tracks like 'Bahrain' and 'Spun' as standouts. The former with its big room house leanings and the latter for its well-executed melodic computer game samples. The finale '1996' brings the album to its rightful closure, showcasing Ultrademon's knack at pulling together various influences from RnB to trap into a coherent whole.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=38djxZtCZDU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=jasondonervan\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Emotive, self-referential, fun and undeniably talented, this album should not be cast away. Outwardly colorful packaging and distractive sideshows aside, careful listening and deeper digging reveal a sensitive artist wanting to be heard and make a difference.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Chatroom With Enya \\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Rare \\xa0\\xa0\\xa0 \\xa0\\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Dreamo\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Dolphin \\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. From Birth \\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. The Bayou \\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Post Solstice \\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Yr Own Personal Demon\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Shoved\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Bahrain\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Spun\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Beached Marauder\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. 1996\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/cds/674126-ultrademon-seapunk\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/cds/674126-ultrademon-seapunk\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Listen to Midnight Shift Podcast 009:Ultrademon\"}),\" or read his exclusive interview \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/98/Artist%20Feature:%20Ultrademon\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/midnight-shift/midnight-shift-podcast-009\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-ultrademon-seapunk\"},{hz3sj3gFn:\"2013-06-19T00:00:00.000Z\",id:\"oGL_cj6P_\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Q4EK5Ra5k24SQCANZ1onMmUVbI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Q4EK5Ra5k24SQCANZ1onMmUVbI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/Q4EK5Ra5k24SQCANZ1onMmUVbI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: VAKULA - YOU'VE NEVER BEEN TO KONOTOP\",lZ2WhlLX5:\"19 JULY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Sometimes, little treasures come in small packages. And at times, from the strangest of places. It's been no secret that Eastern Europe has yielded a vast array of musical talent over the years. Many that never even make the 'mainstream' whispers of even the underground or experimental journalistic cosa nostra, that we all know so well, pride themselves in their revelatory discovery of fresh artists, scenes and sounds. Thankfully, this little treasure has been on their radar for a while now; since 2008, after the release of his EP 'Night In Konotop City' on the British Deep House label Quintessentials.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Mikhaylo Vityk's\\xa0 association with Edinburg-based label Firecracker can be traced back to late 2010 actually with his Firecracker EP #5, released on ten-inch vinyl with tracks like 'Black and White', 'Skit', 'You Can Do' and 'Different Tone'. His body of work since, has included singles and EP's on labels like Archipel (the 'Slavic Mythology' EP in 2011), Shevchenko (which released the singles 'Dub As Always', You Cannot Resist' and\\xa0 'Mama Said Go Slow', also in 2011), Downbeat Black label,\\xa0 Soundofspeed, Unthank and 3rd Strike Records, just to name a few. He\u2019s also put out a number of full-lengths under assumed names. Last year\u2019s The 13th District arrived under the Vakula alias, and he also found time for an eponymous LP as Vedomir.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With his first long player for Firecracker, under the guise of Vakula; a patriotically heroic character from a Nikolay Vasilievich Gogol book 'Night Before Christmas' (a Russian and Ukrainian classic), Mikhaylo pays a loving musical tribute to his hometown of Konotop. For those who never been there, and that includes myself, Konotop is a city in northern Ukraine located around some 129 km from Suny, the Oblast capital. And to over-zealous double-O-seven buffs, the place that the first Ukrainian Cossacks made their base in the beginning of the 17th century.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Anyway onto the album itself. It features twelve unreleased tracks recorded over the last four years, and will be Vityk\u2019s first album under his most famous nom de plume.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Not known to many, Eastern Europe itself has always had a thriving little Jazz scene, something I realized when I picked up a Jazzanova compilation called Romanian Jazz in 2007. And, it's obvious that with Vityk's work on this album, its influence, along with his love for Ukrainian folk melodies, is significant. Coupled with his love for classic Ukrainian literature and movies and his love for nature as well (\\\"My best friends in Konotop are trees, fields, rivers\\\"), as Vakula,\\xa0 Mikhaylo Vityk has crafted a gem of an album.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/firecracker-recordings/vakula-jazz-mutants-mp3clip?in=firecracker-recordings/sets/vakula-youve-never-been-to\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"From the opening Skit sound of a key in the door and the opening and closing of it, in general, someone coming home, 'Jazz Mutants' starts the album out proper with it's strange cosmic, and hypnotic reverberated bass-driven groove. 'New Romantic' takes the listener into more familiar Vakula territory, keeping much of that sweet cosmic flow about it, punctuated delightfully by swirling, arpeggiated and jazzy synths that eventually break into melodic bliss towards the end. 'We Have Soul' continues pretty much in the same vein before the percussive deepness of the album dub of the previously released, 'Mama Said Go Slow' simmers things out a little for the mellower delights of 'Sleepy Vision' and the cosmic ambience of 'Hope Soon To Be There' to come through and soothe the senses, before barking dogs (yes, you heard me right) take the 'stage' in Skit #2.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"'In My Head' is a haunting little slow burner that again breaks into a swirling, almost, beatless, sequence of racy synths and warm pads that fade and descend into a an almost suspenseful, somewhat sinister sounding bassline before 'Was' takes the groove further into deep cosmic territory.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Skit #3 almost sounds like Mikhaylo's had a Jamaican friend over for tea. And what follows, is the lusciously deep 'For Juju & Jordash',\\xa0 seemingly produced in homage to Amsterdam-based duo Juju & Jordash.\\xa0 It is stellar broken, almost ping-ponged crazed drum programming that eventually breaks down into a 4/4 thump a little after the halfway point and breaks down even further into that haunting cosmic beatless lush rush of swirling warm synth-work.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"'Exp Techno' unleashes a groove that would make even the great Kenny Dixon Jr or Larry Heard weep in audacious joy in its almost cinematic ode to the genre, one word here...LUSH ! Before he hits you with his final Skit, Vityk drops another tribute, and another hypnotic stunner it is.\\xa0 This tribute, this time is probably the most important one on the album, a tribute to his own home town of Konotop.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"I get inspiration walking in my hometown, it fills me\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album ends on an upbeat note with 'Still Time'. And just as it began its magical mystery tour through the city of Konotop, it finishes; deep lush, and cosmic.\\xa0 It's clear that on this album, Vityk pushes it as far as possible, combining elements of Jazz, Ukrainian folk melodies, esoteric cryptic rhythm patterns, field recordings, interludes and overgrown organic effects hidden beneath acres of cosmic murk. It's a sound that's all his own, no question here, and one that's significantly different, replicating an analogue sound from the golden age of house and techno.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Another interesting treasure to note on is the album artwork by House Of Traps.\\xa0 Hand-pulled silk screen artwork and all there in a triple-pack pressed on 180G 12\\\" Vinyl, packaged lovingly in a double gate fold sleeve.\\xa0 It's obvious that they've put an enormous amount of care and love into this package. Add this not just to your shopping cart if you can, but to your quest for life, art and spiritual development.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"A1. Jazz Mutants\",/*#__PURE__*/ _jsx(\"br\",{}),\"A2. New Romantic\",/*#__PURE__*/ _jsx(\"br\",{}),\"B1. We Have Soul\",/*#__PURE__*/ _jsx(\"br\",{}),\"B2. Mama Said Go Slow (Album Dub)\",/*#__PURE__*/ _jsx(\"br\",{}),\"C1. Sleepy Vision\",/*#__PURE__*/ _jsx(\"br\",{}),\"C2. Hope Soon To Be There\",/*#__PURE__*/ _jsx(\"br\",{}),\"D1. In My Head\",/*#__PURE__*/ _jsx(\"br\",{}),\"D2. Was\",/*#__PURE__*/ _jsx(\"br\",{}),\"E1. Exp Techno\",/*#__PURE__*/ _jsx(\"br\",{}),\"E2. For Juju & Jordash\",/*#__PURE__*/ _jsx(\"br\",{}),\"F1. You've Never Been To Konotop\",/*#__PURE__*/ _jsx(\"br\",{}),\"F2. Still Time (Album Dub)\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-vakula-you-ve-never-been-to-konotop\"},{hz3sj3gFn:\"2013-05-21T00:00:00.000Z\",id:\"vTycUcqlS\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/qlefRW342W3iGQuAVBfYJ7QsM8.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: OLIVER DEUTSCHMANN - OUT OF THE DARK\",lZ2WhlLX5:\"21 MAY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A regular on the Berlin circuit, Oliver Deutschmann recently made his Singapore debut at Gillman Barracks, a former colonial era army compound now serving as a hip go-to venue for the arts. I managed to catch a glimpse of him there before writing this review and he did not disappoint. His recently released full-length artist album \",/*#__PURE__*/ _jsx(\"em\",{children:\"Out of the Dark\"}),\" seems long overdue after a succession of releases on Vidab and Falkplatz among others. But is it worth the wait?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/oliverdeutschmann/oliver-deutschmann-live-super\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This Detroit influence-heavy album starts off with \u2018Fever\u2019 and its long endlessly evolving synth notes punctuated by snappy rim shots which would later on become a theme of sorts for many of the tracks that follow. One of my favourites on the album, \u2018Junglo\u2019 is a welcome surprise with a driving 3-note rhythm that etches into your mind long after the headphones come off. This track is also testament that you don\u2019t need a breakdown in the tradition sense to keep listeners riveted.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/oliverdeutschmann/oliver-deutschmann-fever-vidab\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And then we have \u2018New World Order\u2019, a serviceable number that harkens back to his early housier sounds with its ghostly 808ish claps and toms but midway descends into a cacophony of dissonant sounding basslines, chord changes and a processed voice repeating an unrecognisable mantra. Unfortunately, this feels like a track that tries to be too many things at once.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=1sNdVwEdRqQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TheQuentiZoa\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Thankfully though, \u2018Sadness Descends\u2019 displays a fair bit of Oliver\u2019s flair for melancholy with stabby synths amidst a backdrop of what sounds like sea lions crying\u2026Well whatever it was, it does a fine job of conveying a stark and moody atmosphere.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A curious addition is \u2018Siem Reap\u2019. This 2013 refresh of the 2007 original is more or less identical to its predecessor. Perhaps it was given extra shine and polish with new studio facilities that Oliver and long-time collaborator Tomas Svensson built that facilitated the making of this album. Bouncy rolling kicks, sharp crisp hi hats that give way to haunting bells are the results of this makeover. Clearly having the right tools at your disposal does make a difference, and none so apparent than in the track \u2018Die Tief\u2019 or \u2018The Deep\u2019 if Google translates it correct. The aforementioned snappy rim shots make a giant comeback here. Clever drum programming makes for what would seem to be a clusterfuck of drum hits into a well-orchestrated ensemble. Subby basslines catch you unawares midway through and leaves you wanting more in its wake.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=t8nubIH0ZZ4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=the29novTHEATER\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Space Desert\u2019 is a wonderful ode to the classic poly-synth sounds of the Jupiter and Juno immortalised in 80s sci-fi films such as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Bladerunner\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/oliverdeutschmann/oliver-deutschmann-space-1\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Darkness Falls\u2019 failed to impress though, especially with its overly loud processed vocals that first made its appearance in \u2018New World Order\u2019. \u2018L.O.V.E.\u2019 however, doesn\u2019t manage to pick things up in spite of some impressive big rumbly kicks, there\u2019s a weird panning of the rim shots to the right to which I never fully appreciated the purpose of but that is soon forgotten as jarring drone sounds start to fill up whatever scant space that\u2019s left. \u2018They Bleed Glitter\u2019 fails to register any long lasting impression on me, and ends up feeling like watching the credits roll after a movie.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=dQx6wRaWSC4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TheQuentiZoa\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For what it\u2019s worth, this album is an excellent showcase of Oliver\u2019s deep repertoire and what Vidab as a label has to offer. It has its hits and misses but fans shouldn\u2019t be disappointed. Also \",/*#__PURE__*/ _jsx(\"em\",{children:\"Out of the Dark \u2013 Remixes\"}),\" is out now featuring three of my more favored tracks on the album. Check it out.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Fever\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Junglo\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. New World Order\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Sadness Descends\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Siem Reap 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Die Tiefe\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Space Desert\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Darkness Falls\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. LOVE\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. They Bleed Glitter\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/oliver-deutschmann-out-of-the-dark/2161395-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/oliver-deutschmann-out-of-the-dark/2161395-02/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.vidab-records.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.vidab-records.com/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-oliver-deutschmann-out-of-the-dark\"},{hz3sj3gFn:\"2013-04-18T00:00:00.000Z\",id:\"AKaB6ThF1\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/scSpn5Zagc0I1wBoPeT2vwBS6M.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: TRAVERSABLE WORMHOLE - VOL. 6-10\",lZ2WhlLX5:\"18 APRIL 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=UDg9HL-5F6w&ab_channel=FWDdotdj\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The name Traversable Wormhole first appeared on the scene in the spring of 2009, stamped onto an anonymous series of white label techno 12\u2033s. These dark tracks designed for the dancefloor were quickly picked up by big time techno DJs, thanks in part to the obscurity of their source.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"By 2010, following a conversation with Chris Liebing at Berghain (the club was the inspiration behind Traversable Wormhole\u2019s music), the mysterious moniker was revealed to be none other than that of Brooklyn-born techno veteran and vocal industrial proponent, Adam Mitchell aka Adam X.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A series of remix 12\u2033s were subsequently issued on the CLR label (as opposed to Adam X\u2019s own Sonic Groove label), with contributions from heavyweights like Surgeon, Terence Fixmer and Marcel Dettmann. Along with this, the first five volumes of Traversable Wormhole 12\u2033s were released as a full length mixed compilation in 2010, leaving an indelible mark on the techno scene \u2013 one laden with dark, sci-fi brilliance.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This month will see CLR putting out Traversable Wormhole\u2019s last five 12\u2033 releases, from Vol. 6-10 (originally issued between 2010 and 2012). Like Vol. 1-5, the collection will consist of 10 tracks mixed by Adam X himself, one of which is \u2018Negative Energy Density\u2019 \u2013 reminiscent of the lovely tripped out affair that was Superluminal from Vol. 3, but with a whole lot more reverb and metallic-sounding elements.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=1oN3F0SzGOE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=justeltech\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Four Dimensional Manifold\u2019 starts off sounding like a right stomper, then segues into a welcome steady hammer-strike, akin to what you might hear in Kutiman\u2019s \u201Cindustrial\u201D music experiment for the Craftsman line of tools (made solely with actual tools). Rolling, warping bass and space sounds complete the subtle build of momentum on this unconventional third track. The gothic synths on the offbeat, syncopated opening track that is \u2018Centauri Dreams\u2019 on the other hand, could definitely run as an alternative soundtrack over the tech-noir backdrop of Blade Runner.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Subliminal Warp Drive\u2019 is a relentless driving groove, punctuated by industrial stabs and sound effects that make you think assembly lines rather than world lines, all overlaid with plenty of white noise and reverb. Speaking of which, track 6 is one to get lost in as it takes you through four dimensional spacetime with its deep, dark, 4/4 vastness. Just add a darkened club floor and a blue light tunnel.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=4OGSZMWkRxQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=0AntN\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pwwOs6UTgtI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=mambule\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Traversable wormholes (as the name implies) link distant points in space that would normally take years, decades, or centuries to cross. Just by reinventing himself, and bringing forth the kind of music he wanted to hear in his favourite club \u2013 a stripped down, sci-fi-industrial sound that crosses genres \u2013 Adam X got the scene to sit up and take notice, rising up not from obscurity but with it. And true to his alias, he did it all within a short space of time, in (inter)stellar fashion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Traversable Wormhole Vol. 6-10 comes out on April 19.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Centauri Dreams\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Negative Energy Density\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Four Dimensional Manifold\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Present Hypersurface\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Subliminal Warp Drive\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Worldline\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Universal Time\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Eternalism\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. The Wormhole Nexus\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Paradoxical Consequences\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-traversable-wormhole-vol-6-10\"},{hz3sj3gFn:\"2013-04-08T00:00:00.000Z\",id:\"isL7HxxMx\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/PsRDemMEaOjvOKlSnJhuqOEKSM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/PsRDemMEaOjvOKlSnJhuqOEKSM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/PsRDemMEaOjvOKlSnJhuqOEKSM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/PsRDemMEaOjvOKlSnJhuqOEKSM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: KAYE\",lZ2WhlLX5:\"8 APRIL 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"While Kaye (Darker Than Wax) may be a scene stalwart from back in the day, he remains a key innovator today with new toys and projects constantly adding to his repertoire and bag of tricks. Catch him perform an exclusive live set exploring a techier side just for Midnight Shift. Watch his 'lil teaser video 'Control Shift' here for a clue.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So how did you actually get started?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"I was originally a saxophonist, and like most saxophonists starting out, I wanted to play Jazz. Jazz music was my original influence that got me into music in the first place. Miles Davis changed everything for me when I was 14 years old! At that time I told myself that this is what I want to do for the rest of my life. I'm just very glad and grateful that music is my career. My goals may have changed, but the endgame hasn't.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How was the scene back then from what you came from and how has it changed?\"}),/*#__PURE__*/ _jsx(\"br\",{}),'If you\\'re talking about venues for underground dance music, oddly enough I\\'d say there was more options back then. There was of course the grand dame, Zouk, Liquid Room, Nox, Insomnia, Centro, Home Club. This was all in the first few years of my career. Right now I can only think of Home Club and Blu Jaz. And of course Zouk\\'s still around, but it has evolved dramatically. Changes in the clubbing environment, market pressures, steeper competition all contributed to the shift in our clubbing landscape. There are so many more clubs now. More so than when I began, but ironically there\\'s still not much diversity. This current trend of \"luxe\" clubs with all your much touted \"bottle service\" or \"exclusivity\" just rubs me the wrong way. In the past people opened clubs with music as the priority. At least those that featured more underground genres of dance music. You hired the right team of DJs to style the sound of your club.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These days if you still want to open a club with music as the priority, you need to balance that very consciously with strong business muscle. So things in a way, I feel, are much more calculated now. Some people may say it could be the sign of business owners being more experienced and maturing, but I just can't help but feel that the gung ho spirit of the past isn't really there anymore. I'm not saying it was better then. No one wants to get burned in business. It's just very different now, and I think the immense cost of starting up a club today is a very real factor in club owners not wanting to take too much risks.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=UUp2yw5bfZbdFhZKSczYTvVA&v=MTqWLn3l1uQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=KevinGuoh\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Type of people you hate or don't get?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I generally stay away from people who take themselves too seriously. Shallow and vain people don't really do well in my books too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"If you could live anywhere where would you go?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've never really dreamt of living anywhere else, to be honest. Wherever you live, you're going to have to deal with a different set of problems. That being said I think Brazil, Cuba, Spain, Germany, Jamaica, would all be nice. For awhile.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you approach your music making and playing?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm not trained in music, so the computer is very central when I practice, or produce. It is a great aid in helping my figure out stuff I never really learnt, like chords, progressions, etc. There's no hard and fast rule when I'm creating something. A chord could inspire me, or a sound, a bassline, a drum pattern, a sample, a snippet from a movie. Anything, really. I just find a way to process it in my head and poop something out at the other end.\",/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=UUp2yw5bfZbdFhZKSczYTvVA&v=tEuWoG3EEuU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=KevinGuoh\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=UUp2yw5bfZbdFhZKSczYTvVA&v=3Fue0P_sfMs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=KevinGuoh\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How would you rate yourself as a DJ, Musician and Producer?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"There are many areas where I know I can still improve as all three. I'll leave it to the person listening to me to rate me, but I know where I stand.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe your relationship with your other Cosa Nostra half, Dean?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"We're very different people, but somehow when we come together to make music, whether live or in the studio, it somehow works. And we've outlasted so many bands and outfits here in Singapore, so I think that speaks for itself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Best thing about your job? And the worst?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm not stuck at a desk facing the same people everyday. I get to see a lot of things people of my social/financial status don't get to see, so I'm grateful for that opportunity to observe others, and that usually just affirms certain principles in my life so I know I'm on the right track. The worst part of the job is when my phone doesn't ring. Many would feel the opposite of what I'm saying now, but it's true. If I don't get calls, it means I'm not getting a gig. And that's not good for the pocket.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any music peeps you respect and admire? Why?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Miles Davis still always tops my list. He was always at the forefront of any major development in Jazz music. He wasn't one of those cats that would gain great success at something, then just stay there doing that same something everyone loved him for, for the rest of his life, like some circus monkey. He had an uncanny knack for assembling the right sidemen for the band. He never compromised, never took bullshit from anyone. And he was successful both artistically and commercially.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Most precious record owned?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"My record collection is lame compared to a lot of other DJs and/or producers. But the most precious music is the one that has stayed in your head for years and years.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you for the Midnight Shift label showcase?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"My live sets have always been in the hip hop or house domains. I know I'm gonna have to ramp it up for Midnight Shift, so I'm currently writing stuff on the more techy side of things, and I can guarantee you I'm not going to be idling around staring at what knobs to turn. I'll also be doing live versions of our contributions to the future Midnight Shift releases.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?list=UUp2yw5bfZbdFhZKSczYTvVA&v=A1SXdaWh51I&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=KevinGuoh\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite piece of gear?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"It still has to be my Maschine. It's the heart of my studio and live performances, and I've been using it for about 3 years now, so I know my way around it pretty well. It's very important to know your gear when you perform because there's a hundred and one things you can do with it, but you need to actually be doing what it is capable of doing, and not fighting with the machine scrolling down menus, looking for that parameter to tweak but not knowing where it's located.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Next gear you've been eyeing?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've actually acquired that next piece of gear already, which is the Moog Minitaur. I wanted a bass synth to pair with my live rig because my laptop can't handle all those plug ins, and you can't ever argue with a Moog Bass anyway. It's been everywhere from pop to jazz to rock to hip hop to soul to funk to boogie to house to techno and beyond!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Dream stage set up?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm really looking for that one other person that gets technology and music the way I do, then I can start doing deeper performances. Until that day comes I'll just have to deal with my own 2 hands and 1 head I guess. That's on the live PA side of things. Of course, if I could integrate that into an actual band that'd be a dream. Except we'll have nowhere to perform in Singapore.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Top 10 charts?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I don't have the habit of charting things, so I'll just say that I'm really digging what Robert Glasper and Casey Benjamin are doing on the Jazz side of things, KiNK and Jeremy Ellis are my gold standard for live performances, the Wolf Music label for that House sound I'm really loving right now, Dam-Funk for that unswerving devotion to the FUNK. There are a lot of others that are good, I just feel these guys need special mention.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is a day in the life of Kaye like?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Researching for new music, going for rehearsals, trying out new ways for my machines to talk to one another, listening to stuff for sampling, trawling forums for more information, attend the daily classes at the University of YouTube and Google, making beats, maybe squeeze in a movie at the end if I can.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's next?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"There's a new band project in the pipeline which is still in its infancy, but it has to do with Soul, Hip Hop, and myself singing on the vocoder. Fun times!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/user/kevinguoh\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.youtube.com/user/kevinguoh\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.darkerthanwax.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.darkerthanwax.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/cosanostra\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"soundcloud.com/cosanostra\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-kaye\"},{hz3sj3gFn:\"2013-04-04T00:00:00.000Z\",id:\"h2YWK4bNS\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"ZUL ANDRA'S MIDNIGHT PICKS: APRIL\",lZ2WhlLX5:\"4 APRIL 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Ciara returns; Felix da Housecat\u2019s newest drop after almost half a decade; Four Tet gets house-ier; Black Butter Records\u2019 string of stellar releases with future house proponents Kid Kidnap and Gorgon City plus my pick of the month from the label\u2019s 19-year-old signee, Joel Compass; also, a censored music video. Damn, April. You\u2019re good.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Behling & Simpson vs Ciara - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Goodies Rebax\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"100bpm slow cookers, Ed Bayling and Sam Simpson are no strangers to Bristol\u2019s bass scene. In their method to dancefloor-filling madness, the duo\u2019s tempo-downed house-centric foundation allows space to weave in R&B inclinations. First savoured with a remix of Faith Evans\u2019 \u201CLove Like This\u201D (found on the vinyl flipside of their rework on Julio Bashmore\u2019s \u201CFather Father\u201D released on label Futureboogie\u2019s offshoot, Boogiefuturo,) they\u2019ve kept the future bass ball rolling with remixes of Ciara\u2019s \u201CLike A Surgeon\u201D and \u201CGoodies\u201D. B&S edits are usually championed by DJs looking for sex.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Felix Da Housecat - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sinner Winner\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/i_d_magazine/felix-da-housecat-sinner\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"In an interview with Noisey, Felix mentioned that his latest track, \u201CSinner Winner\u201D was loosely based on a hypocritical and racist New Orleans preacher who is very much against club culture as he is a part of it. \u201CHe's preaching, telling everybody, you know, \u2018You shouldn't be doing this,\u2019 while catching on the ravely spirit,\u201D Felix says. In an attempt to satirise said protagonist, the iconic producer brought back the sound of vintage Chicago house driven by a crescendo of 808s that explodes at the heart of the preacher\u2019s sermon. Good looks for his first release after almost a half-decade wait.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Four Tet \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"For These Times\\u2028\\u2028\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/four-tet/for-these-times\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The distinctive euphoric build up found in both Felix and Kieran Hebden aka Four Tet\u2019s tracks \u2013 which I included in \",/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/zul_andra/zul-andra-apr-2013-mix\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"my April Mix\"})})}),\" \u2013 sits nicely towards a club\u2019s peak-hour slot. Shameless plug aside, Kieran\u2019s jazz-inflicted, tribal-esque track sends a nod down Theo Parrish\u2019s way. Taken from Boodika\u2019s label, Non Plus compilation Think And Change (featuring the likes of Pearson Sound, Martyn, Basic Soul Unit and Joy Orbison,) Kieren seems to be on a house music tip in recent times cumulating to a remix of Justin Timberlake's \u201CSuit & Tie\u201D. When in musical doubt, Four Tet.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Gorgon City feat. Yasmin - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Real\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=l4__q9CapVo&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=BlackButterRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"House music is pretty much reaching its cyclic annex. Past the douchebaggery qualities posited by the likes of David Guetta, Avicii and an army of mainstream crossover producers, others like Disclosure, Dusky, George FitzGerald and now, Gorgon City has a foot in house music of the old and another in the future. Peppered with grime, hip-hop, garage and 2-step, producers RackNRuin and Foamo of Gorgon released their second EP with the title track, \u201CReal\u201D trailblazing on all fronts. Counted as BBC Radio 1 Breakfast Show \u201CRecord of the Week\u201D, the duo was also tipped as one of the hottest acts to watch this year by i-D Magazine. 2013, bitch \u2013 the duo might say but didn\u2019t.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"PICK OF THE MONTH: Joel Compass - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Back To Me\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=U0r1xfgJfTE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=JoelCompassVEVO\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"London\u2019s Black Butter Records are pretty much in the center of today\u2019s bass-music rise. Already with Gorgon City, Rudimental and Kidnap Kid on their roster, they had to go and sign this 19-year-old R&B singer-songwriter who only has about one track on his Soundcloud that could go on and win a Barclaycard Mercury Prize or something. Then directors Ian Schwartz and Cooper Roberts had to come along and craft this I-don\u2019t-want-to-cry-with-all-these-people-around-me music video employing the painstaking cinemagraph technique\\xa0 \u2013 also called: What? Those are GIFs? \u2013 that could go on and bag a music video award of some sort. The track taken off Joel\u2019s forthcoming Astronaut EP is stunning on all levels. It does help that your voice sounds like a blend of Sam Smith, Abel Tesfaye and Frank Ocean. No really, it does.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Kastle feat. Ayah Marar - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Red Light\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If the Disclosure-esque \u201CRed Light\u201D featuring London\u2019s sultry Ayah Marar (whose portfolio includes vocal duties for Calvin Harris, Camo & Krooked and Marky) is anything to go by, Barrett Richards aka Kastle\u2019s forthcoming album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Upbeat\"}),\", is definitely something to queue up for. Blessing our eardrums with a fusion of genre-bending remixes of The Weeknd to Cassie and Beyonce to Brandy, the San Francisco-native goes bass-heavy house on his current run. Onwards, my noble steed!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Kid Kidnap- \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"So Close (Club Mix)\\u2028\\u2028\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/kidnap_music/so-close-club-vip\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'This article is proudly brought to you by Black Butter Records. Kidding, Kid Kidnap. You deserve to be on this list, label notwithstanding, with your feel-good single, \"So Close\" (which includes that gentle future house track, \u201CAnimaux\u201D.) Can I call you, kid, Matt Relton? Bet that\u2019s what they call you back at Sheffield. Noticeably, \u201CSo Close\u201D has been making its rounds, first debuting on Annie Mac\u2019s show. Sorry, what, kid? You had a mix on Diplo and Friends on BBC Radio 1? Holding us hostage to your choons, aren\u2019t \u2018cha? Word. Go places, kid. Go many, many places.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Raffertie - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Build Me Up\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/raffertie/build-me-up\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As an unofficial tribute to Mariah Carey, Londoner Benjamin Stefanski aka Raffertie sings: \u201CBuild me up, but don't let me go / Cos you know that I won't ever leave, no no / You're my baby\u201D\\xa0 \u2013 a slab off Mariah\u2019s 1993 hit, \u201CDreamlover\u201D. You wouldn\u2019t notice it because Benjamin compensates the cheesiness of it all with one-part thudding kick drums, two-parts squelchy synths and a whole lot of unpredictability. Easy to lump it into the experimental drawer, but then again, the title track off his EP (due on May 20 through Ninja Tune) is pretty darn infectious.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Robin Thicke feat. TI And Pharrell's - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Blurred Lines (Goddamn Censored Version)\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=yyDUC1LUXSU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=RobinThickeVEVO\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CMight be a good idea to watch this away from your girlfriend,\u201D says Hypebeast on the uncensored version. \u201CThree gentlemen grooving alongside some lovely ladies with some interesting props to provide that additional flare,\u201D says Hypetrak sarcastically on the censored version. \u201CUgh. As soon as we got all excited to watch a video where classy but totally nekkid models dance with Robin Thicke, T.I., and Pharrell YouTube had to go and ruin our sexy good time,\u201D says Complex who said it all. Oh, and nice rack. I mean track, by the way.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Wretch 32 ft Shakka - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Blackout\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/channel/UCXZwsjh089km2RF9oyuxe3g?embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&feature=emb_ch_name_ex\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Wretch is back (sorry, had to do it.) Off his forthcoming, yet to be titled, third studio album, \u201CBlackout\u201D retains the English rapper\u2019s societal-themed lyrical endeavours. As the Tottenham-born artist explains, \u201CI still stay in my hometown, still local and it definitely does help. The thing is you have to be in or around something to be able to speak about it.\u201D Riding on the back of surging electronic beats while offering faint aural hints of African inspirations, his latest single remains deeply rooted in an environment which birthed the nature of his words.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"zul-andra-s-midnight-picks-april\"},{hz3sj3gFn:\"2013-04-02T00:00:00.000Z\",id:\"ooafhhLfP\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/CZzojmsyotWFvRgDw1ukcuV2lO4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/CZzojmsyotWFvRgDw1ukcuV2lO4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/CZzojmsyotWFvRgDw1ukcuV2lO4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/CZzojmsyotWFvRgDw1ukcuV2lO4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: ADRIAN WEE\",lZ2WhlLX5:\"2 APRIL 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Formerly from The Liquid Room, Butter Factory and now at Zouk, Adrian Wee aka weelikeme is founder of the island's longest running indie nights - Poptart - but has his beginnings too firmly rooted in techno. Read on to find out more about him and listen to his promo mix before his performance at the Midnight Shift Label Showcase on 13 April 2013 featuring Deetron.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"You've come a long way...how did you get started?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"To cut a long story short - I got into electronic music when 90s bands like Pulp and Beck put in a lot of electronic emphasis in their music, and many bands were remixed by the likes of Chemical Brothers and Fatboy Slim. The interest let me to discover bigbeat, house, techno, trance, dnb. So when I got myself turntables and a mixer, I locked myself up in my figuring out how to beatmix. Six months later I got my first gig, and that was the start of my DJing career.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How was the scene back then from what you came from and how has it changed?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"There were many small places at the Md Sultan belt that were open to promoters throwing parties without much hassle. This pre-social media era saw flyering and actually speaking to people as very integral elements of promoting a party.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Has being based in Singapore shaped our style in any way?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Definitely. We need to understand the local crowd in order to have a good night. I can't simply cut/paste things i pick up from overseas parties and DJs, you need to mould and adapt your party to the local audiences.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did you record this mix and how would you describe it to us?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"This mix was done in my studio. By 'studio' i mean my laptop. It's a reflection of what I'd play in a tech/house night - a mixture of grooves, funk, jazz, phat beats, and probably needs more cowbell.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Most important thing to do as a DJ?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Make sure you turn up.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Some of your first influences?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Laurent Garnier, Derrick May, Oliver Lieb, Jon Carter, Carl Cox, and all the Zouk residents during the late 90s.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite Record?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Choice - Acid Eiffel. It's one of the most memorable tracks I've ever heard. it's full of emotion and bang. I remember hearing Laurent Garnier drop this in the morning and it simply brought me to tears.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rYBUDRSeeeE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=HenrikFodor\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What influenced your decision to join Zouk?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"They have the best sound system, the best operations team, and their air conditioning works.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Best thing about your job? 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Also I admire Carl Cox a lot for how he has adapted to the changing music trends over the past few decades, and yet stayed very much Carl Cox.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Record you will play at sunset?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Acid Jesus - Move My Body\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=QnHXnyLtGhk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Scubadevils\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"...sunrise?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Orbital - Halycyon\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What's next for Adrian Wee?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"A long vacation that involves a lot of pina coladas.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you for the Midnight Shift label showcase?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'd like to think that my set will groove the crowd to get them ready for a banging set by Deetron.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us a story from back in the day\u2026\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"My BMI was 19.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/midnight-shift/adrian-wee-promo-mix-april\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. 16 Bit Lolitas - Out Warm\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Scuba - Talk Torque\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Booka Shade - Chateau Rouge\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Celeda, Danny Tenaglia - Be Yourself (Supernova SunRISE Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Bart Skils - New Ground\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. KiNK - Hand Made\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Catz n' Dogz - Ass Point\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Sergio Fernandez - Modern Rock\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Polite - Jazzin She\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Florian Meindl - What Is Techno (Martin Eyerer Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Mihalis Safras - Liza Banana\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Ruede Hagelstein - Give A Little Slap To Your Soul (Sebo K Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Tony Dee - The Darkness Inside Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Chube.Ka - Love Set You Free\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Dusky - What I Do\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/weelikeme\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"soundcloud.com/weelikeme\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://abstractrelations.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://abstractrelations.com/\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://eatmepoptart.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"http://eatmepoptart.com/\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Label Showcase feat. Deetron\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sat 13 April 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/625159630834145\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/mnslabeldeetron\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-adrian-wee\"},{hz3sj3gFn:\"2013-03-18T00:00:00.000Z\",id:\"dkN0NA_Hs\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/L8Tcl17s9ggwb4EOfZZQh02rI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: THE LIONS - THIS GENERATION\",lZ2WhlLX5:\"18 MARCH 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"After the first round of listening to the album, I mentally deduced that this album would be best appreciated on vinyl (which you can purchase on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.stonesthrow.com/store/box-set/lions/this-generation-box-set\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Stones Throw\"})})}),\"). It would\u2019ve sounded awesome in all its gloriously unadulterated elements of reggae. Personally, the genre never fails to deliver a sort of subdued-sunshiny vibe, whatever the underlying message is \u2013 heartbreak, politics, religion, etc \u2013 it is always effervescent. Reggae is my foolproof feel good music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This time, my dopamine trigger is The Lions, a dozen-strong band of musicians from Los Angeles, with an impressive musical lineage \u2013 vocals include members from the ska band Hepcat, Desiton Berry and Lex Desert, and Black Shakespeare, cousin of Robbie Shakespeare (from Sly & Robbie).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The band gels very well, infectious riffs backed with brazen and catchy lyrics. The track \u2018Padre Ichiro; \u201Cshe loves marijuana more than she loves me, she doesn\u2019t even share her good stuff with me\u201D, and on \u2018This Generation\u2019 \u201CYou can\u2019t roll a spliff on no MP3\u201D, sung in despair, reinforcing the band\u2019s casual mirth.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=-jtU1vOktSY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=StonesThrow\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Nothing is taken too too seriously here. Message of politics and oppression are replaced with sexy, groovy tunes, reminiscent of their personal influences, such as The Upsetters, Soul Syndicate, The Rockers Band and Roots Radics.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I later discovered that the rhythm section was recorded on tape \u2013exploiting the raw gritty feel of the harmonics coming together \u2013 subconsciously influencing my thoughts on listening to a vinyl copy. Naturally assuming that they were only given one take, there were apparently mistakes, none of which I\u2019ve yet to realise, nothing evident to the untrained ear. I enjoy when live bands get a little off beat, like \u201Cfree-jazzing\u201D, caution thrown to the wind and living in the spontaneity of things.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Unlike the spiritual movement of roots reggae, The Lion takes on a lighter and positive approach, which may come across as slightly dense, but it still does not take the charm and fun out of listening to the album in its entirety.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Bird on a Wire feat. Malik Moore\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. This Generation feat. Malik Moore & Black Shakespeare\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Picture on The Wall feat. Leroy Sibbles\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Revelations feat. Black Shakespeare\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. New Girl feat. James King\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. 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Black Shakespeare\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.stonesthrow.com/store/album/lions/this-generation\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.stonesthrow.com/store/album/lions/this-generation\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/TheLionsReggae\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"https://www.facebook.com/TheLionsReggae\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.stonesthrow.com/lions\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.stonesthrow.com/lions\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-the-lions-this-generation\"},{hz3sj3gFn:\"2013-03-11T00:00:00.000Z\",id:\"KuvCQPyMt\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/IfsbE2fdMU0aLW1Gnr0Si4P1bo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/IfsbE2fdMU0aLW1Gnr0Si4P1bo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/IfsbE2fdMU0aLW1Gnr0Si4P1bo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/IfsbE2fdMU0aLW1Gnr0Si4P1bo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FUNCTION - INCUBATION\",lZ2WhlLX5:\"11 MARCH 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Regardless of what its title might suggest, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Incubation\"}),\" does not chart the development of Function\u2019s 17 years in techno music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/ostgutton-official/function-voiceprint?in=ostgutton-official/sets/function-incubation-ostgutcd24\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The first long-player from Dave Sumner is impeccable on the ears, and boasts a clutch of standout tracks. But when the New York native told the Defected website that \",/*#__PURE__*/ _jsx(\"em\",{children:\"Incubation\"}),\" was his \u201Cas much as... Sandwell District\u2019s,\u201D he was rather wrong.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Ostgut-Ton-released album is ostensibly less Sumner than Sandwell: a Polaroid of the aesthetic mythologised in the late noughties by Function, Regis et al before the shadowy, closed-door movement shut down in 2011.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Incubation\"}),\" is a less exclusive affair, however, with Sumner roping in Berlin neighbour Tobias Freund to engineer the mixdown. Freund\u2019s extensive two-decade mileage, working with the revered likes of Uwe Schmidt and Max Loderbauer, proves a major boon here as he smooths the tracks out with crisp, clear soundsystem value.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"That the record levels up on Function\u2019s already-laudable production quality is immediately obvious. \u2018Voiceprint\u2019 is a gripping opener, uncanny keys jangling over forbidding low-end amidst spectral sighs.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=LAdJSypAXtA&ab_channel=7296272962\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The melody is luxuriant - and catchy, even - so its reappearance near the end of the album is more than welcome. Evidently and admirably packaged for the DJs, \u2018Voiceprint (Reprise)\u2019 marries the haunting ambience with driving, nearly breakneck percussion to evoke Detroit sci-fi anthems of yesteryear.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=zkOWSopaPRA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=7296272962\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Speaking of memorable tunes and unabashed nostalgia, \u2018Inter\u2019 is particularly conspicuous. The theme is plain, gentle and soul-sweeping in a blissful, \u201890s IDM way, and an \u2018Album Version\u2019 of a track previously released on Sumner\u2019s last single for Sandwell.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As one of the superior numbers on this album, its inclusion here does more than signal tribute to the vaunted collective that Function played such a huge role in. For, exempting the aforementioned tracks, \u2018Inter\u2019 sits in uninspiring company - if only because they do little more than rehash Sandwell\u2019s conceptual heritage.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"One might argue that Sandwell District is, after all, a large part (if not whole) of Function. Neither can this album be discredited as a poor listen. But given the glut of nostalgia going around, is it too much to expect some forward-thinking out of figures as iconic as Dave Sumner and Ostgut-Ton? This is techno, after all - where form is supposed to follow function.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Voiceprint\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Against The Wall\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Counterpoint\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Modifier\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Incubation (Ritual)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Inter (Album Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Voiceprint (Reprise)\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Psychic Warfare\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Gradient I (CD only)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.ostgut.de/shop/music/function-incubation-cd-ostgutcd24.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.ostgut.de/shop/music/function-incubation-cd-ostgutcd24.html\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://hardwax.com/67718/function/incubation/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://hardwax.com/67718/function/incubation/\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-function-incubation\"},{hz3sj3gFn:\"2013-03-06T00:00:00.000Z\",id:\"hqElUWTd7\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/P4FfUUfZ2m4XtWGMkuSuiAhPVqA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/P4FfUUfZ2m4XtWGMkuSuiAhPVqA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/P4FfUUfZ2m4XtWGMkuSuiAhPVqA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/P4FfUUfZ2m4XtWGMkuSuiAhPVqA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DADUB - YOU ARE ETERNITY\",lZ2WhlLX5:\"6 MARCH 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Known for their complex tracks and extended live performances that can last to up to 3 hours, Dadub is made up of Daniele Antezza and Giovanni Conti, an Italian dub techno duo specializing in mastering and sound design.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Lush, ambient ecosystems grant temporary reprieve from the dark atmospherics and gritty industrial cuts that dominate \",/*#__PURE__*/ _jsx(\"em\",{children:\"You Are Eternity\"}),\". Indeed, Dadub\u2019s debut album, also the third album from Stroboscopic Artefacts, positions itself as part of an eternity that is forever recurring. But despite clearly knowing their stuff (they master all of Stroboscopic Artefacts\u2019 releases, helping to define the sound of the label), the duo aren\u2019t so concerned with technical perfection as they are with communicating emotion from music. They\u2019re happy with \u201Cletting the dirt give personality to the track\u201D at times.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/otherfacts/sacd003\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Going down the tracklist: \u2018Vibration\u2019 is a hypnotic drone that builds and builds, filled with intricate shamanic touches and artfully allocated noise, capped off by a well-placed sample from Afrobeat pioneer Fela Kuti. This is followed by the set-opener of a track entitled \u2018Truth\u2019. Driven by a driving pulse, it contains the sort of polemic dialogue that goes hand in hand with noisy, monochrome vignettes in a dark space at a modern museum exhibit; Electronic work informed by world issues, not unlike that of sound art collective Ultra-red and its political aesthetic, albeit a darker version thereof.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=ueKkhCqntmA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=OTHERFACTS%28fkaStroboscopicArtefacts%29\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Life\u2019, is deep, driving, and moody, with complex percussive layers. \u2018Path\u2019 goes down the route of dubby and driving, with plenty of rolling, panning bits and never lets up in intensity where \u2018Life\u2019 left off. With \u2018Death\u2019, you\u2019re navigating a barren, frozen sea whose waters suddenly turn\u2026 well, dark and choppy with tribal undercurrents.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=R64_A4Vluz4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=OTHERFACTS%28fkaStroboscopicArtefacts%29\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I second the reviewer who likened \u2018Transfer\u2019 (featuring Ninja Tunes stalwart King Cannibal) to an all-out combat between two pissed-off Transformers. The heavy machine onslaught is just mind-shattering, the most brutal cut on the album. \u2018Arrival\u2019 starts off slow, then launches into a frenzied but fluid assault with relentless drum and bass textures.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And then the album takes a different turn. There are watery, almost rainforest-like elements rippling and bubbling through some of these closing tracks. \u2018Unbroken Continuity\u2019 for example, evokes a darkened cave with incessant waterdrops against an ominous background tone.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=K805rAgQKsU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=OTHERFACTS%28fkaStroboscopicArtefacts%29\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The laws of physics seem to apply when the album is listened to as a whole. Dadub demonstrates an instinctive aptitude for building tension, momentum, density, and propelling an album through with sheer driving force. The end result is powerful but perfectly nuanced \u2013 as one might expect from seasoned mastering engineers who are also about a piece of music\u2019s emotional integrity, harking back to what these guys do best: moving people in every sense of the word.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Vibration\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Truth\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Life\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Path\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Circle feat. Edit Select\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Death\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Transfer feat. King Cannibal\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Arrival\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Unbroken Continuity\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Experience feat. \\xd8e\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Existence\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Iridescent Fragment\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.stroboscopicartefacts.com/shop/releases/albums/#product-1847\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.stroboscopicartefacts.com/shop/releases/albums/#product-1847\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/stroboscopicartefacts/sacd003\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/stroboscopicartefacts/sacd003\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/dadub\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/dadub\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-dadub-you-are-eternity\"},{hz3sj3gFn:\"2013-03-04T00:00:00.000Z\",id:\"yWF1_L_ZD\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/CpatWvys9JtvBVxRUcdXg3OK2hQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"ZUL ANDRA'S MIDNIGHT PICKS: MARCH\",lZ2WhlLX5:\"4 MARCH 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"It\u2019s tough to pick just 10 when the past few months produced a staggering collection of gold tunes. I had triple that number which took a good week to suss through, but made the cut through gritted teeth. From emerging talented producers like Fauxe and Gema to Four Tet\u2019s 24-word title track and Sven Helbig\u2019s neo-classical masterpiece, here\u2019s my pick for the month. But don\u2019t take my word for it. Try \u2018em on for size.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Fauxe - Zion\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The masked crusader has been winging high towards prominence over the past year with a string of quality releases. Take his recent 6-track 'Comfort EP' out on Phyla Digital last February for example, it\u2019s peppered with a discerning variety of dreamy, nostalgic and chugging samples filling up the underbelly of house, garage and experimental.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The sickest of the six for me is \u201CZion\u201D. Its film noir-esque theme runs its course through trip-hop beats, dark basslines and blaring horns \u2013Portishead\u2019s \u201CNumb\u201D meets Groove Armada\u2019s \u201CMy Friend\u201D kind of craft.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"However, it doesn\u2019t indulge in itself for far too long laying low as it approaches the fade. Makes you want to smoke a pipe while walking down1960s New York. Or something.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"KH - The Track I've Been Playing That People Keep Asking About and That Joy Used in His RA Mix and Daphni Played on Boiler Room\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=CIxHxdDh6Lw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=PiotrPiskozub\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Kieran Hebden aka Four Tet\u2019s satirical swipe at how music is being consumed on the Internet is veiled behind a magnificently lengthy 24-word title. The track -- released for free on the enigmatic producer\u2019s Twitter last month -- points to how audio rippers stalk webcasts and mixes for that unreleased record only to put it up on YouTube with names like \u201CUntitled 63\u201D or \u201CBig Room Tech House DJ Tool \u2013 Tip!\u201D before its official release.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For the uninitiated, Kieran based the track\u2019s namesake when it was played by London-based Joy Orbison in his Resident Advisor mix and Caribou\u2019s Daniel Snaith more clubby moniker, Daphni\u2019s Boiler Room set.\\xa0 But beyond this commentary, Kieran\u2019s tribal track recalls Visti & Meyland\u2019s \u201CYes Maam\u201D pounded with fat uneven beats and African chants. In the realm of minimal, this is a sure-fire gem.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Jema - I Heard It Through The Grapevine\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=S_rFo68BXfk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Jema\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"On the back of a wave of spectacular releases -- from his Before EP last year to remixes of Cassie\u2019s \u201CMe & U\u201D and Monster Cat\u2019s \u201CUnderwater\u201D and originals, \u201CJasmine\u201D, \u201CEmma\u201D and \u201CPrayer\u201D -- the quiet singer-producer had just put out a reinterpretation of a classic and made it very much his own.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In a similar vein to his previous releases, \u201CI Heard It Through The Grapevine\u201D is texturally refined and well coated for growth of goose bumps on an arm near you.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sonically, this makes for an ideal tranquil soundtrack backed by visions of dystopian grandeur. The track opens with a soft line of velvety synth and sprinkles of bass \u2013soon laced by the breezy vocals of the man himself. Rings of what sounds like raindrops pelts the arrangement from the middle onwards, invoking hues of dark cinematic moods and a breathier soundscape.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Here\u2019s something you\u2019ll put on a loop only to wonder, an hour later, why it still is.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Oh, talking about James Blake\u2026\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"James Blake - Retrograde\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=6p6PcFFUm5I&ab_channel=JamesBlake\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s convenient to label the English post-dubstep crooner as a purist. Well, that\u2019s because he is. But the chap\u2019s all grown up now and has made it apparent on his next album. Titled Overgrown (out April 8), the 10-track LP will feature RZA and Brian Eno and is a stirring depart from his debut self-titled \u2013 seriously self-absorbed but equally beautiful \u2013 experimental album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If the first single off his sophomore effort is anything to go by, \u201CRetrograde\u201D has the vocal clarity of \u201CThe Wilhelm Scream\u201D and I can only hope James keep that up because his sappy falsetto shouldn\u2019t be drowned out by weird ass distortions all the damn time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Perhaps he has realised that there\u2019s nothing to compensate for. \u201CRetrograde\u201D might even garner him greater visibility on mainstream territory. This will hurt him.\\xa0 Then again, James makes top-drawer songs when he\u2019s moody as fuck. Go sad James, go!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Justin Martin & Eats Everything - Feather Fight\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=zcJkob9IKjQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=HypercolourRecords\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The first time I came across Dirtybird label\u2019s Justin Martin was from his debut album 'Ghettos & Gardens' \u2013a visionary 12-track house masterpiece.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Now, there are people who have been trying to redefine house and got it all messed up. Think: David Guetta and Ty Pennington (you know, that dude from the reality series Extreme Makeover: Home Edition).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But how Justin blends house, garage and UK bass into his own distinctive style slots him cosily alongside the likes of Disclosure, Duke Dumont, Dusky, George Fitzgerald, Joy Orbison and Eats Everything. And when you have the latter \u2013 an emerging English-born producer in his own right \u2013 in a collaboration with San Francisco-native, Justin, beats be brewing swimmingly.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Birthed from this bilateral meet is the two-track single, Feather Light. The title track on the A-side is a wobbly house dancefloor stunner. \u201CHarpy\u201D, taken from the B-side, is a chugging bass-ridden piece that goes from house to garage --living room party material.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Octover - Time\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"From singer-songwriter Vanessa Fernandez and electronic producer Jason Tan\u2019s self-titled debut album, \u201CSatisfy\u201D, \u201CHurt\u201D and a cover of Kate Bush\u2019s \u201CThis Woman\u2019s Work\u201D has been given much international love from the likes of Pitchfork to Pretty Much Amazing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But it is \u201CTime\u201D that clocked in the lab of musical technicality, filled up the ashtray with a pyramid of cigarette butts, coffee stains under the nails, worked overtime and the result \u2013 a 10 minute cure for aural cancer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The monumental track is the kind that requires you to listen to it over and over again just for the magic to take effect. It opens dramatically with swirling strings and horns towards sporadic key arrangements on top of Vanessa\u2019s husky acapella. Peaking towards an upbeat acid-jazz repertoire, the track heads on to freeform style showcasing the duo\u2019s unconventional ebb and flow and onto a finger-snapping dance routine.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Music Weekly called \u201CTime\u201D the album\u2019s strongest. Jolt Radio mentioned that her (Vanessa\u2019s) voice is reminiscent of some of Sade\u2019s work. \u201CThere was never a dull moment,\u201D Bandwagon commented while Other Sounds attest that the track is a climax for the entire LP.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sounds just about right.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sam Smith - Lay Me Down\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=AVJcLcuQdOw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=SAMSMITH\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Known as that black guy singing on Disclosure\u2019s \u201CLatch\u201D, English (and white) crooner Sam Smith\u2019s vocal range has been conveniently compared to the male equivalent of Adele courtesy of his heart-wrenching solo effort, \u201CLay Me Down\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The original version produced by brothers Guy and Howard Lawrence of Disclosure just doesn\u2019t have the impact as the stripped down acoustic version (featured above) has.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sam\u2019s sharp falsetto rings through this particular version, showcasing the true nature of his modal register. He\u2019s perhaps the most underrated singer-songwriter around \u2013though that much is justified since he hasn\u2019t released any other tracks, but this emotive belter might be a game changer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sven Helbig - Eisenh\\xfcttenstadt\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Orchestral concertos are on another level of complexity and technical mastery altogether. And I totally dig it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The esoteric beauty found in German composer Sven Helbig\u2019s recently released neo-classical album, Pocket Symphonies (out on iconic label Deutsche Grammophon), speaks of that level.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His work is based on Gesamtkunstwerk \u2013a German word that means \u201Can all-embracing form\u201D and has been accepted in English as a term in aesthetics. Off the album is \u201CEisenh\\xfcttenstadt\u201D, my fav from the 12-track album that\u2019ll take you to visceral places never been.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The track opens in a startling pace, building up towards an arrangement that disorients in the lost alleyway of strings, blaring horns and piano keys. It calms down with twinkles of what sounds like a xylophone and peaks into a heady rush only to crash on a lonely slate of a violin. Dramatic stuff.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But hey, Sven isn\u2019t one to be imprisoned behind timbered chambers; he has worked with Rammstein, Pet Shop Boys and Snoop Dogg to name a few. Which makes him kinda cool.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tessela - Hackney Parrot\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/tessela/hackney-parrot-helter-skelter\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"23-year-old Englishman Ed Russell aka Tessela was to launch the track as a debut on his new label Poly Kicks this month. Then Chicago house maestro Jackmaster played in on his Boiler Room set. Then hardworking audio ripper, Aliasizm posted it up on his YouTube page. Then the Internet exploded.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"All very KH \u201CThe Track I've Been Playing That People Keep Asking About and That Joy Used in His RA Mix and Daphni Played on Boiler Room\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s hard to credit Ed or Jack in the terrain of hype when, really, Aliasizm pimped it out for size and made it a must-have arsenal for DJs when the dancefloor is going on empty. This and Disclosure\u2019s \u201CLatch\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CHackney Parrot\u201D is bundled up with \u201CHelter Skelter\u201D as Tessela\u2019s first string of releases.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The former is a bass-heavy peak-hour banger on the drop \u2013sure to make your knees give way. The latter is a perfect filler for whatever\u2019s coming up next as it stretches what sounds like an extended play of \u201CHackney Parrot\u201D allowing people to breathe a \u2019lil before they, you know, die.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Woodkid - I Love You\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=KQu8FOjJXdI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=WoodkidVEVO\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"This list was curated in alphabetical order if you haven\u2019t noticed already. But in an odd way, we\u2019re at the best for last.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CI Love You\u201D is one of 12 tracks taken from Frenchman Yoann Lemoine aka Woodkid\u2019s forthcoming debut album The Golden Age (out on March 18.) His 2011 Iron EP \u2013its title track has been used everywhere from video games to films\u2013 proved too much of a teaser of a rather long wait.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But we\u2019re almost reaching what has been recognised as the most-anticipated (and important) electronic albums of the year.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There\u2019s a similar quality of impact that runs through all of his tracks: a brute force of invigorative emotions and compelling power all strung together in a fit of tribal-esque drums, symphonic arrangements and, of course, his monologue-sounding poetic lyrical endeavours \u2013the soundtrack of a film\u2019s climax; on repeat.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As for Yoann, he isn\u2019t just an electronic producer. He directed all of his music videos earning him a Best Music Video nomination at the 2013 Grammy Awards for \u201CRun Boy Run\u201D. On top of his six MTV Video Awards nominations (for Lana Del Rey\u2019s \u201CBorn To Die\u201D amongst others), the multi-talented artist bagged Best Director of the Year at the 2012 MVPA Awards.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Boy, does this guy have mad chops or what?\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"zul-andra-s-midnight-picks-march\"},{hz3sj3gFn:\"2013-03-01T00:00:00.000Z\",id:\"uVXR0Uv6m\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/cx1VZ9wPiWKo8VLcGUKuFysvEg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/cx1VZ9wPiWKo8VLcGUKuFysvEg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/cx1VZ9wPiWKo8VLcGUKuFysvEg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/cx1VZ9wPiWKo8VLcGUKuFysvEg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SPACE DIMENSION CONTROLLER - WELCOME TO MIKROSECTOR-50\",lZ2WhlLX5:\"1 MARCH 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"conversation we would, or would not have, would not be so much about DJ'ing, but either, the conquest of the great regions of outer space, or scoring the next installment of Star Trek or Battlestar Galactica (or whichever came first). Based on what little knowledge of his music I had then, coupled with my yearning to discover much more after repeated listens, one would not blame me if I thought that the conquest of space was 'up there' on his bucket list, and that at some point, he would do it too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Needless to say, the conversation over dinner at Kinki never went that far, but touched upon his love for disco and funk; music that I grew up with and music which still inspires me to this very day. Listening to Jack tear through sinew after sinew of raw-edged cosmic funk and disco for most of his set that night was a real treat as well.\\xa0 And, with a philosophy of \u201CIf it ain't spacey, it ain't sexy\u201D, it's easy to understand why, and which, to some very large extent, listening to this album, and make no mistake it's been a long time coming and discussed, is just as much a treat to me.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The entire album was conceived and concocted in his bedroom in his hometown of Belfast. If anything, the prequel (of sorts) to this; 'The Pathway to Tiraquon6', also released on R&S in 2011, has set the tone for Mr. 8040's long, wild and epic adventure into the constellation of Galactic funk. His vision here, I believe, inseminated itself within his mind a long time before this, in a galaxy too far away for some to ever reach. Before you press (or click) the play button, a gentle word of advice: listen to as many P-Funk, Zapp, Funkedelic and Parliament records as you can to draw a general idea of where most of the inspiration for Welcome To Mikrosector-50 came from (watch a little Star Trek too while you're at it). Then take your time to enjoy the music, and the trip.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Also be warned that the introduction to the album, or what you may think to be the introduction, unlike many others that you may have heard, is not a dreamy, ambient, spaced-out one (those moments are saved for later), but a gut-edged, sinew-tearing, adrenaline-infused no holds barred funked-up workout that would make George Clinton or even Prince sit up and nod their head in approval. And having heard Prince's most recent work, I think he needs to take a leaf off this book.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Having got your attention for those initial mad 5 minutes or so, it now winds down with 'While I was Away' and begins Jack's story on his conquest of space.\\xa0 Funnily enough, this one takes me back to last December in the Maldives and a something I would've played lovingly enough to complement one of those magical sunsets there. This might be perfect for a Mars sunset though, I think.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Anyway, back to 2357 AD. 'It's a Cold Planet Without You' is a spoken word ode, to whom, I'm not entirely sure, but it keeps the funk flowing in its drum and bass leanings and highlights Jack's eccentric vision and his ability to build and weave between the elements effortlessly and vividly. 'Music For Spaceports' and 'Feature Presentation' punctuate the album as commas or semi-colons to the story but aren't to be mistaken for fillers in any way. Consider them detours through countless asteroid belts on his journey through the constellations. It's nothing strange though (if you've listened to those old Parliament and P-Funk records as I had mentioned earlier) to find another 'introduction' lying deep within, what already seems to be, the mid-section of this engaging story. As the narrative continues through this in street rhyme, the rap introduces you to the elusive Mr.8040 and his mission statement and final destination, and if you thought that this was the middle, as I did initially, it's actually where the action really begins\u2026\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Next, another mad slab of funk (on the album's title track) followed by the dark cosmic exuberance of 'Confusion Armament Moon' before dropping the hyper-drive to experience more galactic beauty with 'When Your Love Feels It's Fading'. A hint of Van Halen or Iron Maiden here perhaps with a cracking guitar solo (yes, guitar solo) here at the end before a stray Moog whisks it into conclusion and we're off to explore the further reaches of space once again. The cosmos never looked so good and the soundtrack of the dreamy Balearic-esque 'Lonely Flight' and the excellent cosmic disco leanings of 'You Can't Have My Love', just help to accentuate that breathless feeling of standing on Saturn's Ring and staring at endless blankets of stars before 'Rising' back into hyper-space again.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The final leg of Mr. 8040 transports you gently into the 'Love Quadrant' and takes you back through time once more before it's 'Closing Titles' overwhelm you and leave you saying \\\"hang on\\\", and asking yourself, \\\"Was in really on a journey through the darkest, most outer-reaches of space? Or was I in some sort of time portal with a soundtrack so surreal that it actually seemed that I was... physically, transported... somewhere (and where are my clothes?)\\\"?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=e6Vq9E-p3xM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=DavidG\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"I think, it is pointless to ask too many questions really. Just let your imagination run completely rampant as you listen to this. For Jack Hamill aka Mr.8040 aka Space Dimension Controller has not only managed to control space, but somewhat, conquer it, or at least begin to. And while on his quest to do so, and return to his home planet of Microsector-50, has managed to write a storybook and a soundtrack to it that could very well be Star Trek re-visited, beyond the 24th Century, only a hell of a lot more funked up. Honestly, you don't have to be a sci-fi buff to fully enjoy this, that's really the magic of this album really. Just open your mind to your most vivid sense of imagination and allow yourself the time to enjoy the narratives on this -- it helps in your greater understanding of Jack Hamill's work and mind. It\u2019s the sum of his musical influences distilled into 68 minutes of unalloyed electronic pleasure. My only criticism would be that I would've enjoyed a longer stretch of the journey through hyperspace, but, hell, what do I know about flying a space craft anyway!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Vinyl Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Feature Presentation\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. 2357 A.D.\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Mr. 8040's Introduction\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Welcome to Mikrosector-50\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Confusion on the Armament Moon\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. When Your Love Feels Like It's Fading\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. A Lonely Flight to EroDru-10\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. You Can't Have My Love\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Rising\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Quadraskank Interlude\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. The Love Quadrant\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Back Through Time with a Mission of Groove\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Closing Titles\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://randsrecords.greedbag.com/buy/welcome-to-mikrosector-0/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://randsrecords.greedbag.com/buy/welcome-to-mikrosector-0/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-space-dimension-controller-welcome-to-mikrosector-50\"},{hz3sj3gFn:\"2013-02-28T00:00:00.000Z\",id:\"UBbYobpXr\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/rO7AXtv5orXBYJrl3QfL8SImk9s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/rO7AXtv5orXBYJrl3QfL8SImk9s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/rO7AXtv5orXBYJrl3QfL8SImk9s.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 808w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: TRUS' ME - TREAT ME RIGHT\",lZ2WhlLX5:\"28 FEBRUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"An album three years in the making, Trus'me aka David Wolstencroft's third full-length 'Treat Me Right' deviates somewhat from its predecessors, 'Working Night$' and 'In The Red', but the producer's style is still very much distinct and intact. Delving deeper and harder into the house and techno realm, the album is a tight 8-tracker liberally sprinkled with conversations and dealing with the themes of love and loss.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Wolstencroft's work has been described in the same sentences as Moodymann and Theo Parrish, though with a some say, lighter touch. His reputed label Prime Numbers has artists such as Linkwood, Reggie Dokes, Actress and Motor City Drum Ensemble on the roster, with heavyweights like Marcel Dettmann, DVS1 and Terrence Dixon on remix duties. Released on this imprint, the album is another addition to a growing catalogue of must-haves for the deeper-digging house DJ.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/trusme/trusme-hindsight-treat-me?in=trusme/sets/trusme-treat-me-right-lp-prime\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Treat Me Right' opens pleasantly with 'Hindsight', a mellow deep house number which also sets the blueprint for the tracks that are to follow. Craftily used vocal samples, great drum parts that slowly add and minus themselves off throughout the track and an overall analogue finish become the formula for this album that vacillates from hip house to acid and techno.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As David mentions in this \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.juice.com.sg/music/chat-trusme\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"interview with JUICE magazine\"})})}),/*#__PURE__*/ _jsx(\"em\",{children:\":\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"\\\"The production side of the Trus'me sound caught up with DJ approach. I'm making records now that I can play in my sets at peak time while still keeping that long player approach.\\\"\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Tes Une Pute' (You're a Whore) follows next in the LP, opening with a French conversation before leading into a jackin' house track in the vein of productions familiar to the likes of cities such as San Francisco and Seattle. A jazzy piano tinkle, groovy bassline and swing creates a sweet tune for the bars and clubs of the world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"By the third track 'I Want You', things lift up a notch with a driving groove, more percussion and background conversation noise adding up to a somewhat orgasmic atmosphere. Pounding beats and a chopped up vocal panned in the right places helps to build the track to a climax. Like the album's other tracks 'It's Slow' and the acid-laced 'Somebody', these sound right at home for the peak time slot and should find their way to many a DJ's sets.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album's last track throws a delightful curveball. Featuring conversation taken from the film 'The Deep Blue' by Luc Besson, the song 'Long Distance' expresses love experienced at a distance -- a ringing phone that does not get picked up, a hip hop beat, dreamy vocal pleas to 'talk to me\u2026' and synths awash create a feeling for the listener that is both sorrowful yet upbeat. It is a perfect ender filled with both finality and hope.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YYwxYkImgvE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=prop4g\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"With such a cinematic, curtain-rising ending to 'Treat Me Right', one feels as if one has been told a love story through Wolstencroft's music playing by the album's end. It might be the producer's most techno-sounding album to date but in any case, his remixers of late would have already indicated the artist's growth in that direction.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"'Treat Me Right' saw me move into the realm of synths, drum machines to create the sounds of the scene I had been submerged in over the last 4-5 years. Working on new music while on the road is hard, and fragmented sessions all came together once I was stationary in Manchester. I stayed away from the impulse of my love of sampling and musicianship and trapped myself in a room, so that the final outcome would be a true representation on the sound they call analogue.\\\"\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Hindsight\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. T'es Une Pute\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. I Want You\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Its Slow\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Moonlight Kiss\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Defunct\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Somebody\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Long Distance\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/trusme\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/trusme\"})]})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.pnrecords.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.pnrecords.com/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-trus-me-treat-me-right\"},{hz3sj3gFn:\"2013-02-25T00:00:00.000Z\",id:\"fBSm3u3xk\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/if31Na2JBwuL8E9khzWnXbMaSE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/if31Na2JBwuL8E9khzWnXbMaSE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/if31Na2JBwuL8E9khzWnXbMaSE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/if31Na2JBwuL8E9khzWnXbMaSE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: NOSAJ THING - HOME LP\",lZ2WhlLX5:\"25 FEBRUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Low End Theory founder and man behind Alpha Pup Records,\\xa0Daddy Kev, would know a thing or three about the Beats Scene. Having quipped that Low End Theory's cultural relevance peaked around 2011, he remains optimistic about the future. This optimism undoubtedly rests on his perspective that the Beats Scene is defined by the fact that genres and aesthetics can be revisited, so long as it's done with new talent. Given that Nosaj Thing's debut album 'Drift' was released on the Alpha Pup imprint, it's an interesting perspective, one that provides a strangely congruent and revealing lens through which to view Nosaj Thing's long awaited sophomore effort, 'Home'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With contemporaries forming the likes of Flying Lotus and Daedelus, and remix credits that include Radiohead and Philip Glass, it\u2019s not too much of a stretch to call Nosaj Thing, aka Jason Chung, one of the Beats Scene's more forward-thinking luminaries. Establishing himself with debut album\\xa0'Drift'\\xa0in 2009, the Los Angeles-based producer nailed an artery where the flow of understated glitch-hop, dub step-py grooves and a contemplative spaciousness all coalesced effortlessly. The introspective darkness was complemented by Chung\u2019s programming, that was inquisitive in its playfulness, and unique in its oddness. Within the backdrop of the burgeoning scene, 'Drift's' release was\\xa0further solidified by its exquisite timing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With\\xa0'Home', an expected progression is seen, though one with quite varying results.\\xa0Perhaps a little too early on sits standout track\\xa0'Eclipse/Blue', arguably the best track on the album. Here, the ephemeral vocals of Blonde Redhead's Kazu Makino effortlessly streams from an icy chasm, swaying through in controlled washes of swelling reverb. All this, while a frenetic kick drum and fractured snap of a distant snare seals in the feeling of mysterious desolation. It's like the most sublime bits of Elizabeth Fraser's\\xa0'This Love'\\xa0and FC Kahuna's\\xa0'Hayling'\\xa0taken out of trip-hop context and assembled with a more sonically arctic and brazen palette.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's apparent that Chung's dedication towards wide and expansive synth-scapes and texturally encased melodies remains firmly intact. So intact in fact, that it creates a tension that invariably ends up working against it. On one hand, it's immediately obvious that a deeper ambient approach forms the bedrock of the album. On the other hand, this ambient approach is marred by opposing habits yet to be outgrown. A prime example includes the 'predictably abrupt' endings that cap almost every song, independent of the song's particular mood. The synth line draws to a close, and either makes another stab, or not, before the Release envelope\\xa0gradually\\xa0takes over. It smacks of a very software-reflective process of musical arrangement. Ironically, this is least apparent in the album's shortest track, the 'classically ambient' piano mood-piece that is 'Prelude'. At just over a minute and a half, 'Prelude', as opposed to most other tracks, feels complete as a 'piece'; as an expression of a quantified something.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Chung's production chops and beat aesthetics have definitely evolved, with the size, lushness and warmth of the sounds making themselves apparent from the get-go. A beefier and tighter sonic signature pervades every track, with a more stylistic cachet of drum sounds being utilised. To his credit, Chung has dispensed with the brashness of programmed claps and overly sibilant hihats, in favour of understated yet beefy kick drums and filtered snares that sit well in their sophistication, as can be heard on tracks like \u2018Distance\u2019 and \u2018Phase III\u2019. However, mastery of certain skills often means the artistry gets displaced to more difficult areas. Here, the fuller, more expressive sound, the standout vocal track, the tasteful elements, all sound great in and of themselves, but they also reveal the lack of a unifying focus that all these elements invariably serve.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"While it's never wrong to have recurring elements across albums, these elements should always serve a bigger purpose, which usually comes in the form of songwriting, and here is where it falls short.\\xa0The inability to settle into the mode of an aural environ, or follow the narrative trajectory of a 'song', proves unnerving in the meanderings of 'Safe' and 'Glue'. Sure, these tracks are 'nice and listenable', but the question is: 'Will you listen to them again?'\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It remains doubtless that 'Home' conjures up currents of intricacy and grandeur with undertones that imply the possibility of something deeper. The cohesive nature of its studied soundscapes reveals a direction borne of sophistication.\\xa0Yet there is much to be said of what sound can result when affluent nihilism and improved Internet access meet in an era of post-Shadow breaks, glitch and left-field hip-hop. Taking into account the myriad answers, when the penchant swings toward ambient contemplation, 'Home' has shown that it invariably leans toward a perfect soundtrack to doing household chores while stoned. Or in a more refined sense, the perfect musical vignette to accompany an ode to an abandoned subway station.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Within a genre often synonymous with things cutting-edge, it's almost meaningless to say a particular artist's work sounds like it's pushing the boundaries. But the sound of the boundaries pushing back is quite something else. And for better or worse, that's an apt description of 'Home'. Despite the masterfully warm production and epic sound, 'Home' remains a\\xa0collection of sonic vignettes that are largely underwhelming, especially when they mostly don't live up to the musical arc they set themselves up to follow. Chung has definitely developed himself along the trajectory set forth by the first album, but in doing so, it's become apparent what the limitations of that path are.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"While it won't be surprising that this album might have mixed reviews, it's quite certain that longevity is to be found in change for Nosaj Thing. And harking back to Daddy Kev's perspective on genres and aesthetics being revisited by new talents, it does leave one wondering whether it would have made a difference if 'Home' was someone else's debut effort instead?\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Home\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Eclipse/Blue feat. Kazu Makino\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Safe\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Glue\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Distance\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Tell\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Snap\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Prelude\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Try (feat. Toro y Moi)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Phase III\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Light 3\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://bleep.com/release/41007-nosaj-thing-home\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://bleep.com/release/41007-nosaj-thing-home\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/635122-nosaj-thing-home\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/635122-nosaj-thing-home\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-nosaj-thing-home-lp\"},{hz3sj3gFn:\"2013-02-07T00:00:00.000Z\",id:\"WCkm_BlOd\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/rnP8lU14UrL70REYZ5VPF13wNQI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/rnP8lU14UrL70REYZ5VPF13wNQI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/rnP8lU14UrL70REYZ5VPF13wNQI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/rnP8lU14UrL70REYZ5VPF13wNQI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LEGOWELT - THE PARANORMAL SOUL\",lZ2WhlLX5:\"7 FEBRUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"As you gaze at the album cover and simultaneously stare into the soul of an obvious analog gear junkie, you\u2019re looking at one of the most prolific producers out there. So prolific, that he previously released a 110 minute-long free album, entitled \",/*#__PURE__*/ _jsx(\"em\",{children:\"The TEAC Life\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With the sheer volume of material the man churns out each year, it\u2019s easy to assume that the quality would only get watered down. Not so if this highly refined new album is anything to go by. Hague-based Danny Wolfers (the man of many monikers - 24 solo aliases including Legowelt, according to his \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Legowelt\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Discogs\"})})}),\" page), graces us with some of the funkiest, most danceable offerings yet in \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Paranormal Soul\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/clone-nl/legowelt-the-paranormal-soul\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Channelling otherworldly \u201Ccosmic intuition\u201D, Legowelt expertly conjures up some very sweet vintage synth sounds with his collection of analog equipment. Not to be dismissed as a mere exercise in nostalgia \u2013 there are nods to early techno, house, acid and rave (or as Legowelt puts it, \u201C90\u2019s weird English stuff from all over the place\u201D) \u2013 the end product is decidedly modern.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Ait6iQaRbUQ&ab_channel=Eclectro.nl\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Each track is full of idiosyncratic contradictions, drawing out varied interpretations. But it\u2019s a formula, if you could call it that, that works. \u2018I Only Move For You\u2019, for example, mixes several elements: 303 acid lines, breaks, classic house swells and cosmic effects for an anthemic showdown.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And even for someone who isn\u2019t a huge a fan of melodies, such as myself, Legowelt\u2019s particular brand of melody-making clearly exhibits what seems like effortless mastery and a finely tuned ear for note progression. In \u2018Rave Till Dawn\u2019, ethereal synths glide over classic rave stabs and breakbeats, while \u2018On the Tiger Train\u2019 is all undulating, melodic early techno funk, before winding down to more glistening crystal notes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=bq5hCLe7XMY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=BassComputer\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Voice of Triumph\u2019, another standout, is the least melodic track on the album. Suspenseful synth strings are drawn out over an otherwise relentless acid stomp, layered atop simple drum programming (something Legowelt isn\u2019t too fussed about, but oddly delivers on this album). \u2018To the Homeland\u2019 is deeper, darker, chugging, with the acid played down by a mile here \u2013 a great way to end off an album or a set.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=4j9tZmNc-b4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=AbsolutMuuzik\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Clocking in at almost an hour, The Paranormal Soul provides an out-of-body experience that will teleport you from Detroit to early UK, to deep space and back. Back to the couch, or the dancefloor, for this is an album that just works either way.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Danger In The Air\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Clap Yo Hands\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Elements Of Houz Music\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Rave Till Dawn\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Sketches From Another Century\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. On The Tiger Train\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Transformation Of The Universe\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Voice Of Triumph\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. I Only Move For U\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Renegade Of A New Age\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. A Cold Winters Day\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. To The Homeland\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://clone.nl/item25015.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://clone.nl/item25015.html\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/clone-nl/legowelt-the-paranormal-soul\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/clone-nl/legowelt-the-paranormal-soul\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/legowelt-official\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/legowelt-official\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-legowelt-the-paranormal-soul\"},{hz3sj3gFn:\"2013-02-05T00:00:00.000Z\",id:\"W6iE9pHt9\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/fjyd28esbO8x9MW8WJQ4OuPA7M.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: JOSE JAMES - NO BEGINNING NO END\",lZ2WhlLX5:\"5 FEBRUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Since its release, \u201CNo Beginning No End\u201D has charmed it way through reviews with its sophistication and sensuality. James wholly involved himself by financing and producing the album prior to being signed on to the prestigious Blue Note label \u2013 conveniently exploiting the emotionally visceral aspect of his musical labour. It is the anomaly of that special connection between the artist and listener, which adds a magical touch to the album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Anticipation is key, and it was built up with impeccable timing, starting way back in late 2011, from live performances on the All Saints Basement Sessions, to regular airplay on mixes/podcasts from the likes of Lefto and Giles Peterson. Punters eagerly tugged at the bait, as essential remixes of \u201CTrouble\u201D by Oh No\u201D and \u201CIts All Over Your Body\u201D by Oddisee began to surface.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/phunksession/jose-james-its-all-over-your\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"While the coherence of jazz is often misconstrued in modern music, \u201CNo Beginning No End\u201D embraces its diverse practicality, making it relatable to the audience. In pursuing this creative experiment of fusing jazz together with soul and hip hop, the album unfolds in exceptional glory, seductive and romantic. It straddles between the contemporary and conventional, where music is injected with a fresh perspective without straying from the catalyst of traditional influences.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A number of established collaborators were involved in this musical brew, Robert Glasper and Chris Dave lend their distinctively melodic groove to \u201CVanguard\u201D, while French-Moroccan chanteuse Hindi Zahra's hypnotic vocals waver on the Afro-tinged percussion and infectious bassline of \u201CSword + Gun\u201D.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=ouItEkKXBdA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=irieficus\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=uIBsZsDQAAI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=joespubfan\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CHeaven on The Ground\u201D is a stripped-down duet so incredibly tender and sexy, featuring English singer/songwriter Emily King, who is also on the pop-infused acoustic ballad \u201CCome to My Door\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CDo You Feel\u201D and \u201CBird of Space\u201D takes flight with its jazz tip, heartfelt and intoxicating, especially so when infused with his baritone vocals \u2013 that is reminiscent of soul legends Al Green, Marvyn Gaye and Bill Withers. With a heightened sense of maturity, James is a remarkable songwriter who spins poetry into a web of emotive soundscape, that is a mixed feeling of curiosity, loneliness, love and acceptance all at the same time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=AMOn2eTcXOo&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=joespubfan\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Yvq1BiyVWdE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=KCRW\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CNo Beginning No End\u201D has already reached Top 5 on iTunes Canada, Japan, Ireland, France and USA as I type this. It is worth the hype, and one that I would recommend getting on.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. It's All Over Your Body\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Sword + Gun (feat. Hindi Zahra)\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Trouble\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Vanguard\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Come To My Door\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Heaven On The Ground (feat. Emily King)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Do You Feel\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Make it Right\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Bird of Space\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. No Beginning No End\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Tomorrow\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Come to My Door (Acoustic Version)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Jose James will be swinging by Singapore for his \u201CNo Beginning No End 2013\u201D tour and performing at TAB on 18th February. Tickets available \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.tab.com.sg/2013/01/jose-james-presents-no-beginning-no-end/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:\".\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/josejamesworldwide\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"https://itunes.apple.com/us/album/no-beginning-no-end/id566898411\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.josejamesmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.josejamesmusic.com/\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/josejamesworldwide\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/josejamesworldwide\"]})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-jose-james-no-beginning-no-end\"},{hz3sj3gFn:\"2013-02-01T00:00:00.000Z\",id:\"UEfF7VQIA\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/YkQH9RkO3jO3CgIUtWl1GuY2g0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/YkQH9RkO3jO3CgIUtWl1GuY2g0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/YkQH9RkO3jO3CgIUtWl1GuY2g0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: KRIS WADSWORTH - LIFE AND DEATH\",lZ2WhlLX5:\"1 FEBRUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u2018Life and Death\u2019 is Kris Wadsworth\u2019s debut album, after almost a decade in the scene. It\u2019s been a long time coming, but you\u2019ll find that it\u2019s not quite an existential exploration. Rather, the self-made Detroit-born DJ/producer chooses to take a slightly tongue-in-cheek approach in contemplating his personal career and the music industry, combining gritty sound with mischievous commentary.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"Music is my career, so it is \\'Life And Death\\' to a certain extent,\" he says. \"But also, there are too many uptight people in this industry that take themselves too seriously. [The album is] me: Serious music which also makes fun of the world around me.\u201D Uptight or not, we reckon fans will be pleased with his latest offering.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The track \u2018Alienated American\u2019 kicks things off with droning vocals you can\u2019t really make sense of. But the tracks that follow leave no question of Kris Wadsworth\u2019s skill, packing in deep, jacking rhythm and addictive melodies. \u2018Showtime\u2019, \u2018Girl Talk\u2019, \u2018Koffein\u2019 and \u2018666\u2019 are the highlights of the album, featuring hypnotic vocals pulsing alongside a heavy, gripping beat.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=5xCbMB2xzOQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=GetPhysicalMusic\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/getdowngood/kris-wadsworth-showtime\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Kris Wadsworth slips in a few surprises here and there, for instance veering on drum and bass with \u2018The Boring People\u2019. Not to mention the track begins with the sinister voice of Charles Manson, a convicted serial killer, saying, \u201CBelieve me, if I started murdering people, there\u2019d be none of you left.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album finishes off strong with the hard-hitting \u2018Life and Death\u2019, bringing the experience to a befitting end with the words \u201Clife, death, music\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Life and Death\u2019 is an honest, entertaining piece of work put together by a man who knows exactly what he stands for. And when it comes to Kris Wadsworth, that\u2019s nothing short of impressive.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Alienated American\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Definition Of\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Showtime\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202804. Fan Mail (Revisited)\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Girl Talk\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Ivory 313 feat. Jimmy Edgar\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Gutter Pimp\\xa0\\u2028\\u202808. Koffein\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Famous Anus\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. 666\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\u2028\\u202811. The Boring People\\xa0\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Life and Death\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-kris-wadsworth-life-and-death\"},{hz3sj3gFn:\"2013-01-23T00:00:00.000Z\",id:\"V4jhclSck\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/uvY4SnFYe4RudyBPVTRXbPh9f4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/uvY4SnFYe4RudyBPVTRXbPh9f4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/uvY4SnFYe4RudyBPVTRXbPh9f4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/uvY4SnFYe4RudyBPVTRXbPh9f4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: ANGELA FLAME\",lZ2WhlLX5:\"23 JANUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Singapore techno queen Angela Flame graces the decks at Midnight Shift x Zouk: Alpha on 26 Jan. Find out about her top 10 charts and renewed love for DJing in this interview below.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How did you begin DJing?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"I started DJing after discovering my strong passion and connection with techno, it gives me a awesome feeling of excitement that I can't describe.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What have you been up to these days?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've been listening to a lot of podcasts such as Wax Treatment and 65D Maverick's. 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He will be doing live graf art at Zouk for Midnight Shift x Zouk: Alpha on 26 Jan 2013. Read on to find out more about our visual artist in this interview.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How long have you been in graffiti and how did you start out?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Been painting roughly around 10 years now. It all started being so anxious in knowing everything when I was a kid. So I saw some people doing graffiti down the street back in the days. Don't remember who though. In a way, they challenged me to paint. And that's how I got myself so into it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/artkhalytis?embedded=true&source=owner_name&owner=6052567\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Why the name Ceno2?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),'I always have this phrase in my head, \"See and you will know\". So the \"Ce\" represent \"see\", and \"no\" represents know. So that\\'s how I got my tag name. The number 2 is in a way to remind me that I am not number 1 haha.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Where do you draw the line between street and commercial art?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm not pretty sure about this, because for me, I'm doing and creating a new movement which is called Graffiti Fine Art.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Is there hope for graf art in Singapore?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Yeah I believe so. If the government and the public give it a chance. They will be amazed by some artworks that can be produced by some of the locals.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe your art and technique?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"My art, as mentioned above, is called Graffiti Fine Art. I use both traditional graffiti and fine arts techniques using spray paints.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Most accomplished work to date and why?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well, I'm not sure. For me, every artwork has their own story. I love them all! Haha. But the only thing that will make me happy when creating an artwork is when my clients are happy. Putting a smile in their faces is a bonus.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"A tip you have for other artists?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"A tip for other artists will be, just keep doing it, but never have bad intentions. My inspiration will be my family, friends, the public and this person by the name of Hana, someone who is really important to me.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/artkhalytis?embedded=true&source=owner_name&owner=6052567\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/56294398\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Ceno2 Artkhalytis\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/artkhalytis\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Artkhalytis Films\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Your favourite music artists?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"My favourites will be Steel Heart, Brian Hyland, Frank Sinatra.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How was your diploma at NAFA like?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It was good. But, just that I believe to be the first student to work on Graffiti during my final year project, as what was said by a lecturer of mine. Because back then, Graffiti is not considered an art at all. So it did not turn out that good for me haha.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us more about you teaching kids.\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I went to teach some government schools to teach graffiti and other art forms. My intention is to spread and share with the younger generations about art.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from your for Midnight Shift x Zouk: Alpha?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Like what my name means, come see it, and you will know it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/artkhalytis?embedded=true&source=owner_name&owner=6052567\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.ceno2.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"www.ceno2.com\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/artkhalytis\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"vimeo.com/artkhalytis\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Midnight Shift x Zouk: Alpha\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sat 26 Jan 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/139669649523617/?ref=ts&fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://docs.google.com/a/mnshift.com/spreadsheet/viewform?formkey=dDFpZ084QnJDN3M3OUsyVHlFZTNVdlE6MA\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-ceno2\"},{hz3sj3gFn:\"2013-01-11T00:00:00.000Z\",id:\"b3mtrU1uS\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/IQqC01a1zVmZNWnModZKpxwHugw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/IQqC01a1zVmZNWnModZKpxwHugw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/IQqC01a1zVmZNWnModZKpxwHugw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/IQqC01a1zVmZNWnModZKpxwHugw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: MISLAV\",lZ2WhlLX5:\"11 JANUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Mislav Bobic of the Burek record label and Singaporean event coalition, Mugic Soundsystem, waxes lyrical on the scene in Croatia, some of his favourite records, labels and his thoughts on the state of the music industry. Mislav will debut at \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/139669649523617\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift x Zouk: Alpha \"})})}),\"this 26 Jan.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How did you begin DJing? What was it like then?\"]}),\"\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"One day in mid 90s I just got myself a pair of decks and a mixer. Actually it is pretty much the same for me now as it was then i.e. all I need is 2 decks/mixer/bags of records. Also since my dad used to run a night club in Zagreb in late 80s that's when I first got to play with the proper DJ gear since I 'worked' there during school summer holidays making some pocket money.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Some of your favorite labels?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"\\u2028\\u2028Ohhh that's tough one...OK, lemme try. Talking purely about floor orientated stuff beside obvious and legendary (still going or defunct) labels mainly from Detroit and Chicago, if I'd have to choose more recent one then definitely that would be Mathematics label run by Jamal Moss aka Hieroglyphic Being. And I really feel stuff by Big Strick coming out of late. Another relatively new name in the world of techno which I am so eager to hear more from is this guy releasing stuff under Gesloten Cirkel moniker. Also I would say watch out for GB aka Gifted & Blessed who had far too few but very strong releases over past year or two. There is also so much good and promising stuff out there such as this great small low-fi labels like LiveJam/Relative/Appointment sticking to basic approach achieving devastating results.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Best gig you've played? Best gig you've attended?\"}),\"\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"Without a doubt some of the best moments and most cherished memories are the ones with my Mugic pals in crime, Uly & Kentaro playing those marathon \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/MugicSoundsystem\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Mugic\"})})}),\" sessions at legendary Night & Day here in Singapore.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What do you love about music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"\\u2028\\u2028Being universal language however cheesy this actually sounds.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tell us about your label Burek, how did it come about, where is it heading?\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Burek is roughly 2 years 'old' now. I've joined Mario less than year ago and we run it together now. We are now working on our next release by Snuff Crew w/ Juju & Jordash remix later to be followed with more stuff from Esa, Fudge Fingas, Cottam, Aubrey, Specter, Clapan, hopefully another KiNK and Humandrone EPs and who comes our way. Also, we will be introducing two sister labels at certain point so expect a wide spectrum of music released. But we won't be pushing it, instead we just kinda wait for things to happen so let's see how that goes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/burek/snuff-crew-presents-snuffo?in=burek/sets/burek-005-snuff-crew-presents\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"You also will be starting an artist agency?\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Agency's already in motion and you can check full info at \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.burekmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"burekmusic.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How is the scene in Croatia? \\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Pretty slow during winter months. In my hometown of Zagreb, Sergej runs Sirup club for 5th year now bringing really good DJs. Last time I was there few weeks ago, Daniel Bell killed it! However, during summer months everything explodes at the Adriatic coast with many established festivals doing fantastic events at beautiful locations. Also we see each year new festival organizers coming down to do their thing. Last year Dimensions festival was a personal highlight. This year look for Burek label presence there, hopefully with a proper kiosk there selling hot fat bureks to help you through the night. Basically, summer tip for Croatia would be: come check some great festivals and then rent a sailing boat and go for proper summer chill with your friends or friends to be.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Compared to Singapore?\\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Would be good to see more quality festivals since Singapore has a round year of suitable weather and the combo of beaches, jungles, urban locations, etc on disposal.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Top 5 list for now?\\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/112/Review:%20Robert%20Hood%20-%20Motor:%20Nighttime%20World%203\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"New Robert Hood album\\u2028\\u2028\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/J-Velez-MMT-Tape-Series-1/release/3903715\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"J Velez - MMT Tapes\\u2028\\u2028\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Optic-Nerve-Detroit-Commuter/release/4028803\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Optic Nerve - Detroit Commuter EP on Puzzlebox\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/DJ-Stingray-313-FTNWO/master/504126\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\\u2028\\u2028DJ Stingray 313 - F.T.N.W.O on WeMe\\u2028\\u2028 Records\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Terrence Dixon - Minimalism Re:Vision on Thema\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/themarecordings/a1-mike-huckaby-remix-clip?in=themarecordings/sets/thema033-minimalism\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your approach to mixing or DJing?\\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"There is no approach as such really. Go with the flow I guess...surprise factor is what I personally remember most from those WTF?!? moments on the floor.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What do you think of the state of the music industry today?\"]}),\"\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"I see it as a non-stop evolving thing so with many opportunities you get quite a few challenges but overall, I find it getting better and better actually. Of course, sad to see many good record shops and labels gone in result but there are also many of those who re-adjusted to new environment so to say. And those have not only survived but came out stronger. Since I am still buying wax mainly, have to give heads up to places like Rush Hour, Clone, Hardwax, Soul Jazz and many more who still strongly support wax releases, re-mastering and re-releasing long gone/obscure stuff, putting together fantastic compilations of lost and hard to come by music from all over the world. \\u2028\\u2028Basically enormous amount of information is available out there to anyone willing to dig enough so yeah, it is great if you ask me! As you can tell this is purely from my pretty narrow perspective since I really don't follow nor have enough knowledge to get into more serious general music industry debates.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's next for you in 2013?\\u2028\\u2028\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Another year of great music of course and more substance over style please! Otherwise you can check Mugic nights we do at Broadcast HQ every last Saturday of the month. Personally I will be playing at festivals such as Hideout and Dimension and will do some gigs around Europe this coming summer. Who knows, maybe we even manage to put together Mugic/Burek collaboration nights in Singapore and Croatia.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you at the Midnight Shift party?\"}),\"\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),\"You will just have to be there on 26th I guess.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.burekmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.burekmusic.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.soundcloud.com/burek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"soundcloud.com/burek\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/burekmusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.facebook.com/burekmusic\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/MugicSoundsystem\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"www.facebook.com/MugicSoundsystem\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift x Zouk: Alpha\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sat 26 Jan 2013\",/*#__PURE__*/ _jsx(\"br\",{}),\"10pm onwards\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/139669649523617/?ref=ts&fref=ts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook event page link\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://docs.google.com/a/mnshift.com/spreadsheet/viewform?formkey=dDFpZ084QnJDN3M3OUsyVHlFZTNVdlE6MA\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"RSVP link\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-mislav\"},{hz3sj3gFn:\"2013-01-02T00:00:00.000Z\",id:\"Rv0EWcLOd\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/38lmOxq2bi9O8V29yfLyxyTVps.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/38lmOxq2bi9O8V29yfLyxyTVps.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/38lmOxq2bi9O8V29yfLyxyTVps.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/38lmOxq2bi9O8V29yfLyxyTVps.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1417w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FABRIC 67 - ZIP\",lZ2WhlLX5:\"2 JANUARY 2013\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=UX_l5ZUz2mo&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=YourOnlyFriend\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I've had the genuine pleasure of reviewing several of these now. And 67 in the 'Fabric Live' series is indeed special. It brings together 17 tracks selected and blended by a DJ whom I've loved and respected for a great many years. In fact, over the last decade or so, his following, though small when you compare it to the likes of Hawtin or May or Vath or many other 'names' in the techno family of DJs and producers, is to every extent loyal and steadfast. You could even call him a 'cult favourite' in every sense of the word. To some of you who probably know him well enough, he also used to be the lead singer in synth pop band, Second Voice. Now, or well over a decade, Thomas Franzmann, better known to his fan base as Zip, has been building upon his fan base by just simply being an awesome DJ. And if that isn't enough to boot, he's also the co-founder of Perlon, one of the best and most respected house and techno labels in the universe, which he runs with partner and former band-mate Markus Nikolai out of Berlin.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=jxNgj6uJdaY&ab_channel=fabriclondon\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I've had the pleasure of watching Thomas DJ only once at MUTEK in Montreal in 2009 with Ricardo Villalobos. I remember that cold, dark, rainy afternoon in the park quite vividly actually. As vividly as I recall the sun making a sudden entrance, in perfect time to the drop 'The Climax' by The Paperclip People as he did. I also remember vividly, a whole sea of raised hands at that moment, and suddenly, amidst the cold, there was a warm fuzzy feeling all over.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As many of you who've followed Thomas along his path know, he likes to keep a low profile. He plays in Berlin much more than anywhere else, and mostly at Panorama Bar, where he and Sammy Dee have hosted Get Perlonized on the first Friday of every month for the past eight years. He does this by choice actually, and\\xa0 for a DJ that leans heavily towards the obscure, unreleased, or even never-to-be-released material, to have him on a Fabric mix makes this even more interesting. Technically he's never done a mixed CD before, aside from his Superlogevity compilations, I could only think that the complications in licensing some of the more obscure material he's known for playing, coupled with other red-tape realities that surround the release of a mixed CD for commercial release often prove to be arduous and problematic. On his fabric mix, Thomas just simply says,\\xa0 \\\"I did the mix with two record players, two CD players and my favourite mixer. I was alone in my studio and it felt just like it did when I was doing a mixtape ages ago. Only this one comes with slightly more pressure.\\\"\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Now we've all heard mixtapes before and given the expectations of the modern digital world, many would expect a mix filled with quick cut-in's, three (sometimes, four) deck 'mastery', massive efx overdrive, and all the other studio dressing room shenanigans that come with many other mixed compilations currently on commercial release. Let me just warn you that there are NOT going to be any of those WTF moments here. It's just the magic and energy of a Zip DJ set poured out on disc, and a tribute to the man's great many years of experience and his excellent ear for a good groove as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"He doesn't waste any time either, kicking off the mix with hypnotic and ethereal 'Dreams' by Vedomir and after slipping seamlessly into San Proper & Steven De Peven's 'Pam Pam', he proceeds to take your mind and feet on a rhythmic trip. It's quite captivating to hear him use vocals to morph his way through and between certain tunes, something he employs to perfection in the first half of this mix, and right thorough Nail's 'Till the Feeling's Gone' and Melchior Productions Ltd's 'She Like', he creates a slick seamless flow without rushing into anything, taking his time to build the groove and holding the attention, even to a mesmerising degrees at times.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The clipped, broken drums of Pluto 's 'Point Blank' act as a minimal interlude to the four-on-the-floor structure of the mix and, without interrupting the flow, proceeds to break back into funky hypnotic territory with G. Marcell's 'Excites Me', Jovonn's 'Satisfied' and Twin TM's 'The Fall of the House of Shadows'. He's not too shy with his use of bonus beats and DJ tools either as he does so eloquently between Soul Capsule's 'Seekers' and Dan Curtin's 'Convergence' - I don't see too many DJs doing that these days, and I've always felt that it's something that adds to the magic really, something one would relish engaging the atmosphere on a dancefloor to a Zip DJ set.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JfsLetCBAvw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=zoics06\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The mix proceeds into a deeper and slightly more jazzier domain now as it explores the more versatile side of Zip. Right through Sakro's somewhat abstract 'Jazz in the Forest'\\xa0 to the sparse, disjointed technicality of DJ QU's 'Everybody's Dark', and again, employing the use of tools to transition between tracks as he does with the Pyramid Bonus beats of Scott Grooves' 'Expansions', with the effervescent mastery of Roy Ayers and the hauntingly deep and funky 'Return of the Speaker People' by Terrence Dixon; Kausto's Sudden Aphasia Mix is the one called into play here.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Zip winds up on more experimental ground with the choppy and distorted lead melody on The Sun of God remix of Armando & Steve Poindexter\u2019s \u2018Blackholes\u2019 and the quirky playfulness of Isol\\xe9e's 'Music', testifying once again his penchant for the obscure and demonstrating, with verve and unobtrusive style, his ability to swing them into the mix with the greatest of ease.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Y9Xhabo14XE&ab_channel=BregtSmets\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Honestly, for those who've been exposed to or gravitate solely towards the normal and mundane, they'd find this mix to be a tad dull.\\xa0 But, allow themselves to understand the general idealism behind a great DJ set and the ability to take a daringly different approach to it, and it may just grow on them. To be fair, there's nothing like experiencing the man live, as I did in Montreal. But, having said that, even on a bad night, Zip still manages to pull a few rabbits out of the hat...doves even, and at times, maybe even a lion! This probably isn't the best Zip set to draw any comparison to, but it's worthy of an add to your collection, if only to understand that, as with a new year now upon us in 2013, DJing has got to come back to DJing and that can only mean, back to basics. And with this mix, it's not only a testimony or shout out to the future, but also a hint to the new and up and comer's to approach the year ahead with daring aplomb. Let this mix serve as a good example for starters.\\xa0 Enjoy it as I did, and have a great start to a brand new year.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Vedomir - Dreams\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. San Proper & Steven De Peven - Pam Pam\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Nail - Till The Feelings Gone\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Melchior Productions Ltd - She Like\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Pluto - Point Blank\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. G. Marcell - Excites Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Jovonn - Satisfied (Moodyfied Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Twin TM - The Fall Of The House Of Shadows\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Soul Capsule - Seekers\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Dan Curtin - Convergence\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Sakro - Jazz In The Forest\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. DJ QU - Everybody\u2019s Dark\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Scott Grooves feat. Roy Ayers - Expansions (Pyramid Bonus Beats)\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Terrence Dixon - Return Of The Speaker People (Kausto's Sudden Aphasia Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Kenny Larkin - Drone\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Armando & Steve Pointdexter - Blackholes (The Sun Of God Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Isol\\xe9e - Music\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/cds/609774-zip-fabric-67-zip\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/cds/609774-zip-fabric-67-zip\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-fabric-67-zip\"},{hz3sj3gFn:\"2012-12-22T00:00:00.000Z\",id:\"QJClQBooN\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/u7NXVDikorHtDYwILDSGC5TbZeQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/u7NXVDikorHtDYwILDSGC5TbZeQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/u7NXVDikorHtDYwILDSGC5TbZeQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/u7NXVDikorHtDYwILDSGC5TbZeQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: DECEMBER\",lZ2WhlLX5:\"22 DECEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Another big drop from the JUICE team on what's hot for the last month of 2011.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Air feat. Victoria Legrand \u2014 Seven Stars\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/weallwantsome1/air-seven-stars-feat-victoria\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Air \u2014 Seven Stars (Feat. Victoria Legrand)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/weallwantsome1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"weallwantsome1\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" French retro-electronica duo Air is back with an album based on a 1902 silent film classic. And the big news is that it\u2019ll feature the vocal chops of Au Revoir Simone and Beach House\u2019s Victoria Legrand!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Their lead single \",/*#__PURE__*/ _jsx(\"em\",{children:\"Seven Stars\"}),\" immediately unveils Legrand\u2019s lovely pipes, along with a more immediate and immense sound coiled around pacey drums and evocative piano instrumentation.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" After the slightly disappointing \",/*#__PURE__*/ _jsx(\"em\",{children:\"Love 2\"}),\", this conceptual approach and subtle revamp of their sound may just be what the doctor ordered. This is Air\u2019s second wind.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Rrose \u2013 Waterfall\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=4wOPINyzYx4&ab_channel=LocalAuthorityHouse\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Sandwell District never disappoints and enigmatic techno label\u2019s latest secret weapon is an anonymous producer called Rrose.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" As heavy, pounding and intense as can be. A concussive cut that\u2019ll leave you begging for more.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Little is known about Rrose but with talent this thorny, you can bet his profile is about to bloom.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"FaltyDL \u2013 Can't Stop the Prophet\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" NYC\u2019s FaltyDL has had an insanely productive year and his latest EP offering, Atlantis, is once again flawless top to bottom.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" \",/*#__PURE__*/ _jsx(\"em\",{children:\"Can\u2019t Stop The Prophet\"}),\" begins as an instrumental hip hop tune, akin to LA\u2019s low end beats, before detouring into an epic, climatic jungle breakdown.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Drew Lustman\u2019s known for his two-step and UK Garage adventures but this track bodes well for more versatile projects in the future.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Major Lazer \u2013 Original Don\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" A new Major Lazer single is always gonna get hype. But when it comes paired with a bizarre viral video of blade-wielding dancers, a sharply-dressed octogenarian and Diplo, um, reading, that\u2019s just a wacky bonus.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like: \"}),\"Diplo and Switch never hold back, but we think they have outdone themselves here with this electro-house banger. Also who cares how it sounds like, have you seen that video!?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Another massive four-to-the-floor scorcher heralds another big year for the dancehall duo in 2012.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Eats Everything \u2013 The Size\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/neontapedeck/eats-everything-the-size\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Eats Everything - The Size\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/neontapedeck\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"neontapedeck\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Exactly a year ago, Eats Everything came out of nowhere with his boisterous \",/*#__PURE__*/ _jsx(\"em\",{children:\"Entrance Song\"}),\". True to its name, the track did exactly that and introduced the bass-house newbie in spectacular fashion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" The new track off his eponymous EP (via Dirtybird) overflows with swooping claps, jaunty vocals, lovely strings, bouncy bass and even a fabulous sample of Moby\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"Porcelain\"}),\". Wowza.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" With an instant classic like this, Eats Everything will be the poster boy for Bristol's bass/house scene for the foreseeable future.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-december\"},{hz3sj3gFn:\"2012-12-13T00:00:00.000Z\",id:\"EmbxvgLLV\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/NvtxOdNm9VIoIAHBUg9MTFanRAE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/NvtxOdNm9VIoIAHBUg9MTFanRAE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/NvtxOdNm9VIoIAHBUg9MTFanRAE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ERDBEERSCHNITZEL - TENDER LEAF\",lZ2WhlLX5:\"13 DECEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"I am writing this review as I sit here, basking in the splendor and beauty of this isolated island resort in the Maldives, one of 1,200 known islands in the double chain of twenty-six atolls here. Released last month, the album \",/*#__PURE__*/ _jsx(\"em\",{children:\"Tender Leaf\"}),\" is the second from the Bonn-based Erdbeerschnitzel, the brain-child of stylistically diverse producer Tim Keiling. He put out his full-length debut, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Pathetik Party\"}),\", digitally through his own Blockstoff imprint back in 2009, and rapidly made himself a name with first-class single releases in the following years on 3rd Strike Records and 4 Lux. This one comes on the heels of two previous singles on Tensnake's Hamburg-based Mirau label, 'To An End' from 2010 and the recently released 'Through The Night' single, whose title track also features on this album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/mirau/erdbeerschnitzel-tender-leaf\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Made up mostly of instrumentals there are the bit vocal cuts on it as well, however above all else, it does extremely well in showcasing Keiling's flair for sample-heavy sound design and his deft ability to weave simple subtle melodies and unexpected tempo changes within the tracks without losing a click on the overall atmospherics and simplicity.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Opening with 'Hello' rather aptly and politely, Keiling delivers an trippy atmospheric onslaught in two minutes, punctuated by sporadic drum rolls and the warmest of string arrangements darkened only slightly by a haunting melodic cello that mingles initially but subtly seizes the attention eventually.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=L5v-MoZiCNY&ab_channel=ModernFate\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"'Let Go' grooves along as perfectly as a second album track should, starting the album's journey on a warm, enticing path; the kind of track that makes a bright sunny day seem even brighter. Again, the arrangements on this are superb and as the track chugs along, and as the melodies meander about and take their course, you stop, wonder and marvel at the peace and tranquility around you and feel a renewed sense of hope. I'm saying this, not only just because I'm staring out at this deep endless blue that stretches out almost endlessly into the horizon; of course it helps to have this as a soundtrack to it, but pretty much because it is the feeling that 'Let Go' invokes, and the title itself suggests that life in general, should be, just a big 'Let Go'. Superb stuff thus far.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DrkvJpMsFq8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=ModernFate\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Anyway, onward. 'Semantics', which I've already been playing a lot of here in the Maldives, is another bright and bouncy little tune. And again, it highlights Keiling's amazing ability to make simplicity sound so magnificent. I had five people asking me about it when I played this on the beach last Saturday and I must confess, on hearing it for the first time on a big system, I was already sold. I've even done a little edit of this which is the one that I've been playing out. Give it a listen or let yourself get lost in it when you hear it. If your head doesn't start bobbing or you don't get up and start doing a funny little dance to this, trust me, seek immediate medical attention.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'The Mattress Excursions', one of the two vocal cuts on the album, crooned soulfully and lovingly by Berlin-based artist The Drifter; who recently appeared on Jacob Korn's \",/*#__PURE__*/ _jsx(\"em\",{children:\"You & Me\"}),\" album and had a stellar release about a month ago on Munich-based label Permanent Vacation with 'Day and Night', is far from anything too dreamy, as the title suggests. Well, it starts off that way, but progresses into one of the album's fastest tracks, tempo-wise. As for it's lyrical content, that is, by and large, rather self explanatory, but it's ever so sophisticatedly sweet.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Through The Night', the only track off the album previously released as a single, is another soulful, classy slice and another one that I've been playing out quite a fair bit.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=RQYMhXPGyGA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TheIoLoSo10\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"'Tetra' and 'Wait' that's up next, takes it back into somewhat broken, jazzy territory, much along the lines of 'Let Go', keeping warm and bouncy and never loosing an inch of soul, with the latter, 'Wait', being so reminiscent of the early 2000 collaborations between Jazzanova and Amp Fiddler, or even that as we remember from early Jamie Lidell. Pure quality here.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The tracks 'Arbitrary Act', 'Ebus Rude' and 'Separate Spaces' scale tempos up a tad and really showcase Keiling's versatility to flit effortlessly between the lighter and darker caverns of his musical mind. Again, he keeps it amazing warm and soulful, somehow. I suppose to some, this would be the point when deep house and techno merge and make it almost impossible to pigeonhole this into something manageable or comprehensive (Let's just leave that to the folks at Beatport shall we).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=quAc5RWVfrs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Zeinkali\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"'Poem' is thirty-seven second interlude that somewhat echoes the Erdbeerschnitzel philosophic view on life and music and preludes the album's closer 'Tender Leaves', which, thankfully doesn't end this album on a slow and sombre note. Instead, it maintains the bounce that's been so self-evident in this entire album and celebrates life and joy and all the magic that it can bring, if only one allows the mind to believe.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Overall, and again I stress, despite writing this review immersed in the beauty of the Maldives, this is a great album. I did delay the course of writing this review, but I see now, that i made the right choice to do so. Every track in this album has seemed to make that which surrounds me ever so much more beautiful (try playing 'Let Go' on a beach in this gorgeous Maldivian sun and you'll get it). It is vivacious, exulting, humorous at times, and on the whole, aesthetically clever, and each elaborate audio-bouquet is full of spirit, full of life.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I mentioned earlier, something to the effect of pigeon-holing and trying to genre define or manage this music into something more comprehensible. To do that with Keiling's work, would be a big mistake and a sad injustice in every sense. Just call it great music, soul food or mind fluid if you must. But it's something anyone who looks for beauty in life or in music should own. Pluck it off the shelves as soon as you can. It's even released on vinyl too.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Hot Toddy - Won't Let Go feat. Danielle Moore (Erdbeerschnitzel Remix) [Free Download]\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/omrecords/hot-toddy-wont-let-go-feat\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Hello\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Let Go\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Semantics\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. The Mattress feat. The Drifter\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Through The Night\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Tetra\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Wait\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Arbitrary Act\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Ebdus Rude\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Separate Spaces\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Poem\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Tender Leaves\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.decks.de/t/erdbeerschnitzel-tender_leaf/c0k-0n\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.decks.de/t/erdbeerschnitzel-tender_leaf/c0k-0n\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/downloads/595656-erdbeerschnitzel-tender-leaf\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/downloads/595656-erdbeerschnitzel-tender-leaf\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/Erdbeerschnitzel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/Erdbeerschnitzel\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://soundcloud.com/erdbeerschnitzel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://soundcloud.com/erdbeerschnitzel\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-erdbeerschnitzel-tender-leaf\"},{hz3sj3gFn:\"2012-11-29T00:00:00.000Z\",id:\"jgEjzHBcu\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/HAqSyhdW33XJlNXsnGpV3kjHHE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/HAqSyhdW33XJlNXsnGpV3kjHHE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/HAqSyhdW33XJlNXsnGpV3kjHHE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: BASIC SOUL UNIT - MOTIONAL RESPONSE\",lZ2WhlLX5:\"29 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsxs(\"p\",{children:[\"I think one of the most difficult things to do when it comes to a review, is to pen away at work that's been done by a trusted and treasured friend.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Mind you, we've only known each other a short time, meeting for coffee in the City Hall area on his virgin trip to the island a year or two ago when he was DJing for a Darker Than Wax party. Also given the fact that I had been buying and playing some of his music for a few good years prior to that, coupled with the glowing praises that another good friend of mine from Toronto, named Ange, had been singing of him and his work for a few good years now, that brief meeting over coffee was all that more special and somewhat, anticipated in every respect.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"However, friendship aside, when it does come to his music, Stuart Li, or more known to his loyal following as Basic Soul Unit is as serious as it can get. From his earlier material on Iwanai Music and Left of the Dial which go back to between 2003 to 2005, to his more recent output on Versatile, Ostgut Ton, Cr\\xe8me Organization, New Kanada and of course, our very own new label-kid on the block, Midnight Shift, this is surprisingly, Stuart's first artist album to date. And with this being his first artist album, I expect it to be even twice as serious.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Simply entitled 'Motional Response', and to be released next month via Chicago house label \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/record-label.aspx?id=1422\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Still Music\"})})}),\", Stuart wraps the album lovingly and dynamically, almost akin to someone who is about to wrap a birthday present to the love of his life.\\xa0 Not a crease nor a tear in the works. Only painstaking work, ensuring that every corner and fold is taken and executed with the strictest of care and precision (from Stuart, I wouldn't expect anything less).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album opens account with 'Across The Room', a delicate hypnotic slice of techno that builds on percussion and guiding handclaps layering swirls of fluttering FX, strings and acid bass stabs before gliding into the main melodic structure of the arrangement proper. The acid bass stabs then cease momentarily and morph into a counter melody that in turn segues into the track's basic melody structure and takes this entire part of the arrangement into more layered atmospheric territory. As it pans out to the end with that acid bass stab returning to take its place in the final few bars, I'm already thinking 'pure bliss'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Breathe' that follows, is a deep vocal track with lyrics that echo self reflection over a driving mid-tempo house groove, written and performed to soulful perfection by Toronto chanteuse Sacha Williamson.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Clouds' brings us back to the basic, soulful, melodic techno that we've all come to know and love from Stuart, a gentle basic 4/4 track that cascades and shuffles within its driving 909 back-beat and runs an assortment of melodies in our head while it floats along. A beautiful slice of niceness here, that, in some small way, reminds me a little of 'Surface And Submerge' - a track off his Ascend Into The Night EP on Versatile in 2009.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Sandpiper', that follows this, darkens the tone a tad and takes the tempo up a notch, and takes the track into more arpeggiated bass territory introducing a certain rawness to the groove via the chopped up dirty' snares and hats that gnaw and rip through most of the track.\\xa0 'All Over Me' carries the album forward, highlighting Stuart's understanding of the simplicities of melodic techno from all corners of the globe. And although, the Detroit influence is strong in many of the tracks on this album, this one, by and large, sounds distinctly European to a greater extent.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'This' merges and manipulates the Chicago and Detroit elementals into a driving and more dance-floor oriented groove with its bass driven funkiness almost sounding like Larry Heard and Terence Parker locked in a studio with Juan Atkins and Carl Craig. 'Back Seat Lover' continues in similar fashion, keeping it basic and yet driving the groove home as raw as it can get.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Intersection', and 'Mind Forest' revisit the deeper shades that have made this album such a treat thus far as Stuart punctuates his simple arrangements with those subtle, hypnotic and engaging melodies that only he knows how to do so well, breaking up the 4/4 arrangement in 'Intersection' with a dirty filtered shuffled kick drum as the track reaches it's twilight moments and messing with the entire momentum of it in the last 30 seconds. A subtle twisted act of pure genius.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As is the album closer 'Let Go', a beat-less matrix of intertwining melodies that build and crescendo into their eventual climax and then leaves the bass to bring the track and record to it's final ebb.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The two bonus track are also worth mentioning; the album's only vocal track 'Breathe' is given a slight thump courtesy of Still Music's label owner Jerome Derradji with Underground Resistance's Gerald Mitchel providing additional strings to its already, stellar arrangement and tone. And the second, an extended version of my favourite album track 'Clouds' is worth its weight in techno gold, for every single enticing minute.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As I said when I started this review, being objective and drop dead honest when reviewing an artist album especially when its the output of a good friend, is difficult. But Mr Li, you've just made it easy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"A1. Across The Room\",/*#__PURE__*/ _jsx(\"br\",{}),\"A2. Clouds\",/*#__PURE__*/ _jsx(\"br\",{}),\"B1. All Over Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"B2. This\",/*#__PURE__*/ _jsx(\"br\",{}),\"C1.Backseat Lover\",/*#__PURE__*/ _jsx(\"br\",{}),\"C2. Intersection\",/*#__PURE__*/ _jsx(\"br\",{}),\"D1. Mind Forest\",/*#__PURE__*/ _jsx(\"br\",{}),\"D2. Let Go\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Buy:\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.deejay.de/m_House/play/__112838\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.deejay.de/m_House/play/__112838\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/609150-basic-soul-unit-motional-response\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/vinyl/609150-basic-soul-unit-motional-response\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/pages/Basic-Soul-Unit/49591600083\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/pages/Basic-Soul-Unit/49591600083\"})})})]})}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-basic-soul-unit-motional-response\"},{hz3sj3gFn:\"2012-11-27T00:00:00.000Z\",id:\"nRSEl1GuG\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/isSwD9B921dIq2I3C22BJLpo4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/isSwD9B921dIq2I3C22BJLpo4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/isSwD9B921dIq2I3C22BJLpo4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/isSwD9B921dIq2I3C22BJLpo4.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: COSA NOSTRA - RETURN TO SENDER PART 1 & 2\",lZ2WhlLX5:\"27 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"For those who follow will have noticed how it\u2019s been quite a year for the folks at \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Review:%20Cosa%20Nostra%20-%20Return%20to%20Sender%20Part%201%20&amp%3B%202/darkerthanwax.bandcamp.com\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Darker Than Wax\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Bubbling beneath the modest surface, they've managed to keep busy with a string of events which saw international veterans from the likes of Krystal Klear and Opolopo & Amalia for their Third Party series. Their recent collaboration with Midnight Shift and Zouk known as DMZ pushed their reach further into house and techno territories, seeing the likes of Basic Soul Unit and Iron Curtis on our shores. As of late, their releases have seen a refreshing influx of varied artistes such as Midnight Runners, Juno Akasawa, Evil Needle and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/108/Review:%20Similar%20Objects%20-%20Shift%20Frequency\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Similar Objects\"})})}),\" as well as Nigel One.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Running the madness are Funk B*stard and Kaye \u2013 together, known as \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/pages/Cosa-Nostra/9299329751\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cosa Nostra\"})})}),\".\\xa0 As label owners, these artistically spirited tastemakers are influenced by, and often rein in a diverse selection in their catalogue, mixes and live/DJ sets.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As producers for \",/*#__PURE__*/ _jsx(\"em\",{children:\"Return to Sender\"}),\", their love for house edge their fondness for jazz, soul, hiphop and boogie \u2013 bucking the beatmaking trend with an emergence of back-to-basics 4/4.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With a nostalgic embrace of the genre,\u201CI second that emotion\u201D unfolds in waves of warped vocals, warbling synths and all-round electronic warmth.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/cosanostra/cosa-nostra-i-second-that\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The catchy arrangement of melodious synth stabs and jacking Chicago styled bass lines proves to be the apparent main building blocks in \u201CSpectre\u201D and \u201CBy the way.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"https://soundcloud.com/cosanostra/cosa-nostra-spectre-rough\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Part 2 flows seamlessly from its predecessor, with an exceptional remix by Nigel One thrown in, breathing in a new lease of life to the already infectious \u201CWhole Lot More\u201D, with layers of slinked out snares and disco claps.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/cosanostra/cosa-nostra-whole-lot-more\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The magnetic delivery of \u201CYou Know What I Mean\u201D unabashedly re-emphasizes the release's core identity, and the duo\u2019s strongest attributes.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Though slightly formulaic, it is also uncomplicated and relatable. With its versatility from headphones to dancefloor, this subtly sophisticated staple appeals and reconnects with its undeniable groove.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Cosa Nostra proves to be the jack of all trades and nothing short of a master when it comes to house music \u2013 a knack which is on full display in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Return to Sender\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Part 1\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1.\\xa0\\xa0\\xa0 I Second that Emotion\",/*#__PURE__*/ _jsx(\"br\",{}),\"2.\\xa0\\xa0\\xa0 Spectre\",/*#__PURE__*/ _jsx(\"br\",{}),\"3.\\xa0\\xa0\\xa0 By the Way\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Part 2\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1.\\xa0\\xa0\\xa0 Whole Lot More\",/*#__PURE__*/ _jsx(\"br\",{}),\"2.\\xa0\\xa0\\xa0 Whole Lot More (Nigel One Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"3.\\xa0\\xa0\\xa0 You Know What I Mean\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Review:%20Cosa%20Nostra%20-%20Return%20to%20Sender%20Part%201%20&amp%3B%202/darkerthanwax.bandcamp.com\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"darkerthanwax.bandcamp.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/darkerthanwax\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/darkerthanwax\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-cosa-nostra-return-to-sender-part-1-2\"},{hz3sj3gFn:\"2012-11-25T00:00:00.000Z\",id:\"mYBWHxgRA\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/wMGxsCCTrgqxdoJRmDpkXiR74l4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/wMGxsCCTrgqxdoJRmDpkXiR74l4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/wMGxsCCTrgqxdoJRmDpkXiR74l4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/wMGxsCCTrgqxdoJRmDpkXiR74l4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: NOVEMBER\",lZ2WhlLX5:\"25 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Keeping the JUICEs flowing this November are Keep Shelly in Athens, Vril, Darkside (a Nicolas Jaar project), Andy Stott and Washed Out. Plug into these selections now.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Keep Shelly In Athens \u2013 Campus Martius\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/platform/b1-campus-martius-1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Keep Shelly In Athens - 'Campus Martius'\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/platform\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"BOILER ROOM\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),' As their name implies this Grecian electronic act hail from Athens and they\u2019re set to follow up their brilliant 12\", ',/*#__PURE__*/ _jsx(\"em\",{children:\"Our Own Dream\"}),\", with an eponymous EP on Planet Mu.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" All that glitches is gold. Well that\u2019s true for this experimental autumnal ditty at least. Meld skitters with synth melodies and a gorgeous piano loop and you\u2019ll be lost in a swirling dream.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Keep Shelly In Athens could be the new Air if they play their Balearic-tinted cards right.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Vril \u2013 UV\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=i_3f2Jp1ULs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=the29novforever\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Marcel Fengler recently released an excellent three-cut compilation called \",/*#__PURE__*/ _jsx(\"em\",{children:\"Berghain 05\"}),\" through Ostgut Ton, and this warehouse stunner was a definite highlight.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" A bouncy banger with one of helluva kick and driven by killer reverb. A must-listen for you discerning heads.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Little is known about mysterious producer Vril but his rugged and robust productions will ensure that his beat lives on in the heart of underground techno for the foreseeable future.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Darkside \u2013 A1\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/clownandsunset/darkside-a1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"DARKSIDE - A1\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/clownandsunset\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Clown & Sunset\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" If you\u2019re reading this, chances are you already know and love Nicholas Jaar. But what you may not know is that he also has a side project (with guitarist Dave Harrington) called Darkside that\u2019s just as ridiculously awesome.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Nico can do no wrong and Darkside\u2019s lead track is a funky and minimal animal that befits this duo\u2019s genius.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" The addition of throbbing guitars adds such a cool new dynamic to Jaar\u2019s electronica that we desperately hope for Darkside to be more than a one-EP wonder. Chances are that it is though, so enjoy it while you can.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Andy Stott \u2013 Bad Wires\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" It\u2019s been only a few months since the Mancunian producer blew minds with his dub techno offering \",/*#__PURE__*/ _jsx(\"em\",{children:\"Passed Me By, \"}),\"and here he is again with a second full-length proper this year called \",/*#__PURE__*/ _jsx(\"em\",{children:\"We Stay Together\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" \u201CBad Wires\u201D is the third track off Stott\u2019s new doublepack and the lo-fi gravel shaker serves as the record\u2019s crushing centerpiece.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Visceral, intense and full of foreboding, this throttling tech thumper will seriously decimate some dancefloors given the right soundsystem.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Washed Out \u2013 Amor Fati (Clams Casino remix)\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/pretty-much-amazing/washed-out-clams-casino\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:'Washed Out - \"Amor Fati\" (Clams Casino Remix)'})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/pretty-much-amazing\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"Pretty Much Amazing\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" New Jersey beatmaker Clams Casino totally reinvents one of Washed Out\u2019s signature singles \u201CAmor Fati\u201D and it\u2019s a remarkable rework.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" The original\u2019s summery bubble is coated in a downcast and dubby haze and though it\u2019s a much darker shade, it\u2019s no less gorgeous.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Clams Casino was one of those overlooked acts this year but with talent like this, we find it hard to imagine that the world can ignore him for too long.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-november\"},{hz3sj3gFn:\"2012-11-23T00:00:00.000Z\",id:\"vnQeCsICP\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/x8eunBjYbhDOlaG1JZyQG6Vzf0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/x8eunBjYbhDOlaG1JZyQG6Vzf0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/x8eunBjYbhDOlaG1JZyQG6Vzf0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/x8eunBjYbhDOlaG1JZyQG6Vzf0.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"POSKOD.SG'S SOUNDSCAPING: YISHUN\",lZ2WhlLX5:\"23 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"SOUNDSCAPING: Yishun\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Between Culture and Nature at Yishun Dam.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/POSKODSG/soundscaping-yishun-dam/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=resource_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SOUNDSCAPING - YISHUN DAM\"})}),\" by Nick Chan (Muon)\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Finding respite within the teeming jungle that makes up our heartlands, always seemed a notion as remote as the possibility of not finding a mall a bus-ride away from\u2026 Anything. Which is probably why I have a soft spot for Yishun Avenue 1 (henceforth 'the Avenue\u2019).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Spanning the entire lower perimeter of Yishun, the unusually long road starts out at the intersection of Sembawang Road and Mandai Avenue, hardly meandering as it runs past the length of Lower Seletar Reservoir, past a country club, a golf course, finally culminating in what seems to me (depending on my state of mind) a \u2018Causeway to the Other Side\u2019, or more appropriately, \u2018Yishun Dam\u2019.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It's not often for me that journeying a single stretch of road, or even locale, can act as a microcosm that reflexively reacts to, reveals and represents the shifting modalities surrounding it. In the past decade, Singapore\u2019s general landscape has morphed in myriad ways that bear reflection to its own growth along the axis of punctuated equilibrium. If evolution occurs in fits and starts, this has indeed been one strangely epileptic period in our history. Our skyline is barely recognisable from what it was a decade back, earning itself greater currency on many a postcard-rack. It\u2019s not uncommon for one to chance upon some story of a relative returning from abroad, shocked at how so much could happen in so short a span of time. While I often bemoaned this and had a cynical view towards what I would call \u2018post-colonial decompression\u2019 and the knee-jerk drive toward progress, my perspective has changed somewhat in recent years.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Perhaps it was proper assimilation and realization of the idea that Singapore is in a \u2018perpetual state of transition to the next\u2019 that enabled me to encompass and view most changes with grace. At the same time, questions loomed. Questions such as \u2018transition to the next What?\u2019 This fractured continuity seemed to me a mainstay of our cultural reality. That of a relentless forward movement towards a firmer sense of identity against a backdrop of ever changing memories. Or rather, it\u2019s not so much that our memories change, but that the vantage points shift. The temporal signposts we use to orientate ourselves when we reach back in time, are constantly being redefined, rebuilt or erased completely. The architecture of a locale, a small community courtyard or a collection of foodstalls, the coming and going of all these don\u2019t just leave a quaint nostalgia in their wake. A sense of loss and dislocation also results, more so when the timeframe between the experience of a place and its demolition or redefinition grows smaller and smaller.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This is probably a reason for the increasing numbers of people I meet who relate their stories of \u2018some things never change\u2019 to me, recounting how they manage to find something that gives them a deeper sense of continuity with their past, sometimes their childhood. Perhaps it\u2019s the loss of a certain continuity that belies the need to find it with greater urgency. I notice how the elements of the story itself are subtly changing.\\xa0 A prime element being that \u2018something\u2019 they find at the end now turns out to be an internal value, such as \u2018mother\u2019s cooking\u2019, rather than an external shared object of experience, such as \u2018the ol\u2019 haunted house\u2019. The antagonist would be the \u2018difficulty of finding external vantage points these days\u2019.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"One thing that never fails to amaze me is how displaced the Avenue makes me feel. All this displacement and dislocation from apparently nothing much in sight. It probably has to do with the fact that the Avenue begins so innocuously but ends so incongruously with a monolith of a dam. The trek starts off cozily enough in a way vaguely reminiscent of driving through the latter part of Upper Thomson Road as the rain turns to drizzle. The greenery and foliage on either side is somewhat dense, affording one a view of hardly anything outside their veiled hues. But with that, a simultaneous feeling of remoteness and potential openness beyond what\u2019s known can begin to crystallize.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s not long before you reach the pastoral checkpoint that is Lower Seletar Reservoir Park. Laying adjacent to the longest stretch of MRT track between two stations (Khatib to Yio Chu Kang), this is the first reservoir that I noticed had the sign \u2018Beware of Crocodile\u2019 erected. Maybe it\u2019s good the signs seem quite a distance away from the more populous areas. The reservoir is popular for water activities such as kayaking and Dragon-Boat racing, and in recent years, the People\u2019s Association has developed a small and entertaining Water Park.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The sense of being at the edge of the heartlands continues as one looks at a handful of residential blocks that litter the reservoir\u2019s edge. It\u2019s only a matter of time before the last vestiges of open land along the Avenue cave in to the demands of (sub)urban change. Where the Avenue was once flanked by sizeable plots of open land, now the plots are cleared and fences erected announcing the construction, and in some cases completion, of another new condominium project. The Avenue is already beginning to look predictable.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Pushing on through a last stretch of canvassed greenery and round a sharp bend, one finally makes it to the highlight of the whole trek. Here stands Yishun Dam. The Avenue would not be what is if not for the fact that it leads to, and terminates at the end of this dam. Monolithic in proportion, it stands at around the same length as our first Causeway, difference being that this is an actual dam, with a man-made reservoir of fresh water on one side, and the open sea extending to Malaysia on the other side. Standing in the center, the water levels on either side don\u2019t always match, even the surface tension is visibly different. There are no toilets or benches here, a sure sign that this has not been taken into consideration as a place of activity. But yet, more and more people and families come with their makeshift tents, barbeque pits, cameras, fishing rods and car-boot bar counters. They can be seen from the early afternoon through the wee hours of the night and morning.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I always get the feeling of having arrived when I reach the dam, for here the ideal balance between culture and nature is reached. All our new places and architecture is great, no doubt, but it leaves me caught in a perpetual feeling of \u2018catch-up\u2019. Here, the domain of interaction with the built environment is one that is responsive and allows for the accretion of memory, despite the increasingly transitional nature of the urban landscape. The dam is free from clutter, which enables one to appreciate things better.\\xa0 I can see the clouds and breathe in the night sky. For real. It also opens me up to the sobering fact that I cannot do what I do here most elsewhere, which is letting my mind wander before I encounter another darned \u2018object\u2019.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Beyond what it factually is, which at first and second glance isn\u2019t much, the feelings that belie my fondness of the dam inform me that it serves as a metaphorical touchstone of sorts. It doesn\u2019t so much stand by itself as an entity independent of what actually surrounds it. Rather, it\u2019s within the juxtaposition of feelings that it entices against broader social realities and ongoing changes that its meaning is fully realized. In reflecting upon what makes it special, I see that it reveals much about what other places are not, which perhaps contributes to and forms the essence of what it is. I always manage to derive a certain peace and centeredness each time I traverse it in its entirety.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Originally published by\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://poskod.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"POSKOD.SG\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:\". POSKOD.SG is an online magazine about modern Singapore and its people, places, and phenomena. SOUNDSCAPING is its special section that soundtracks Singapore's neighbourhoods.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Words\",/*#__PURE__*/ _jsx(Link,{href:\"http://poskod.sg/About\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Nick Chan\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/POSKODSG/%3C/div%3E%3Cdiv%20style=\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"br\",{})})}),\"Images\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.poskod.sg/About\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Ng Xi Jie\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"poskod-sg-s-soundscaping-yishun\"},{hz3sj3gFn:\"2012-11-20T00:00:00.000Z\",id:\"fIKB_Q5Ir\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/zFbfOPaLlL2VBvug1SHss1ulgw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/zFbfOPaLlL2VBvug1SHss1ulgw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/zFbfOPaLlL2VBvug1SHss1ulgw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/zFbfOPaLlL2VBvug1SHss1ulgw.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: REDSHAPE - SQUARE\",lZ2WhlLX5:\"20 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"You heard him perform it live at the 3rd year anniversary, now own a piece of Redshape at home. His sophomore album 'Square' continues in the vein of his elegant yet rugged house/techno, orchestrated in outer-space, future-baroque tones and percussive layers.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Faceless techno bollocks. In 2010, Richard Brophy wrote \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.playgroundmag.net/music/music-magazine-articles/music-reports/anonymous-techno\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"this\"})})}),\" bit of a primer on the resurgence of \u2018anonymous' producers, striving to re-establish focus on the \u201Cmusic and not (their) personalities\u201D, in the same way that founding fathers like Underground Resistance and Basic Channel did. Now letting their music speak for itself is all well and good - up to the point of what the article counters as \u201Canti-marketing marketing\u201D, an idea mooted by technoscribe Dan Sicko along with his discussion of UR\u2019s mysterious image as a strong selling point.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"This \u2018mysterious image\u2019 is, paradoxically, the problem here. It leads to focus being split between music and the mystery of anything from folkloric backstories and bizarre press shots to stage costumes and of course, masks. The donning of a disguise is the staging of personality, and when rendered iconic, becomes less anonymous than a human face. The overall effect goes deeper than mere curiosity. Do masks provide the veneer of music vigilantism? Lend themselves to cultish, unthinking adulation? Or more alarmingly, grant the musician immunity to works of poor quality?\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Quality, most thankfully, stands the true test of time. Think the inimitable Daft Punk - or abominable Bloody Beetroots. Only one of the duos will be remembered for a very long time - that much is clear. Still under contention, however, are a host of present-day figures including SBTRKT, Rivet, um, Deadmau5, and of more immediate concern here/soon, Redshape.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"He of the crimson camouflage, so often deferred to by reviewers as a \u2018masked marauder/crusader\u2019, has endured a little longer than his contemporaries, having debuted in 2006 with a heavily Detroit/Carl Craig-indebted modus operandi. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Square\"}),\" marks Redshape\u2019s sophomore LP effort, and continues in the vein of his elegant yet rugged house/techno, orchestrated in outer-space, future-baroque tones and percussive layers.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Redshape\u2019s ideas are at their most scattered and wide-ranging here, but as per techno convention, this remains an album of alternately club-ready and bedroom material. The ambient segues, however, are where things get interesting. Short as they are, \u2018Landing\u2019 and \u2018Departing\u2019 provide Square's real moments of escapism, transcending their filmic, interstellar nuances to reach deep into cerebral recesses, evoking the best of The Black Dog and Vangelis while at it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=vY0DemvL2cA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=carlporter\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Speaking of astral travels, Spaceape, also known as Kode9\u2019s comrade in sonic warfare, shows up toasting doom on the lumbering half-step swerve of \u2018Until We Burn\u2019. It\u2019s a pleasant surprise, if a little manufactured for \u2018bass music\u2019 relevance circa 2012. A typical case of Redshaped unorthodoxy? Most likely, seeing how the album closer that follows soon after is vintage him in every sense of the word. \u2018The Playground (Square Version)\u2019 is a refix of one of his very first tracks, and replaces the computer engineered elements from 2006 with full-bodied live instrumentation. It\u2019s still a mover, though, and seems to signify that all wormholes and hyperdrives lead back to the dancefloor.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=hzCF2PYsdYw&ab_channel=giorgio.dj\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Taken together, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Square\"}),\" represents yet another meticulous creation by the German enigma - albeit already outed as one Sebastian Kramer of early 2000s hard-looped techno. He\u2019s done plenty to shake off his past and prove the myriad capabilities of the genre, and we\u2019re thoroughly convinced - but by the music or by the mask? Never mind the bollocks, here\u2019s another step to a bona fide legacy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.delsinrecords.com/release.php?action=add&item=3902&idxRelease=3268\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.delsinrecords.com/release.php?action=add&item=3902&idxRelease=3268\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/square/2066876-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/square/2066876-02/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.shapedworld.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"http://www.shapedworld.com/\"]})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/podcast/2012/11/redshape\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/podcast/2012/11/redshape\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-redshape-square\"},{hz3sj3gFn:\"2012-11-15T00:00:00.000Z\",id:\"F5c0Awzbq\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/AajXdmN5Vnf7xkHbEqUkHCQK4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/AajXdmN5Vnf7xkHbEqUkHCQK4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/AajXdmN5Vnf7xkHbEqUkHCQK4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/AajXdmN5Vnf7xkHbEqUkHCQK4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: BURROWS\",lZ2WhlLX5:\"15 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"From Manchester to Singapore, Lucas Burrows has been the visual backbone for performing artists such as Kyle Hall, Jamie Woon, Kode 9, Ikonika, Robag Wurhme, Superpitcher, Octave One...just to name a few. Here, Burrows shares his top 5 music videos and more and hopefully there will be no strobe light pumping needed for this talent to get noticed. Burrows will be going back to back with Avneesh on the visual controls for Midnight Shift's 3rd Anniversary this Sat 17 Nov 2012.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/52126354?embedded=true&source=video_title&owner=6802827\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/52126354\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"MNS x Zouk: Midnight Shift's 3rd Anniversary\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/mnshift\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Midnight Shift\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\",/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=yMxtxAxLBtg&list=UUu6pdU0k0qr514Y70f3iQUg&ab_channel=MrFrosteFlakes\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"How did you fall into what you're doing?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"I can't DJ and I'm too skinny to become a footballer, so I got into computers and then tried to do something interesting with that. Then one day I found myself working around the events scene thanks too a few friends and a lot of nights out.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is the hardest bit about your work?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Finding the time..\",/*#__PURE__*/ _jsx(\"strong\",{children:\".\"}),\"It's a lot of late hours and long nights, learning or attempting new things, trying to come up with something that is recognisable or unique. But also staying sober during an event, after all the hard work once it's all up I have a tendency to over celebrate.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"And the best parts?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"The actual event. It's an interesting industry where your work only appears in public on the night itself usually, this can lead to a lot of stress as it's not always tried and tested stuff, which at the end of the day is half the fun I think...but the bigger the venue the more of a buzz it is too see your work on display.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Point us to some visual influences you admire?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"In this industry I would have to say \",/*#__PURE__*/ _jsx(Link,{href:\"http://brandontay.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Brandon Tay\"})})}),\", I used to see a lot of his stuff around Singapore and was one of the things that got me into visuals, but my style is a bit different my influences would be more low-fi, I like simplicity, so Saul Bass or Josef M\\xfcller-Brockmann.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Top 5 music videos for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Fujiya & Miyagi - Ankle Injuries\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Visually it's a very clean, the colours and patterns are simple but the animation technique makes it stand out.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/3914260\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Fujiya & Miyagi 'Ankle Injuries' - Director: Wade Shotter\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/tomlindsay\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Tom Lindsay\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"A Ha - Take on Me\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"This is a pretty old video, but for the time it was fresh. I still remember today which must make it a classic, i was only 3 or 4 when it came out...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Bjork\\xa0 - All is Full of love\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"The art direction in this video is fantastic, it's super clean and cold, but subject matter and the audio come together with a lot of emotion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=wxBO28j3vug&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=BrianSteinhauer\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"N.A.S.A. - A Volta\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"This is a pretty crazy music video, but would be a dream project for any animator to work on, most of the N.A.S.A videos are.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Q3D-SCHiVzc&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=N.A.S.A.\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Death Grips - Guillotine\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Just because its epic.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Orlbo9WkZ2E&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=DeathGrips\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"And what about your favorite music?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"To go out and party I have to say Drum and Bass, I'm from the UK, but generally I'm a bit of a Tricky fan.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How long have you been in Singapore; what would you like to see more of?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've been in Singapore 7 years, in that time the music and nightlife scene here has changed a lot. If there is anything I would like to see more of, it would be people supporting their local DJs and clubs, and help develop the Singapore music scene by avoiding the venues that are around mainly built to sell table service.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/48091754?embedded=true&source=video_title&owner=6802827\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/48091754\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Decibel Festival 2012 | Midnight Shift Showcase\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/mnshift\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Midnight Shift\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Where do you see yourself in 5 years?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm not too sure, this is the first time I thought about it in a while. Life in Singapore is pretty hi-tech so hopefully I won't be completely out of date.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you get to know \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/43/Artist%20Interview:%20Avneesh%20+%20Cymbal\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Avneesh\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"That\u2019s a funny story...A long time ago I had a job as a lecturer in a university here in Singapore, I was 23 and a bit too young to be teaching which made it pretty interesting none the less. Av was studying visual communications, I didn't actually teach his classes, but he was one of the more outgoing students and we used to hang out for drinks after classes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you vs. Avneesh at the Midnight Shift 3rd Year Anniversary?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Some healthy competition? I'm sure it will be appealing to watch - I think our styles are a bit different so I guess it will be interesting how we merge it all together on the night, but the key thing is not to over step the music. At Drum and Bass nights I have a tendency to get too drunk and start pumping strobe lights to get noticed. But I won't be doing that.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=qtDGv9MQllM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MrFrosteFlakes\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Point us to a weblink?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Vimeo Staff Picks there is some good stuff on there...Or check my \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/lucas.burrows\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Facebook\"})})}),\" i post my stuff there from time to time, I won't have a website up and running till early 2013...2012 has been intense.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any last words?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I hope my computer doesn't crash.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/lucas.burrows\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"https://www.facebook.com/lucas.burrows\"]})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-burrows\"},{hz3sj3gFn:\"2012-11-14T00:00:00.000Z\",id:\"XzkdcG5oo\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/h9MXq3DLokddTPUlNKaQfQiVxCg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/h9MXq3DLokddTPUlNKaQfQiVxCg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/h9MXq3DLokddTPUlNKaQfQiVxCg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/h9MXq3DLokddTPUlNKaQfQiVxCg.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: ISAAC AESILI\",lZ2WhlLX5:\"14 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Meet Isaac Aesili, an integral member of many bands including Recloose Live, Solaa and Open Souls and deemed by Benji B to be one of the most exciting soul talents to emerge from the South Pacific. He is now part of Funkommunity (with Rachel Fraser) and Karlmarx (with brother Mark McNeill). The producer, multi-instrumentalist and DJ will be performing live alongside Singapore's Kiat this Saturday at Velvet Underground-Dance.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"You are really busy, what are some of the projects you're involved in now?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"My main project is Funkommunity with Rachel Fraser, this year we released our debut album Chequered Thoughts worldwide. We just finished a 3 month tour of Europe and we are also doing a small tour of Japan. Alongside this I make music with my brother Mark McNeill as Karlmarx and I make solo music as Isaac Aesili as well as collaborating with different artists around the world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=cn4fPAedWDE&ab_channel=IsaacAesili\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you find the time to do everything?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I don't like to rush music so with everything I do i make sure that I can take my time and plan schedules carefully. Im a full time musician so I'm able to work on music every day when I'm not touring. I recently just got a manager which should also help me have more time for music making and performing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=iYxjSsBJryg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=IsaacAesili\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Where are you based now in the world and why?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I was based in Hamburg and Berlin in Germany for the last 6 months and I'm in transition on my way to being based back home in Auckland New Zealand.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you find yourself more comfortable as a Musician, DJ or Producer?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Producer is what I'm most comfortable with, then Musician and then DJ.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Could you give us your 5 favourite tracks?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Visions - Stevie Wonder\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Africa - D'AngelO\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=zF_EQxQftWU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=YeahNah\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Telephone - Erykah Badu\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=j2MkkekN-JE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Juanyoun\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Blue in Green - Miles Davis\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Hood Pass Intact - Dam Funk\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Fcdpi16NfrY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=StonesThrow\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"One seminal album you would recommend to everyone and anyone?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Songs in the Key of Life - Stevie Wonder\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Song you would play at sunset\u2026and sunrise?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Roo (A Dedication) - Dimlite\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"So how did you and Kiat start collaborating?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I visited Singapore in 2010 and went to Syndicate with my friend Debbie Chia whom I met at Red Bull Music Academy Seattle in 2005. She introduced me to Kiat and then the next day he called me up realizing that he had my album which he bought during a previous visit to New Zealand. We decided to collaborate on a track and it ended up working out really well so we kept working together.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Which are your favorite tracks off Kiat's The Inner Galaxy album?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Method, In the Galactic Dance and Lower Depths.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://syndicatesg.bandcamp.com/track/method-feat-isaac-aesili?from=embed\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://syndicatesg.bandcamp.com/track/lower-depths-feat-vandetta?from=embed\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"You mentioned you don't really find yourself as a vocalist, any reason?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Singing is hard, I have massive respect for specialist vocalists, I developed nodules about 5 years ago so my singing ability is limited but i still enjoy singing. I wouldn't call myself a vocalist because it's not my speciality.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Looking forward, what's next for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Downtime in New Zealand, then Im going to try to make 3 separate albums (Isaac Aesili, Karlmarx and Funkommunity). Its time to take my production to the next level and hopefully i will be able to tour more internationally as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect for the Midnight Shift 3rd Year Anniversary gig?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'm really excited about\\xa0Midnight Shift's 3rd Year Anniversary gig, it will be the first time I've performed live with Kiat and actually my first gig as a musician in Singapore so I'm going to try and bring the best of vibes and get people in the zone, it's going to be a great party.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/funkommunity\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/funkommunity\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-isaac-aesili\"},{hz3sj3gFn:\"2012-11-09T00:00:00.000Z\",id:\"R8wb0TL2E\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/9VZFL46SQZzH7RqOV06AKv7HVc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/9VZFL46SQZzH7RqOV06AKv7HVc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/9VZFL46SQZzH7RqOV06AKv7HVc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"INTER-REVIEW: KIAT - THE INNER GALAXY\",lZ2WhlLX5:\"9 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A pioneer of not just Singapore's DnB scene but underground electronica in general, Kiat is a firm stalwart who becomes more relevant with each year. Here we break an exclusive interview and a review of his LP 'The Inner Galaxy' released in June 2012. Catch his performance with album collaborator, Isaac Aesili for Midnight Shift's 3rd Anniversary on 17 Nov 2012.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"REVIEW\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Kiat is one of the founding members of Singapore-based music collective Syndicate and a pioneer of the drum & bass sound in South-East Asia. With more than 17 years of DJ-ing experience behind him, he certainly knows what makes people move. In extending his musical journey into production, Kiat delves even deeper into an exploration of sonic possibilities. His latest digital release, 'The Inner Galaxy', is anything but formulaic.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Inner Galaxy is a cosmic voyage of sorts, traversing a spacious alien landscape of experimental electronica. The album melds experimental hip hop beats with dubby bass-lines and soulful vocals, featuring collaborations from all over the world - Isaac Aesili, Klose, Vandetta, Agzilla, Kemo and Digital (UK).\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album leads with the darker, mind-bending tracks. \u2018Cat Scorpion\u2019 nails the introduction before pushing into the metallic mood scape of \u2018Syndicate\u2019 and \u2018Bounty. \u2018Alchemy\u2019 switches things up a little, featuring a deep groove cut up with an intricate beat \u2013 a divine collaboration with breakbeat pioneer Agzilla.\",/*#__PURE__*/ _jsx(\"br\",{}),\"The dancier tracks surface later in the 13-track sequence. \u2018Sunset Skank Over Jupiter\u2019 surprises with its cheeky carnival sounds; and the rolling bass-line in \u2018Sine Language\u2019 is sure to please.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Method\u2019 is the track that inspired the album, as Kiat reveals. It is a melancholic groove, permeated by the sounds of piano, horns and Isaac Aesili\u2019s soulful vocals.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"After the solemn beginnings of the album, \u2018Pathway To Wakatipu\u2019 rounds things off on a warmer note. With its \u2018freedom\u2019 chant, the track makes for an uplifting ending, befitting of a work that has broken new ground.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Discovery is at the heart of The Inner Galaxy, an album that took 3 years to come to fruition. Behind the desolate themes is a probe into fresh territory as Kiat decidedly pushes for progression, crafting unique, textured soundscapes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Preview the album and its highlights in an exclusive mini-mix, put together by DJ KoFlow:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As Syndicate promises, The Inner Galaxy by Kiat is the first in a series of forthcoming releases, so stay tuned.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01.\\xa0\\xa0\\xa0 Cat Scorpion\",/*#__PURE__*/ _jsx(\"br\",{}),\"02.\\xa0\\xa0\\xa0 Syndicate (feat. Vandetta)\",/*#__PURE__*/ _jsx(\"br\",{}),\"03.\\xa0\\xa0\\xa0 Bounty\",/*#__PURE__*/ _jsx(\"br\",{}),\"04.\\xa0\\xa0\\xa0 Alchemy (feat. Agzilla)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05.\\xa0\\xa0\\xa0 Message From Dimitri\",/*#__PURE__*/ _jsx(\"br\",{}),\"06.\\xa0\\xa0\\xa0 Gatekeeper (feat. Kemo)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07.\\xa0\\xa0\\xa0 In The Galactic Dance\",/*#__PURE__*/ _jsx(\"br\",{}),\"08.\\xa0\\xa0\\xa0 Riding Past Draco (feat. Klose)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09.\\xa0\\xa0\\xa0 Sunset Skank Over Jupiter (feat. Isaac Aesili)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10.\\xa0\\xa0\\xa0 Lower Depths (feat. Vandetta)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11.\\xa0\\xa0\\xa0 Sine Language (feat. Isaac Aesili)\",/*#__PURE__*/ _jsx(\"br\",{}),\"12.\\xa0\\xa0\\xa0 Method (feat. Isaac Aesili)\",/*#__PURE__*/ _jsx(\"br\",{}),\"13.\\xa0\\xa0\\xa0 Pathway To Wakatipu (feat. Digital & Isaac Aesili)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://syndicatesg.bandcamp.com/album/the-inner-galaxy%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://syndicatesg.bandcamp.com/album/the-inner-galaxy\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://syndicatesg.bandcamp.com/album/the-inner-galaxy?from=embed\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"INTERVIEW\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"How long have you been involved in music and where are you at right now in this point?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Music has always been in my life as a child but I started actively getting involved in it as a DJ just around 1992 I think\u2026 it's been a long time! Right this very moment, I've been involved with the Syndicate project and frankly, things could not be more exciting. There have been moments over the last few years before we started Syndicate where I felt I've wanted to settle down (which I did) and what I deem a normal life but as with most things, life threw me a huge curveball which I embraced.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"You are versatile in many genres, what is your approach to music?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"My approach to music mirrors my general approach to life. It is usually a direct reflection of my current mind state\u2026which is usually a response to whatever is happening around me. I've been fortunate enough to embrace music fully when hip-hop was still in it's infancy with very positive culture of building communities of music, art and dance. So I think it instilled in me and open-mindedness to everything I come across, music or otherwise. Along the journey, I've been blessed with extremely inspiring people around me such as Najip Ali, Theseus Chan, Jeremy Boon, Jason Tan, Jonathan Yeo, Ashidiq (list goes on) who kept pushing me creatively to not settle for what is around and to keep searching through the creative process and that has pretty much kept me going till present day. I've been through many musical phases in my life and the only consistent thing that keeps me excited is to discover new sounds/ideas that excite me enough to present it to others\u2026 I've always believed it's not what people want to hear but rather what they need to hear.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"High point of your career?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"There's always been a lot of high points in my musical career right through to this present day but if I had to pick a defining moment, it would have to be after my lowest point in musical career. I think it was a December back in mid-2000's where at this point, I've been trying my hand at producing drum and bass for about 2 years and it wasn't really getting anywhere with the UK labels. Although I did write music for my own sets, the fact that there weren't any labels picking up what I was doing did take its toll on me as I did spend countless hours in the studio improving my craft. DJing wise, it got abit uninspiring as well for me as well. At that point, me and Ashidiq were invited to play a gig in New Zealand which I think changed my perception of my own music. I think it was the first gig where we played a 100% uncompromised set comprising of our own music and the feedback we had was tremendous. Ever since then, it encouraged me to have abit more faith in my own ability to produce music. The other highlight was receiving a call from Goldie out of nowhere saying he was really into our beats of course!\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Some producers you are listening to right now?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I don't listen to much music at home as people think I do but what's on rotation on my iTunes is music from Gema Putra, Izaak Stern, Funk Community, Kidsuke, Mala, amongst many, many others. There's really a lot of music around these days so it's really hard to pin point specific ones but yeah, it's mostly these guys that do it for me musically at the moment.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's your pet peeve?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Poor sound systems in clubs! People tend to think that louder is better but I think that's not always the case. I believe a well-tuned sound system with good levels allows the crowd to enjoy the music for longer periods of time as it eliminates ear fatigue. I just feel that it's a pity when they put in all this effort to do a night and the sound isn't well tuned and it in turn compromises the music. It's sort of like seeing a good movie in a poorly maintained cinema. I guess not everyone is as fixated with the sound as I am but I just think sometimes, a venue can be so much more if they paid attention to the right things. The other thing I'm begining to notice is the shortening of attention spans in the clubs\u2026probably due to our accelerated ways of consuming music these days. As with all things, we have to constantly rethink how we present the content to the audience. Having said that, it does give me something else to think about when I'm doing a DJ set\u2026.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you start collaborating with Isaac Aesili?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"This is an interesting story! A couple of years ago, I was in Auckland on holiday and I picked up his album, before I knew who he was, from a local record store and it was really the soundtrack to my stay in New Zealand. Fast forward to a few months after, I noticed this ultra happy Kiwi guy at Homeclub during one of our earlier Syndicate gigs and I was introduced to him by Debbie Chia. Furthermore, Maya Lynn and Dean (Funk Bast*rd) was just telling me that I should meet their friend Isaac who is in town as we'd probably get along. At that point, I was wondering how come so many of my friends had a friend called Isaac who is in town whom they wanted me to meet. So we did meet the next day for a catchup and it blew me away that we had so many common friends in New Zealand and also, it was the same Isaac Aesili whose album I bought a few months ago. We kept in touch via email and along the way, I sent him some beats I had done to see if he wanted to add something on to it. A few weeks later, he sent me a quick bounce of his recording over my tune and needless to say, I was speechless\u2026 And this is how it began :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your favorite track off 'The Inner Galaxy'?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Each tune on the album has it's own story behind it so they are all favorites to me but I think the tune that holds the weight for me is 'Method' for so many reasons. I think it was the first downtempo tune I had written in a long time and I wrote it to get away into my own mind as I was going through many changes in my life, most notably would be getting married! This tune was also the first of many tunes that allowed me to explore other musical ideas that I've secretly kept inside but was afraid to share due to personal reasons. Furthermore, it gave me my first opportunity to work with not only a wonderful vocalist like Isaac but also incorporating live instruments like his horns and percussion which took the tune beyond what I had envisioned when I first wrote it. And lastly, Jason encouraged me to play the keyboards live during the final touches to the track in the studio...so that really got me out of my comfort zone and that inspired me to write the album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What's next for you now?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Currently, I'm working on some visuals for Izaak Stern's Subsession set in December so that's really keeping my mind occupied! In addition, me and Cherry are working on building our portfolio for System Sovereign, which is a boutique agency that we've set up earlier this year to offer branding/communication solutions for our clients. On the musical front, I'm planning something for the upcoming Midnight Shift Anniversary which I'm very excited about. On a personal tip, my mind's been drawing a blank in the studio which has been bothering me for months...I'm guessing it's a result of being in this country for too long as I haven't take a vacation yet to soak in new experiences all year. As a result, I'm off to Iceland for an isolated vacation from the world of sorts later this year for a few weeks. Hopefully, being away from this madness we call home would allow my mind to look at things in a different light.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Point us to a website link?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.syndicate.sg%20/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.syndicate.sg \"})})}),\"and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.qilinmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.qilinmusic.com\"})})}),\" :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us something about yourself not many people know.\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I don't respond positively in a crowded space like clubs. Crowds just makes me anxious and I mentally shut off when I see a lot of people in an enclosed space.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect for the Midnight Shift 3rd Year Anniversary?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"At this point, all I can say it it will be a completely different set from what I normally play at Syndicate and it will also be a preview into the sounds for 2013. It's quite hard to pin it down musically so I guess the best way to find out is to come down :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/kiat\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/kiat\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.syndicate.sg%20/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.syndicate.sg\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"inter-review-kiat-the-inner-galaxy\"},{hz3sj3gFn:\"2012-11-08T00:00:00.000Z\",id:\"mm45sfyho\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/59IaSQRCDWzx8HbPa9ZDqUKBPM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/59IaSQRCDWzx8HbPa9ZDqUKBPM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/59IaSQRCDWzx8HbPa9ZDqUKBPM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/59IaSQRCDWzx8HbPa9ZDqUKBPM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SCION A/V PRESENTS NICK HOOK - WITHOUT YOU\",lZ2WhlLX5:\"8 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsxs(\"p\",{children:[\"From Omar S to Moodymann and Analogue Monsta, \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.scionav.com/index\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Scion A/V\"})})}),\" has been dishing out gems of free releases from artists of said caliber. Here, Nick Hook's Without You is no different, with standout collaborations with the likes of Machinedrum and Computer Jay & The Gaslamp Killer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Without You is the amalgamation of Nick Hook. Nick who? You might ask\u2026\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"As part of the NYC outfit Cubic Zirconia, who likes to call their music \u2013 ethic disco, you can expect much of the same flavour in this multi-layered house variety laced with acid funk as he collaborates with the likes of Computer Jay & The (Motherfucking) Gaslamp Killer, Machinedrum and Color Film in this debut EP.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Besides being a mainstay in Cubic Zirconia, Nick\u2019s resume includes recently producing the Jumanji track off Azealia Bank\u2019s mixtape 'Fantasea', as well as playing for Drop the Lime live shows.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"The introductory track of 'Fish Food' with Computer Jay & The Gaslamp Killer, shows Nick dropping house beats merged with an instrumentalism which makes you feel like you are going all tip-toe down a ghetto alley in NYC.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Further exploration of seedy undertones reveal itself in my favourite track '4XS' with the vocals of \",/*#__PURE__*/ _jsx(\"strong\",{children:\"Andrea Balency\"}),\", as a military march ensues in a track where deep disco meets a smoky house.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Mind-twitching synths form the third track 'Call Me', with a skillful juxtaposition of beats and sounds, with peaks and dips creating spooky undertones that isolate you as if in a boxing ring and cleverly hits out at you at various intervals.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"From electronic puppetry to literally a cricket-silenced background opener of 'Sirens with El-P & Rood', this album is an old-school hip-hop sound fused with a blend of progressive house and electronica which\u2026works. And I don\u2019t think that happens often.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Another favourite is the deep house and dub track 'Medium Rare' with American Machinedrum (Travis Stewart) - also half of Sepalcure and Jets - creating a real depth of field in its drum and bass.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As the album art suggests, there isn\u2019t a dull moment on this EP, as listeners are faced with the multi-faceted stream of influences of Nick Hook, down to an intense techno in 'On Y Va'. He\u2019s like a skilled juggler, equipped with a solid technical production capability.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Get to know Nick Hook by visiting his \",/*#__PURE__*/ _jsx(Link,{href:\"http://nickhook.tumblr.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"personal Tumblr page\"})})}),\", and understand his influences from the likes of Black Sabbath, Nas to Roy Ayers.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01\\xa0 Nick Hook - Fish Food with Computer Jay & The Gaslamp Killer\",/*#__PURE__*/ _jsx(\"br\",{}),\"02\\xa0 Nick Hook - 4XS with Andrea Balency\",/*#__PURE__*/ _jsx(\"br\",{}),\"03\\xa0 Nick Hook - Call Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"04\\xa0 Nick Hook - Sirens with El-P & Rood\",/*#__PURE__*/ _jsx(\"br\",{}),\"05\\xa0 Nick Hook - It's A Sin with Color Film\",/*#__PURE__*/ _jsx(\"br\",{}),\"06\\xa0 Nick Hook - 6735\",/*#__PURE__*/ _jsx(\"br\",{}),\"07\\xa0 Nick Hook - Medium Rare with Machinedrum\",/*#__PURE__*/ _jsx(\"br\",{}),\"08\\xa0 Nick Hook - On Y Va\",/*#__PURE__*/ _jsx(\"br\",{}),\"09 Nick Hook - 3591 Chloe's Song\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Available for download for free at \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.scionav.com/nickhook\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.scionav.com/nickhook\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/nickhook\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/nickhook\"})})})]})}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-scion-a-v-presents-nick-hook-without-you\"},{hz3sj3gFn:\"2012-11-06T00:00:00.000Z\",id:\"cTDSG83dl\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Zz7RBm1T3zkv0YHlcJpW3ZGaddc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Zz7RBm1T3zkv0YHlcJpW3ZGaddc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Zz7RBm1T3zkv0YHlcJpW3ZGaddc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Zz7RBm1T3zkv0YHlcJpW3ZGaddc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: MAX LANE\",lZ2WhlLX5:\"6 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Part of the self-absorbed They-Create-You-Tolerate movement, Max Lane's marriage of Malay ethnic beats with a cutting-edge sensibility has made many a ear perk up. Catch Max Lane doing something out of the ordinary at Midnight Shift's 3rd Anniversary on 17 Nov 2012.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How has your year been?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"It has been an extremely busy year. Highlights of 2012 got to be getting the Syndicate label going with the various releases and the launch of the Syndicate Subsessions series.\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/44372490?embedded=true&source=video_title&owner=2906884\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/44372490\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Syndicate Subsessions Feat Max Lane & Masterpiece + Jon Hopkins (UK)\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/syndicatesg\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SyndicateSG\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"How long have you been involved in music and where are you at right now in this point?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've been doing electronic music since 2000 and am counting my blessings that I'm still doing it now. Started out as a loner bedroom producer who only shared music with his close friends, I'm glad that I sticked to it and now having my music reaching out to a wider audience. Music has been a constant factor in my life and at the moment I will keep on doing it no matter what the circumstances are.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's your philosophy towards producing music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"To finish what you started no matter how much you think you will hate the track.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tell us more about your Purnama installation at Republic Polytechnic?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It's based on a track that was released under The Mim Project EP (2009) and I just found it apt as its in-line with The Reflections Festival theme for this year, which is, CelebrAsians. The track itself is based on samples reworked and processed from bits and pieces of traditional sounds from the Malay Archipelago. The rustic audio palette then gets juxtaposed with the ultramodern projection mapping visual content done by Brandon (Tay) and the scientific approach of fluid dynamics-based motion graphics by Afiq (Omar). Collectively our main idea was to place nostalgia and futurism on the same plane.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/52529028?embedded=true&source=video_title&owner=2906884\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/52529028\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"PURNAMA @ Reflections 2012: Republic Polytechnic's Community Arts Festival\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/syndicatesg\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SyndicateSG\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite piece of gear in the studio?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I have a humble home studio set-up and by necessity, my favorite piece of gear has to be my lap-top.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What are some projects you are involved in now?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I need to finish my long-awaited EP.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"How did you fall into Syndicate, and what's the vision for you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"At the start it was just a casual invitation by Kiat to join this night/collective that he had brainstormed with Darren & Cherry. I didn't think much about it at the start and told him that I'm up for anything. One thing led to another and I can't exactly remember how we ended up settling down with experimental beats & visuals as the overarching theme for Syndicate. And when that set the tone, I was (still am) totally up for it. After that things just went by so fast and now we are close to being 3 years old. The vision for me right now is to push the team, myself included, as much creatively as we go along. And with the various Syndicate platforms (Homeclub nights, Subsessions, the label), I want to discover more Singapore-based producers and provide the stage for these guys to showcase their talents.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What about upp/circular?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"upp/circular is a loose collectively that I started out a bunch of very important close friends. These are the guys who I discovered electronic music with 10-12 years. We also learned how to DJ/produce on our own at the same time. So when we can find the time we try to do something together just for fun. We did release a compilation in 2010 (UPP001) and we are planning to do another big one sometime soon.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tell us a bit of your time at Kinemat.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I don't think I will be where I am now if not for that. Other than all the various underground parties we did which covered a wide range of genres (Repercussions, Heavy Weight Sound Systems, etc), I also had the chance to work on two major music festivals (Good Vibrations and Worldwide Festival). It was during those days that I really get to understand how the music industry works by meeting the artists, artists managers and so on. The highlight of it got to be hosting the Beastie Boys in Singapore for Good Vibrations.\\xa0\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Why the name Max Lane?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"I named myself Max Lane after the Australian academic/writer who actually introduced me to the works of Javanese author, Pramoedya Ananta Toer. He translated my favorite piece of literary work by Pramoedya, The Buru Quartet, from Javanese to English. Without the translated texts, I wouldn't be able to enjoy such a great piece of post-colonial literature. Funny enough the real Max Lane found out about this and we actually met. Initially I thought I got myself into trouble. But to my relief, he's actually proud with what I'm doing and provided his blessings to use his name.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/maxlane/gema-takbir\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Drop us 5 secret weapons.\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It won't be a secret anymore if I reveal them :-)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite gig you've played to date.\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Worldwide Festival, Sete, South of France.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"And the worst?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Thankfully, none so far.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who are some producers you are listening to right now?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Gema, Adel Rashid & Sleep Easy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"So, what are you looking forward to in the coming year?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"To discover more Singaporean producers and anticipating more music outputs from my fellow comrades.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from you for the Midnight Shift 3rd Year Anniversary?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It will be my only club gig for 2012 and I will like to keep it a surprise.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://maxlane.bandcamp.com/album/the-mim-project?from=embed\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/maxlane\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/maxlane\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://maxlane.bandcamp.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://maxlane.bandcamp.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://uppcircular.blogspot.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://uppcircular.blogspot.sg/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://syndicate.sg//about/max-lane/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://syndicate.sg//about/max-lane/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-max-lane\"},{hz3sj3gFn:\"2012-11-01T00:00:00.000Z\",id:\"UM3KoplKs\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/RTrwQx2OwqmcfxwJ0Lofp9D3Qs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/RTrwQx2OwqmcfxwJ0Lofp9D3Qs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/RTrwQx2OwqmcfxwJ0Lofp9D3Qs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 800w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: JACOB KORN - YOU & ME\",lZ2WhlLX5:\"1 NOVEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Jacob Korn is part DJ/producer, part multimedia artist, and has been traversing the landscape of electronic sound for more than a decade. A 2007 graduate from the Red Bull Music Academy in Toronto, he has been released under various names on respected, cutting-edge labels such as Astrolab, Running Back, Permanent Vacation, Dolly and Left of the Dial.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"You & Me\"}),\" is Jacob's first full-length album, released on the Dresden-based Uncanny Valley. Every song here is a collaboration, and it might be safe to say that Jacob is one team player. The collaborations range from his Uncanny Valley peers such as Cuthead and Break SL, to Smallville Records\u2019 Christopher Rau and also American singer Kid A.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The title \u201CYou & Me\u201D marks a number of intersections \u2013 from the 7 graphic artists who contributed to an interpretation of Jacob\u2019s face for the album artwork, to Jacob and the producers and vocalists who worked on the music, and finally, the listener\u2019s own experience and reaction to the music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"You & Me\"}),\" starts off slow but strong \u2013 the ladies of Sea Of Love and Kid A lend sultry vocals to the first two tracks, \u2018The Place\u2019 and \u2018Broken\u2019. Both make for a gentle, melodic and jazzier introduction with deep beats before breaking into slightly more clubby terrain.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/uncanny-valley-dresden/01-jacob-korn-feat-sea-of?in=uncanny-valley-dresden/sets/jacob-korn-you-me-album-uvlp\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The energy goes from languid, slightly forlorn rhythms to lighter, upbeat tracks like \u2018Punta Del Este\u2019, and \u2018Shock Me\u2019. Jacob is known for his keen interest in interactive and participatory musical experiences, exploring the interface of audio, visual and dance, and even organising kinetic technology workshops for children. This sensibility and curiosity about the way people interact with music is perfectly encapsulated in this album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Jacob\u2019s open attitude is key to making the album work - when you consider the process that brought this album to fruition; it\u2019s a truly respectable effort to be able to make all these fragments come together. Perhaps it's how he keeps it fresh, surprising even himself sometimes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CMaybe because that\u2019s what music is really about, to create it in interaction with other people?\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For an album involving as many guest appearances as it does, the style does vary, but Jacob ensures a consistent tone and flow throughout. With every listen, you might find something new to love \u2013 depending on the time of day, the mood you\u2019re in \u2013 it\u2019s difficult to pick just one favourite.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"You & Me\"}),\" is a humble first but well-stacked effort, and probably the closest you\u2019ll get to a full length by Jacob Korn for a while, but I\u2019m definitely not complaining.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\u2028\\u2028Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Jacob Korn feat. Sea Of Love - The Place\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Jacob Korn feat. Kid A - Broken\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Jacob Korn feat. Sandrow M - Friction\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Jacob Korn & Christopher Rau feat. The Drifter \u2013 I Need You\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Jacob Korn & Sneaker - Heteronomous\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Jacob Korn & Mr. Raoul K \u2013 Do Your Thing\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Jacob Korn & Swede:Art \u2013 Shock Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Jacob Korn & San Soda \u2013 Punta Del Este\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Jacob Korn & Cuthead aka Kornhead \u2013 Makin\u2019 Love\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Jacob Korn & Break SL feat. Thabia Xavier \u2013 You & Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Jacob Korn feat. Johannes Held \u2013 Mit Der Nachsten Welle\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.uncannyvalley.de/releases/uvlp01-jacob-korn-you-me/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.uncannyvalley.de/releases/uvlp01-jacob-korn-you-me/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/jacob-korn\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/jacob-korn\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://jacobkorn.de%20/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://jacobkorn.de\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-jacob-korn-you-me\"},{hz3sj3gFn:\"2012-10-26T00:00:00.000Z\",id:\"rlyRio75q\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/hZt59uvyZNAA53PwtKAZtWf8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/hZt59uvyZNAA53PwtKAZtWf8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/hZt59uvyZNAA53PwtKAZtWf8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/hZt59uvyZNAA53PwtKAZtWf8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: STEVE BUG - NOIR\",lZ2WhlLX5:\"26 OCTOBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/pokerflatrecordings/steve-bug-tell-me-why-2?in=pokerflatrecordings/sets/steve-bug-noir\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"To many who know him, Steve Bug is the brainchild behind the revered Berlin based minimal-techno label Poker Flat Recordings. Its first release, 'Double Action (Everything Is At Stake)' yielded the memorable tracks 'Loverboy', 'Play My Game' and the deep Rhodes laden, and almost jazzual 'Without Words', all signature trademarks of his chuggy groovy take on minimal that had endeared him to his fan base to begin with.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But for Steve, whose real name is Stefan Br\\xfcgesch, the journey to glory really started from 1991 and with his first release 'Tritop' with Pahx on German underground techno label Superstition in 1994. His Sophomore EP release 'Bug For Everyone' on UK label Rising High Records the following year; yielding the tracks 'For Men (And Women)', 'Sensitive', 'Intensive and Sport', somewhat signaled his minimal arrival to some extent as the EP made the charts and sets of everyone from Jeff Mills to the United Kingdom's 'Baron of Techno' Dave Clarke. Starting his first label Raw Elements in that same year, Raw Elements saw the release of 'H0' and 'Wiking' (the latter, a rare 7 inch if any of you 'buggers' out there care to track it down), and a slew of other releases on Superstition in 1995 alone. Between 1996 to 1998, Stefan released another 5 EP's on Thee Black label, his own Raw Elements and Axodya, including his first two albums on Raw Elements entitled 'Released Tracks' and 'Volksworld' respectively.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And that's just a small bon mot to the early salad days of Mr Steve Bug as he is sometimes known. Or his many aliases like The Chi Chi Squad, The, Flashy Fragrant, S.B. Entertainment, Superlova and Traffic Signs... just to name a few.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Three more albums later over the years on Poker Flat, and we cut to 2012 and the release of his newest outing, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Noir\"}),\", which for the man we know as Steve Bug, is a special one. Special in the sense that he has crafted this on a theme, and quite an interesting one at that. It dotes on the immense influence of Film Noir of the early 1940s to the late 1950s, associated with a low-key black-and-white visual style that had roots in German Expressionist cinema. Although Mr Br\\xfcgesch did initially set out to make a concept album, he eventually found the whole concept of it to be too rigid.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'\"I play all over the world on a constant basis, and always come back with different impressions\", says Steve. \"Accordingly, this changes the music that I produce. I\u2019ve had the idea to make a concept album for some time, but on the other hand, that\u2019s not the way I work. My music expresses my moods, and of course, they are always changing.\"',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The material for \",/*#__PURE__*/ _jsx(\"em\",{children:\"Noir\"}),\", which was created and crafted over a period of three years, reflects how Bug's sound has matured over the years and although he denies that it\\xa0 to be a 'concept' album, the attributes and direct references to Film Noir are quite obvious. From its cover alone, which highlights the filmic aesthetics of light and shadow, so does the album's opener as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=wQstyA0p_cs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=PokerFlatRecordings\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The dark and sinister 'Tell Me Why' invites you to this world that Mr Bug has created, one of shady deals and secret illicit rendezvous in depths of the underground's seediest, darkest dirty back rooms. Those 'direct' references I've just mentioned earlier, air apparent in at least three of the tracks that follow: 'The Spiral Staircase', 'The Seventh Victim' (don't you just sense a little Hitchcock-esque tale telling going on here?) and the obscure and mysterious, 'Somewhere In The Night'. Even the dark and moody overtones of 'Poison of Choice', the album's second track, evokes a certain ratio of imagery and cinematic anticipation. Almost as if our hero, or heroine, in this scene, on his or her way to a meeting, set up at some far-flung and wayward destination, could well be walking into a trap.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'And as you read this, and if you have formed the impression that this is more a listening album, you\\'re not entirely wrong there. Says Mr Bug himself, \"If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks\". He further goes on to emphasise, \"I think a lot of albums in dance music are not convincing as albums - more a collection of tracks, than a coherent whole.\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"But, as much as this is a dark soundtrack to the next yet-to-be-produced-mpdern-day-film-noir classic, there are essential 'buggy' moments that his fans have come to know and love, and they come in the dynamic form of 'Serve Your Mistress', 'No Adjustments' (with the amazing Foremost Poets adding a little spoken symmetry to that repetitive groove that builds and winds into frenzied dance-floor hands in the air bliss), the classic 90s sounding 'Those Grooves'; and watch out for that unexpected tempo drop in the middle, not quite as sexually explicit as Li'l Louis 'French Kiss', but nonetheless, rather atmospherically sensual to some extent (if you're watching a woman who knows how to move with it, that is... add smiley face here). And of course, the slightly broken, jazzy and soulful 'Moment of Ease', featuring French poet and songstress Emilie Chick, being the only other vocal outing and one of my many high points of this album. Apparently, on her MySpace page, it says she also does Chinese Pop too. Hmmmm, in Yoda-speak, rather interesting I find it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=G76_OxZHorA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=cezararon\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"I remember watching Steve Bug DJ in New York City in mid 2009 in one of the smaller rooms in a midtown Club called Rebel and also vaguely remember, after walking through numerous corridors and staircases, how long I took to find that room too. There were just about 200 people in there and it was literally rammed to the teeth. But he held them in awe with every track; not one single individual whipping out a mobile phone to reply any text messages that they may have received either. Well, none that I'd noticed at least. One thing I've always loved about this man as a DJ is the way he holds your interest with simplicity and variety. And as a producer, he's also delivered just as boldly as he's played, as the connoisseur that he is. I'd dare go out on a limb to say that it's probably the most mature album he's made by far, and easily one of his best. Not much of a concept album eh? Yeah, RIGHT!!!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"*Should we just get Anton Corbijn to start making that film now?\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-steve-bug-noir\"},{hz3sj3gFn:\"2012-10-15T00:00:00.000Z\",id:\"Xdtl9WIU1\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/uKdMGPqxe5gK8RGJN1zweun7GA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/uKdMGPqxe5gK8RGJN1zweun7GA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/uKdMGPqxe5gK8RGJN1zweun7GA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DEADBEAT - EIGHT\",lZ2WhlLX5:\"15 OCTOBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Dub techno. It\u2019s one thing to be misconstrued as the sedative, \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?1131\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"head-f**k 4/4\"})})}),\" that crept to prominence via \",/*#__PURE__*/ _jsx(Link,{href:\"http://mnmlssg.blogspot.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"mnml ssgs\"})})}),\" some years ago. Then there\u2019s the small matter of the \u2018dub\u2019 prefix; inescapably evoking the current genre of rage along with the unending quibble over its \u2018true\u2019, \u2018proper\u2019 nature. Perplexing stuff, which we\u2019ll gladly leave to the keyboard warriors, but to get to the roots of Deadbeat\u2019s music, all you need to google is \u2018Basic Channel\u2019.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Working with the strict analogue of the techno legends as his foundation, Deadbeat carved a name for himself by traversing the \u2018other\u2019 side - the realm of the digital - and deftly melding the two worlds together. To date, all eight albums of his propulsive, thickset techno can lay claim to sounding like no one else\u2019s but his.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Deadbeat\u2019s latest is also quite possibly his greatest. The producer is positively on point with the imaginatively titled (and artworked) \",/*#__PURE__*/ _jsx(\"em\",{children:\"Eight\"}),\", juggling multiple dub mutations that show off an acute awareness of today\u2019s electronic music landscape. Transmitting British low-end aggression from the get-go, \u2018The Elephant in the Pool\u2019 might just leave you mouthing the D-word in surprise while the bassline drubs your insides.\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=KQiPqRJuKqE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=CriticalEars\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Deadbeat then draws on the German fortitude of his direct surroundings, with Pole anointed mastering duties and the one and only Monolake dabbling in \u2018\",/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/562624-deadbeat-eight\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"room design\"})})}),\"\u2019. Naturally, they\u2019ve achieved a level of immense detail to plumb the submarine depths of the producer\u2019s sound signature. Throughout the record, unexpected patterns surface at every corner: do a double take with the invigorating dancehall stagger of \u2018Yard\u2019, then check your iTunes to see if Shuffle was turned on.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=OkoDXdOZBA0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=P%C3%A9pites%C3%89lectroniques\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"You\u2019re still playing Deadbeat, though - it\u2019s just that the man\u2019s gone on a more potent and precipitate tip than ever before. The result is some of Deadbeat\u2019s heftiest dancefloor matter - genre debate be damned, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Eight\"}),\" is a truly brilliant listening experience.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"And for those uncomfortable with him having some fun, look to the collaborations on offer for a reminder of the Deadbeat of old. He consorts with fellow Canadians Danuel Tate (of Cobblestone Jazz) and Mathew Jonson, serving up a, um, stepping rework of \u2018Lazy Jane\u2019 and the breezily optimistic \u2018Wolves and Angels\u2019 respectively.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=RLmc_Kj0bqw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=CriticalEars\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=MIjo1RAQDbU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=CriticalEars\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/deadbeat/sets/blkrtz004-deadbeat-eight/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"http://soundcloud.com/deadbeat/sets/blkrtz004-deadbeat-eight/\"]})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.beatport.com/release/eight/965840%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.beatport.com/release/eight/965840\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.redbullmusicacademy.com/lectures/deadbeat--sine-of-the-times\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.redbullmusicacademy.com/lectures/deadbeat--sine-of-the-times\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/podcast/2012/10/deadbeat\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.xlr8r.com/podcast/2012/10/deadbeat\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-deadbeat-eight\"},{hz3sj3gFn:\"2012-10-09T00:00:00.000Z\",id:\"h6cdF8cAj\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ClKAWVO9CW9nnnS3Xyx2xfpbQg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/ClKAWVO9CW9nnnS3Xyx2xfpbQg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 501w, ${new URL(\"assets/ClKAWVO9CW9nnnS3Xyx2xfpbQg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 588w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FUNK D'VOID - BALANCE 022\",lZ2WhlLX5:\"9 OCTOBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"I've had the pleasure of reviewing 2 great Balance mixes here thus far; Balance 20, so eloquently mixed by Deetron, and Balance 21, given that similar loving treatment by Nic Fanciulli. One thing that I've always loved about the Balance Music mix series has always been their attention to quality and detail, and the fact that they pick some of the best DJs in the field that are living testimonies and Lancelots to their musical dynamics.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Balance 22, here, now, is no different. In fact, if anything, it's upped their game a tad too. And they've got one of my all-time favorite DJs and producers to put it all together too. Not only is he one of my favourites, but other DJs that place him high on their celestial pedestal list include Nick Warren, Danny Howells, Hernan Cattaneo, Jamie Odell (Jimpster) and Tom Middleton, just to name a few. Andy Cato of Groove Armada had this to say, \\\"Moving the dancefloor from the 90s to the 21st century, basements to festivals, he is right up there with the very best. He's provided the soundtrack to nights that have become legendary. Always distinctive - grooves with soul that rock it. He lives it, loves it and makes the T-shirt. Viva Le Deep.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/balance-series/funk-dvoid-balance-22-cd1\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you haven't already been initiated into the Funk D'Void \\\"Hall of Fame\\\", then you've probably been living on a desert island for the last two decades. Or, generally, just don't know great music, in which case you should be reading this review even more. Lars Sandberg has been a regular feature on Slam's Soma Recordings since his debut EP, Jack Me Off, dropped back in 1995. He is probably best known for the end-of-nighter 'Diabla' which bridged house and techno (and was flogged by everyone from Danny Howells to Sven Vath and then some). Apart from Funk D'Void, he is also known by his other monikers such as Francois Dubois, Chaser, X-Funk and Hellfire Club, all of whom have made noteworthy appearances on the Balance 22 track-list. And what a list it is too! Add to all of that, his remix work is stellar; New Order, Kraftwerk, Underworld, Laurent Garnier and Kevin Saunderson have all asked for his unique take on their music, with a host of others too numerous to mention Check discogs.com for the full listing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Back to this mix now - I am actually smiling at the absence of big tracks that culminate this track-list (save 'Diabla' which makes a 'token' appearance at the end of CD 1 in the form of an exclusive unreleased remix by Psycatron. As far as CD 1 goes, it wastes no time in taking you onto the dancefloor and just winds, bends and teases all through its entire 79 minutes. In classic Lars Sandberg fashion, it's a seriously funky, even at times, melodic onslaught from the get go as the opening bass stabs of Hawkinson's, 'Introduction' (remixed by Lars himself as Funk D'Void) reel you in and morph almost effortlessly into the French-Kiss-esque 'Yesterday and Today' by Monty Luke which carries the groove through into the deeper atmospheric 'Olmec My Brother by Los Hermanos.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Classic Inner-City-sounding chunkiness of Chris Mallinchak's 'Razor' takes it back into groovier, spacier, dancefloor territory and then continues the ride through tracks like Peter Dildo's 'Lucky Punch', Tonka's Dub of 'Orca',\\xa0 Delano Smith's 'Wires' and the excellent Funk D'Void remix of Vince Watson's 'A Very Different World\\\" before eventually ending up with the classic 'Diabla'. If this were a club, instead of my living room, I'd be drenched in sweat by now. Wouldn't risk going to the bar yet either, thirst was not an option.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=NObp8ACKfMk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=10funkdvoid\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Alas, reality check, I am in my living room, so a quick tea break and it's on to CD 2, which takes the tempos down to begin with, and adopts a more eclectic approach in many ways. It starts off in melodic, sunset-driven and, almost Balearic mode with the brilliant 'Suspended on Air' by A Lucid Nation and then bringing on the splendor of Kolombo's excellent 'Waiting For' and the sheer dynamism and musical beauty of Lee Webster's 'Delve', another one of the 4 exclusive tracks on this mix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=lQVxQY1I0zM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=LastunicornSGG\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Again, Lars winds and bends through this mix, diversifying the overall ambience by crossing melodies, atmospherics, dynamics and genres, merging the four on the floor with experimental, at times agitated break-beats - something that's become part and parcel of that essential Fun D'Void experience that any fan of his work welcomes whenever he decides to drop into it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's not really as if one would say, 'OK, there he goes again', more like, 'OK, he's getting into his element now', and then leaves a few jaws to drop at what ever he chooses to do next. It is for this particular reason alone, that I am enjoying CD 2 a lot more. Not the token tech-driven club set that panders to usual expectation or conformity that mixed compilations normally tend to do. This is precisely what myself and many a Lars Sandberg fan have come to know and love about him. It's probably also, in many ways, partly, a result of his decision to move from his home in Glasgow to Barcelona in 1999, instead of the more favoured Berlin (which, Lars says was a toss of the coin between Paris and Barcelona - the coin landed on Barcelona). Although, as Lars puts it: As beautiful as the city is,\\xa0 it still has a long way to go, club-wise, beyond the excellent annual Sonar music festival.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This second CD also allows Funk D'Void to showcase, not just some of his own production and remix work, but the work of the many DJs and producers he lists as favourites, from Lee Webster (also a resident of picturesque Barcelona), Jack Hamill (aka Space Dimension Controller), Patrice Scott (whose abstract tinkling on 'Tones and Things' add to the entire sound-scape rather breathtakingly), Phil Kieran (who contributes the par-excellent 'Prism' to this mix), Tom Ellis, Martin Patino and another exclusive track, 'RE 2001' by spot-on-form dutchman Joris Voorn. Dennis DeSaints's 'You Say' winds the mix up on a sweet little jerky, bouncy and funky note as Funk D'Void takes us back into dancefloor territory, almost leaving us with the promise of the next 4 encores, possibly, maybe, hopefully.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Another mix in the Balance series that leaves me quite rapt, and looking forward to the next one. In all honesty, this review might be a little biased somewhat, as I do love Lars Sandberg's work immensely. And the fact that all his DJ sets that I've both heard and witnessed over the course of time, have always brought me to new 'places', dizzy heights and has invoked new trains of thought with regard to the artistry of DJing and production as a whole. Overall, this mix is fun, intelligent, ground-breaking (especially on CD 2), and in the highest realm of quality, what I've always come to expect from Lars Sandberg and the Balance Music crew in every sense.\\xa0 A solid, honest and accurate account of the musical inspiration that drives the soul of a very talented and very special individual. And, again, as biased as this might sound, it's something I would honestly recommend every experienced and aspiring DJ or producer should listen to, more than just once.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"CD1\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1. Hawkinson \u201CIntroduction (Funk D\u2019Void remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"2. Monty Luke \u201CYesterday & Today\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. Los Hermanos \u201COlmec My Brother\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"4. Chris Malinchak \u201CRazor 2.0\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"5. Peter Dildo \u201CLucky Punch\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"6. Arkist \u201CEffingham PL\u201D ***EXCLUSIVE***\",/*#__PURE__*/ _jsx(\"br\",{}),\"7. Tonka \u201COrca (dub)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"8. Mike Acetate \u201CElevate (Shur-I-Kan & Milton Jackson remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"9. Soy Mustafa \u201CReturn Of The Annunaki (John Tejada Cinematic Edit)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Moodymanc \u201CTalker (Drum dub mix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Exercise One & Mathew Jonson \u201CLost Forever In A Happy Crowd\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Guy Andrews \u201CConfuted\u201D ***EXCLUSIVE***\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Delano Smith \u201CWires\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Sam Matters \u201CWeight Off My Mind\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Chymera \u201CThe Chase (Steve Rachmad Edit)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Jesper Dahlback \u201CNyhus Part Two\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Pezzner \u201COnly With Your Eyes\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Spirit Catcher \u201CSedona (Andre Lodemann remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. Vince Watson \u201CA Very Different World (Funk D\u2019Void remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. Tony Lionni \u201CLoving You\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. Funk D\u2019Void \u201CDiabla (Psycatron Unreleased remix)\u201D ***EXCLUSIVE***\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"CD2\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1. Alucidnation \u201CSuspended On Air\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"2. Kolombo \u201CWaiting For\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. Lee Webster \u201CDelve\u201D ***EXCLUSIVE***\",/*#__PURE__*/ _jsx(\"br\",{}),\"4. Steve Reich \u201CElectric Counterpoint (Fast)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"5. Lovebirds \u201CRunning Backwards\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"6. Space Dimension Controller \u201CJourney To The Core Of The Unknown Sphere\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"7. Martin Patino \u201CHommage a la Sodomie (Joash Remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"8. Outmode \u201CDark Journey (Toby Tobias\u2019 Journey to the Light Remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"9. Vincent I. Watson \u201CCeltic Beauty\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Joash \u201CAssassin (Funk D\u2019Void Remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Joris Voorn \u201CRE-2001\u201D ***EXCLUSIVE***\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Chaser \u201CBite The Bullet (Francois DuBois Remix)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Tom Ellis \u201CGo Through Me\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. DJ Profile \u201CCan U Sing\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Rhythm Maker \u201CAlles Mainstream\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Patrice Scott \u201CTones & Things\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Robert Babicz \u201COut Of Order (Rob Acid Version)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Soundstream \u201CMakin Love\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. Blackman \u201CHeadroom\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. Phil Kieran \u201CPrism\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. The Reboot Joy Confession \u201C1999 (Untitled)\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"22. Wasted Gaze \u201CUntitled State Of Mind\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"23. Francois DuBois \u201CSweet Spot\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),\"24. Dennis DeSantis \u201CYou Say\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy: \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://balancemusic.bigcartel.com/product/funk-d-void-balance-022\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://balancemusic.bigcartel.com/product/funk-d-void-balance-022\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-funk-d-void-balance-022\"},{hz3sj3gFn:\"2012-10-02T00:00:00.000Z\",id:\"KlB_W5UmI\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/IDLlli8KwAhW9A8DewTlWCrJFLA.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SHED - THE KILLER\",lZ2WhlLX5:\"2 OCTOBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"nmistakably Shed, \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Killer\"}),\" LP delivers with a tried-and-terrific blueprint that will please techno revivalists.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u201CIf you do not hear this...\u201D the robot intones, on the opening track of an album sporting the grayscale cover art of a well-worn woofer, \u201C...You will not feel it.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sub pressure and distant luminous strains roll into frame. Back to business - with the latest longplayer from the inimitable Shed.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As it is, we\u2019re in extremely familiar territory on \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Killer\"}),\", with Shed changing little of his sonic palette since... ever. But no one\u2019s complaining when it\u2019s such a tried-and-terrific blueprint, with potential as exhaustible as the rave generation\u2019s yearning for nostalgia - which is, of course, inexhaustible.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So we return to amply revivalist techno embracing both sweat on the dancefloor and weed-room ambient, best synthesized on \u2018VIOMF!/The Filler\u2019, an excellent, classy slice of 90s rapture:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=0LdF6CEGv4U&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=playerthe2nd\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Smeared all over the track are Shed\u2019s trademark breakbeats, which morph into a different, lurching beast on the stepping accents of \u2018Day After\u2019:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Other ingredients of the hardcore continuum are laced into \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Killer\"}),\" broth, and dressed in Shed\u2019s unmistakably squashed and distorted drumwork - check the unrelenting warehouse weight of \u2018I Come By Night\u2019:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=B0Nm7nA17Xs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=the29novEDITS\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Almost flawless in technicality and execution, it\u2019s a solid record throughout, but - and there\u2019s always a but - for an artist predicated on sentimentality, Shed\u2019s output has curiously, progressively invoked less and less emotional response since the headier days of \u2018Estrange\u2019 or even \u2018Leave Things\u2019.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Maybe it\u2019s to do with his relocation to Modeselektor\u2019s 50 Weapons label, and while a perfunctory Shed still outshines most of his contemporaries, it doesn\u2019t mean it\u2019s something to get overtly enthusiastic about.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.monkeytownrecords.com/downloads/view/350066/shed-the-killer\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.monkeytownrecords.com/downloads/view/350066/shed-the-killer\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/modeselektor/sets/shed-the-killer\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/modeselektor/sets/shed-the-killer\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-shed-the-killer\"},{hz3sj3gFn:\"2012-09-05T00:00:00.000Z\",id:\"GWWdTkLDF\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/asOrsjEwagOfNgU7ihs5bZEqIr0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/asOrsjEwagOfNgU7ihs5bZEqIr0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/asOrsjEwagOfNgU7ihs5bZEqIr0.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: FOUR TET - PINK\",lZ2WhlLX5:\"5 SEPTEMBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Here I was, as I would be, on any normal day, twiddling my thumbs, scouring the net, searching for new music or new inspiration to send me rushing to the studio to pour my heart out into a new tune, when, out pops the Dropbox indicator, telling me that I have something new waiting for me. Now, as often as that happens, and just as often as the new, is often bland and mediocre, this 'something new' was a welcome surprise.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There wasn't a lot of media hype, massive marketing or even a peep of press surrounding this release. In fact, even if you were a huge fan, as I am, you would be forgiven for not even realising that the new album had dropped in your lap. Such was the case with the new album from Kieran Hebden, better known to his fan base as Four Tet. The digital only release, entitled \",/*#__PURE__*/ _jsx(\"em\",{children:\"Pink\"}),\" (although I have just found out that a vinyl and Japan-only CD release is scheduled at some point) is the fifth album from Kieran, as Four Tet. His previous Four (pun intended) albums as Kieran Hebden, were released between February of 2006 and November of 2008, all on Domino Records and a collaboration between long time partner-in-musical-criminology, Steve Reid. But the Four Tet story started as early as 1997 when he formed the band Fridge with classmates Adem Ilhan and Sam Jeffers. The band signed a recording contract when Hebden was 15, and released their first album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ceefax\"}),\", on Trevor Jackson's Output Recordings label in March of that year.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=f4h8LXn9ix8&ab_channel=ScottFellows\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Back now, to \",/*#__PURE__*/ _jsx(\"em\",{children:\"Pink\"}),\", released on Kieran Hebden's own label, Text, which I stress again, has relied almost solely on word-of-mouth representation, and of course, Hebden's reputation alone, which, to those who know his work, is, thankfully, strong. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Pink\"}),\" is, also in some ways, less of an album and more so a compendium anyway. One that brings together six of his 12-inch releases from the last two years or so with the addition of two new tracks. This album is in many ways, a culmination of his journey so far, both as a musician and DJ.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The opener 'Locked', brings out those trademark interlocking minimal beats that break fast and tough for about a minute and a half until the hint of those lush Four Tet melodies rise gently from that river of drums and float effortlessly to the surface allowing the rest of the track to take focus. Just like a ripple in the water that resonates in concentric circles that go as far as the eye can see, what rises from its epicenter resonates and circulates even further within the mind. Somehow, almost interminably.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The unreleased 'Lion' that follows it playfully flits between its dark, almost tribal-esque drums, yip-chants and synths ending up in a Kalimba laden onslaught that almost personifies the experience of riding a wild menacing Rhinoceros at breakneck pace through the African outback. 'Jupiters', in many cases here, makes more sense to me in this album context than it did when it was first released, providing a melodic interlude to the album before launching again into those trademark Fout Tet drums that we've all come to know and enjoy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Ocoras' (released previously as a B side to 'Jupiters') which follows this, is a skippy, Organ fueled detroit-esque minimal dancefloor onslaught punctuated with Pantha du Prince's struck-bell-tones that eventually chop and string themselves into its propulsive melodic finale.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Another noteworthy and amazing B Side, 'Pyramid', originally the flip of 'Locked', sees Hebden deploying a chopped up and messed up vocal (which sounds pretty much like 'I remember how you walked away') in almost the same way as he did 'Love Cry' over a bass heavy riding four-on-the-floor groove, weaving in those hypnotic metallophone melodies half way through that breaks down with wild abandon and then re-emerges seamlessly into that messed up vocal line and takes you back to that slick bass workout.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Xb3Q1glcthE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=screaminghead\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The album then breaks into 'Peace For Earth', which runs at 11 minutes and 23 seconds, but is an engaging ambient interlude; think Eno or Tangerine Dream, that like its predecessors, needs to be, akin to a great novel, read from cover to cover.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Pinnacles', the album's finale, built from a sample of 'Noble Ego' by Buster Williams, is by far to me, the best track of the album. Totally detached from anything remotely dancefloor related, or probably, at best, for the most discerning dancefloor, is a massive jazz onslaught of biblical porportions and a worthy album closer. It amalgamates Hebden's vast influences from jazz to folk to Detroit techno and launches, sublimely and even sensually at first. But eventually tears through galaxies and black holes as it heads towards the outer limits.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"There is a sense that\",/*#__PURE__*/ _jsx(\"em\",{children:\" Pink\"}),\", in all aspects is Kieran Hebden's serious way of saying here I am, and this is me, now, here. As Peter Parker once asked, \\\"who am I?\\\" in the epic tale of a teenager bitten by a radioactive spider, this is not just Hebden's question to himself, but his answer to you in so many other ways. And this journey, although not necessarily best experienced in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Pink\"}),\", needs to be experienced, nonetheless.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Locked\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Lion\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Jupiters\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Ocoras\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. 128 Harps\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Pyramid\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Peace for Earth\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Pinnacles\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Footnote: Check also, these following releases, mixed by Four Tet\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Four-Tet-LateNightTales/master/356128\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Late Night Tales: Four Tet (Azuli Records, 4 October 2004)\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Four-Tet-DJ-Kicks/master/74149\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"DJ-Kicks: Four Tet (Studio !K7, 26 June 2006)\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Four-Tet-FabricLive-59/release/3110386\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"FabricLive.59 (Fabric Records, September 2011)\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-four-tet-pink\"},{hz3sj3gFn:\"2012-08-28T00:00:00.000Z\",id:\"Yyg4N9xDc\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/zWvBJ75d30NHBGLHsHnnjGo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/zWvBJ75d30NHBGLHsHnnjGo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/zWvBJ75d30NHBGLHsHnnjGo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1000w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DENIZ KURTEL & THE MARCY ALL-STARS - THE WAY WE LIVE\",lZ2WhlLX5:\"28 AUGUST 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Deniz Kurtel is not just a musician, but a LED sculpture artist based in New York who has provided many a cosmic display of lights for past and present parties under the Wolf + Lamb label.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Featuring \u201CThe Marcy All-Stars\u201D, a fictional name for the collaborators on the album, the 12 tracks that make up \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Way We Live\"}),\" represent a rather sombre extended family affair hailing from Wolf + Lamb. Gadi Mizrahi, Tanner Ross, Soul Clap, PillowTalk, Thugfucker and Art Department\u2019s Kenny Glasgow make guest appearances for Deniz\u2019s second album. Sounds like quite the party, but the vibes are actually quite graceful, running at a slower pace than her debut album, which was released about a year ago.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The languid rhythm sometimes borders on dazed, especially with the first four tracks, as though cranking up the old house engine. \u2018The Way We Live\u2019 is the real opening anthem, mixing hints of hip hop and easing into \u2018Hypocrite\u2019, which then turns out to be the most energized track on the album. A curious sort of charm permeates the entire album; from here on, the humming bass lines swim alongside dreamy, atmospheric tunes.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Wake Me Up\u2019 is the winning track, a playful serenade with its sultry sound and sentimental lyrics.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/34940230?embedded=true&source=video_title&owner=8301917\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Listening to \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Way We Live\"}),\" is quite the soothing experience, suited perfectly for daytime listening. While consistent in itself, and a respectable collaborative effort, Deniz Kurtel bravely lets fans know that she doesn\u2019t subscribe to one magic formula \u2013 if you\u2019ve heard her more club-friendly, well-received debut offering in 2011, you\u2019d know that this album branches out in a different direction, with its mellow, alluring tones. It\u2019s gonna take more than this to pin down a definitive style for the \u201Cqueen of house\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. I Knew This Would Happen with Tanner Ross feat. PillowTalk\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. You Know It\u2019s True with Gadi Mizrahi\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Love Triangle (Instrumental) with Wolf + Lamb\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. The Way We Live with Gadi Mizrahi\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Hypocrite with Gadi Mizrahi\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. There\u2019s Enough For All Of Us with Gadi Mizrahi feat. Michael Franti\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Don\u2019t Wanna Be with Kenny Glasgow\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Safe Word with Soul Clap feat. Navid Izadi\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Wake Me Up with PillowTalk & Thugfucker\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Blackness with PillowTalk & Thugfucker\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Thunder Clap with Voices of Black\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. The Beat Drops with Tanner Ross feat. Jules Born\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.beatport.com/release/the-way-we-live/938151%20%E2%80%A8\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.beatport.com/release/the-way-we-live/938151 \\u2028\\u2028\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-deniz-kurtel-the-marcy-all-stars-the-way-we-live\"},{hz3sj3gFn:\"2012-08-25T00:00:00.000Z\",id:\"vhd5_hR44\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/0Jk95f2iM2AdYviZeJ1HtONqWQ.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ROBERT HOOD - MOTOR: NIGHTTIME WORLD 3\",lZ2WhlLX5:\"25 AUGUST 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Music Man Records will release 'Motor: Nighttime World 3' on 17 September 2012.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The third chapter of a series born in 1995 sees Robert Hood roused to action by the documentary Requiem for Detroit?. In response to the film\u2019s narrative, Motor: Nighttime World 3 muses on the chronology of Hood\u2019s hometown, from its former glories as an automobile heavyweight; to its alarming decay and finally, potential for renaissance. As Hood puts it: \u201CTo make a new future, Detroit needs to look deep within to be able to see a new vision and thrive once more. As long as there is a seed, there is hope.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The general tone here is thus suitably evocative, and those expecting the usual fare of Hood\u2019s fiercely spare, loopy Detroit techno will be surprised. Continuing in the vein of previous instalments, Motor largely relays Hood\u2019s mellower side with poignant electronics foregrounded over percussive dancefloor ingredients.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Better Life\u2019, for one, teems with optimism and resolve in its glossy shades and twinkling keys.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Meanwhile, theatrical strings prance around the distant striking of metal in \u2018Learning\u2019, a possible ode to the bloom of industry in Detroit.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Elsewhere, downtempo-jazz-burner \u2018Slow Motion Katrina\u2019 subtly radiates nervous melancholy in its tandem of pitch-morphing pads and kalimba motifs.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"On the other end of the emotional spectrum, album closer \u2018Time to Rebuild\u2019 signs off on a chirpier streak, with Hood affirming Detroit\u2019s neglected factories and warehouses as ripe for renewal.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Thematic presentation aside, Motor also stands as an updated survey of Hood\u2019s skilled techno-making, and perhaps a sonic statement issued by the prototypical minimal man himself. Back in 2001, he described minimal techno\u2019s raison d\u2019e\u0302tre as such:\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\\xa0\\xa0 \\xa0\\xa0\\xa0 \\xa0\\xa0\\xa0\\xa0 \\xa0\\xa0\\xa0\\xa0 \\xa0\\xa0\\xa0\\xa0 \\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CDetroit has to maintain its roots... We are talking soul, reality, just the realness. The music was getting too belligerent, too ravey, too circus-like. You know, lights, lasers, smoke and not the reality, no kind of social commentary. Marvin Gaye, Martin Luther King Jr, we've got to take it that way... I have to champion Detroit. Yes, soul, funk and just rhythm.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move... their butts, speaking to their heart, mind and soul.\u201D (via Spannered)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Twelve years on, Hood\u2019s declarations seem to ring truer than ever. And with Motor, he again upholds a revival of Detroit techno\u2019s roots, by maintaining loyalty to the retrofuturist reality of the genre\u2019s beginnings: \u201Csoul, funk and rhythm\u201D; \u201Donly what\u2019s essential\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It must be observed, however, that Hood\u2019s minimal aesthetic bears zero resemblance to the modern day notion of beeps and clicks, instead aligning itself with the intricacy of classic Minimalism founded by Reich, Glass et al. His techno stresses minimal design, not minimal substance - with shapes that accumulate rather than advance. Take the polyrhythmic twists and turns in tracks like \u2018Slow Motion Katrina\u2019 and \u2018Hate Transmissions\u2019, the latter\u2019s pealing, rattling drums slipping and sliding over ten minutes of seemingly straight-up acid-techno.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Still, to the unobsessed ear and less pretentious mind, it\u2019s less obviously \u2018minimal\u2019 than the other 4/4 efforts here (also across his recent singles), not least the elegantly spartan slice of krautechno that is \u2018Drive (The Age of Automation)\u2019. Basic variation, displaced accents, effects and few other adornments power this thoroughly excellent example of less-is-more:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"On a final note, it is worth considering if Hood\u2019s brand of minimal hints at an underlying anxiety over the role of machines in the producer\u2019s as well as his hometown\u2019s DNA. Does his desire to trim and prune suggest a suspicion of circuits, chips, engines and assembly-line contraptions? When the mechanical can make a din of every frequency and jam every inch of ground with pollution, perhaps it is within the margins of moderation that both Robert Hood and his beloved Detroit can find \u201Cnew vision\u201D to flourish and \u201Cmake a new future\u201D with.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/artists/Robert+Hood/releases/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/artists/Robert+Hood/releases/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/pages/Robert-Hood\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/pages/Robert-Hood\"})})})]})}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-robert-hood-motor-nighttime-world-3\"},{hz3sj3gFn:\"2012-08-01T00:00:00.000Z\",id:\"kWYyZgAt8\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/DxHD3eBjrntA1uqLgENhPrNiQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/DxHD3eBjrntA1uqLgENhPrNiQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/DxHD3eBjrntA1uqLgENhPrNiQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SANGO - DA ROCINHA\",lZ2WhlLX5:\"1 AUGUST 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Reinterpreting the fervour of Brazilian\u2019s funk carioca, Sango\u2019s latest EP thrives in Rio\u2019s heat, curiously echoing distinct loops with provoking sounds cloaked under the subdued layers of dub and resounding snares.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Interesting things have been afoot with Sango - his re-worked classics of Aaliyah, Frank Ocean and Weeknd have surreptitiously snaked its way through punters\u2019 mixes (Lefto, Mad Decent), the most recent being his own for Soulection Radio: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/soulection/soulection-guest-mix-005-sango/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Guest Mix 05 session\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I won\u2019t lie though, for I only recently discovered Sango by chance on Soundcloud, and by some cosmic force, have been serendipitously acquainted with his music (the best way) \u2013 like how I stumbled upon his ethereal remix of The Weeknd\u2019s \u201CComing Down\u201D through a random mix:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=l7rBwjvaS-U&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=sangobeats\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Given the pandemic with which experimental styles like beatstrumental spread, the QC significance of talents, like Sango's left-field eccentricity, prevails to reign.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Embarking on a search of new music, Sango discovered an exotically developed sound in the throes of South America. Da Rocinha is a prominent shanty town in Brazil, which spawned a unique derivative of baile funk. While often aggressive and brimming with explicit appeal - Sango's careful sample extraction, arrangement and compression elicits a dreamy concoction of sexy, Balearic- bliss.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His style of ambient dub and fuzzy synths, distinct in his acclaimed remix of \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Weeknd: More Balloons EP\"}),\" is still prominent, though a little provocative with rolling Afro-Latin percussion and incessant ramblings in Portuguese. 'Sempre' blends compressed percussion sample and clipped vocals with that resounding west coast snare I am ridiculously obsessed about \u2013 also a recurring bit amidst the soul\u2019d out arpeggios of 'Nao Solta Nao'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=2UTBS8EMdUk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=parkka87\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Some filthy bass inflections begin the onslaught in 'Tremendo o Bumbum', before hitting the Soca spot with 'Passinho Kuduro' \u2013 all manic vocals, infectious melody and rude, sinister basslines.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/soulection/sango-passinho-kuduro-free-dl\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Jittery synths in 'Todo u Mondo' luxuriate in low-range dub thuggishness, and the languid sadism of 'Dacando o Senta' and 'Fica Caladinha' bring to mind a timeless post-dub feel that is reminiscent of 90s west coast swing.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=51ooAIM_3dI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=brnghkmrs\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Rochina\"}),\" delves into the subterranean depths of Sango\u2019s gritty imagination, scratching the surface and shedding light on the future of the underground \u2013 which doesn\u2019t seem so bleak anymore.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-sango-da-rocinha\"},{hz3sj3gFn:\"2012-07-17T00:00:00.000Z\",id:\"rpAooOj66\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/e4Q3BQJRc5iEw8wNfIoq1uJ8E.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/e4Q3BQJRc5iEw8wNfIoq1uJ8E.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/e4Q3BQJRc5iEw8wNfIoq1uJ8E.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SIMILAR OBJECTS - SHIFT FREQUENCY\",lZ2WhlLX5:\"17 JULY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The space heads over at local Singapore label \",/*#__PURE__*/ _jsx(Link,{href:\"http://darkerthanwax.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Darker Than Wax\"})})}),\" prove an unrelenting knack for off-kilter, future beats, this time with the \",/*#__PURE__*/ _jsx(\"em\",{children:\"Shift Frequency\"}),\" EP. Hailing from the Philippines, Similar Objects' (aka Jorge Juan Wieneke V) craft is astronomically influenced by metaphysics, the science behind vibrations and frequencies, which make up the fundamental aspects of...well, \",/*#__PURE__*/ _jsx(\"em\",{children:\"being\"}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://obesedogma777.bandcamp.com/album/shift-frequency-ep?from=embed\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"This unabashed cosmic journey to self-awareness is embraced in his music, which swirls down the abyss of oddness and ambient lucidity, heavily resonating in his earlier works \u2013often an amalgamation of shoegaze and sporadic IDM, from '\",/*#__PURE__*/ _jsx(Link,{href:\"http://similarobjects.bandcamp.com/album/black-aircon-sober\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Black Aircon Sober\"})})}),\"' to '\",/*#__PURE__*/ _jsx(Link,{href:\"http://similarobjects.bandcamp.com/album/ambgqty\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Ambgqty\"})})}),\"', which received the stamp of approval from local underground magazine, 'Pulp', and was ranked Top 5 Albums of 2011.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Still retaining the dreamy lull, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Shift Frequency\"}),\" enraptures with a more uplifting, melodious vibe \u2013 with significant atmospherics much comparable to Teebs \u2013 though firmly holding to his own catalyst of emotions. 'Ab$tractImpre$$ion$' opens on an easy, flighty slate, allowing 'Angala' to take over the reins for what is to come, with an enchanting disarray of fragmented beats and twee, whimsical synths.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Earth School' slows things down with a stoner stagger and Neanderthal bleeps, before launching the futuristic hypno-track 'Mu', laced with deliciously funk-textured synths.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Pastmayanfutureprincess' innocently mounts to a labyrinth of manic beats and obscure rattle, cascading to the wickedly tasteful end of 'Secret Sciences' \u2013 refreshingly structured, with an assertive groove and rhythm.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Indulgence is not always a bad thing, especially when squared off by practicality and emotions pulsating throughout the EP. Compositions evoke a visceral, post-rock sentiment that is uncommonly beautiful. The fascinating intricacies of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Shift Frequency\"}),\" grow on you with its melancholic, instrumental soundscapes \u2013 spawning a sombre flight of fancy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://darkerthanwax.bandcamp.com/album/shift-frequency-ep\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://darkerthanwax.bandcamp.com/album/shift-frequency-ep\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-similar-objects-shift-frequency\"},{hz3sj3gFn:\"2012-07-11T00:00:00.000Z\",id:\"A4GqnjmTN\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/gjod2hH0iO8ORgd1YIHdTawjHOU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/gjod2hH0iO8ORgd1YIHdTawjHOU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/gjod2hH0iO8ORgd1YIHdTawjHOU.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 700w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: OSCAR MULERO - BLACK PROPAGANDA\",lZ2WhlLX5:\"11 JULY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JVfo2Flw_LM&ab_channel=OfficialOscarMulero\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Long-time techno proponent Oscar Mulero is a fertile one, cooking up a new long-player here while some of us continue to plunder the musical trove that is last year\u2019s sterling double-disc \",/*#__PURE__*/ _jsx(\"em\",{children:\"Grey Fades to Green\"}),\". Here, you won\u2019t find any of the mellow, Warp-inspired electronica on Green, as Mulero switches to \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.nerdyframes.org/?p=26236\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"what he calls\"})})}),\" a more \u201Ccontemporary\u201D and \u201Cmodern\u201D sound with crosshairs calibrated for the dancefloor.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What follows is a terse forty-minute spin of techno as grey and forbidding as the cover artwork itself, swathed in relentless lashings of his distinctive glacial reverb. Just sidle past the tired procedure of a beatless opening drone, and Mulero\u2019s refined; rolling grooves will lead the rest of the way.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Yet you won\u2019t be fully convinced till, um, \u2018To Convince for the Untruth\u2019 blitzes into hearing. Ramming the BPM up a few notches, the track\u2019s incisive kicks clip along at mid-gear, betraying just enough groove for a big-room warm-up set. Occasional forays into pools of white noise and a smattering of taut undertones assist in building mood towards the absolute stormer that lies just ahead - \u2018False Statements\u2019.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Bracing, chastening and terribly grim at once, \u2018False\u2019 is Berghain tonnage techno pounding its way through ominous peals of synth. It\u2019s a welcome dose of square-shot songwriting, and a positive step away from the beepy-extraterrestrial-Jeff Mills aesthetic that Mulero invested in over a stretch of feeble EPs.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"One, then, can only wish for an eventual return to the sound that originally made Oscar Mulero such a colossal force in the scene: fearsome, no-bullshit, hard-as-nails technoid funk spawned direct from the bowels of darkness and industry.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=idSERdtauTM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=ProfessionalProblem\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1. The Dirt\",/*#__PURE__*/ _jsx(\"br\",{}),\"2. Instant Widespread Of The Dirt\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. Introducing Errors\",/*#__PURE__*/ _jsx(\"br\",{}),\"4. Disinformation\",/*#__PURE__*/ _jsx(\"br\",{}),\"5. To Convince For The Untruth\",/*#__PURE__*/ _jsx(\"br\",{}),\"6. Intentionally False\",/*#__PURE__*/ _jsx(\"br\",{}),\"7. Inaccurated Information\",/*#__PURE__*/ _jsx(\"br\",{}),\"8. False Statements\",/*#__PURE__*/ _jsx(\"br\",{}),\"9. Black Propaganda\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Review:%20Oscar%20Mulero%20-%20Black%20Propaganda/%20http://www.juno.co.uk/products/black-propaganda/461351-01/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/black-propaganda/461351-01/\"})]})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.oscarmulero.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.oscarmulero.com/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-oscar-mulero-black-propaganda\"},{hz3sj3gFn:\"2012-07-09T00:00:00.000Z\",id:\"uZq9f6nnB\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/WB5XV0AgJWJs6NLMtQG0p5N7vZQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/WB5XV0AgJWJs6NLMtQG0p5N7vZQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/WB5XV0AgJWJs6NLMtQG0p5N7vZQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/WB5XV0AgJWJs6NLMtQG0p5N7vZQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: BASIC SOUL UNIT\",lZ2WhlLX5:\"9 JULY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"We're excited to have Basic Soul Unit back on our shores with a new live show for this Saturday's DMZ. Read on to find out more about his set up and what to expect at DMZ001: Darker Than Wax x Midnight Shift x Zouk.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Could you describe us your live set set up?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's a mix of Ableton and Hardware. I run the software with a Launchpad, a BCR2000 and combine that with a X0XB0X and 707 drum machine.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Why did you decide to transition to doing one from a DJ set?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Opportunity knocked. I had a few requests for live shows and decided to take the opportunity to try it out. It was something I wanted to try anyway, i.e. to be able to express my music live on a dance floor. I still love DJing though of course.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you find it easier or harder?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I definitely find it harder (maybe partly because I\u2019m new at it). It's much more intense because you\u2019re \u201Con\u201D 100% of the time during the live show. With Djing, the pace is a bit more stretched out. You\u2019re mixing, looking through records and programming but you have some time to enjoy and dance to the music as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What are some tips you have for playing a live set?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Give a lot of thought about what set up you are comfortable with and that represents your music best. There\u2019s no right or wrong approach, the more comfortable you are with it the more you will enjoy doing it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Would you collaborate with others and who might they be?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Admittedly I\u2019m not a great collaborator, I take a long time to get melodies and ideas going and I kinda like to do my own thing. But I did hit the studio with my friend Jacob Korn a couple times and it was fun (as well as a great learning experience)!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"We heard some great reviews of your set at Movement 2012, could you tell us how it was for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It was one of my highlights this year for sure (it was a DJ set). Keith Worthy (Aesthetic Audio) and Michael Zucker (Balance) invited me to play along side Steven Tang, Luke Hess, Fred P (Trinidadian Deep & Chez Damier were supposed to play too but could not make it). On top of that, a lot of friends from all over North America and even internationally showed up, so it was like one big family. That made me very comfortable behind the decks (well CDJs in this case) and I was able to do my thing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"This is not your first time in Singapore, what are you looking forward to do?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It will be my first time playing in Zouk (at Velvet Underground). It\u2019s such a legendary place, so I am looking forward very much to that. Of course, I plan to try lots of food too. Singapore is one of my favourite places for food! Lastly just looking forward to hanging out with my good friends there including you guys :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from your set at Velvet Underground?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Some dirty warm electronic soul, funk and of course acid!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you think is the best part of what you do?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Meeting like-minded people doing their thing. Finding our commonalities and differences. Connecting with them through music, when a gig is good, it's really magical.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"And the worst?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Fatigue, I\u2019m not as young as I used to be! Travel inconveniences and troubles. Every DJ has their own travel nightmare stories.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you start working on a track and when do you know its finished?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I usually just get on the gear or software and just mess around. I rarely have concrete ideas in my mind beforehand. They usually come out of experimenting.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you stay away from music trends?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s hard not to be influenced at all by what you hear out there. I listen to a lot of different music though, so it keeps my mind open to different ideas.\\u2028\\u2028\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite song that gets you up?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Anything by Leroy Burgess will usually do the trick.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Song you will play to close a set.\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Always depends on the situation and the crowd. I usually like to end the night on a deeper or soulful noted so maybe something from Stevie Wonder or Larry Heard. In Detroit, I ended with \u201CPlayer\u201D by Slum Village.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"A first-ever tripartite collaboration between Darker Than Wax, Midnight Shift and Zouk\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Featuring:\",/*#__PURE__*/ _jsx(\"br\",{}),\"Basic Soul Unit (LIVE set debut, Canada)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Versatile/Mule/Mathematics/New Kanada/Dolly/Still Music/Ostgut Ton\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Jeremy Boon\",/*#__PURE__*/ _jsx(\"br\",{}),\"Funk Bast*rd & Kaye (Cosa Nostra, Darker Than Wax)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh (VJ set)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP to \",/*#__PURE__*/ _jsx(Link,{href:\"http://bit.ly/dmz001form01\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://bit.ly/dmz001form01\"})}),\" for complimentary entry before 11pm. LIMITED guestlist available.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Members, you know the drill, head to \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/index.php/events\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.mnshift.com/index.php/events\"})}),\" for details.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Calling occupants of interplanetary craft.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For the first time ever, Darker Than Wax, Midnight Shift and Zouk come together for a night on board the nightcraft known as DMZ.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Darker Than Wax \u2013 the label brainchild of local duo Funk Bast*rd and Kaye, otherwise known as Cosa Nostra, is a statement on the pervasiveness of black music and its motion into the future. A concentration that took more than 10 years in the making.Beyond wax. Beyond black. Darker Than Wax.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Darker Than Wax is joined by Midnight Shift, Singapore\u2019s first official afterhours party organisation and music record label bringing together emerging and established artists in production and performance on one global stage.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Last but not least, music institution Zouk hosts this night of music brimming beneath the surface, showcasing artists with musical prowess and form as they take you on a journey like no other before.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To guest the inaugural DMZ is Torontonian hero Basic Soul Unit aka Stuart Li, who arrives with his arsenal of gear for a debut live set traversing the dubby, moody and organic spectrum of house and techno. Basic Soul Unit guests as an artist under both the Darker than Wax and Midnight Shift imprints, with original tracks soon to be released on both labels.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Closer to home, resident trooper Jeremy Boon joins label heads Funk Bast*rd and Kaye as they play on with intergalactic funk into the good, good night.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Access The Demilitarized Zone. An exclusive tripartite party between Darker Than Wax, Midnight Shift and Zouk.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Links:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Basic Soul Unit\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/basic-soul-unit/basic-soul-unit-live-set-promo\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/basic-soul-unit/basic-soul-unit-live-set-promo\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/pages/Basic-Soul-Unit/49591600083\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/pages/Basic-Soul-Unit/49591600083\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Darker Than Wax\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://darkerthanwax.bandcamp.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://darkerthanwax.bandcamp.com/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/darkerthanwax\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/darkerthanwax\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Cosa Nostra\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/cosanostra\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/cosanostra\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.mnshift.com\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/midnight-shift\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/midnight-shift\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Zouk Club\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.zoukclub.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.zoukclub.com\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-basic-soul-unit\"},{hz3sj3gFn:\"2012-07-04T00:00:00.000Z\",id:\"lltHc8jRf\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Keg3EpNlA2JwURDNIGImQJTPL60.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Keg3EpNlA2JwURDNIGImQJTPL60.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Keg3EpNlA2JwURDNIGImQJTPL60.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Keg3EpNlA2JwURDNIGImQJTPL60.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DELTA FUNKTIONEN - TRACES\",lZ2WhlLX5:\"4 JULY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:'Niels Luinenberg (aka Delta Funktionen) once said: \"My DJing is all about serious fun... Depending on the night it might be more serious, or more fun.\"'}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Before you press the play button, I think I'd better give you a kind of 'heads-up'.\\xa0 If you're looking for an album full of funky, slick and friendly, dancefloor grooves, you're not going to find a lot of that here. What you will find, as the album's cover art suggests, is a future classic - experimental, twisted and torn, emotional, broken electro beats and intricate sequence structures that meet classic synth lines and ferocious drums kind of record - just like the random pieces of wood strewn about on the album the cover, it's really an accurate reflection of what you can expect from Niels Luinenburg on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Traces\"}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Probably one of the few really good and positive things coming out of Dutch electronica over recent years, Niels Luinenberg has already released a string of acclaimed EPs from 2008 to present day on labels like Delsin, Ann Aimee, Modal Analysis and Field Records. He has also, showcased his impressive DJing skills through gigs around Europe;\\xa0 the Dutchman has spun sets of a genre-defiant blend of Detroit techno, Chicago-licked house, crafty old school electro and sparkling Italo disco at clubs like Fabric, Trouw, The Bunker and Berghain/Panorama Bar, just to name a few. Coupled with a series of excellent online mixes, as well as this year\u2019s Interia compilation. Till now, most of his creative output has been more dancefloor oriented. This technically is his first artist album, released on Delsin, the Dutch techno institution who have released nearly all of Luinenburg's records.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Now truth be told, for a techno artist, approaching the entire concept of producing an LP is never an easy task. It's more than throwing a whole bunch of samples and strange noises together and layering and sequencing them rhythmically to make some sonic sense. If anything, this is one area that's highlighted the shortcomings of many and showcased the talent of few. I figure that he must really be a wizard at jig-saw puzzles to some greater extent (or at least a fan of them). But, Niels key approach to making \",/*#__PURE__*/ _jsx(\"em\",{children:\"Traces\"}),\" was, according to him, 'research'. I didn't quite understand what that meant initially, but after listening to the album a few times over, I get that point now.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The initially contemplative 'Frozen Land' kicks the album off. Layer upon layer of austere synths cascade over broken shuffling drum patterns. bordering on the dark, haunting and yet subtly melodic. This reminds me a lot of the early 90's techno that I used to buy on labels like Warp and ART - a touch of Hawtin meets Kraftwerk, meets Degiorgio. This broken electro formula follows through somewhat on 'Enter', except for the fact that it' takes\\xa0 a twisted turn now into darker acid bass-trumental territory with a matrix of synth and acid lines thrown at you, some even in slow-motion, it almost seems.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Utopia' keeps the atmospherics tight and dreamy, and yes, there's that acid line again. Watch out for a bass and melodic twist three quarter's of the way through this one. Very very slick, and clever too. The album takes a turn now, from esoteric to visceral as the beats get chunkier, claps get heavier and the acid lines get rougher. 'Redemption' and 'Target' take up the tempo a tad as the slow paced Chicago-esque 'And If You Know' takes it a notch down before the real experimental fun starts.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The final three tracks sees Luinenberg indulging his Detroit fetish as he so eloquently did at the start, back to those deeper, haunting darker melodic tones, almost sounding like a cyber-sonic mutation of Juan Atkins' Cybotron, Derrick May's Mayday, Kraftwerk, Georgio Moroder, Yello and The Yellow Magic Orchestra, smack dab in the middle of an already crowded stage locked together in a freestyle jam session at of one of Richie Hawtins infamous illegal far flung abandoned air-craft hanger do's in the early 90's.\\xa0 (...only read about them, wish I'd been to one of them !)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"'Challenger', 'Onkalo', and the album's final track, 'On a Distant Journey' will probably stand out as my favourites, 'Onkalo', having the slight edge over the rest.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"In Luinenburg\u2019s own admission, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Traces\"}),\" collects tracks recorded over a long period of time, with no particular thread linking them in any particular way. It would seem that those randomly strewn hacked up pieces of, what probably used to be someone's furniture, that glazes the cover of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Traces\"}),\", are significant and probably, also the solution to jig-saw puzzle within the album. The sum of all parts add together to reveal an interesting collection of classic meets future classic, and if you haven't quite figured out the key to solving that puzzle yet, add this album to your life's equation - it might not be Pythagoras' theorem but, in some strange twisted way, you'll find that it all adds up to something special.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-delta-funktionen-traces\"},{hz3sj3gFn:\"2012-06-25T00:00:00.000Z\",id:\"dh8v6Bh6e\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Ki3g0Z7K01BtdqhYojeJPZkzRQw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Ki3g0Z7K01BtdqhYojeJPZkzRQw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Ki3g0Z7K01BtdqhYojeJPZkzRQw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Ki3g0Z7K01BtdqhYojeJPZkzRQw.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: KINK\",lZ2WhlLX5:\"25 JUNE 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Strahil Velchev aka KiNK graced us with an insane live + DJ set for Midnight Shift x Zouk: Now is Found on May 18 2012. Here, his exclusive set is recorded for the 10th Midnight Shift podcast.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Interview courtesy of \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.kissmyculture.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"kissmyculture\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:'What\\'s your \"live\" set equipment setup like?'}),/*#__PURE__*/ _jsx(\"br\",{}),'I change it quite often, it depends on the luggage I can take with me, but the core of my current setup is a Macbook, armed with Ableton and max4live, controlled with two Novation Launchpads, Novation X-Station (a keyboard, midi controller and audio / midi interface), a very exotic sensor control, called \"The Ribbon\" by Eowave (looks like a lazer sword), Akai lpd mini (pads and knobs), some simple things like a sustain pedal and my headphones, which I use as microphone.']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What about these gears that works perfectly for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I love the Launchpad, I don't know how can I make a computer based live p.a. without it. So versatile, reliable and small! I have to mention I want to work on a full analog setup, without computer or other digital devices, it wont happen soon, but all the synths I bought for this adventure are by the German brand MFB, i love their concept, not much hidden menus, all is simple and compact. Which is essential for touring and playing in dark, crowded places.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:'Do you think playing \"live\" adds greater value to a set instead of just DJing?'}),/*#__PURE__*/ _jsx(\"br\",{}),'I don\\'t think so, being a good selector with huge music knowledge and eventually learning how to use the available equipment to perfection or being a good scratch DJ is equally hard as to produce a track or to perform it \"live\". I used to prefer to listen to a good DJ set in the club, instead of live, but now the technology gives us amazing possibilities and often a dance music live act sounds as good as a DJ set. I think both types of performances are equally good, if they are done well.']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"It's like getting a producer to the DJ booth. Is that the next evolution for future DJs?\"}),/*#__PURE__*/ _jsx(\"br\",{}),'Yes i believe the border between DJing and playing \"live\" becomes smaller and smaller. Often after my live set I speak to the people on the dancefloor and they say - \"wow that was a great DJ set!\". For the regular people a club performance with some gadgets is a DJ set and I don\\'t see nothing wrong with that. I play some keys live, but also I use a lot of DJ tricks or sometimes I spin a record over my music. A good DJ set also is a live performance and I see only good things in merging those types of performance together.']}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"You have a hearing condition called\\xa0tinnitus. How is it at the moment?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well, it's an irreversible condition, but I don't feel it getting worse and after some time my brain started to ignore this tiny sound i hear permanently. But since i got this problem I use earplugs every time when i expose myself on loud noise.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"That doesn't affect your performance does it?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well, it did in a way, when i started to dj with hearing protection - i couldn't hear the music very well and i did some bad transitions between the tracks, but after couple of gigs I learnt how to handle that. Otherwise my hearing is still pretty good for my age, as the specialists say. The tiny ringing i have is pretty quiet, i can hear it only in completely isolated, silent room. However, it is there and its a signal that i have to be careful from now on.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from this set?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Considering the live performance - there will be contrasts. Deep chords and piano solos\\xa0 vs. ecstatic techno stabs. Funky basslines vs. raw acid tweaking. I will DJ a bit as well, so i will surprise myself as well, i am about to burn some cds right now!\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"To download the mix: \",/*#__PURE__*/ _jsx(Link,{href:\"http://new.official.fm/mnshift_podcast/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://new.official.fm/mnshift_podcast/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To subscribe to our iTunes podcast: \",/*#__PURE__*/ _jsx(Link,{href:\"http://itunes.apple.com/sg/podcast/midnight-shift-podcast/id464656004\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://itunes.apple.com/sg/podcast/midnight-shift-podcast/id464656004\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-kink\"},{hz3sj3gFn:\"2012-06-19T00:00:00.000Z\",id:\"NMLPzGy7E\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/bpRzj48tceo0POeBeHhfbXe8is.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/bpRzj48tceo0POeBeHhfbXe8is.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/bpRzj48tceo0POeBeHhfbXe8is.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/bpRzj48tceo0POeBeHhfbXe8is.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: AME - AME LIVE\",lZ2WhlLX5:\"19 JUNE 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Take it for what it is, \",/*#__PURE__*/ _jsx(\"em\",{children:\"\\xc2me Live\"}),\" is exactly what it says on the tin.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"em\",{children:[\"\u201CWe often got asked \u2018who\u2019s playing tonight \u2013 Kristian or Frank?\u2019 so we thought a split would make things clearer for our audiences. Now, it\u2019s always Kristian when it comes to DJing and me when Ame live is announced\u201D Wiedemann explains. \u201CThe split also reflects a bit more of our workflow in the studio. Kristian is a classical producer who always sees the whole song and I\u2019m the musician, giving specific input to the tracks we create.\u201D\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"- Interview with \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.defected.com/news-reviews/word/Ame+-+Live+and+direct.../1953\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Defected\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'When \\xc2me (pronounced \"Ahm\") did a crossover and broke through with that infectious',/*#__PURE__*/ _jsx(\"em\",{children:\" Rej\"}),\" (2006) and also their much lauded \",/*#__PURE__*/ _jsx(\"em\",{children:\"\\xc2me\u2026mixing\"}),\" (2006) mix album on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.sonarkollektiv.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sonar Kollektiv\"})})}),\", they introduced a scene of house that was not quite New York, Chicago or Detroit, but further away in Germany.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JgBLAA7eCC0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=djmarianstras\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Comprised of Kristian Beyer and Frank Wiedemann, the duo soon set up Innervisions with Dixon, a label that was to release music by Henrik Schwarz, Tokyo Black Star as well as lesser known artists such as Culoe De Song and Kuar. Over the years, Innervisions has built a reputation for quality cuts with a distinctive sound to call its own. If I were to attempt a description (much to the ire of genre-defiants) it would be somewhere between neo-africanism and German minimal. Innervisions has since started a sub-label called Muting The Noise, of the same name as a Japanese-inspired ambient compilation they released earlier. So it goes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Having been relatively quiet on the output front since their prolific rise, \\xc2me now presents an album of recordings, putting together a sizable amount of their catalogue updated and reenergised with a live twist.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=gsxRe17Stf4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=mutingthenoise\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Now, the live act as opposed to the standard DJ act is somewhat of a relatively new phenomenon when aided and abetted by the use of the eponymous software, Ableton Live. Live has given producers (and also DJs) a new way to perform their music by creating new versions of tracks in realtime to an audience with just a laptop. So new is this performance style that I posit that critics have not learnt the language to appreciate it yet. But what this album does is engender a deeper understanding of what playing a live set in an electronic context means.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://soundcloud.com/innervisions/iv37-underworld-crocodile-ame?in=innervisions/sets/iv37-ame-ame-live-ep\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"If you are an \\xc2me fan, you will appreciate the little differences that this album brings to the table, for example the note change of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Nia\"}),\"'s opening melody or a new jazz-like breakdown of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Rej\"}),\". To some these may be minuscule turns, but to others a delightful retake. Like jam bands such as Grateful Dead or Phish who perform new versions of songs at every gig, I venture that a live set has a similar ethos.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As a whole, the album is a glorious one. It leads you into an attention-grabbing opening with an interpretation of Roy Ayer's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Tarzan\"}),\" before going through other favourites new and old such as Osunlade's hit \",/*#__PURE__*/ _jsx(\"em\",{children:\"Envision\"}),\", Henrik Schwarz's \",/*#__PURE__*/ _jsx(\"em\",{children:\"D.P.O.M.B.\"}),\" and of course their very own \",/*#__PURE__*/ _jsx(\"em\",{children:\"Rej\"}),\". The overall tone is gradious and sweeping, with enough ebbs and flows and vocal tracks to spike human interest throughout. The album ends with a beatless version of their remix of Gui Boratto's \",/*#__PURE__*/ _jsx(\"em\",{children:\"This is Not the End\"}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Would I have liked an entirely new track included? Yes. Would I have liked all the unmixed versions of these track recordings added as a double pack? Yes to that too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"My other real beef is that listening to anything live is a bit like having only one artist on play for too long. In this generation of mashup, 1-minute mixes and DJs next door pairing two and two eras together, the overall menu may seem\\xa0 a tad bland, especially when you have heard it all before. And that's where the performance aspect comes in. If one can make each set as new, energetic and refreshing as the last, while performing the same songs (and even in the same order), we have a winner.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Roy Ayers - Tarzan (Ame Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Ame & Amampondo - Ku Kanjani\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Ame - Nia\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Osunlade - Envision (Ame Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Ame - Enoi\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Unkle - Hold My Hand (Ame Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Henrik Schwarz/Ame/Dixon - D.P.O.M.B.\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Rodamaal - Insomnia (Ame Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Ame - Junggesellenmaschine\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Underworld - Crocodile (Ame Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Henrik Schwarz/Ame/Dixon - Where We At\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Ame - Rej\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Ame - Setsa\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Gui Boratto - This Is Not the End (Ame Beatless Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/live/453408-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/live/453408-01/\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/ame-live/1948404-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/ame-live/1948404-02/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://innercityvisions.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"innercityvisions.com\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-ame-ame-live\"},{hz3sj3gFn:\"2012-06-11T00:00:00.000Z\",id:\"drNQlH5us\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/hnuZw1Fu3E8mx1cZphBX5Nu3dDQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/hnuZw1Fu3E8mx1cZphBX5Nu3dDQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/hnuZw1Fu3E8mx1cZphBX5Nu3dDQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: NIC FANCUILLI - BALANCE 021\",lZ2WhlLX5:\"11 JUNE 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"I've always enjoyed the 'Balance' mix compilations from the very get go. The last one; mixed and grooved almost to perfection by Deetron, and which I also had the privilege to review \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/blog/article/33/Review:%20Deetron%20-%20Balance%20020\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\" earlier this year, was a breathtaking excursion through dance music of the highest order. I also enjoyed Balance 019 with Henry Saiz on mix duties immensely. Balance 021 is, by far, no different either.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/balance-series/nic-fanciulli-balance-021-cd1\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Mixed by \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.savedrecords.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Saved Records\"})})}),\" boss Nic Fancuilli, this mix continues the Balance Music ethos of providing the listener with pure quality, as well as highlights the very essence of Nic's own ethos as a DJ and label owner. I vividly remember 'hanging out' with Nic and mutual buddy Matt Crowhurst, a few years ago on one of his visits to Singapore talking about almost everything under the sun really. Most notably, about Canterbury, a small town in England which people rarely speak of; unless you've graduated from the University of Kent or literally grew up amongst its quiet and pleasant surroundings. 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The former keyboardist from Josephine Collective left in 2008 to focus on his solo productions as first, Fire for Effect and later, Ultrademon. 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First saw it on Liquid Television on MTV... back when MTV was worth watching. Also, \"The Venus Wars\", and Lily C.A.T.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe the podcast mix that you have put together for us?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Deep house waves into a\\xa0Balearic\\xa0roll leading us to a\\xa0progressive\\xa0tech-house emotion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is the vision for your movement or scene, if there is one?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"To\\xa0heighten\\xa0people's awareness of the\\xa0possibilities\\xa0of living in a transmodern world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Is commerciality an inevitable end for your success?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I don't think anyone would know about what I do without marketing myself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"If you could describe yourself in 3 words?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I'd. rather. not.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us about Coral Records.\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"We started Coral last fall in an attempt to put quality content out there. Underground electronic sounds with a strong aquatic theme\\xa0tying\\xa0everything together. We are shifting to proper distro for the next release and soon after that vinyl. Since we moved to Chicago we have been focusing more on our new project, MAINFRAME, a new multi faceted company that\\xa0specialises\\xa0in events. We will also have a boutique opening up soon as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Is the movie coming about you true? 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Alan Fitzpatrick - Moon Palace\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4fc205140a9d6d00010002bb/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4fc205140a9d6d00010002bb/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4fc205140a9d6d00010002bb/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.soundcloud.com/fireforeffect\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"soundcloud.com/fireforeffect\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://coralrecords.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"ultrademon.tumblr.com\",/*#__PURE__*/ _jsx(\"br\",{}),\"coralrecords.bandcamp.com\"]})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-ultrademon\"},{hz3sj3gFn:\"2012-05-25T00:00:00.000Z\",id:\"A6u7vhG2a\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/dJF1GANkD4N0FPENHlwC9XzEh1Y.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/dJF1GANkD4N0FPENHlwC9XzEh1Y.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/dJF1GANkD4N0FPENHlwC9XzEh1Y.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/dJF1GANkD4N0FPENHlwC9XzEh1Y.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: MAY\",lZ2WhlLX5:\"25 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"And the votes are in. May's standouts are: Guido, Pastel Lite, Mosca, Lemonade and Dave Aju as handpicked by JUICE campmate, Hidzir Junaini in this month's playlist.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Guido \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Afrika\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Guido just launched his own personal little label called State Of Joy and its second release has us, well, in a state of joy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" This is the B-side off his Flow 12\u201D and it\u2019s a spacious, pared-down mood piece heightened by delightful keyboards and subtle synths. A genuine delight.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" He may be one of the key purveyors of Bristol\u2019s unique R&B take on dubstep but that doesn\u2019t mean he can\u2019t switch things up. Look for continued progression from one of purple\u2019s best players.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Pastel Lite \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Assassin (Dizkopolis remix)\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/dizkopolis/pastel-lite-assassin\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" The JUICE KL crew seems pretty high on fresh-faced electro-pop duo Pastel Lite, and we can see why. Here\u2019s a sweet remix of\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Assassin\"}),\" from another talented KL duo called Dizkopolis.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Dizkopolis inject a little nu-disco heaven into an already brilliant retro ditty. We adore how lead singer\u2019s Eff Hakim\u2019s voice is coated with extra lushness in this version.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Keep a lookout for both these Malaysian duos, folks. In fact, Pastel Lite will be dropping by for Baybeats 2012 next month (1 July, Chillout Stage, 7pm) and we predict fun times for all!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Mosca \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Eva Mendes\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/39702519?embedded=true&source=video_title&owner=9900414\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What\u2019s the buzz:\"]}),\" We\u2019ve been singing Mosca\u2019s praises since \",/*#__PURE__*/ _jsx(\"em\",{children:\"Bax\"}),\" and his new EP sees the hyper-modern producer team-up with Hypercolour.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Mosca may have sprung from 2-step and garage leanings but \",/*#__PURE__*/ _jsx(\"em\",{children:\"Eva Mendes\"}),\" sees the man finally diving head-first into house \u2013 and the title track is just as sexy as its namesake.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" This is just one song in an EP chock-full of diverse and surprising brilliance that can glide from propulsive to patient oh-so smoothly. You\u2019ll have a ball listening to it all.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Lemonade \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Neptune (Sinjin Hawke remix)\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Brooklyn avant-indie-pop trio Lemonade are quickly bubbling up and they\u2019ve just commissioned a series of remixes on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Neptune\"}),\" for white-label vinyl release.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" This particular single is helmed by Sinjin Hawke, and what can we say, the dude has killed it again! Its 808 hip hop beats and colourful swirls leave us feeling lively.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Sinjin Hawke\u2019s already well-known but look for his Midas touch to shepherd more peeps onto Lemonade\u2019s underappreciated \",/*#__PURE__*/ _jsx(\"em\",{children:\"Diver LP\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Dave Aju \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Rise\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/circuscompany/01-rise\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Tech house minimalist Dave Aju (Marc Barrite) always planned to collaborate with his late father, a recognized Bay Area jazz trumpeter. Although that partnership never materialized, his \",/*#__PURE__*/ _jsx(\"em\",{children:\"Heirlooms LP\"}),\" is Barrite\u2019s way of paying loving tribute to a paternal and musical inspiration.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Barrite has taken his dad\u2019s propensity for free jazz and recontextualized it into his freewheeling 4x4 vision - and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Rise\"}),\" is its spiritual and soulful opening number.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Dave Aju\u2019s always complex and abstract but what\u2019s formerly intrigued us intellectually has now found an emotional underpinning here. Boundaries will be pushed and heart strings will be tugged.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Words:\"}),\" Hidzir Junaini for \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.juice.com.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"JUICE\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-may\"},{hz3sj3gFn:\"2012-05-23T00:00:00.000Z\",id:\"BIlnFgIut\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/FBX1gf8B5GwIPeBa854CVaxTYQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/FBX1gf8B5GwIPeBa854CVaxTYQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/FBX1gf8B5GwIPeBa854CVaxTYQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/FBX1gf8B5GwIPeBa854CVaxTYQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: THE EXPERT - NECKBREAKERS BEAT TAPE\",lZ2WhlLX5:\"23 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Dubhlinn (or more commonly known as Dublin) is an Irish term for \u201Cblack pool\u201D, and the Neckbreakers Beat Tape is luxuriating in it. A perfect follow up review to Handbook\u2019s Layerism, this compilation is yet another instance on digital dexterity that manages to retain that glorious resonance of acetate.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Besides scoring a repertoire of proficiency in the beat biz for over fifteen years, mainly for his band, Messiah J & The Expert, he has also played alongside the likes of The Pharcyde, Ghostface Killah, De la Soul and Talib Kweli \u2013 which sort of makes this inaugural foray of beat tape a natural progression.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/itstheexpert/01-apollo?in=itstheexpert/sets/the-expert-neckbreakers-beat\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Featuring a nifty compilation of funk-soul Blaxploitation instrumentals, Neckbreakers Beat Tape reigns in its significance of boom bap, very reminiscent of Om Record\u2019s Mushroom Jazz anthology, with a modestly intelligent twist.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The whole EP lasts a little under 25 minutes, which requires more than a session\u2019s worth of listening, and while the initial encounter is approached with trepidation \u2013 the fondness quickly begins to takeover with subsequent listens.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Rocketing through the introduction, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Apollo\"}),\"\\xa0is an all too familiar and gratifying composition of regal horns and steady roll of drums, which meanders to a spectacular re-make of what sounds like a cult classic, \",/*#__PURE__*/ _jsx(\"em\",{children:\"What\u2019s Going On Today\"}),\"\\xa0- a fiasco of disco-funk synths and vocal snippets.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"There is a balanced dichotomy of mood and tempo between each track - \",/*#__PURE__*/ _jsx(\"em\",{children:\"Alan Alda\"}),\"\\xa0takes a dip with a smooth jazzy number, having \u201CDynamite\u201D to lift it back up with a sensational funky swagger taken right out of Soul Train. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Another Journey\"}),\"\\xa0does as it says, taking the listener on a melodically fragmented and cosmic trip to the grand destination of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Buttery Gold\"}),\"\\xa0\u2013 a clear winner (in my opinion), encapsulating some seriously infectious Sly and Fam prevalence.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"A stellar homage to the solid foundations, this is a unique amalgamation of the classic eras \u2013 funk, soul, boom bap. As KRS-One would say, this \u201Cmeans the return of the real hard beats\u201D. Don\u2019t sleep on it folks.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01.\\xa0Apollo\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"02.\\xa0What\u2019s going on today\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"03.\\xa0Alan Aida\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"04.\\xa0Dynamite\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"05.\\xa0Another journey\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"06.\\xa0Buttery Gold\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"07.\\xa0Acting the Maggot\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://theexpert.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://theexpert.bandcamp.com/\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/itstheexpert\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/itstheexpert\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://theexpert.bandcamp.com/album/neckbreakers?from=embed\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-the-expert-neckbreakers-beat-tape\"},{hz3sj3gFn:\"2012-05-21T00:00:00.000Z\",id:\"IXlnpSE6V\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/wI7X3BAgFUY8RWygIkaDYXeMgsc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/wI7X3BAgFUY8RWygIkaDYXeMgsc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/wI7X3BAgFUY8RWygIkaDYXeMgsc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/wI7X3BAgFUY8RWygIkaDYXeMgsc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"POSKOD.SG'S SOUNDSCAPING: SERANGOON GARDENS\",lZ2WhlLX5:\"21 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"SOUNDSCAPING: Serangoon Gardens\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"em\",{children:\"Ditties circling around the Fall.\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/POSKODSG/soundscaping-serangoon-gardens/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=resource_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SOUNDSCAPING: Serangoon Gardens\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/POSKODSG/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=profile_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Poskodsg\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=homepage_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"Mixcloud\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),\"The streets of Serangoon Gardens are as car-lined as they are tree-lined. Growing up in this continually gentrifying neighbourhood, my sole concern was to keep to the pavement and as far from the road as possible. My father, the social historian, told me how even after the rubber plantation and Occupation-era flower farms were cleared, Gardens came into being as a low-to-mid-cost residence of civil servants and Royal Air Force families. Once they were on the ground, they walked, he said. Nowadays Jaguars may roam the Gardens but it is still a humble place.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As a third generation Gardenite, I keep walking right past the commercial circus. In the popular imagination, Gardens is a food lover\u2019s Camelot \u2013 with less and less place to park your horse. There\u2019s the acclaimed Hokkien Noodles and BBQ Stingray at Chomp Chomp, of course, new-fangled eateries at myVillage (an empty, pseudo-heritage mall), Indian fare, Continental, and at the blacked-out Borshch Steakhouse, even \u201CRussian Food by Ex-Troika\u201D. The storefronts may have changed over the years, but their structural integrity has not. I\u2019m happy taking away whatever from the eponymous food centre, Chomp Chomp\u2019s poor relation, back home to eat.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Parties are usually held at my home but it never really occurred to me why, despite the HDBs of Ang Mo Kio, Bishan, and Hougang that surround Gardens. When I still had a mortal fear of vomit, the girl from next door came over for a birthday and puked the moment she stepped out. Nowadays, gatherings only attract the ambulance (alcohol poisoning) or friendly policemen and women (noise, neighbours). I guess like some others living here, I never felt particularly privileged.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CAlthough literally I may not be actually experiencing the same thing,\u201D Matthew Tan of Matthew and the Mandarins (and Upper Serangoon) says of country music and poverty, \u201Ceventually, something, somehow might be related to your lifestyle.\u201D To me, the essential \",/*#__PURE__*/ _jsx(\"em\",{children:\"ulu\"}),\"-ness and second- or third-rate nature of Gardens has kept it from the fate of other supposed gated communities like Holland Village and Bukit Timah. The Circle Line still does not reach this circus. Modern cars may now squeeze into crumbling and freshly constructed houses alike, but cowboys, somehow, still course through this part of the country. I don\u2019t think I shall ever move out.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The Church\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Like others in this Catholic stronghold, I attended preschool in the Church of St. Francis Xavier (SFX). Located at the top of Chartwell Drive, this parish, founded in 1959, can be considered Gardens\u2019 summit. Behind SFX\u2019s imposing bell tower, though, rainbows reign and bunnies still run upright. I may be an Indian Hindu, but I also learnt Mandarin at this kindergarten. I don\u2019t remember much of the lessons. Mostly, I wanted to play with sand.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"On Easter Sunday, I enter the Church again. It is some time after Mass and there is no one around. Along the pews, the red songbooks have been neatly replaced. The light is blue from the stained glass windows and saints and martyrs keep looking down. It is not silent but quiet, close to the choral magic of \u201CCoronation\u201D, a movement from Damon Albarn\u2019s (of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Parklife \"}),\"fame) opera about Dr. Dee, Queen Elizabeth I\u2019s advisor and the supposed model for Prospero. When I was a kid, my own crowning glory was to come when I mounted SFX\u2019s belfry, but there was always the playground pyramid next door at Chartwell Drive Park.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"SFX is a place for Gardenites to supplicate with larger powers and interact with those they can break bread with. To the once-prevalent Eurasian community, the Church was a particular meeting point. Where they have since gone only the Lord knows, but SFX still hosts bridge games \u2013 my mother\u2019s old friend dutifully attends every evening.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Beyond the maddening circus\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"From the southern summit of SFX, Gardens extends downwards in slivers of narrow, interlocking streets, lined with contiguous houses. These streets can perhaps be divided into three sectors: the Groves (south), the Drives (south-west), and the Avenues (north-west). To the Chinese (who else), these sectors were once known by their average prices: $12,000 for a house in the Groves, $14,000 for a larger Drive home. Currently, a semi-detached house along Bodmin Drive is listed for a negotiable $3,800,000.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CIn Singapore, unlike many newly independent countries, we do not have a policy of de-colonising the names of streets and places,\u201D NHB\u2019s Honorary Chairman Tommy Koh recently wrote in support of the Singapore French community\u2019s campaign to rename Petain Road. The road is named after the national hero-turned-Nazi collaborator. \u201CI approve of this policy because we should not deny the past,\u201D Koh states, counting Petain Road as one exception to the rule.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Gardens may not have as controversial street names, but these colonial markers do indicate age. The predominantly B- and C-starting street names, like Brighton Avenue and Chartwell Drive, recall British towns and suburbs, as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Remember Singapore \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://remembersingapore.wordpress.com/2012/04/22/old-neighbourhood-serangoon-gardens/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"remembers\"})})}),\". In an inversion of history, the Malay- (Jalan Nira) and Chinese-named streets (Chuan Walk, Tai Yuan Heights) signify the newer part of Gardens, after the Bukit Sembawang group took over from Steven Charles Macey\u2019s development in the early \u201850s.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Walking along the local Anglophilia of Burghley Drive, I pass single-storey houses, detached or semi-detached, situated directly beside four-storey monoliths. As with hip-hop\u2019s evolution from social consciousness (here represented by a \",/*#__PURE__*/ _jsx(\"em\",{children:\"Return to Forever\"}),\"-recalling cut from The Roots) to self-glorifying vulgarity, three so-called architectural periods can be evinced in a sample size of about five houses.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Post-war, the first generation built brick abodes \u2013 distinct from colonial black and whites \u2013 set back from the road with a driveway, a patch of grass, and more often than not, a curlicue fence. These were constructed with a wonderful lack of consideration to land optimality, and are today complete with TV radials, telephone poles, and a brooding old person within.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These baby boomers passed the land to their children or property developers, who ushered in what can be called the era of \u201C\",/*#__PURE__*/ _jsx(\"em\",{children:\"obiang\"}),\"ism\u201D, in veteran architect Tay Kheng Soon\u2019s terminology. An \",/*#__PURE__*/ _jsx(\"em\",{children:\"obiang\"}),\" house is at least two storeys tall, and intentionally scars your eyes with its pastel largeness. Hawk statues are not uncommon, neither are aggressive small dogs. Lastly, \",/*#__PURE__*/ _jsx(\"em\",{children:\"obiang\"}),\"-ness is not complete without at least a few cars. As Rick Ross, the Miami don, propounds, \u201CMy Rolls-Royce triple black, Imma getcha \u2018ho \u2026 I built it ground up, you bought it renovated \u2026 Hallelujah / One nation under God\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Obnoxiousness only continues to mark some houses today: modern wealth has arguably found more discreet ways of displaying itself. These include Hemsley Avenue\u2019s multi-layered glass house and the white wonder at the cul-de-sac of Conway Circle. Another option for self-distinguishing houses is the unit number. Almost gone are the painted or mailbox varieties. Mounted glass or giving your house a precious name are the new ways to go.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Because it is ever-present, you don\u2019t notice the construction at Gardens. In a space of 25 years, my family has moved five times with the property tide. Portchester Avenue was my original home, but it never felt like we moved far away, both literally and otherwise. It was simply a different road with a different set of friends. It was another road where, because of the absence of traffic lights, drivers went wild with their accelerators.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The constant rebuilding can also be told through each flapping banner of property agents. \u201CSOLD!\u201D they proclaim, by \u201Cpowerful negotiators\u201D with names like Jenard Nair and Bjorn Chua. Even the one bus that serves the neighbourhood is not spared property ads, and certain companies have begun to set up stations near Chomp Chomp, selling condominiums that are nowhere near Gardens.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CThere are places I\u2019ll remember / All my life, though some have changed / Some forever, not for better,\u201D Sean Connery intones at this point, recalling both a sense of timelessness and \",/*#__PURE__*/ _jsxs(\"em\",{children:[\"Jeopardy!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"To some, a certain kind of home has been lost with the influx of money. Back at the circus, I bump into Mr. Ng, who is in his fifties. Only his mother continues to live at Borthwick Drive, while the rest of the family has moved to neighbouring Macpherson. In the stupor that extends to this part of Gardens post-lunch, his daughter, dressed in shorts and slippers, has ventured out with a pimple sticker attached.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CI had a big quarrel with my mother\u2019s neighbour,\u201D Mr. Ng says. \u201CThe fence was originally about 3 feet high, no blockages of view and air. Then one fine day somebody came in and said we\u2019re building a house. The wall went from 3 feet to 9 feet, and she was very angry. To her it\u2019s an inheritance \u2013 she grew up here, that\u2019s why she doesn\u2019t why to sell. Typically, this is \",/*#__PURE__*/ _jsx(\"em\",{children:\"kampong\"}),\" style with neighbours that you meet. It was never rich \u2013 maybe now. Now the ambience is completely different. Now it\u2019s just like HDB: I go home, I don\u2019t know you, I don\u2019t talk to anyone.\u201D\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Boundaries and quarters\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"In 2008, 1,400 residents signed a petition against the authorities\u2019 plan to convert the former Serangoon Gardens Technical School into a foreign workers\u2019 dormitory. After even Hitler \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=sY8g6geuVvg&feature=related\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"pitched in\"})})}),\", the conversion continued with a slip road built to channel non-Singaporeans straight onto the CTE, bypassing Gardens. The dormitory is named the Central Staff Apartments, a bland and innocuous retelling of this incident. As recently as February, it was used as a shameful example of the \u2018not in my backyard\u2019 mentality.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"From the front, you can\u2019t see the Central Staff Apartments \u2013 hoarding has been erected to fence the sight off from Burghley Lifestyle Hub and Gardenites beyond. The Burghley Lifestyle Hub is essentially a gym, caf\\xe9, and dance and yoga studio. On a weekend, there are not very much people, let alone any lifestyle, to be found here.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"At its side, underneath a bridge, I notice a Chinese foreign worker carrying a bamboo pole pushing past a bush and follow him. It\u2019s a muddy trail that runs along the length of a \",/*#__PURE__*/ _jsx(\"em\",{children:\"longkang\"}),\". On the left, through the fence, is first a dog, locked in between the Central Staff Apartments and the Burghley Lifestyle Hub. Then it\u2019s where the men live and then the women.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The blocks of housing quarters are staid and dull. With grayish zinc roofs, they call to mind a Soviet camp, but with a soccer field and three swing sets outside. The school\u2019s fitness corner still stands \u2013 now bicycles are chained around them.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A man is sitting alone by the benches. He\u2019s Cho, a Burmese in his thirties, and is waiting for his friends to come out to play soccer. The engineering graduate has worked as a gardener here for five months, and plans to return home after two years to sell plants back to Singapore. Cho sleeps eight to a room with other Burmese, Thais, Bangladeshis, Indians and Chinese. According to him, there is little interaction amongst the nationalities except for the canteen where one can buy food. For one, I imagine the clash between Gold Panda\u2019s \u201CQuitter\u2019s Raga\u201D and Sai Htee Saing's \\\"Mandalay Yao, Shan Ta Yao\u201D, a country song about a country bumpkin in the big city who is met by rejection.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Do you like staying here, I ask him. \u201CI don\u2019t know, just work,\u201D he says, \u201Ctwo days a month rest.\u201D Cho has never been inside Gardens, and knows Singapore from the Central Staff Apartments and Pasir Ris, where he works. At this point, a silver Mercedes Benz streams into the driveway, with a lost and confused bourgeoisie within. \u201CThis place is strange\u201D, Cho says.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"From one end, I walk to the other tip of Gardens, Tavistock Avenue Park, where HDBs and the Lycee Francais de Singapour are in clear sight. Like the houses, the park too has been transformed. It\u2019s quaint, I know, but there used to be a real black tarmac track here where Dad ran. As I kept watching him from the slides and swings, I knew I had to soon withdraw from the moat of Stephen King novels, Iron Maiden albums, and six prata breakfasts I had built around myself. So during college, I too ran around the track here everyday. After eight months, I lost 35 kgs. I became new as quickly as the place did.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Ringo the barber\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"There is a barbershop at Serangoon Garden Village that I have been going to for a while now. Behind myVillage, where the Paramount Theatre and NTUC used to stand, Ringo cuts your hair. He\u2019s skilled and also an Arsenal diehard \u2014 we have it out every time. Inside, there are mock-War newspapers (\u201CMr. Churchill Sees Coast Battles\u201D) and Malaysia\u2019s LiteFM always plays cheesy hits.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In between snips, I ask him if Gardens has changed much to him. \u201CNot much la, still the same feel.\u201D \u201CSee you, man,\u201D we both always say.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"A friend\u2019s grandmother used to live on Crowhurst Drive. They converted it into a big house, sold it, and moved to a small house. According to him, she now talks about storing rice underneath floorboards so that people wouldn\u2019t come in and take it away, in between complaining that there is no breeze in the new place.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Maybe there\u2019re still some people like that here, who live as if money wasn\u2019t all around them. They bake not in an oven but in a toaster, charred chicken wing brown. Then, in these big houses, they eat together with small, weathered utensils.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Originally published by \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://poskod.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"POSKOD.SG\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:\". POSKOD.SG is an online magazine about modern Singapore and its people, places, and phenomena. SOUNDSCAPING is its special section that soundtracks Singapore's neighbourhoods.\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Words & Music Curation\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://poskod.sg/About\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Indran Paramasivam\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),\"Images\",/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://poskod.sg/About\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Melvyck Leong\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(\"em\",{children:\"Special thanks to Justin Ong, \u2018Tiger\u2019 and Wee Li Lin.\"}),\"\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"poskod-sg-s-soundscaping-serangoon-gardens\"},{hz3sj3gFn:\"2012-05-17T00:00:00.000Z\",id:\"UHInts8_x\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/218DHZssC70KVJLWXtSC729kcM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/218DHZssC70KVJLWXtSC729kcM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/218DHZssC70KVJLWXtSC729kcM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/218DHZssC70KVJLWXtSC729kcM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: STUDIOKALEIDO\",lZ2WhlLX5:\"17 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Operators of 'Grapheme', an indie zine, 'Ceriph' a lit journal, plus a host of artistic exhibitions about town, studioKALEIDO is made up of Winnie Goh and Amanda Lee, our label artists present at this weekend's Now is Found.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Who is studioKALEIDO and how did it come about?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A design studio & curatorial practice; Winnie Goh helms the art & design, whilst Amanda Lee steers the content & communications. We also work on editorial projects and campaigns.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your background/education and how did you fall into this practice?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Amanda was from Mass Communications over at NTU, and Winnie is largely self-taught. We're interested in creating a hybrid practice of art & design, breathing life into our own initiatives, exercising greater creative control alongside strong points of view, and doing culturally salient work - rather simple benchmarks, yet strangely not altogether achievable when working for someone else, or, alone. Thus it can be supposed that we fell into this practice when we happened upon each other and found that our world views collided and we could do something about it together.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your most notable project done so far and why?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"We wouldn't quite single out any one project as 'most notable', as we believe in working towards a whole body of work to effectively communicate our complete vision. However, starting Ceriph (with a co-editor) and GRAPHEME helped us gain an initial foothold in the arts in introducing alternative expression, because they are the only ones of their kind in Singapore - print lit journal and zine lab, that is - and with them we're able to house words & thoughts in tangible objects in a myopic and fast-moving society. Our last event, the Art of Rebellion, which is one of our largest curations so far, also generated lots of interest, new work, and new partnerships.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Name some of the challenges of doing what you do.\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The usual gripes of tight budgets juxtaposed with crazy timelines, accentuated by the fact that we are a very lean team. Besides that, just the layers of bureaucracy you sometimes have to work through here in Singapore, as well a lack of appreciation for design and a cultural identity that at times feels overly derivative. Since there is also an extremely small scene for art and culture in the first place, it is rather tough on our belief in advocating design as a supporting arm for encapsulating and communicating culture.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is the design philosophy behind the aesthetic of Now is Found?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Aesthetically, steampunk meets A Clockwork Orange meets futuristic-Bauhaus; thematically, exhortations of living the moment set against machinations of time set against the gears & cogs of modern city living.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What in general is your design philosophy?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Although KALEIDO means 'beautiful forms' in greek, we believe that concept and communication with the audience is key, and to us, this is what transcends a 'pretty form', as we create connections on a higher level with strangers through our creations in an industry (design) that tends to view its output as largely cold, self-righteous or inward-looking. In the long run, we're working towards creating our own vision of a new world order, aesthetically and intellectually, through a whole body of work.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who are some of your heroes?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Dave Eggers, David O'reilly and Sagmeister for Winnie, and Amanda Palmer + Neil Gaiman for Amanda.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What are you looking forward to the rest of the year?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Staking out Velvet with our artwork for Now is Found amidst sexy muzik, designing the identity for an audiosonic-arts biennale in San Francisco in August, and Lars Von Trier's Nymphomania with Charlotte Gainsbourg in the lead.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite music?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Amanda's fond of Broadcast, The Knife, Crystal Castles, Yeasayer, Apparat. Winnie doesn't make distinctions between music genres and listens to anything with a good beat.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You hold exhibitions with other artists, tell us more about it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"SInce we moonlight as visual artist/illustrator (Winnie) and writer (Amanda) respectively, we tend to gravitate collectively towards visual arts + literary arts crossover groupshows that thematically intersect in fresh ways. There can also be a dearth of groupshows that aren't soloshows or background-specific in Singapore, and also shows that do not exclusively feature fine-art. We have more of a street bent, and we try to be pretty inclusive - our shows feature both well-regarded illustrators as well as up and coming ones. Our last couple of shows include Synaesthesia (referencing the medical condition of (simplistically explained) experiencing text as specifically coloured), House of Incest (based on Anais Nin's erotic novella), GRAPHEME Zine Mosh (you'd be surprised simultaneously by the lack of awareness of zines, as well as the passion of the handful who actually do make zines), and the Art of Rebellion (bringing to the forefront forgotten Chinese idioms).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us more about GRAPHEME too.\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"GRAPHEME is a zine-laboratory in the making over at our studio at Goodman Arts Centre. We're trying to get more people aware of independent-publishing/micro-publishing. When fully functional, anyone would be welcome to head to GRAPHEME zine lab to check out our zine library (local zine collection + international independent magazines), to sit down and enjoy the small pleasure of crafting a zine with your bare hands and our tools, and to sell their zines. Not enough Singaporeans know what zines - and their history - are. More at \",/*#__PURE__*/ _jsx(Link,{href:\"http://graphemezinelab.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://graphemezinelab.com/\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Care to share about Ceriph and its direction?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"We hope to be able to get Ceriph beyond the literature community - a nation without an appreciation for words spun by its own citizens will soon forget itself. We're also working to push the design boundaries of a lit journal to whet more appetites out there, so stay tuned. Beyond this, we initially sought out to design a sustainable community rather than a mere physical capsule of words. Head on over to \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.ceriph.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.ceriph.net\"})})}),\" for more info.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What can punters look forward to seeing on May 18th?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"An exclusive preview of the vinyl artwork we've been working on for Midnight Shift's upcoming releases, \\xa0with themes of the underground and owning the night. Upcoming sneaks on the studioKALEIDO Facebook \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/pages/studioKALEIDO\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"page\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.studiokaleido.net%20/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.studiokaleido.net\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-studiokaleido\"},{hz3sj3gFn:\"2012-05-15T00:00:00.000Z\",id:\"CU5DJLDmE\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/9JKclW1OKRUybgpEecuAZETw4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/9JKclW1OKRUybgpEecuAZETw4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/9JKclW1OKRUybgpEecuAZETw4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/9JKclW1OKRUybgpEecuAZETw4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: RAZIL RAZIL RAZIL\",lZ2WhlLX5:\"15 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"With influences from ska, R&B, acid jazz, funk, rock, swing and electro to name a few, our unnamed vocalist will accompany Masterpiece in a hotly tipped debut live set on 18 May. Read on to find out what makes this enigmatic and distinctive frontman a hot favourite.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tell us a bit of your musical background.\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I'm a huge fan of groove-based music! I was in a Ska band before as a bassist because I wasn't allowed to touch the mic(!) and then I progressed to sing in an Urban-soul/R&B outfit called\\xa0VelvetGroove from 2003-2007. Soon, I was immersed with Acid Jazz and Funk courtesy of my short spell with IndigoMode, an obscure cover band which almost exclusively tributes Jamiroquai, Stevie Wonder and Prince. In 2009, I channelled my flavours and fused it with a little rock with Catalogue V. So yeah, I'm quite a genre rojak!\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How did you get started?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I've always had a semi-intrinsic relationship with music since those lullabies my mom would sing to me when I was young. So when I turned 13, I discovered that being on the mic feels so much like home! Soon, I was hungry to extend my senses and point of views through music. That is when I first started to write my own songs. Everything else just picked up from there.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us more about your band.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Catalogue V is an all-originals Skitzo Rock band. We write tunes that fuse rock, funk, swing, electro, bossanova and hip hop. We won the Yamaha Asian Beats (Singapore) competition in 2011 and had a ball representing Singapore at the grand finals in Seoul, Korea late last year!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=GvgmQpnVA0k&ab_channel=CatalogueV\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe your performance style.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I'm often described as \\\"that enigmatic frontman of Catalogue V\\\" and some kinder critics insist that I'm charismatic and flamboyant. It is flattering how people describe me although I admit that it's a tall order! I really don't quite know how to describe myself so I'm sharing what people said.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Name us some of your influences.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Okay I'll try to summarize hahaha...Hmm...definitely Jamiroquai, Mark Ronson, Ritchie Valens, Stevie Wonder, Eric Benet and Amy Winehouse.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect of your gig with Masterpiece on May 18?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Nothing less than honest grooves with back-stories with pretty much an emphasis on 'feels' and vibes. You know that stuff from Masterpiece is never for the faint-witted or hearted!\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you get critics and how do you deal with that?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I'm sure everybody does but my stand is that music or any form of artistry is basically putting your craft on the line. I embrace criticism because I depend on them to fuel me further.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What is the most important thing for a performer?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Sincerity, belief, identity and respect towards music. A lot of performers would tell you the same but hey, it really boils down to all of those!\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Any new work upcoming for the year?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Catalogue V has a lot in store in 2012 and I am also in talks with many promising Singaporean artists for collaborations. I hope everything goes as planned.\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Favourite album everyone should hear about?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Woah I'm really at wits end with this one! I'm more of a 'singles' person you see...Hmmm...I'm sure everyone knows about Mark Ronson and \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Business Intl\"}),\" already?\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Biggest misconception about you.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Easy. The biggest misconception is that people often think that I'm either arrogant or socially selective. Haha! Well, I'm quite reserved off stage so I can imagine that being perceived as arrogance. In fact, I am sure that most artists get the same misconception. I don't think I'm socially selective either. I'm just an ex-introvert...so i guess i'm prone to relapses!\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.reverbnation.com/open_graph/song/3637547\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.reverbnation.com/cataloguev\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"www.reverbnation.com/cataloguev\"]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/cataloguev\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.facebook.com/cataloguev\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-razil-razil-razil\"},{hz3sj3gFn:\"2012-05-14T00:00:00.000Z\",id:\"wmzKfEhKe\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/w4KCt6WfEGmpYEe3yeNnYZKxU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/w4KCt6WfEGmpYEe3yeNnYZKxU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/w4KCt6WfEGmpYEe3yeNnYZKxU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/w4KCt6WfEGmpYEe3yeNnYZKxU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: MASTERPIECE\",lZ2WhlLX5:\"14 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Authenticity and sincerity characterise one-man band, MC, DJ and local phenomenon Masterpiece, who also organises all things funk and soul at his monthly 'Turn Up The Heat'. This Friday, we invite him for a special four on the floor-tinged appearance with a mysterious vox at the upcoming Midnight Shift. Read on for a hint of what to expect.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So please tell us the lowdown on Masterpiece. How long has it been since you started?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"It was 2006 when I started MC-ing for Pushin\u2019On. Then in 2010, I started performing the Ableton \u2018live\u2019 sets of productions and re-edits. So that\u2019s about 2 years, 3 months, 2 weeks and 4 days ago.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=81paR2DRAsg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MasterpieceLive\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we look forward to your special performance with (mystery vocalist) on May 18th?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Well I would have to thank Midnight Shift for that because you\u2019ve invited a funk and soul singer/producer to create a 4/4 \u2018live\u2019 set! What I\u2019ve tried to do while creating this set was to avoid listening to any techno or house. You will hear the important elements of the genre but I\u2019m definitely putting a lot of Masterpiece into it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your music-making philosophy?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"What I\u2019ve discovered is that the funk can be in any kind of music. So don\u2019t be afraid to make stuff that you\u2019re not used to and trust that your own style will show through in the music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What or who inspires you?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I enjoy watching girls dance and that is one of the biggest inspirations when making music. And on that same note, being in a roomful of people dancing happily also inspires me immensely.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Who are your dream collaborators and why?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I really wanna write tunes for Janelle Monae, Jose James and Sharon Jones. These are some of the most soulful singers around now and I listen to their music everyday. So many of their tunes make me go \u201CDamn...Wish I wrote that song!\u201D and that\u2019s what makes them special.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your favourite piece of gear, real or imaginary, and why?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Turntables definitely top of the list. It just feels so good you know\u2026 and as an instrument, it is so versatile. I\u2019m also really getting deep into 16-pad controllers cos they make for such a dynamic performance. Imaginary instrument? My first thought was electronic melodica but I found out that it already exists! I\u2019m happy with what I have.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is the best compliment you've ever received?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"This happened a couple of weeks ago at Sunday at the Training Shed. This guy had seen me before with Pushin\u2019On, singing with the Mighty Mighty, DJ-ing and also the solo \u2018live\u2019 sets. He said he\u2019d seen me doing quite different stuff and couldn\u2019t really place me as a singer or MC or electronic musician. Then he said that despite the different performance medium, he saw the same sincerity and authenticity in all the sets. That really made me happy cos you never really think about it consciously when you\u2019re preparing your sets cos you just go ahead and dive into it. It is however very nice to be recognised as authentic and sincere, no matter what genre or style of music you do.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=k9LU0ymkEhs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MasterpieceLive\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Do you think Singapore has no music identity?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Nope\u2026 I definitely think we do. I think if we all embrace the diversity of sounds we have here, we\u2019d definitely see that there is an identity here. Of course I\u2019m excluding commercial radio or club music from this (sorry guys! Me no mean no harm!). I also believe that we shouldn\u2019t have to rely on validation from other people to make us feel like we have a Singapore music identity. Just do your thing, people will know you and they\u2019ll know you\u2019re from Singapore. I think trying to consciously create a Singapore music identity will just be too much unnecessary work.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"We also shouldn\u2019t compare ourselves to places with more distinct musical identity for example Detroit/Berlin for techno or New York for hip-hop. Even those places have many other types of musical entities in that space. How do you think a hip-hop DJ from Berlin would feel if everyone just wants to talk to him about techno? The creation of any identity is also plenty of times political. Don\u2019t bother, just do your thing.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe your personal sound?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Its soul music.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=o_f1KSgISe0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=JeanReiki\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Which is your favourite album of all time?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Donny Hathaway \u2018Live\u2019 (1972)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What about DJing?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I have been! But for not very long at all\u2026 about a year and a half. DJing is important in music yo\u2026 because it's about filling up the dancefloor and making people dance and be happy.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Are you more of a morning or night person?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I\u2019m more of an afternoon person. I like to be up for lunch.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Will there be a Masterpiece album or release in the works anytime soon?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Yes... very soon. The 'Somebody Thrill Me' EP is the most upcoming. Crafting the final piece of the puzzle is taking longer than expected but you know...I'm in no rush.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://pushinon.com/mc-masterpiece/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.pushinon.com\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-masterpiece\"},{hz3sj3gFn:\"2012-05-09T00:00:00.000Z\",id:\"F7zQi4YYr\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/BsydXEtC5bElTiz8Y1ItGussr0M.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/BsydXEtC5bElTiz8Y1ItGussr0M.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/BsydXEtC5bElTiz8Y1ItGussr0M.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/BsydXEtC5bElTiz8Y1ItGussr0M.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: EDDIE NIGUEL\",lZ2WhlLX5:\"9 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"Midnight Shift x Zouk 03 on Fri 18 May will unveil Eddie Niguel, a Midnight Shift label artist who has been steadily climbing the ranks with chart-topping tracks on labels such as Get Physical, Nohashi Recordings and lately, Dig Deeper. Here we interview the DJ/Producer about making music from the heart.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"You've recently been signed to Danny Howell's \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/record-label.aspx?id=2282\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Dig Deeper\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\" label. Could you tell us more about that?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Sure, I had just completed a few new tracks and was looking around for a decent label to put it out.\\xa0I made a short list of labels that i thought would be interested in them and sent out my demos there after.\\xa0Danny's management were one of the few that actually got back to me and I'm really thrilled that it's signed to his label. I\\xa0think it found a good home which is important to me and it fits in with his label ethos as well.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What are some of the challenges facing you/your music today?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I think it's extremely difficult reaching out to the right label these days, more so if they are established.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It's no fault of theirs of course, from what I gather, they receive a crazy amount of demos each week. A few have also stopped taking in demos due to the sheer amount they receive and in some cases only work with a few group of artist to keep everything manageable and consistent, which kind of makes sense from a label standpoint. It doesn't help that I don't just make one particular style of music but various styles depending on where my head is at any given moment, so I'll have to shop around for more labels as and when that happens. I could of course just start my own label and have them readily available on iTunes every week for example but I think it's a bad idea to do that early on in your music career. A record label's role as a moderator is still an important key aspect in the release process. It's tough when they tell you it's not good enough especially when you have just spent the entire week or month working on something. You just need to learn to get over it quickly, get back in and make it work if you are determine to get anything out with a decent label. I might be wrong but I am still convinced that if it's good music someone out there will put it out. I see them as my quality control officer now :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you personally describe your sound or influences?\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"I'm not sure how to describe my sound or if I actually do have a sound at all but Dosem who produces for Christian Smith's label Tronic described one of my works as 'music made from the heart'.\\xa0I think that's a really romantic way of putting it and I wouldn't necessarily disagree with him either.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=SR_tBOeXpvE&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Balicount\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Could you name us 5 secret weapons in your playlist?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I don't have any secret weapons, maybe just some re-edits. Nothing is a secret anymore in this YouTube era.\\xa0If it worked somewhere before, you'd probably hear someone playing it at the very next gig.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your music-making philosophy?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Do whatever that makes you happy. Be yourself and no one else.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What makes a good DJ?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I think a sign of a good DJ is one who is musically and technically sound, constantly aware of what's going on in a room and most importantly he/she still enjoys performing even if the working conditions are not ideal or 'the best of' for lack of a better word.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you think Singaporean producers have a space in the international scene?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Absolutely, look at \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.xhin.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Xhin\"})})}),\", he's signed to a credible label, touring around the globe and appearing on international magazines worldwide. There are a few others of course but he's the best example I can think of at the moment. I don't think it's gonna come easy for anyone though, it's a lot of hard work and also time and a little luck plays a part as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Do you consider yourself more of a DJ or producer or both?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Definitely more a DJ as I've been a resident for 15 years or so, production only came along recently in the last few years and I'm still learning more about it every single day.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What would you recommend someone who is visiting Singapore to do?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"EAT! We have a very diverse food culture here in singapore and it's a shame if all they do is eat hotel food and chicken rice.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Describe a perfect day.\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Hmm...I'll have to get back to you on that...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Future projects?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Nothing is certain as yet but I might be working on some remix work for a local electronica group here among others.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Stay in touch with me on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/eddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"facebook.com/eddieniguel\"})})}),\" if you'd like to keep up to date on what I will be up to in the next coming months or so.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are your dream collaborators?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Wow, thats gonna be a long list! Carl Craig, Aril Brikha, Agoria, Ripperton, Vince Watson, Deetron, i could go on all day...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect to hear from you on May 18th?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Good music? :)\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/eddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"facebook.com/eddieniguel\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-eddie-niguel\"},{hz3sj3gFn:\"2012-05-08T00:00:00.000Z\",id:\"j6NEUwvwj\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/vQe7ms3GmIfOdRaaIovIaajvc4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/vQe7ms3GmIfOdRaaIovIaajvc4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/vQe7ms3GmIfOdRaaIovIaajvc4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/vQe7ms3GmIfOdRaaIovIaajvc4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: HANDBOOK - LAYERISM\",lZ2WhlLX5:\"8 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Introducing Bobby, the moniker of our latest reviewer to the blog with adventures from the left field of electronic music. First up is a little known artist called Handbook and his self-released Layerism available on Bandcamp.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Taking on new territory by layering samples in his tracks, Handbook is an Idiot\u2019s Guide to keeping it simple. There is none of the ruthless experimentation or boundary-breaking manner in his production, which is not to say that Handbook is falling short from his ubiquitous beat-making peers.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Head over to his \",/*#__PURE__*/ _jsx(Link,{href:\"http://handbook.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Bandcamp page\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"and observe his tireless efforts, back from his first self-released beat tape EP \",/*#__PURE__*/ _jsx(\"em\",{children:\"Cutter\"}),\" in November 2010, that finally reaches to a crescendo that is \",/*#__PURE__*/ _jsx(\"em\",{children:\"Layerism\"}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Hardly much is known about the artist, save for a few scant facts; a Lincolnshire native who grew up in Yorkshire, England, listing apparent influences from the likes of 9th Wonder, J Dilla, and West Coast beatmongers, the Klipmode crew (interview source, with mixtape, from French electronic-bass record label, Cascade Records\u2019 \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.cascaderecords.fr/home/Podcast/cr-podcast-42-by-handbook.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"podcast\"})})}),\").\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Almost all of Handbook\u2019s beat tapes/ albums are self-released, with the exception of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Amnesia\"}),\", released under Brussels independent label, Urban Waves Records on September 2011.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The dreamy synths and saturated reverbs reigning in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Amnesia\"}),\"\\xa0take a back seat in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Layerism\"}),\", as warm swingy beats are a uniform pattern that permeates throughout the album, kick starting with \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Day Begins (Seasonal)\"}),\", backed with a melancholic landscape of choppy guitar and jazz flute samples \u2013 endearing even with the obligatory sidechaining.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"By the third track, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ninja\"}),\"\\xa0(a personal favourite) furtively sneaks up on you with an unyielding orchestral backdrop and occasional jangle of bells - perhaps a tambourine - in the distance, that is slight yet significant.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Things get into a full swing with drunkenly resonant drones of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Sixties To the Left\"}),\", smoothly cascading to\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Mountains\"}),\", where a silken-voiced chanteuse seduces the track.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The lovely harp in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Rhino\"}),\" is heard strumming like delicate raindrops, against the dynamic smatter of samples, bass and clap-snare; a surprisingly pleasant and balanced concoction which stresses on Handbook\u2019s gift for revitalising the basics.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Layerism\"}),\"\\xa0is a congenial album that can easily satisfy most listening needs, and while it may be rather predictable, it is only in a good way. Sincere and heartwarming, it clearly demonstrates the erudite beatsmith\u2019s talent and maturity in his work, making it all the more assessible.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"More often than not, Handbook provides free downloads of his stellar tracks on \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/handbook\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Soundcloud\"})})}),\". So go on, get acquainted.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. The Day Begins (Seasonal)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Hear it Out\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Ninja\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Vowels\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. The Sixties (To the Left)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Entitlement\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Mountains\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Drive Through\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Rhino\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. The Orient\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://handbook.bandcamp.com/album/layerism\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://handbook.bandcamp.com/album/layerism\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/handbook%20%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/handbook\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-handbook-layerism\"},{hz3sj3gFn:\"2012-05-06T00:00:00.000Z\",id:\"dawiNBlrK\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/vn1GvfeO0CZi8L7FMdekhLEAyE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/vn1GvfeO0CZi8L7FMdekhLEAyE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/vn1GvfeO0CZi8L7FMdekhLEAyE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/vn1GvfeO0CZi8L7FMdekhLEAyE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SAND CIRCLES - MOTOR CITY\",lZ2WhlLX5:\"6 MAY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Formerly available only on casette, all-instrumental 'Motor City' by Sand Circles on the \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.notnotfun.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Not Not Fun\"})})}),\" label gets the 2012 digital release.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In a time where everyone is fighting to be heard and understood, Sand Circles goes straight to the essence of modern life without using a single word. Originally released in cassette tape form (150 copies) and now in digital form, Motor City is a fearless work that defies expectations, harnessing the power of sound to convey layers of imagery and emotion that are strikingly relevant, with an arrangement of soundscapes emblematic of urban city life and awash with the deep, ambling beauty of the after hours.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/sand-circles/entering-motor-city\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Siren synths traverse a harsh, industrial landscape. These 11 tracks are enveloped by a dream sensation, yet conjure a sense of familiarity and knowing \u2013 you can easily visualise the passing scenes whizzing past the window of a moving vehicle in \u2018Innercity Haze\u2019, detect a certain hopefulness pulsing within the uncertainty of stepping into foreign territory in \u2018Motor City\u2019, and admire the quiet, pure and emotive beauty of \u2018Distant Lights\u2019.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/sand-circles/motor-city\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/sand-circles/innercity-haze\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2018Endless Nights\u2019 is all pain and pleasure, with its stammering melancholic beats that perfectly punctuate slowly soaring synths, soaking in all the sensations of cold night air.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/sand-circles/endless-nights\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Perfect for late nights, whether you\u2019re on a solitary nightdrive or up on a roof, Motor City is a dip into your consciousness that you cannot simply dismiss, casting a haze of emotive, industrial sound that reels you in and tugs at your imagination. 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Released on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.pokerflat-recordings.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Poker Flat Recordings\"})})}),\", the album marks the duo\u2019s debut effort at releasing an album together, although they are no strangers to the scene.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"As the title itself suggests, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Dream Cargoes\"}),\" is a sleek, smooth delivery that sweeps the mind along on a wandering journey. The album features 10 tracks, seamlessly woven together and featuring undulating dubby builds, but is perhaps less commanding material than what the duo has shown themselves to be capable of, based on previous collaborations: \",/*#__PURE__*/ _jsx(\"em\",{children:\"Venusberg\"}),\" (2009) and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Jack Shit\"}),\" (2011).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Xiul63KNZAc&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Tjkongmusic\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/pokerflatrecordings/t-j-kong-modular-k-jack-shit\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"While opening track, \u2018Chronopolis\u2019, starts off strong, the overall mood is relatively mellow, with tracks averaging around at least 7 minutes each.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/tjkong/01-chronopolis?in=tjkong/sets/tj-kong\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The album is slightly pear-shaped, in that it gets more energetic slightly past the mid-mark.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Tracks like \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Last World of Mr. Goddard\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Dream Cargoes\"}),\", and \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Delta At Sunset\"}),\", unfold into dreamy soundscapes, but seem to glide along with a certain restraint. \",/*#__PURE__*/ _jsx(\"em\",{children:\"End-Game\"}),\", released ahead of the album as an EP, features guest clarinetist Edward Capel and has already been remixed by Reference, Deep Space Orchestra and revisited by TJ Kong himself.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/tjkong/tj-kong-modular-k-end-game\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/tjkong/tj-kong-modular-k-end-game-1\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Now Wakes The Sea\"}),\"\\xa0is where things sound slightly dramatic, and therefore promising, opening up into what is my personal favourite on this album - \",/*#__PURE__*/ _jsx(\"em\",{children:\"Studio 5, The Stars\"}),\", which features lush synths and strings swimming alongside a warm bassline. \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Sound-sweep\"}),\"\\xa0is also one of the more colorful tracks on Dream Cargoes, featuring a slowly unfolding, sexy variation in sound. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Memories of the Space Age\"}),\"\\xa0winds things down, before Now:Zero wraps it up with a surprisingly lively rhythm that dips into a jazzy groove.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Dream Cargoes is a skillfully stacked load, with everything in its right place; a journey properly navigated by two experienced producers, but I\u2019m up for a little less teasing \u2013 go on and wake the sleeping giant.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"\\u2028\\u2028Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01.Chronopolis\",/*#__PURE__*/ _jsx(\"br\",{}),\"02.The Last World of Mr. Goddard\",/*#__PURE__*/ _jsx(\"br\",{}),\"03.Dream Cargoes\",/*#__PURE__*/ _jsx(\"br\",{}),\"04.The Delta At Sunset\",/*#__PURE__*/ _jsx(\"br\",{}),\"05.End-Game (feat. 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Productions from the likes of Surgeon and Regis sputtered to a near-halt, and attention switched to the fledging German movement spearheaded by Berlin\u2019s Ostgut-Ton and the now-colossal yore of the Berghain nightclub. The impact of these institutions was - and continues to be - profound. In its no-frills update of venerable, stripped-back, heavy-hitting 4/4s, Berlin techno sent shockwaves rippling through the scene, stirring British dancefloor giants such as Luke Slater and James Ruskin from their slumber.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Then came the new English wave: similarly galvanised by the Berghain sound, but boasting compositions alloyed with outsider sensibilities: Blawan\u2019s heaving, \u2018bass music\u2019-rooted warehouse funk; the displaced junglist vibes of Instra:mental; the slate-grey industrial abrasiveness championed by the company of Furesshu, Truss and Shifted. 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Like the image, his exploration of techno has been stealthy, understated, yet swift: in the past year, each successive Shifted release has seen the producer come into his own, increasingly pushing sonic coherence to the collection of bleak, post-punk visuals amassed on his \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.shifted-music.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"tumblr\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"and reinforcing his overall alignment with the industrial aesthetic. 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Robust, quaking beats and lithe, single-chord synths; unrelenting in repetition and packing superhypnotic tension: these songs extend Techno\u2019s advocating search for the perfect loop.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Powered by life-force drawn from electronic bitstreams connecting Berlin and old-school techno with English industrial, Shifted burrows beneath the future-shock debris to unearth refreshed geometry from the City\u2019s original ground plans. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Crossed Paths\"}),\" forsakes modern-day Techno\u2019s commonplace requirement for \u2018forward-thinkingness\u2019, and gifts us instead with a slab of beauty/archaeology, rehashed and brought to bear by a veritable craftsman of antiquity.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/downloads/509837-shifted-crossed-paths\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/downloads/509837-shifted-crossed-paths\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/crossed-paths/450385-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/crossed-paths/450385-01/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://shifted-music.com/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://shifted-music.com/\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/shifted\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/shifted\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Shifted\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.discogs.com/artist/Shifted\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-shifted-crossed-paths\"},{hz3sj3gFn:\"2012-04-23T00:00:00.000Z\",id:\"cCaMk2Xgz\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: CLARO INTELECTO - REFORM CLUB\",lZ2WhlLX5:\"23 APRIL 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"After something of a hiatus, Manchester's Claro Intelecto is back to release his third full-length album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Reform Club\"}),\", on Delsin Records.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/delsinrecords/claro-intelecto-reform-club\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The album's heavy debt to Basic Channel's foundational dub techno legacy necessarily stakes out what cultural intellect Kodwo Eshun calls a \\\"\",/*#__PURE__*/ _jsx(Link,{href:\"http://books.google.com.sg/books/about/More_brilliant_than_the_sun.html?id=VhBEAQAAIAAJ&redir_esc=y\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"world of echo\"})})}),'\", where the ear perpetually chases the beat as it morphs into resonating tails of sound.']}),/*#__PURE__*/ _jsx(\"p\",{children:\"Indeed, Intelecto's steady, stripped-down grooves, doused in near-aquatic reverb and distortion, have always required some attentive following - but take that first step and be rewarded with richly, artfully crafted sonics adrift. It’s a task made simpler by his protracted sprinkling of lush pads, melodies and cinematic elements, adding emotional charge to the effect of possibly his most warm and organic musical suite to date.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"This is beauty of the downcast sort, teasing forth the immanent pathos of fellow Mancunians Autechre, 90s UK techno, and the continuum of first wave to post-Detroit techno presently championed by parent label Delsin Records. Clearly informed and influenced by the timeless output of these music scenes, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Reform Club\"}),\" is an elegantly polished longplayer, braced with compositions of both unity and authority. This is unflappable dance music; cool and composed as you like, yet heartfelt and tender inside. Like that dream lover, this is worth chasing after.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Reformed\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Blind Side\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Still Here\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. It's Getting Late\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Scriptease\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Control\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Second Blood\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Night Of The Maniac\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Quiet Life\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.delsinrecords.com/release.php?idxRelease=2986\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.delsinrecords.com/release.php?idxRelease=2986\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Available as 2xLP, limited 2xLP+10\", CD and digital. Released 16 April 2012.\\xa0Thank you to Delsin Records for this special preview.']})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-claro-intelecto-reform-club\"},{hz3sj3gFn:\"2012-04-20T00:00:00.000Z\",id:\"Xz22usPT4\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/1JyVBBg0i2GuH1JRXkvkfAS3ps.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/1JyVBBg0i2GuH1JRXkvkfAS3ps.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/1JyVBBg0i2GuH1JRXkvkfAS3ps.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/1JyVBBg0i2GuH1JRXkvkfAS3ps.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: APRIL\",lZ2WhlLX5:\"20 APRIL 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A mixbag of tunes from the selectors over at JUICE this April with one common sense: quality. Enjoy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"B. Traits - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Fever\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pUXCWfkCERY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=cult.ure\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\\xa0\"}),\"The ever-adorable B. Traits taps club vocal legend Elisabeth Troy for a throwback track that\u2019s brimming with joy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" 1993. It\u2019s an early \u201890s UK garage love letter that perfectly combines the new school with nostalgia.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Guaranteed to bring back memories of acid house\u2019s heyday. And if that\u2019s before your time, well hell, it\u2019ll still make you smile uncontrollably.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Nina Kraviz \u2013 \"}),/*#__PURE__*/ _jsxs(\"em\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Ghetto Kraviz\"}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=605bwlAz_iQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=rekids\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" This Siberian DJ/producer has been turning heads for every conceivable reason lately. She\u2019s gorgeous, adores vinyl and has a super-deep, super-amazing debut album out, what\u2019s not to love?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\"\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghetto Kraviz\"}),\" pops like crazy! Its idiosyncratic take on 4x4 is as gritty as it is flirtatious.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Nina\u2019s vocal and production style is understated, breathless and vigorous. Which leads us to wonder if we\u2019ve found deep house\u2019s answer to dubstep\u2019s Emika.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Star Slinger \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Bad Bitches\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Sample savant Star Slinger reunites Stunnaman and Lil B for a mini Pack reunion on his latest cut \",/*#__PURE__*/ _jsx(\"em\",{children:\"Bad Bitches\"}),\". And best of all \u2013 its free!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" A stuttering, up-tempo and percussive whirl of beats that brings out the best flows from his Bay Area guests.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" If you dig this (you will), you\u2019ll have loads of fun at Star Slinger\u2019s Home Club gig on 25 April.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Naz \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Shadow\u2019s Monologue\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://qilinmusic.bandcamp.com/track/shadows-monologue?from=embed\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Local electronica producer Nazeer Hussain has been getting lots of love for his utterly massive Qilin-backed Angkara EP, and we\u2019d like to chime in.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" This track closes the record, and it represents all we love about it - a tribal take on 140BPM with undeniable Eastern influence.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" \u201CThe greatest intellect in the word can be silenced with this.\u201D It\u2019s so good you\u2019ll be speechless.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Helix \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Drum Track\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" When you talk about Night Slugs\u2019 White Label, you only speak of quality. And they keep the streak rolling with another huge tune by Helix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Grime meets Berlin techno. A straight-up pummeling of drums, staccato rims, kicks and hats and it just sounds immense.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Another winner for Night Slugs! At this rate, they\u2019ll be our favouritest label on planet before long.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"20-4-12-the-juice-playlist-april\"},{hz3sj3gFn:\"2012-04-18T00:00:00.000Z\",id:\"aevbcW670\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/f4KrrpHhm1fAeTOjmdcEtjGhYu8.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: VINCE WATSON - EVERY SOUL NEEDS A GUIDE\",lZ2WhlLX5:\"18 APRIL 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Vince Watson\u2019s latest album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Every Soul Needs A Guide, \"}),\"is a soundtrack for productivity \u2013 it\u2019s easy on the ears, skillfully unfolds in a perfect sequence, and as the album art aptly suggests, immerses the atoms of your being in beautifully atmospheric sound.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Boasting a 17-year-strong career, Vince Watson has over 110 releases under his belt, and is best known as one of techno\u2019s leading producers. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Every Soul Needs A Guide\"}),\" is his seventh album, and it is a sublime listen \u2013 a feel-good variation of ambient, jazzy beats, and energetic, dancefloor-friendly grooves. Evident of Vince\u2019s seemingly endless energy and versatility when it comes to making music, the album delivers a clean, pretty much flawless sound that works both for home listening as well as in a club setting.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Coming 5 years after Vince\u2019s last album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Every Soul Needs A Guide\"}),\" features an entirely fresh flavour, layering various musical influences such as classical piano and ambient sound, with broken beat and electronica.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Opening track, \u2018Found What I\u2019m Looking For\u2019, kicks off in a dramatic fashion with its lush, classical quality, running along a jazzy tempo.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/vincewatson/found-what-im-looking-for-1\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"It drenches you in cinematic ambience, before the curtains part for the shuffling, instrumental groove that is \u2018Come With Me\u2019.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/vincewatson/found-what-im-looking-for-1?in=vincewatson/sets/esnaglptasters\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The album may not feature Vince\u2019s typically darker techno sounds, but it nonetheless impresses with deep complexity. After the optimistic sounds of the first two tracks, the mood dips into the deeper end with \u2018Never Too Late\u2019, a sombre, jazzy piano track, before you come back up for air with \u2018Every Soul Needs A Guide (Album Mix)\u2019, and \u2018Voodoo Disco (Latin Mix)\u2019.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/vincewatson/every-soul-needs-a-guide-album\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/vincewatson/voodoo-disco-latin-mix\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2018Fly Like A Bird\u2019 is a playful, modern take on nu-jazz, with its lively rhythm and refreshing melody.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/vincewatson/found-what-im-looking-for-1?in=vincewatson/sets/esnaglptasters\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Every Soul Needs A Guide\"}),\" is a masterful fusion of soulful house, jazz, broken-beat and electronica influences, informed by Vince\u2019s rhythmic grounding in techno. It\u2019s a demonstration of Vince\u2019s brilliant sense of control in producing such a timeless piece of work, perhaps staying a little safe, but certainly not under-delivering either.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Vince is set to release another album, \u2018Serene\u2019, in summer later this year \u2013 going by the title, I\u2019m looking forward to a bevy of groovy tracks that are just as thoughtfully deep, and diverse.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Found What I\u2019m Looking For\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Come With Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Never Too Late\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Every Soul Needs A Guide (Album Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Voodoo Disco (Latin Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. A Fairytale\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Love In F Minor (2012 Album Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. When Souls Collide\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Fly Like A Bird\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Reach For The Sun\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. The Journey\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.beatport.com/release/every-soul-needs-a-guide/858534%20%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.beatport.com/release/every-soul-needs-a-guide/858534\"}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.vincewatson.com/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.vincewatson.com/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-vince-watson-every-soul-needs-a-guide\"},{hz3sj3gFn:\"2012-04-17T00:00:00.000Z\",id:\"PXvMod9oK\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/LfCCZuJoJMY5JR4JO7WpmzABfk.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ITAL - HIVE MIND\",lZ2WhlLX5:\"17 APRIL 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Creative producer alert. A culmination of varied influences from post-punk to ambient and shoegaze in his alter ego projects such as Sex Worker, Mi Ami and disbanded post-hardcore band Black Eyes, Daniel Martin-McCormick's debut on Planet Mu as Ital is called \",/*#__PURE__*/ _jsx(\"em\",{children:\"Hive Mind\"}),\" and brings together the best of his worlds.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Also known for his housier output on the 100% Silk label (Not Not Fun's sub-label) including \",/*#__PURE__*/ _jsx(\"em\",{children:\"Culture Clubs\"}),\" as well as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Theme\"}),\", Ital is perfectly competent at bringing to the table the stuff you would expect, but excels by exceeding such expectations with his well-honed individuality and unabashed style.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Hive Mind\"}),\" as a short five tracker is compact; yet every track is tightly produced and fully realised to fruition without ever seeming like it is trying to hard. Every single could have easily led a solid EP but together as an album, becomes a real satisfying treat for music lovers.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album is not quite dark as it is spacious in nature. Exploring the outer fringes of the straight canon of house, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Hive Mind\"}),\" is an expansionary experience for listeners, allowing one's mind to consider and contemplate sounds not typically associated with the genre, and thus, open one up to new possibilities. It is this characteristic alone that can lead one to classify something as art over expression.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Ital said in an interview with \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.factmag.com/2011/11/24/five-minutes-with-ital/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"FACT\"})})}),\", \\\"With the exception of 'Privacy Settings,' I wasn't particularly thinking about it being dark or not. I was really curious to get into time stretching and having stuff push against the beat or get in/out of time, etc. I was also in a rough spot personally, so maybe some of that is reflected.\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album demands your attention immediately with the opener \",/*#__PURE__*/ _jsx(\"em\",{children:\"Doesn't Matter If You Love Him\"}),\", featuring chopped up vocals including Lady Gaga, a hypnotic groove and eastern percussion. The Whitney Houston sample takes you by surprise, mildly offends, before winning you over like putty in hands. From then on, the album has you firmly in its grip.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Samples feature prominently, but are used in such a way that nobody except the most righteous would really mind. As Pablo Picasso once allegedly said: \"Good artists borrow. Great artists steal.\" And in the self-conscious case of Ital, it is surely the latter.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'In the same interview he shares of his method, \"So basically I\u2019m making the tracks with a combo of recording shit off YouTube, making some loops, and whatever I\u2019ve got \u2013 I\u2019ll lay it all out. I\u2019ll record some stuff live over it, or cut bits out of stuff I already recorded live. Then I\u2019ll just get in Audacity and chip away at it.\u201D',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/coracle/ital-floridian-void\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Floridian Void\"}),\" and the previously mentioned atmospheric \",/*#__PURE__*/ _jsx(\"em\",{children:\"Privacy Settings\"}),\" ride on the momentum started by the first track before arriving at the glory that is\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Israel\"}),\", my personal favourite of this album.\\xa0At over ten minutes in length, the stomper track is long but never indulgent. The build up is slow as it is delicious, featuring superb samples that sound like enviable household recordings. The overall effect is almost discordant but never jarring, and at some points very groovy before a wave of synths sitting pretty wash you over. A beauty that is worth its full length, it should devastate some very special dance floors around the world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=kcRr3W4uQXM&ab_channel=asouvenirreverse\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"The last loop-based track, \",/*#__PURE__*/ _jsx(\"em\",{children:\"First Wave\"}),\", is the most conventional of the album but by contemporary standards, still strictly belongs in the creative category. Remnants of disco later get stripped down into its dubby skeleton before rising up again with well-timed FX to end the album experience on a higher, cosmic note.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Ladies and gentlemen, let's welcome this new talent to the frontline.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://planet.mu/discography/ZIQ312%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://planet.mu/discography/ZIQ312\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-ital-hive-mind\"},{hz3sj3gFn:\"2012-03-30T00:00:00.000Z\",id:\"DtQbsuDfa\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/H5SbpzxzPJveSC7wjXJbGUZp2U.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/H5SbpzxzPJveSC7wjXJbGUZp2U.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/H5SbpzxzPJveSC7wjXJbGUZp2U.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/H5SbpzxzPJveSC7wjXJbGUZp2U.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: DELANO SMITH - AN ODYSSEY\",lZ2WhlLX5:\"30 MARCH 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:'\"Without Delano there would be no Derrick\" - Derrick May'}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Detroit's Delano Smith has been around the circuit since DJing in 1978 but only releases his first LP now (albeit after many singles). A real treat for fans tuned into his sound, but for new converts? The answer is 'maybe'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The genre of deep house has been much maligned, thanks to music portals which require convenient and accessible ways to categorise music, through no fault of their own. What is deep house? And for that matter, what is being deep all about? Whatever your melancholic definition, Delano Smith is one who belongs firmly in it.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"A said protege of Ken Collier, one of Detroit's original heroes, veteran Delano Smith represents the housier, deeper side of Detroit since DJing the circuit in 1978. Despite taking a hiatus during the 90s, Delano Smith is back in the production game, with steady releases on imprints such as \",/*#__PURE__*/ _jsx(Link,{href:\"http://kolourrecordings.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kolour Recordings\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.third-ear.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Third Ear\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.itstillmusic.com/Flash/Welcome.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Still Music\"})})}),\" as well as his own \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/label/Mixmode%20Recordings\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Mixmode Recordings\"})})}),\" set up with fellow longtime Detroit DJ, Tony Foster.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"His first album after numerous single releases, \",/*#__PURE__*/ _jsx(\"em\",{children:\"An Odyssey\"}),\" (released on the tasteful Berlin label, \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.sushitech.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sushitech\"})})}),\") however is not quite deep house as you would come to expect. By the end of the journey, or odyssey, one has been unwittingly led into the domain of techno, or at least into the spaces of house-tinged techno.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Listen to it in full as a CD format, and the album performs like a DJ mix -- moving in and out of moods while driving one to a harder edge apparent in tracks such as 'Trust in Something' and the album's title track, 'Odyssey'. The latter being a throughly on-point track that would sit well together with other Berlin-inspired techno releases today, if not for an underlying tone that is more mellow than aggressive in execution.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"To begin with, the listener is eased into this album. Opening tracks such as 'Survival' and 'What I Do' are introductions into the rich, organic groove tapestry of Delano Smith. A comparison in mind would be the work of labels such as Distance, Seasons Limited or Underground Quality.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"About a third into the album, the lovely 'Thoughts' presents itself as a swirling and contemplative spoken word track. At 2.28 minutes, it's a short segue towards 'I Wonder', a confidently deep house track with a chugging shuffling groove and all the familiar elements of the genre that make it work so well. Perfect in a warm up set.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Perhaps more than a coincidence in name, the appropriately titled 'Midnight Hours' combines a sexy jazzy jam with a driving groove reminiscent of his earlier\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.whatpeopleplay.com/?redirect=/albumdetails/null/id/52662\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnite EP\"})})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.third-ear.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Third Ear\"})})}),\"\\xa0as well as Deep Fundamentals EP.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=vZVUlrTDyFA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=46Mix\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Ocean Melody', another short segue, takes inspiration from the sea with a seashell-like reverb, a deep water bassline and ebbing synth waves that wash you over. The progressive house-sounding 'Invitation Only' is interesting by album's end, with playful breaks in between that rescue the track from being one lost in the 90s. Rounding up the album's travel narrative is the delightful 'Togetherness' with twinkling keys and soaring pads that leave the listener on a high note, at least by deep house standards.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"An Odyssey\"}),\" is the work of a mastered artist who is comfortable but not complacent within his boundaries. Where there are opportunities to breakout, he seizes, and where there are moments to step back and ruminate he does. Save for the album's techier numbers, I would be surprised if this album converts the uninitiated to his sound, but that might just be the melancholic deep house lover in me speaking.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{}),'3x 12\" LP',/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://clone.nl/item22541.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://clone.nl/item22541.html\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Digital MP3/WAV\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.whatpeopleplay.com/albumdetails/null/id/52662%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.whatpeopleplay.com/albumdetails/null/id/52662\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/delanosmith\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.myspace.com/delanosmith\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-delano-smith-an-odyssey\"},{hz3sj3gFn:\"2012-03-29T00:00:00.000Z\",id:\"Z1TJIT0j5\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/okBydtm1lq2oZv7V7JtP4z6nxQQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/okBydtm1lq2oZv7V7JtP4z6nxQQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/okBydtm1lq2oZv7V7JtP4z6nxQQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/okBydtm1lq2oZv7V7JtP4z6nxQQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LEO ZERO - ACID LIFE\",lZ2WhlLX5:\"29 MARCH 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Do yourself a favour and pick up \",/*#__PURE__*/ _jsx(\"em\",{children:\"Acid Life\"}),\", by UK DJ and producer Leo Zero. It\u2019s a fantastic throwback to acid house \u2013 looping vocals and retro house grooves woven together by a man who couldn\u2019t be more comfortable in his own element.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Leo Elstob is a man of many talents \u2013 he\u2019s had a hand in electronic music act Chicane, and created the legendary deep house club \u2018Soulsonic\u2019 with Stuart Patterson. Lesser known facts include boasting a history of designing flyer/sleeve art, and Elstob released his first solo LP, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Very Repetitive\"}),\", last October, after more than 20 years of experience in the scene. Followers would know him for his generous reworking of tracks by global music acts, from Lana Del Rey, and Florence & The Machine, to The Police (most of which are available for download on Soundcloud), featuring a nu-disco or balaeric sound.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With \",/*#__PURE__*/ _jsx(\"em\",{children:\"Acid Life\"}),\", Leo Zero makes no pretensions and delivers an album of genuine house and techno grooves, in the traditional Chicago/Detroit style.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Featuring long-time friend and vocalist Marcel, the tracks on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Acid Life\"}),\" are a clear reminder of Elstob\u2019s long-standing involvement with the house scene in the \u201880s and \u201890s, lest you forget that in the extensive Leo Zero remix-a-plenty discography. The album eases you in with opening track \u2018Let\u2019s Go\u2019, and \u2018Body Music\u2019 with apt, determined chanting \u2013 \u201Cfree your mind, free your soul, lose your mind, lose your body - inside the music\u201D.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Electricity\u2019 is my personal favourite, rolling out a dense beat along with attention-grabbing repetition: \u201CHey \u2013 we\u2019re not living in the dark ages / We have electricity\u201D. Da-yum.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Energy hits a peak with \u2018Jackin\u2019\u201D, before embarking on a bizarre but addictive aural-spiritual experience in the amusingly titled \u2018This Is God\u2019, described by Elstob himself as \u201Ca kind of love letter to acid house\u201D. A conversation with your maker never sounded more pleasing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=JlPAnELHJd8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=ANE4BSTIS\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u2018The Room\u2019 is sure to do some dancefloor damage, venturing into the techno side of things, before Elstob kindly bumps you off on the \u2018House Train\u2019, followed by closing ode-to-house track \u2018Warehouse Style\u2019 \u2013 it\u2019s the acid life, thank you for listening - but I reckon you\u2019ll be wanting to loop the album all over again.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Released at the end of January earlier this year, it\u2019s not too late to get in on this understated gem of an album and let Leo Zero take you back to the future.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Let\u2019s Go\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Body Music\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Born To Bounce\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Electricity\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Energy\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Jackin\u2019\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. This Is God\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Make The Moov\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Komputa Gamez\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Take Off\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. The Room\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. House Train\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Warehouse Style\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.beatport.com/release/acid-life/868644%20%E2%80%A8%E2%80%A8\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.beatport.com/release/acid-life/868644 \\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.leozero.com%E2%80%A8/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"https://www.leozero.com\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/leo-zero\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/leo-zero\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-leo-zero-acid-life\"},{hz3sj3gFn:\"2012-03-21T00:00:00.000Z\",id:\"p18rh7HjM\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/qM19eQ8GBOdQk55LjpZSYSgqDE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/qM19eQ8GBOdQk55LjpZSYSgqDE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/qM19eQ8GBOdQk55LjpZSYSgqDE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/qM19eQ8GBOdQk55LjpZSYSgqDE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: MARCH\",lZ2WhlLX5:\"21 MARCH 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"JUICE mag swings its heavyweight over to recommend a smattering of new local releases out of Singapore. Welcome to the sunny island, where a new moon is arising, out of the stormy sea.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Iueke \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:\"Tapes\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Gwen Jamois recorded this mindboggling stretch of techno in a London reggae studio back in 1991. And here it is 21 years later, finally seeing the light of day.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Unearthed from a pile of dusty cassettes, this curiously inscrutable analog freak exists in a stylistic vacuum and it\u2019s astounding. When even Aphex Twin is perplexed, you know it\u2019s something special.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" We\u2019ve never heard anything like this before, and probably never will again. Well, unless Iueke decides to release more ancient artifacts from his treasure trove.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Need For Mirrors & Kiat \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Badfellaz\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/anttc1/need-for-mirrors-kiat\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.digital-tunes.net/releases/donuts___badfellaz\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.digital-tunes.net/releases/donuts___badfellaz\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What\u2019s the buzz:\"]}),\" Piping hot drum & bass duo (Joe Moses & Emilio Dimitri) join forces with Syndicate-head Kiat and the results are massive.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Moody, futuristic and an absolute killer. It\u2019s aptly named and aptly reps the craftsmen behind it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" People (us at least) are gonna wanna hear more from this interesting team-up so we certainly hope that this isn\u2019t a one-off.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Pocket Magik \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cloudy\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/thepocketmagik/05-cloudy\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Kurt (Clash the Disco Kids) and Melvin (Betaphats) have unprotected studio bromance and out came a pocketful full of magic.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" A hazy, nostalgic daydream.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" \",/*#__PURE__*/ _jsx(\"em\",{children:\"Cloudy\"}),\" is just one of many gems in Pocket Magik\u2019s debut record, \",/*#__PURE__*/ _jsx(\"em\",{children:\"This Is The Place\"}),\", and the release will undoubtedly impress.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Pearson Sound - \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Untitled\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/dashmasterflash/pearson-sound-untitled\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" David Kennedy aka Ramadanman aka Pearson Sound first dropped this surprise on the Boiler Room and we\u2019re happy to see that it has a proper release now.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Not much thought went into the name but the same can\u2019t be said for the song. It\u2019s a monochrome masterpiece filled with detached vocals, vintage drum machines and plenty of sub bass.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" People will love this but lots of folks are gonna be annoyed that it\u2019s equally lovely B-side,\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Footloose,\\xa0\"}),\"only comes in 12\u201D wax form.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Diphasic \u2013 In Cold Blood\",/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.digital-tunes.net/releases/in_cold_blood_ep\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.digital-tunes.net/releases/in_cold_blood_ep\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What\u2019s the buzz:\"]}),\" Local drum & bass producer Diphasic has been on our radar for a while and we couldn\u2019t resist checking out his awesome new solo EP titled In Cold Blood. \\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like: T\"}),\"he normally ragga-tinged Diphasic goes for a more sinister slant in this EP and this title track is one of his harder-edged highlights.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" With talent like this no wonder overseas labels like London\u2019s \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/dangerchamberdigital\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Danger Chamber\"})})}),\" are clamouring for him. Diphasic\u2019s set to make his mark.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-march\"},{hz3sj3gFn:\"2012-03-13T00:00:00.000Z\",id:\"kJbO7jWN6\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/mvjGThrQh4GZouo0yAepBuJlLg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/mvjGThrQh4GZouo0yAepBuJlLg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/mvjGThrQh4GZouo0yAepBuJlLg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/mvjGThrQh4GZouo0yAepBuJlLg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: MONOLAKE - GHOSTS\",lZ2WhlLX5:\"13 MARCH 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Is the future a triumph of sound over music? Monolake's new album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghosts\"}),\", as reviewed by Justin, seems to point in that direction.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"em\",{children:[\"\u201CFor me, it's all about the details and I like to work on the details and that's why it takes forever for me to release a new album.\u201D\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Robert Henke might be \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?1522\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"addicted to\\xa0detail\"})})}),\", but it certainly didn\u2019t take him forever to come up with his latest record after 2009/10\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"Silence\"}),\". Nonetheless, here he\u2019s managed to attain the usual, intimidating level of technical wizardry that we\u2019ve come to expect from the father of Ableton Live himself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Per tradition, melody and structure is eschewed for sculptures of the finest design, as he pushes home yet another proper statement on the infinite range of sounds potential to the electronic music realm. Another Monolake trademark is, of course, the use of field recordings. And while \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghosts\"}),\" is suitably marshalled by an army of found sounds, the album is yet distinctive in Henke\u2019s inaugural employment of these elements in manipulating rhythm and percussion - bringing to mind Tommy Four Seven\u2019s \",/*#__PURE__*/ _jsx(Link,{href:\"https://halcyonline.com/2012/qa-tommy-four-seven/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"approach\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"to his \",/*#__PURE__*/ _jsx(\"em\",{children:\"Primate\"}),\" long-player last year.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Such densely intricate aural environments are kneaded into short bursts of sub-six minute tracks (with the exception of \u2018Hitting the Surface\u2019); a fleetingness all the more acutely felt\\xa0 when compared to his past oeuvre of majestic, near half-hour pieces. Unfortunately, this paring down also brings with it deficiencies beyond the temporal: gone are the once vividly atmospheric soundscapes, or tough, dynamic beat physics; now drained and draped in diluted wallpaper tones.\\xa0\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"So what went wrong here? From being born into what he dubs a \u201Cclassical background of a family of engineers\u201D, Henke has voiced doubt over his musical abilities - \u201CI see myself as a.. lousy composer\u201D. In 2010, he told \",/*#__PURE__*/ _jsx(Link,{href:\"http://thewire.co.uk/articles/3597/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"The Wire\"})})}),\" how he overcame these insecurities with the collaborative aid of Gerhard Behles and Torsten Profrock (aka T++), who were members of Monolake at different points in time, and on albums which yielded its \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Monolake-Interstate/release/9513\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"best-loved\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Monolake-Polygon_Cities/release/471540\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"classics\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Since\",/*#__PURE__*/ _jsx(\"em\",{children:\" Silence\"}),\", and on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghosts\"}),\", Henke has operated solo, with said vulnerabilities laid bare. The result is an unwitting retreat to the comforts of his sound design roots, with precedence given to surprise surprise\\xa0\u2013\\xa0the crafting of sonic detail over composition.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sure, some will argue that the Monolake aesthetic shuns tried-and-tested nostalgia for innovation and experimentation; that it\u2019s about the reverent Robert Henke expressing himself in new ways, discovering fresh terrain, and pushing things forward. But if \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghosts\"}),\" represents the future, then it\u2019s a future of sound, absent the experience of music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Henke is not wrong to believe in detail. But he\u2019s wrong if he believes that detail alone will suffice to have someone \u201Clisten to his tracks ten times\u201D over. It\u2019s an observation he\u2019s made himself: \u201CIf you spend enough time, you can conglomerate enough detail. But you might end up (with) some highly complex IDM record which nevertheless is arbitrary. It's an arbitrary collection of amazing details.\u201D \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghosts\"}),\" is, then, haunted by self-fulfilling prophecy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. Ghosts\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Toku\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Afterglow\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Hitting the Surface\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Discontinuity\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. The Existence of Time\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Phenomenon\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Unstable Matter\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Lilith\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Aligning the Daemon\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Foreign Object\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/downloads/491172-monolake-ghosts\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://boomkat.com/downloads/491172-monolake-ghosts\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.monolake.de/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.monolake.de/\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-monolake-ghosts\"},{hz3sj3gFn:\"2012-03-05T00:00:00.000Z\",id:\"eyNq0_KjU\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/kNyjZVxp9XyhUGp8Xs67dLc6Fg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/kNyjZVxp9XyhUGp8Xs67dLc6Fg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/kNyjZVxp9XyhUGp8Xs67dLc6Fg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/kNyjZVxp9XyhUGp8Xs67dLc6Fg.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SCUBA - PERSONALITY\",lZ2WhlLX5:\"5 MARCH 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Paul Rose, the man behind Hotflush Recordings, released his third album under his production and DJ alias, Scuba, on February 27. Coming after earlier albums such as \",/*#__PURE__*/ _jsx(\"em\",{children:\"A Mutual Antipathy\"}),\" (2008) and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Triangulation\"}),\" (2010), \",/*#__PURE__*/ _jsx(\"em\",{children:\"Personality\"}),\" is surprisingly cheery. Followers would already have noticed the difference in sound when Scuba released the \",/*#__PURE__*/ _jsx(\"em\",{children:\"Adrenalin EP\"}),\" in 2011, and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Personality\"}),\" takes a leap and lands in yet another dimension.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"The album features 11 brand new tracks, moving away from the underground and appealing to a wider audience. Like the title of the album already suggests, Scuba injects his distinctive sound with electro, techno and house vibes, and brings the album to life.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Personality\"}),\" starts off with \u2018Underbelly\u2019, which is reminiscent of tracks on the \u2018Adrenalin\u2019 EP (2011), but \u2018The Hope\u2019 quickly undermines listeners\u2019 expectations. Released as a free download on 6 Feb, \u2018The Hope\u2019aptly signals Scuba\u2019s intentions to cover new ground, pushing forcefully in a fresh direction with interjections of soul amongst the droning vocals. The album, while defying expectation, is consistent in itself \u2013 most tracks follow progressive house or techno rhythms that dip at intervals to reveal trance-like echoes.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2018July\u2019 and \u2018NE1BUTU\u2019 are, no doubt, the happiest tracks on the album.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The energy is balanced by \u2018Cognitive Dissonance\u2019, with a two-step beat that is closer to Scuba\u2019s previous material.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2018If U Want\u2019 closes the album on a strong note, packing a punch with the four-to-the-floor rhythm and asserting that Scuba knows exactly what he\u2019s doing.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Overall, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Personality\"}),\" has a lighter vibe compared to his earlier work, which may not go down well with some, but it retains the distinct, heavy atmosphere that shrouds Scuba\u2019s music. Tracks with a bit more bite make for a more emotional experience, and perhaps this is where the album falls short. Nonetheless, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Personality\"}),\" is nonetheless a welcome bout of energy, an enjoyable listen that will certainly please the dancefloor, and a befitting example of today\u2019s electronic music scene, where genre is increasingly fluid.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01.\\xa0Ignition Key\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Underbelly\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. The Hope\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Dsy Chn\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. July\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Action\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Cognitive Dissonance\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Gekko\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. NE1BUTU\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Tulips\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.surus.co.uk/hotflush-recordings/personality-16303.aspx\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.surus.co.uk/hotflush-recordings/personality-16303.aspx\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/ScubaUK\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://www.facebook.com/ScubaUK\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://hotflushrecordings.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://hotflushrecordings.com\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-scuba-personality\"},{hz3sj3gFn:\"2012-03-02T00:00:00.000Z\",id:\"B3yfOzFJR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/v95CFa5iWj9tK674yGvJwg6PA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/v95CFa5iWj9tK674yGvJwg6PA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/v95CFa5iWj9tK674yGvJwg6PA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/v95CFa5iWj9tK674yGvJwg6PA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"POSKOD.SG'S SOUNDSCAPING: THE BEDROOM\",lZ2WhlLX5:\"2 MARCH 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Originally published by POSKOD.SG and republished here with their express written permission. SOUNDSCAPING is its special section that soundtracks Singapore's neighbourhoods. This edition sees the prolific Darren Ng aka sonicbrat tracking sounds from his idyllic neighbourhood: The bedroom.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/POSKODSG/soundscaping-the-bedroom-husi-mix-by-sonicbrat/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=resource_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SOUNDSCAPING: The Bedroom / H\\xfasi\\xf0 mix by sonicbrat \"})}),\"by \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixcloud.com/POSKODSG/?utm_source=widget&utm_medium=web&utm_campaign=base_links&utm_term=profile_link\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"Poskodsg\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),\"Every day at noon, Darren Ng awakes in \u201Cthe quiet West\u201D and begins making music. Afternoons find him venturing out for production meetings or field recordings, and his evenings often host theatre rehearsals. By midnight, he returns home and resumes recording, composing, and designing sounds. Around 6 or 7 a.m., he calls it a night \u2013 or a day.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Presumably, as he turns off the lights and heads to bed, sunlight is already streaming in. This is his long night\u2019s journey, back into day.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Listening in\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"As an established music composer and sound artist, Ng\u2019s schedule has been such for the past 12 years. During the peak period for sound (which is now), his days are especially unvarying. Currently, he is working on seven theatre productions, three collaborative pieces, two commercial projects, one installation, a new album, and, at some point, this SOUNDSCAPING mix, which includes the specially created \u201CH\\xfasi\\xf0\u201D (Icelandic for home/house).\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"It\u2019s the \u201Clife of a freelancer,\u201D deadpans Ng, a Philosophy and Theatre Studies graduate from the National University of Singapore.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Apart from his schedule, variation through repetition also finds a place in Ng's four-pronged art. His minimalist designs for the stage, as an associate sound artist for the Finger Players, compositions for film, most notably in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Sandcastle \"}),\"(2010) and \",/*#__PURE__*/ _jsx(\"em\",{children:\"23:59 \"}),\"(2011), sound installations and recordings under the alias \u201Csonicbrat\u201D often employ direct, recurring and quietly affecting phrases.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Such ostinatos of his are often conducted on the piano. It subtly invites you to consider the repeated musical phrases an introduction towards a grander, more epic scheme. But in Italian, \u201Costinato\u201D literally means obstinate, and as a commentator has noted of Ng's composition for the play \",/*#__PURE__*/ _jsx(\"em\",{children:\"Turn By Turn We Turn \"}),\"(2011), the piece simply \u201Cbuilds and builds and builds.\u201D\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"His work in theatre is what Ng is most consistently recognised for. \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.inkpotreviews.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"The Flying Inkpot\"})})})}),\"\\xa0deemed his work an \u201Cunearthly\u201D, additional \u201Ccharacter\u201D on the stage. He has been nominated 12 times for the Best Sound Designer award at the \",/*#__PURE__*/ _jsx(\"em\",{children:\"Straits Times Life!\"}),\" Theatre Awards, won thrice, and in 2005, received an honourable mention for special achievement in sound. This year, he has been nominated twice in the same category. In a sense, what with the talent crunch in theatre, Ng is the sound equivalent of \",/*#__PURE__*/ _jsx(Link,{href:\"http://poskod.sg/Posts/2011/8/9/Lighting-the-Parade\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Mac Chan\"})})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Time signatures\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"But it is Ng\u2019s work as sonicbrat that bears closer listening. Abroad, he has been invited to Barcelona\u2019s Sonar Festival, represented Singapore at the 2008 Red Bull Music Academy, and been reviewed by \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Guardian\"}),\" and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.thewire.co.uk/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"The Wire\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:\".\"}),\" The latter\u2019s critic, Ken Hollings, wrote of sonicbrat\u2019s debut \",/*#__PURE__*/ _jsx(\"em\",{children:\"HI.A.TUS\"}),' (2007), \"[it] transforms the pauses of the day into a series of translucent dreams.\u201D']}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Indeed, the music of sonicbrat is an Instagram-ic portrait of time. His sepia-toned sounds, like those on his most fully realised release, \",/*#__PURE__*/ _jsx(\"em\",{children:\"silent audiographies\"}),\" (2009), are intensely personal \u2013 more so in their wordlessness. As opposed to his other work, Ng calls his sonicbrat output \u201Cmore innate expressions, much like a diary.\u201D\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Surprisingly, some of these meditatively moving creatures are created almost instantaneously, and \u2013 rather like Instagram \u2013 are immediately broadcast widely. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Wenchuan\"}),\" (2008), his benefit album for the Sichuan earthquake, was created within a day and, like most of his other albums, is available for free download with an optional donation.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"When asked why he releases nearly all of his work for nothing, Ng says, \u201CI always think my music is not good enough. And I know it's true.\u201D\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Admittedly, at its weakest, it recalls the painfully maudlin, wistful bits of Chinese pop. But at its best, these minimalist paeans slouch towards transcendence: they circle, crawl and coil back into themselves, glistening in sheer purity. Chiefly these moments occur when Ng experiments with far-out concepts (the karmic- and nature-themed \",/*#__PURE__*/ _jsx(\"em\",{children:\"hana\"}),\", 2011), length (the 24- and 31-minute improvisations of \",/*#__PURE__*/ _jsx(\"em\",{children:\"in and out of time\"}),\", 2010), and electronic instrumentation (2007-2008\u2019s\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"weaving\"}),\", 2007-2008).\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Recently, Ng has found himself revisiting the piano, in which he is classically trained, and which anchors his music. This summer \u2013 whenever that is \u2013 he releases \",/*#__PURE__*/ _jsx(\"em\",{children:\"stranger to my room\"}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.kitchen-label.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kitchen. Label\"})})}),\" (also the house of the dreamily excellent Aspidistrafly). It will be an album about \u201Cmy living within a space alone,\u201D Ng says, \u201Cthe familiarity and alienation of a stimuli \u2026 the narratives on aging walls, the architectural whispers.\u201D\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"That space of his would be Bukit Batok Central, where he has lived in a condominium for the last eight years. Within is a fully kitted home studio and an acoustic piano in the living room \u2013 Ng uses the entire house for recording (even the toilet). Until he was 25, Ng lived with his parents in the same neighbourhood, five minutes away. \u201CI seldom leave my home, unless for work,\u201D he says.\\xa0\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"sonicbrat\u2019s new album will (finally) be for sale. Ostensibly, his self-effacing comments are due to him seeing his back catalogue \u201Cas a process in exploring, learning and developing my art.\u201D But it is not difficult to hear in them a taking to heart of the rather deafening silence, at least locally, that has met his hushed work.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Perhaps Bukit Batok Central is as good a place as any other to start listening in.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"A brief history, not of house music\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"One portal into sonicbrat\u2019s \u201Caudiographies\u201D is space and place: start with where it was recorded, and go past where it is received.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"It begins in the bedroom, as many things do.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Bedroom music, that curious catch-all, broadly refers to music created outside of recording studios and the mainstream record industry. Instead, these sounds are crafted within the private, intimate spaces of the home. Meant to be heard within a parallel setting, bedroom music makes the artist-to-listener ratio a boiled-down 1:1.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"In its modern permutation, bedroom music emphasises the loner figure. Outsider artists like Atlas Sound (Deerhunter\u2019s Bradford Cox) and Jandek are thus lumped in this classification, but bedroom music also takes the inside out \u2013 the voyeurism of \\xd3lafur Arnalds\u2019 \",/*#__PURE__*/ _jsx(\"em\",{children:\"Living Room Songs\"}),\", for example, the anonymous RxRy and the found sounds of ambient musicians.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Squarepusher, the drum'n'bass multi-instrumentalist and another \u201Chome-studio visionary\u201D, told \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Wire\"}),\" of his \u201Capartness\u201D: \u201CI was brought up a \u2018Thatcher\u2019s child\u2019 \u2013 cult of the individual. You follow your own individual path ... It\u2019s quite Victorian in a way, you push yourself until you can\u2019t go any farther.\u201D\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The lineage of these mysterious, geeked-out individuals, who keep pushing on at home, can also be traced back to social venues for entertainment. The French composer Erik Satie, of the three \u201CGymnop\\xe9dies\u201D, is arguably the forefather of incidental music. Born in the sleepy seaside town of Honfleur, Satie is someone sonicbrat has been compared to, and admires. An eccentric by any definition, Satie moved to Paris in 1887 and soon found himself in the middle of the \",/*#__PURE__*/ _jsx(\"em\",{children:\"fin-de-si\\xe8cle\"}),\" Montmartre cabaret, as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Art and the Everyday: Popular Entertainment and the Circle of Erik Satie\"}),\" (1991) documents.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u201CFurniture music\u201D (in French, \u201C\",/*#__PURE__*/ _jsx(\"em\",{children:\"musique d\u2019ameublement\"}),\"\u201D) is Satie\u2019s prime contribution to music of the domestic sphere. Formulated in 1920, it remains \u2013 naturally \u2013 shrouded in mystery. According to an eyewitness account, Satie premiered \",/*#__PURE__*/ _jsx(\"em\",{children:\"Furniture Music \"}),\"during the intermission of a play and music concert. The programme notes warned the audience \u201Cnot to pay any more attention to the ritornellos [recurrent musical section] [of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Furniture Music\"}),\"] \u2026 than to the candelabra, the seats, or the balcony.\u201D But as soon as the intermission and music started, the audience rushed back to their seats. It was a failure.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"John Cage \u2013 responsible for the post-WWII revival of interest in Satie \u2013 considered the piece \u201CSatie\u2019s most far-reaching discovery, the concept of a music to which one did not have to listen\u201D, as he wrote in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Letters to Erik Satie\"}),\" (1978). Nowadays, we call that muzak.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It was Cage\u2019s successors, the avant-gardists of 1970s America, who brought the genre from music hall to concert stage. As John Adams recounted in 2008 to \",/*#__PURE__*/ _jsx(\"em\",{children:\"The New Yorker\"}),\", it was probably also in the 1970s when homemade music acquired a bad name. Adams began experimenting with \u201C\u2018guerrilla\u2019 electronics\u201D around the same time as composers David Tudor and Cage himself:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"On a typical day, I\u2019d spend the morning talking to a class of glazed-eyed graduate students about Beethoven \u2026 the afternoon rehearsing the school orchestra in \u2018Petrushka\u2019 \u2026 and the evening huddled in my office with a soldering iron, my desktop covered with resistors, capacitors, wires, and circuit-board chips.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Adams invented the Studebaker, a synthesiser that came with a crude sampling device. He also staged concerts consisting of a \u201Cwailing soprano saxophone\u201D, amped-up vocalists \u201Cchanting fragments of Tantric poetry and excerpts from \u2026 a book of symbolic logic\u201D.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Thankfully or not, bedroom music moved to the clubs. Now branded \u201Celectronica\u201D, artists like Aphex Twin, Coldcut, and Autechre were reacting to the perceived limitations of dance culture. Instead, they drew on varied strands of music like ambient and jazz. As Sean Cooper writes in \",/*#__PURE__*/ _jsx(Link,{href:\"http://allmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"AllMusic\"})})})}),\", these artists were often relegated to the back rooms of nightclubs (literally), where stranger things went on.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"An encapsulation of the style can be found on Warp Records\u2019 \",/*#__PURE__*/ _jsx(\"em\",{children:\"Artificial Intelligence\"}),\" series. As these artists found their way first to the dance floor, then to arenas, the Warp series also signalled a retreat back home. The first volume of \",/*#__PURE__*/ _jsx(\"em\",{children:\"AI\"}),\" (1992), subtitled \u201CElectronic listening music\u201D, had its cover graced by an android, lounging before a hi-fi system at home, joint in hand.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"While there was, of course, no funny stuff happening in Singapore, pioneers like Jason Tan of Eastward Audio were already home producing by the pre-digital age of 1981. As Tan told \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.qilinmusic.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Qilin Music\"})})}),\", he, like Adams, began by fashioning his own gear:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"The pre-computer era was a very expensive period \u2026 the first synth I bought was a Sequential Circuits Pro One. There was no patch memory or sequence memory on board, so every time you power down, everything will be wiped off ... To make a song I would spend hours sequencing just a few 8-bar patterns. Storing the data on cassette tapes and praying a lot ... [Regardless,] the analogue synth era was a great period ... Tapes and cables were also my best friends.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Braver, newer technology like Fruity Loops, Cakewalk, and Garageband, opened up yet another world. By allowing the virtual recreation of analogue equipment at home, such software let musicians record \u2013 and later, with the wonders of the World Wide Web \u2013 release their noodlings affordably. Tan made the analogue-to-digital switch, while sonicbrat fused electro with acoustic. Meanwhile, a fresh generation of producers like \",/*#__PURE__*/ _jsx(Link,{href:\"http://muonmagick.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Muon\"})})}),\" and \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/elintseeker\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"elintseeker\"})})}),\"emerged, byte by byte.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"More importantly, the Web opened ears. It seems almost quaint now to recollect the days when local DJs guarded their vinyl collection jealously, going to the extent of snapping up all the copies at HMV, and even scrawling out the artist information with marker pens.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Ng himself sees \u201Ctwo sides to progress.\u201D \u201CWe have to draw the line between accessibility and capability ... Having the accessibility doesn't equate to capability. There can be more bedroom musicians, but not necessarily better musicians.\u201D\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"And what of the human, flesh and blood spark? \u201C[T]he Internet was one of the main ways that so many people found out about dubstep so quickly,\u201D producer Skream recounted to \",/*#__PURE__*/ _jsx(Link,{href:\"http://thequietus.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"The Quietus\"})})})}),\". \u201C[But] there wouldn\u2019t have been a \",/*#__PURE__*/ _jsx(\"em\",{children:\"click\"}),\" almost, without that shop [Croydon\u2019s Big Apple] \u2013 you kind of needed that family vibe to do it.\u201D Even Satie, the celibate recluse, was in his earlier days a relentless collaborator with Cocteau, Debussy and the \u2018Les Six\u2019 collective.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"sonicbrat, the moniker, was also born offline and outside, during a \u201Csilly episode.\u201D Around 2002, Ng was headed for his first solo sound art performance and needed a name. He found himself at the now demolished \",/*#__PURE__*/ _jsx(\"em\",{children:\"kopitiam\"}),\" by the Substation and the old National Library, and \u201Cover a chitchat,\u201D christened himself.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"That kind of room for randomness, and maybe even some rebellion, feels like it\u2019s closing in. As artist Debbie Ding commented on \",/*#__PURE__*/ _jsx(Link,{href:\"http://documentations.blogspot.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"documentations\"})})})}),\", \u201C\u2018meeting spots\u2019 have gotten fewer and fewer ... These days I don't know where to go.\u201D\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Inventing the bedroom\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"So, in a country with the third highest population density (Population Reference Bureau, 2011), we return to our bedrooms. Bedrooms themselves were never a given. They were luxuries in shophouses and \",/*#__PURE__*/ _jsx(\"em\",{children:\"kampongs\"}),\", in the same way they were in the Victorian era \u2013 apparently in 1839, the average house in the UK had 10 people living in it, with boys and girls sharing rooms. And rooms with a view came with a tax.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"With money, bedrooms changed. With more money, bedrooms are changing. As anyone who has spotted an acquired then abandoned HDB flat at Holland Village, Tanjong Pagar, Queenstown or Rochor Centre can attest, it is slightly unsettling to know that a home\u2019s 99-year lease can be prematurely converted into a death certificate too.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u201CI have fond memories of my younger days,\u201D Ng says of Bukit Batok, \u201Cof the already overdeveloped park, the basketball court I played at that no longer exists, and my walks to Street 11 for piano lessons that I used to hate but grew to love.\u201D\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"What, then, is there to be said about music that is born out of being alone in nowhere important, if even those places start ticking down the moment they are launched? Like a Metabolist dream, sonicbrat\u2019s decayed notes, perhaps, offer an answer in kind.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\u201COrh\u201D\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Bedroom communities are also known as commuter towns. Nobody does anything but sleep in these Lands of Nod \\xa0\u2013 work is a transit ride away, the bright lights of the city can\u2019t even be seen to beckon. The heartlands, they are also called.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Xhin, the Singaporean producer who is signed to the Berlin-based \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.stroboscopicartefacts.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Stroboscopic Artefacts\"})})}),\", was asked in a \",/*#__PURE__*/ _jsx(Link,{href:\"http://neontapedeck.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"neontapedeck\"})})})}),\" interview of his homeland. There\u2019s nothing \u201Cspecial about being home or separating myself from the others,\u201D he said, \u201Cit\u2019s not really necessary to be in places where all things music are happening \u2026 it is always good to get away from the present hype for a while\u201D.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Ah Leong, the protagonist of Philip Jeyaretnam\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"First Loves \"}),\"(1987), offers another imagining. With his Singapore having \u201Cbeen flattened for land reclamation, the hills dumped in the sea\u201D, Ah Leong is given the space to create \u201Cvertical\u201D and \u201Chorizontal communities\u201D. Surveying the evening scene by his window, Ah Leong, Jeyaretnam writes:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"felt a special affinity for all those who dwelt on the tenth floor. They ought to form a community, bound together by their horizontal ties \u2026 But how could this be so when no one else recognised this shared experience? \u2026 Everywhere one walked one heard the same noises: babies, onions frying in oil, quarrelling\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"As I was typing this to sonicbrat, my mother entered the room and asked: \u201CWhat is this music?\u201D\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u201CAmbient,\u201D I said as a shorthand. \u201CYou hear the crickets chirping, the birds making noise.\u201D\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"She looked blankly at me, as if to ask if that was to be considered music.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u201CThe stuff around us that no one hears,\u201D I tried again, paraphrasing Margaret Leng Tan in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Singapore Gaga\"}),\" (2005). \u201COrh,\u201D she replied, \u201CNice.\u201D\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"She left. I looked out of the window \u2013 single yet interconnected in the computer's warm glow, in privacy yet pigeonholed \u2013 and imagined another bedroom.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/poskod-sg/sets/soundscaping-the-bedroom-by\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SOUNDSCAPING: The Bedroom by sonicbrat\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/poskod-sg\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"POSKOD.SG\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/media/set/?set=a.10150247064482271.320844.670837270&type=3\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Portraits as Archaeology\"})})}),/*#__PURE__*/ _jsx(\"em\",{children:\", a work in progress, locates a spectrum of Singaporeans upon their natural environments and artifacts. By projecting formal portraits onto defining spaces of his subjects, photographer \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.thepond.com.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tan Ngiap Heng\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:\" aims to change the traditional relationship of sitter and space in environmental portraiture. 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Coming after the success of previous singles and remixes since 2009, his debut album, \u0192IN, was officially released earlier this month. Talabot\u2019s deeply emotive sound stems from a mixture of influences, straddling (and skillfully broadening) the horizons of house, disco and synth-pop music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The tracks on \u0192IN feature steady, deep jungle beats accompanied by rising chords or upbeat melody, striking a perfect balance between light and darkness. The entire experience can be generally curiously uplifting, but it would be important to note, however, that Talabot does not think of his music as particularly happy, as he mentioned in an\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.xlr8r.com/features/2011/11/five-minutes-john-talabot-rbma\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"interview\"})})}),\". Indeed, you do get a stronger feel of this darkness after riding out the first few rounds of listening.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Depak Ine\"}),\", the first track on the album, sets the mood with a hint of balaeric that is transformed by undertones of melancholy and jungle beats that march along with the rest of the album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Destiny\\xa0\"}),\"is proving to be a favourite amongst listeners so far, with its calm layering of vocal samples weaving in-between chimes and a looped chord progression.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/edpmv-vincent/john-talabot-journeys-feat\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The first four tracks build a relatively intense atmosphere, culminating in the eerie, slow-mo climb that is \",/*#__PURE__*/ _jsx(\"em\",{children:\"Oro y Sangre\"}),\", punctuated by shrill screams. All this comes before a sudden burst of positivity in the form of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Journeys\"}),\", which is sure to appeal to indie/dream-pop fans.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://soundcloud.com/john-talabot/so-will-be-now-feat-pional\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"When The Past Was Present\"}),\"\\xa0is another highlight of the album, with its rolling jungle rhythm and soaring synths, and perfectly-matched vocal sample.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"So Will Be Now\u2026 (feat. 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Pional\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.perm-vac.com/products-page/whats-new/john-talabot3/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.perm-vac.com/products-page/whats-new/john-talabot3/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/johntalabot\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.myspace.com/johntalabot\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"https://twitter.com/johntalabot\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"https://twitter.com/johntalabot\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-john-talabot-fin\"},{hz3sj3gFn:\"2012-02-25T00:00:00.000Z\",id:\"N1P45kgxx\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/MGy2sqWsJmdSSSciagQHSTZccrs.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/MGy2sqWsJmdSSSciagQHSTZccrs.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/MGy2sqWsJmdSSSciagQHSTZccrs.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/MGy2sqWsJmdSSSciagQHSTZccrs.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: VFX\",lZ2WhlLX5:\"25 FEBRUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The strings of life. 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In this respect, props to the folks at \",/*#__PURE__*/ _jsx(Link,{href:\"http://sonar.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sonar.sg\"})})}),\", I love what they\u2019re doing!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Where do you usually discover new music?\"}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Music blogs, friends' recommendations, testing new releases\\u2028\\u2028\\u2028\\u2028.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Name a dream collaboration between any two acts in electronic music that you wish would happen in real life.\"}),\" \\u2028\\u2028Flying Lotus and Mount Kimbie \u2013 transatlantic!\\u2028\\u2028\\u2028\\u2028\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What are you excited to see in the local and/or international music scene this year?\"}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"I can't wait for SBTRKT at Home Club this month! There's also The People's Party! and Laneway Festival to look forward to. I'm also really excited for The Pocket Magik (such a talented duo!) and the upcoming release of their debut album.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you at the upcoming Midnight Shift event?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Honestly, I\u2019m hoping to surprise myself too!\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/288482327882588/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"View event details on Midnight Shift x Zouk 02: Future Bound here.\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-vfx\"},{hz3sj3gFn:\"2012-02-24T00:00:00.000Z\",id:\"c4Eja5G6w\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/NgSehUjDcm0eLklnE5eLNh3tA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/NgSehUjDcm0eLklnE5eLNh3tA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/NgSehUjDcm0eLklnE5eLNh3tA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/NgSehUjDcm0eLklnE5eLNh3tA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"RED BULL MUSIC ACADEMY INFO SESSION 2012\",lZ2WhlLX5:\"24 FEBRUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The annual Red Bull Music Academy (RBMA) is back and accepting applications now for New York. Find out how you can get your way there at the Info Session this evening 24 Feb at Wine Bar, Zouk from Singapore's own past participants interviewed here, plus a talk by Midnight Shift's mystery guest on the art of sampling.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"With alumni ranging from Flying Lotus to TOKiMONSTA, Nina Kraviz to Mr Hudson and Aloe Blaac, and just \\xa0to name a few, the Red Bull Music Academy (RBMA) has become a force to be reckoned with in the music industry. Not only have they unearthed and put to the forefront many of the music world's talents, the team is also behind numerous momental music collaborations and shows, such as the ArRange performance in Seattle, putting artists such as Underground Resistance, Oh No, Claire Fisher and Deodato on the same stage, to Culture Clash - facing off London's best-loved sound systems such as Goldie, Commix, Trojan System and Roots Manuva. Adding to the rich tapestry that is music, the RBMA is always one to watch.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"This year, the travelling workshop hits up New York and applications are open from now till 2 April 2012. A special Info Serssion at Wine Bar, Zouk on 24 Feb 2012 will Singapore's past participants \\xa0as well as Midnight Shift's international mystery guest, who will be sharing on the highly controversial art of sampling. To register a seat, please email \",/*#__PURE__*/ _jsx(\"strong\",{children:\"workshop@mnshift.com\"}),\" or view the \",/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/386141068078941/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"event page\"})})}),\" for more details.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"For a taster of what you can expect, we interviewed our island's past participants on their favourite moments and experience of being at the academy.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.redbullmusicacademy.com/people/cherry-chan\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cherry Chan (London, 2010)\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite lecture and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"All the lectures were inspiring. \\xa0It's really hard to choose a favourite. \\xa0For me personally, it's a tie between Aba Shanti-i and Cluster. Aba Shanti-I was sharing about soundsystems, the whole idea of analogue sounds, the history of roots and dub, custom dials and engineering sounds. I'll never forget what he said about at the end of the day you can have the best song or sounds but you'll need a good mix or it won't quite work and his approach to music is so spiritual. For Cluster, \\xa0they are like this German experimental group who has influenced the development of contemporary electronic and ambient music, from start to end, they were pushing the avant-garde front for so long all the way from the early 70s to 2010. I want to be like them when I grow old, pushing and sharing.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A distinctive RBMA moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It's not really about a distinctive moment for me but the beautiful friendships made at RBMA, the pure musical energy and passionate spirit of everyone. It's super infectious and inspiring, I felt like being engulfed in an magical heavenly orb.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Message to the family?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"This is my message --------->> \\xa0\\xa0\\xa0\\\\(^_^)/ \\xa0 \\xa0you!!!\",/*#__PURE__*/ _jsx(\"br\",{}),\"P/S : London Term 2 - I have the photos of all you nutters' exploding faces, yes including Todd's.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.redbullmusicacademy.com/people/sonicbrat\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Darren Ng (Barcelona, 2008)\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite lecture and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Mine would have to be Christian Fennesz. He's one of my music heroes and it was a pleasure and honour to meet him in person and to experience the musical journey he shared. It doesn't happen everyday.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A distinctive RBMA moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I think I have two takes on this question. First, I think it would be the overwhelming feeling of being present with a group of very talented and creative musicians. To peek into how they make music (in their distinctive genres) really opened up my eyes to more possibilities in my own works. Second would have to be playing at Sonar 2009 under RBMA. I never knew crowds could bob head to experimental music and ambient pieces. It was a very rewarding moment.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Message to the family?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I am proud and honoured to be in this family, with much gratitude.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.redbullmusicacademy.com/people/aresha\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Aresha G.K (Toronto, 2007)\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite lecture and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It's a tough one because I enjoyed all of them due to how varied they were. And to be honest the tutors were the ones who were the most inspiring because they'd fix your head. But I think I took the most away from:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"1) Theo Parrish. Because he talked about how he made a tune called stomp your feet with this thump of a wooden block against the floor. 2) Jazzy Jay talking about how music was made in the foundations of Zulu Nation, with tapes and effects were created with playing music and re-recording it over how it sounded against metal sheets...\\xa0 Music meant, felt and went so much further when it had rawness.\\xa0So I came out of it wishing I was born 50 years ago.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A distinctive RBMA moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It's a strange one. I think it would the point I realised that it's not about sticking within the perimeters of 'scenes'. Realising that a lot of times you end up trying to create and be this thing that defines everyone else, but you. And that I wasn't crazy to think that it's absolutely fine to wake up one day and say 'I want to make a song out this mouse squeak because hearing it made me happy...' as opposed to I want to sound like Skrillex and tour the world.\\xa0\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Message to the family?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"HOLLA! Wish there was a reunion camp. So many interesting people from so many places.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.redbullmusicacademy.com/people/sweetalker\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Vijay Singh (Melbourne, 2006)\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite lecture and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Mizzell Brothers being interviewed by Benji B was a real highlight mostly because of the fact that they've created some of the greatest music ever with some of the most outstanding soul and funk artists. Sharing their non-conformist, non-linear approach to producing and engineering re-inforced the idea that music should be free and unknown in its form and structure from creation stage.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A distinctive RBMA moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Playing out at a bar in Melbourne and crossing genres of music like no tomorrow, with the crowd lapping up the sounds of every different genre. People were shaking down on the floor and showing much love and appreciation. One of my best gigs ever as a DJ.\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Message to the family?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"On and on.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.redbullmusicacademy.com/people/debbie-chia\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Debbie Chia (Seattle, 2005)\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Favourite lecture and why?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Wow so hard to choose. Most probably Kerri Chandler because his love for music just grabbed me straightaway. It was also a very warm interview and thoroughly heartfelt. Of course, I still haven't gotten over my shock of the Underground Resistance one.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A distinctive RBMA moment?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Impromptu basement parties at the Ace Hotel. I actually went without sleep for 2 days straight (possibly more) simply because I was so excited the entire time and didn't want to miss a thing, big or small.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Message to the family?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Been a pleasure to know each and everyone of you guys and I look forward to the day our paths cross again!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Red Bull Music Academy Info Session 2012\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"with Midnight Shift\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Fri 24 Feb 2012\",/*#__PURE__*/ _jsx(\"br\",{}),\"Wine Bar, Zouk\",/*#__PURE__*/ _jsx(\"br\",{}),\"6.30pm - 8.30pm\",/*#__PURE__*/ _jsx(\"br\",{}),\"RSVP: workshop@mnshift.com\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"red-bull-music-academy-info-session-2012\"},{hz3sj3gFn:\"2012-02-21T00:00:00.000Z\",id:\"t1fY2qzgD\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/iEfn9qj2soZ8mpe0OWN0lsUeM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/iEfn9qj2soZ8mpe0OWN0lsUeM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/iEfn9qj2soZ8mpe0OWN0lsUeM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/iEfn9qj2soZ8mpe0OWN0lsUeM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: FEBRUARY\",lZ2WhlLX5:\"21 FEBRUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"It's a Fabuary with the JUICE team dishing out this month's must-hear music from Jacques Greene, Burial, Lapulux, Jam City and Battles. To be listened in order.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Jacques Greene feat. Koreless \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Arrow\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Two buzzy young producers with reputations for bouncy bass and r&b heavy tracks team-up to make a meandering song with none of their hallmarks. Refreshing!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" A gently engrossing, nine-minute piece with Greene on the dials and Koreless on piano. The highlight of Greene\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"Concealer\"}),\" EP.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Rap fans may know Greene simply as the guy being barked at by Azealia Banks in the \",/*#__PURE__*/ _jsx(\"em\",{children:\"212\"}),\"\\xa0video, but to EDM fans, he\u2019s already kind of a big deal. The same can be said for Scottish prospect Koreless. Both are poised for big things.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Burial \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kindred\"})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=wC16FJTI6XM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=pantsag\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" NEW BURIAL! OMG IT\u2019S THE NEW BURIAL! AHHH!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Given his name it\u2019s fitting for this title track to sound so funereal but underneath the ghostly garage beats, there\u2019s something very sinister rumbling.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"Every Burial release seems to turn jaded, cynical music critics into giggly, hyperbolic schoolgirls and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Kindred\"}),\" will likely have the same effect. The thing is though, the praise is entirely deserved.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Lapalux \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Gutter Glitter\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=BSaiJYJlWtg\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" UK producer Lapalux is set to introduce himself with his \",/*#__PURE__*/ _jsx(\"em\",{children:\"When You're Gone\"}),\" EP and wahey, it\u2019s backed Flying Lotus' Brainfeeder label!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like: \"}),\"With countless layers and a hip hop vibe, it certainly sounds like Brainfeeder but Lapalux brings some of that British futuristic funk with him. Kinda like what if HudMo produced a James Blake track.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"We\u2019ll admit that the Essex beatsmith is a mystery to us as well, but\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),\"much like the guy above, he lets his music do all the talking. And when his music is this good, that\u2019s all it takes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Jam City \u2013 \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The Courts\",/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"https://vimeo.com/36447595?embedded=true&source=vimeo_logo&owner=10308802\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/36447595\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Jam City - The Courts\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/user10308802\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"night slugs\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" The Night Slugs member first caught our ear with his brilliant \",/*#__PURE__*/ _jsx(\"em\",{children:\"Waterworx\"}),\" and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Magic Drops\"}),\" EPs but now Jam City has a debut LP forthcoming, and we\u2019re giddy with excitement!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Ghetto and grimy and just absurdly massive. It\u2019s minimal and doesn\u2019t try to be too precious, but what it does do is get you bouncing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"The latest Londoner to make a splash in the bass pool and this 12\u201D release is only a precursor to his highly anticipated \",/*#__PURE__*/ _jsx(\"em\",{children:\"Classical Curves\"}),\" full-length. We haven\u2019t heard it but if this is any indication, how can it not be amazing?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Battles: \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"White Electric (Shabazz Palaces Remix)\",/*#__PURE__*/ _jsx(\"br\",{})]})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=bBT27fRsQGg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TomArmstrong7\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz: \"}),\"Battles is following up their Tyondai-less 2011 opus \",/*#__PURE__*/ _jsx(\"em\",{children:\"Gloss Drop\"}),\" with a four-part remix series called \",/*#__PURE__*/ _jsx(\"em\",{children:\"Drop Gloss\"}),\". The first one featured the likes of Gui Boratto and The Field, and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Drop Gloss 2\"}),\" is set to showcase remixes from names like Shabazz Palaces.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like: \"}),\"Besides adding a shifty new dimension to the beat, Shabazz Palaces also drops a couple of dope verses. Perfection.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"Just one of the many great reworks within \",/*#__PURE__*/ _jsx(\"em\",{children:\"Gloss Drop 2\"}),\". We bet you\u2019ll be just as stunned when you pick up the EP and check out similarly great remixes of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Futura\"}),\" by The Alchemist and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Africastle\"}),\" by Kode9.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-february\"},{hz3sj3gFn:\"2012-02-19T00:00:00.000Z\",id:\"R7SGSAUzd\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Xx9lsiVTUbQ2iPVBuYgk5oxHlM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Xx9lsiVTUbQ2iPVBuYgk5oxHlM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Xx9lsiVTUbQ2iPVBuYgk5oxHlM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Xx9lsiVTUbQ2iPVBuYgk5oxHlM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: DJB + BRENDON P\",lZ2WhlLX5:\"19 FEBRUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"There are few things that can beat knowledge and experience; and you can count on this veteran duo to deliver a sound education on the dancefloor. djB and Brendon P do a special reprise of their Houseysouldoingz outfit from back in the day at Future Bound on 25 Feb 2012 at their common playground, Zouk.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"djB\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Zouk resident djB holds down the house fort, having fed waves after waves of club punters with his brand of big room, tribally, techy and afro-rithmmms. Spotted by luminaries such as DJ Gregory and Martin Solveig, expect a different side of 'Zouk's favourite resident DJ' (Zouk 19th Anniversary poll, 2010) come this Saturday.\",/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=jyqJ4o63egs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=Weluvhouse\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Describe your sound and how it has evolved over the span of your DJ career.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Honestly, nothing much has changed. I keep an open mind to music and as a resident DJ, our job is to entertain (80%) but at the same thing, try introducing newer music to the punters. That will never change.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"This year, you're starting your own label, F1rstrecords/O4M, with Spanish DJ/Producer Danny Marquez. How is that going?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well, we released \",/*#__PURE__*/ _jsx(\"em\",{children:\"Bust the Beats\"}),\", our first release on 04M and received massive support from Dada life, Bob Sinclar etc. Dada life has signed it to a compilation they are doing for Tiesto's Musical Freedom label. We have more stuff lining up this year for F1rst. I also just finished a huge vocal tracks with Danny Marquez, which will be out for WMC.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Describe one of your most memorable gigs so far.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I think all the gigs are special in their own ways. Some are good for their vibe while others are learning experiences you earned. So it is hard to pin down the most memorable gigs. But in Asia, I love to play Japan and Seoul. They have the best crowd.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are you excited to see in the local and/or international music scene this year?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"While the entire world embarks into the more easy poppy electro house, it will be interesting to see how the underground scene will try to win the race (LOL).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"If there's one thing you want to be remembered for in the music industry, what would that be?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Everybody is a BITCH!, everybody is constantly bitching about each other or how crap the scene is, how commercial this/that DJ is, how bad the crowd is blah blah blah...come on guys...less hate more love.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's in your current top 10?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Andhim - 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Come Back Raw\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f410cb1471d4d00010000ec/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f410cb1471d4d00010000ec/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Vito & Danito - Lady Diana\",/*#__PURE__*/ _jsx(\"br\",{}),\"Robytek Shield - Way of Life\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f410cb1471d4d00010000ee/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f410cb1471d4d00010000ee/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Bazar - Hard To Find (Maceo Plex Funk Drop)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f410cb1471d4d00010000ef/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Vaggio - Dont You Want Some More\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f410cb1471d4d00010000f0/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f410cb1471d4d00010000f0/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"MANDY & Adultnapper - 201(Jona Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f410cb1471d4d00010000f1/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f410cb1471d4d00010000f1/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"MK - Burning (RoundTable Knights mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Sebastian Leger - Packbo\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What upcoming music releases are you looking forward to?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My very own release with Danny Marquez forthcoming in March.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Could you share some links to discover good, new music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"YouTube and all the music related sites like \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.inthemix.com.au/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"inthemix\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.dmcworld.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"DMC\"})})}),\" are good sources.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who, what or where do you draw inspiration from?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I draw inspiration from everybody, from the punters to the DJs. It is hard to name someone in particular because you might be inspired by him this time around but not anymore in the future....so.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you at the upcoming Midnight Shift event?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I will be playing a different set as compared to the accessible banging stuff I play over in Zouk main room.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Coming soon...\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djbsingapore\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/djbsingapore\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/zoukdjb%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.myspace.com/zoukdjb\\xa0\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"BRENDON P\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Industry veteran and former Zouk resident of 8 years, Brendon P sets span generations, continents, trend and time having been schooled by the sounds of Paradise Garage, Funhouse, Dancetaria and Area. Be sure to check out the man's crazy and copious treasure trove of edits in his soundcloud links. Tip.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Describe a typical day in your life.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well, the day usually starts off with the usual \u2013 breakfast first (unless I've been DJing the night before). Oh, and lots of coffee. Then a quick check on my e-mails and soundcloud mail, and of course, the usual check up on Facebook to see if anyone's gotten in touch. Then it's usually working on new tracks or edits (and more coffee) before I rush off to my student schedule and, eventually, dinner and some quality time with the family if the clock permits. Once all that's done, it'll be checking the net for new music or artists/DJs that I'd like to keep track on.\\xa0 Did I just skip through lunch? Ouch!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us about your musical journey and how it has evolved till today.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Wow, that's a long one, and to cut it short, since the age of 4, and in (almost chronological order) contemporary jazz, big band jazz, rock n roll, country, psychedelic rock, heavy metal, funk, soul, disco, rhythm and blues, jazz funk, blues, late 70's and early 80's electronica and electro-pop, punk and indie, house, acid house, techno, hip-hop, new-jack-swing, mad-chester brit-pop, grunge, trip-hop, acid-jazz, latin-american, afro-beat, reggae, jungle, nu jazz, deep-house, tech-house, nu disco...it's kinda went like that I suppose. I keep finding new things to get excited about everyday, except for most current top 40 pop music and that dirty dutch thing though, most of that shit is awful. However, I did like the Adele album though, and Mayer Hawthorne (if you could call him a 'pop' artist', he's much much more... actually), he's sizzling!)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Do you have any tips on where to start hunting for good music, or any useful links?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Think it was easier when we had good record shops around, it was easier to check the import section or 12 inch section and find loads of new interesting music and meet loads of interesting new people, not necessarily all DJs. Magazines were also a big part for me in discovering new musi\",/*#__PURE__*/ _jsx(\"strong\",{children:\"c \"}),\"as well. I suppose, one could start with Resident Advisor. As an entry level online magazine, it's informative and hyperlinks you to lots of other interesting sites to gather more information on the artists, DJs and their music. There's a book called 'Last Night A DJ Saved My Life' by Frank Broughton and Bill Brewster which, apart from being a comprehensive history lesson, lists a lot of the big records that were played back in the day at clubs like the Funhouse, Paradise Garage, Dancetaria, Warehouse, Wigan Casino etc. That might be a good list to take you back and see how diverse the music programming was back then. Then try good online stores and hunt those tunes down, places like Juno, Piccadilly, Phonica, Traxsource and What People Play always stock good music and represses of the older stuff too, in both vinyl and digital formats.\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),\"Also, Soundcloud for heaps of good edits, new tracks and reworks. 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Takis - Go Past [Get Physical Music]\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f410c12471d4d000100003a/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f410c12471d4d000100003a/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Robytech - Way Of Life [Cadenza]\",/*#__PURE__*/ _jsx(\"br\",{}),\"Matthew Kyle & Cutec - Momentum (Brendon P's Love In Motion Dub) [Audio Parallax]\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Having been a resident DJ at Zouk for 8 years, could you share some of your most memorable moments in the local music scene?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well Zouk going global was one great moment, even before I became a resident. There were people around the world who couldn't place Singapore on a world map, but knew that Zouk was a club in Singapore. And even before all that happened, when it was all mostly all local, before the whole 'foreign explosion', There was/is lots to be proud of locally; Zircon Lounge, The Oddfellows, The Heritage, The Observatory, Chuando & Frey shooting the cover and promotional pictures for Janet Jackson's album \\\"Discipline\\\". Such a depth of local talent this country has that's sadly being ignored locally, but gaining a small but loyal global following. Syndicate's invitation to showcase their talent at the Worldwide Fest in Sete last year was another recent 'local' moment. And it's nice to see Xhin doing really well globally too. As, for myself, most recently, getting booked to DJ in Cielo in New York in 2010 and in Preston and London in the UK last year, and being asked by Matthew Kyle from New York to remix his track 'Momentum', remind me that hard work and integrity can still pay off, even if no one here really notices. There's just too many good local moments to list, but it's always a proud moment for me when one of my industry peers gets a decent break, no matter how big or small.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Are there any individuals or collectives in the local music scene that got your attention recently?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I've never been one to be taken by collectives per se, save the few that are doing positive and important work. But there are a few very young and talented DJ's, especially Joshua Goh, whose ability, knowledge and taste surpass heaps of other young budding DJs of his age. Also other young budding DJs like Zhan Hui, Janvin and Rachel Tan who've got my attention recently. Basically because of their attention to quality and detail in their respective genres, and the way they stick up for it and have fun doing it too. I think if they all work hard and wisely enough, they can shape the future in a very positive sense.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"If there's one thing you want to be remembered for in the music industry, what would that be?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Apart from being a stickler for quality and good taste, someone who's always upheld and enjoyed the fun, integrity and simplicity of the industry.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What trends in dance music do you think are emerging this year, and what are your thoughts?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I see it going back to basics, but not in a minimal sense though. It's going back to grooves that used to get dancefloors dancing. Not jumping, like a heard of bloody crazed baboons... dancing (which means some of y'all should start taking proper dance lessons, yo!). People are going to start digging up those classic analogue sounds, basslines and keys and using them again. Not just the presets, real keys. It's already happening.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are some projects you are currently involved in?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well, there's tracks for the Midnight Shift album, and also a full EP project for Matthew Kyle's New York based Independent label \",/*#__PURE__*/ _jsx(\"em\",{children:\"In The Woods\"}),\", another two EP releases in the works and, there's a small tour of the US West Coast sometime in late May/early June. And then, there's my own artist album, which I've delayed in finishing for way too long.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you at the upcoming Midnight Shift event?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Expect a set of butt-shaking music, nothing too deep, just tasteful, fun, proper, funky, forward thinking house, techno and then some.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01. 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At 26, Kevin Lester is a rap artist, songwriter and producer and 1/9th of the band outfit Sixx out of the Singapura. Also known as the Lion City Boy, he has been garnering serious attention around the world and it's about time you did too.\\xa0Kevin Lester will be honourable man on the mic at Midnight Shift x Zouk 02: Future Bound on Sat 25 Feb.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Hey Kevin, big up! What's been going for you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"What up! I've been on the move in the Europe. It started of in Cannes, France for Midem 2012, a conference and festival featuring the best of the best. It was amazing to be a part of it. Mark Ronson, Joss Stone, Jazzy Jeff and some of the biggest labels and industry players were there searching for new music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/sixxmusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sixx\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"was part of a mini music contingent supported by MDA to rep the Singapore flag. Since then I've made my way down to London. Soaking in the good vibes and meeting up with tons of people who've been following Sixx or my personal stuff. Great energy here.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You've been travelling places, thoughts so far?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"In one day in London, in the very first meeting I sat down with a TLC and Snoop Dogg's producer and a major label. Singapore is missing that kind of influence or experience. We're still in our infancy but I believe with my travels I can inject some of the energy in to Singapore.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The type of support in Europe is really quite heart warming. If they enjoy your music, they'll hunt you down, make sure they find you online and get in touch. It becomes a great experience for both the musician and fan.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did you get started in the game?\",/*#__PURE__*/ _jsx(\"br\",{})]}),'It was about 7 years ago in a \"suspect\" club in the middle of the day. No air conditioning. It was stuffy but it was my one chance to prove what I\u2019ve been practicing all week could be put into good use. It was at an open mic called ',/*#__PURE__*/ _jsx(\"em\",{children:\"Platform\"}),\", there were no judges just people who would be my peers supporting the event.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If they liked your stuff, you'd get a call back for upcoming shows. Thankfully, I did get a call. Within a year I was up on stage with folks like Taufik Batisah and Triple Noize. My rise was blessed. I'm really very grateful for that.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:['Tell us about the Singapore or \"Lion City\" music scene from your perspective.',/*#__PURE__*/ _jsx(\"br\",{})]}),\"We've got a long way to go to be honest but it's definitely improving. There's more opportunities for musicians to prove themselves. Unfortunately because we are still only a scene, the support structure isn't in place yet. The consumers don't believe in the product so quickly and neither do the companies with money to support it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"We're on our way. We need to start from somewhere. It starts with Sixx.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe your sound?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Personally, my influence has always been with the lyrical guys like Lupe, Black Thought and even with the boys like J Cole but my sounds has matured I think. There's a blend of lyrical punchlines that I love and the story telling that I keep consistent in my raps.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What equipment do you use?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Any magic vocal device that gives me a chance to drop a few bars.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What gives you inspiration?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I try to be a sponge. Honestly, everything inspires me these days. Traveling inspires me. I've always wanted to have those sit outside a cafe moments and lay out your laptop to write. London gave me that opportunity. It's whatever that challenges me. I see kids working hard on their music and I\u2019ll double that in my head. I watch people paint and suddenly I go back trying to create that same visual aspect with my music. I'm hungry.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Rapper, producer and songwriter - could you describe your different music hats?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Of course as a rapper that's the Kevin that is most visible. The entertainer, the showman that the guy that loves to get the crowd rowdy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The producer and songwriter version of me is a bit more personal. There's so much thought into my production and writing that it could possibly drive me crazy but I love it. I love trying to reach perfection with my writing. You can double-check with any of my bandmates in Sixx. I re-write raps like nobody's business. It has to feel right.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"That is the most important to me. The only song that I've released as a production is Cartoons. With that track, I've had tons of plans with it...figuring out features but it never seemed to come to fruition because it never felt perfect. Once I left my job to pursue a full time career in music suddenly I could write 2 verses. It all came together naturally after.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Favourite musicians?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Michael Jackson, Black Thought, Kanye West, Musiq Soulchild, Pharrell, Common... the list could go on.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"A short rap?\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"em\",{children:\"Everybody thinks I'm just an ordinary guy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"em\",{children:[\"They think that I'm an alien because of my disguise\",/*#__PURE__*/ _jsx(\"br\",{}),\"Finding ways just to lead me off the plank to my demise\",/*#__PURE__*/ _jsx(\"br\",{}),\"I'm sick and tired debating my reason to survive\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's next for you and crew?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"We're taking over the world. That's it.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Any advice for aspiring musicians?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Persistence is key. Never think that people owe you an opportunity. We create our own.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://thelioncityboy.bandcamp.com/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://thelioncityboy.bandcamp.com/\\xa0\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://bedsty.com/thelioncityboy/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://bedsty.com/thelioncityboy/\"})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Go back to the Midnight Shift homepage here.\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"https://www.facebook.com/events/288482327882588/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"View event details on Midnight Shift x Zouk 02: Future Bound here.\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-kevin-lester\"},{hz3sj3gFn:\"2012-02-06T00:00:00.000Z\",id:\"MKSpgsoIh\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/cO9H4IgQl8uxPdoOj6Ky0DvQo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/cO9H4IgQl8uxPdoOj6Ky0DvQo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/cO9H4IgQl8uxPdoOj6Ky0DvQo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/cO9H4IgQl8uxPdoOj6Ky0DvQo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: DJ KFC\",lZ2WhlLX5:\"6 FEBRUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The local bar and lounge scene is ruled by the funk, soul brother sounds of DJ KFC (real initials), whose feel-good sets never fail to rouse both life and revelry. He graces us with the first set of the night at Midnight Shift x Zouk 02: Future Bound on 25 Feb 2012, plus a special preview mix recorded live at Overeasy that should get your mouth watering for more.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What is your day job, and how do you balance it with DJing?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'm a freelance graphic designer in the day. I work from home which makes time management a lot more flexible. The DJing bit happens mostly at night so it works out.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us about your musical journey and how it has evolved till today.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My elder brother has definitely been the biggest influence. He was into all kinds of genres and styles. From the late 70s all the way till the end of the 90s, he let rip all the rock, soul, funk, new wave, electronic, hip hop, R&B, indie and everything else in between. This was my music 101. Then came the trip hop, acid jazz period from the mid 90s onwards thanks to a friend from Melbourne. I also went into a major funk and soul phase during that time. Lots of BBE indulgence. In 2001, I caught a serious case of the vinyl bug. Started buying records before I even had a turntable to play them on. Lots of house, soul and funk wax in the box. Right now it's really varied because I play at bars and lounges mostly. Love the edits and remixes and the slo mo nu disco stuff.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Describe one of your most memorable gigs so far.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I love playing especially when my friends are on the floor. Those usually take the top spot for favourite gigs. If I had to choose, it'll have to be a seven hour, no toilet break, set for NYE 2010.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What gear do you use, and which is your favourite?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I use Serato now. With either CDJs or turntables. Depends on what the venue has. I do miss playing vinyls though. I do like the DJM900 mixer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What do you like or dislike about the local music scene?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"In terms of the club music scene\u2026enough of the cheesy commercial stuff. It can be quite disheartening and uninspiring for the DJs. There is so much good music out there and all you want is LMFAO? Shame shame! On the flipside, we have the local collectives and labels like the Pushin'On crew, Bedsty, Syndicate, Darker than Wax and MNS that are constantly striving to keep the music and parties fresh. Kudos to these fellas.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What's in your current top 10?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Of late, it's been music from:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Late Nite Tuff Guy, Tuomo, Todd Terje, Maceo Plex, Drive OST, Echo Park, EJECA, fLako, Julio Bashmore, Zimmer...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What upcoming music releases are you looking forward to?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Definitely looking out for Late Night Tuff Guy's Tuff Edits Volume 4.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What projects are you currently working on?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Project 'Sort My iTunes Out'. It's a real mess. It's been ongoing for three years now.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are you excited to see in the local and/or international music scene this year?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Locally, a new venue with good sound and forward thinking music would be nice. Keep it simple, keep it fresh. No need for them 'atas exclusive my bottle bigger than yours venues'. And please, enough of the top 40 cheese.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Internationally, Fuji Rock is definitely on the cards. Hoping The Stones Roses can 'tahan' being together long enough so I can watch them live.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect from you at the upcoming Midnight Shift event?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"'Cos it's the early set, probably some groovier nu disco stuff, possibly headed towards the deeper end as the night progresses. It really depends on the vibe and the floor that night.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. 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Scroll down to listen to his podcast for signs of a house revival in the horizon.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=uf6NRC3Slww&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=DJMag\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Was there a concept behind \"]}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Fundamentals\"})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"The concept was simply to bring all my influences together; influences from the 90's, not just melodic but, musical ideas and the imagery that I had experienced from my youth. How diverse clubbing was back then and all the different types of people that went clubbing then as well from different backgrounds. House music was the balance between the commercial and the underground. You had house records that made the chart that were relatively underground records to begin with. With all these experiences and ideas, I set out to make an album with musical sophistication, that also communicated my ideas clearly. It was also a sort of exorcism for me as a writer to just bring those ideas together and just do this. Unlike some of my older stuff, I wanted this to be a very happy album and a reflection of the best times that I had growing up.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/argyofficial/dinner-at-kerris\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How long did it take to finish?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"80% of it I did in one month, last summer. I like to finish a track very fast, so 90% of a track gets done in one day and I take ages with the last 10% deciding on what it needs and what it doesn't.\\xa0 I sampled a lot of my favourite 90's house records (but I'm not saying which...) and played a lot of the parts on my Nord Lead keyboard put through a series of tape and high frequency delays to get a dirtier 'phatter' sound.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Was it very difficult in deciding what was going to be on the album?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Not really. With this album everything just came about very naturally and organically, I think I was super clear about everything that was going to be on there, They all gelled together very beautifully like a family, cousins, brothers, you know, they were all relatives \u2013 they were supposed to be together.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Do you have a favourite track from the album, one that you feel stands out?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"If I had to pick one track from the album, I'd say somewhere between \",/*#__PURE__*/ _jsx(\"em\",{children:\"Party People\"}),\" and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Upon Ourselves\"}),\". \",/*#__PURE__*/ _jsx(\"em\",{children:\"Party People\"}),\", because of its simplicity; it was an idea that nobody went for and was obvious for me to do. It's a record that does what I wanted it to do. It's sort of like a magic loop that you could listen to all day. And \",/*#__PURE__*/ _jsx(\"em\",{children:\"Upon Ourselves\"}),\" because there were so many elements, textures, frequencies and colours that all fit into one song. The vocal from Bajka is beautifully stunning. And a year after I produced it, I still love it as a song. It's a maximal representation of beauty and I wouldn't change a thing about it. Jerome's influences on the remix comes through beautifully too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Were there any 'Easter Egg' moments within the album?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"No, not really. This wasn't a very personal album, it was a record for the people, nothing too self indulgent. It was supposed to be an easy way to communicate exactly what I wanted to with the people in the easiest possible way, so there aren't any inside stories or secrets or tricks - it's generally my thoughts and ideas, that's that really.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The album being released on Ibadan, did that mean a lot to you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well, yes, obviously from the heritage we all shared with it; from Vince Watson to Joe Claussell to Slam Mode, Jerome and Christine. These are people that I like and I love working with people who understand me and my ideas and those who mean a lot to me. I didn't usually feel that way when I was younger, but as I grow I realise how important that is.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did the relationship with Jerome and Ibadan come about?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I grew up with the label and played a lot of their records and Jerome was already playing a lot of my records, and when he moved to Berlin, he found me through Myspace, called me up and said let's hang out. I was the first person he met when he arrived here. We started hanging out, going to each other\u2019s studios and listening to each other\u2019s music and it all just clicked.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What was there a process to decide what went on the album?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Whatever sounded better and whatever made perfect sense.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Your views on sampling?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Oh I love it. I think it's a great thing to do. Just do it with consideration to the original artists\u2019 work and don't use too much of it. But if you do use a great deal of it get in touch with the artist and strike some kind of a deal where he or she gets a proper cut too. But with dance music, there's been so much going on already so I think people should relax a bit, and not over intellectualise about it. Dance music is meant to be for the clubs, for the dancers who go there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Did you start off as a producer or a DJ?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Producer definitely. I started out playing and listening to a lot of records when I was 14, writing music with very basic software. The DJ'ing part came almost right after.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=saVqdbK2kBQ&ab_channel=fatphilb\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Describe yourself as a DJ?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"When I DJ I really only play records that I really, really like. Doesn't matter if they're new or old \u2013 my record bag changes all the time. I don't believe in just playing the new records for the sake of just playing new music. I'll play records that I really love. And with that, I'll do my very best to give the people in front of me a great time. As a DJ I have a massive responsibility towards the people and the club \u2013 there are some people who've saved up to come to the club, pay the cover and watch me play and some who've been working hard all week and want to just dance and have a good time, so I try my level best to give them that.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Are there any records that never leave the box?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"There'll be my favourite Ibadan records like \",/*#__PURE__*/ _jsx(\"em\",{children:\"Jango\"}),\" or \",/*#__PURE__*/ _jsx(\"em\",{children:\"Jero\"}),\", lots of Proto-House stuff, some really old Todd Terry records that I've re-edited myself \u2013 I try to include a lot of records that still make sense today, not a lot of them have survived the test of time, some DJ Sprinkles stuff too. There some good tools there too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How would you describe your sound?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'd call it honest, sexy and functional. It doesn't run in static shapes, more like lots of curves.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What medium do you use when you're DJ'ing?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I usually use vinyl and CDs. I won't get into the whole vinyl versus MP3 thing. But I work on my computer most days of the week and I travel with my computer, so when I'm DJing it gives me a welcome break from my computer. I will get into the whole Traktor thing at some point, can't say when but, as busy as I've been, I just can't see myself digitising my entire record collection just yet.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us a little about your own label '\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/label/These+Days\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"These Days\"})})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"'.\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'd been doing a lot of music for a lot of big labels like Cocoon, Cadenza, and Poker Flat in the past, they're all great labels and all, but I needed a platform to express myself as well as put out music that I really liked that's not mine as well on my own terms and in my own way. There's also an aesthetic factor about the label from the covers to the labels themselves. I'm very inspired by Tony Wilson and Factory Records and his quirky and eccentric ideologies. I wanted the label to have a very indie feel as opposed to looking like another dance label. I suppose it's also an outlet for my own quirky and eccentric ideologies as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"DJing, producing, and running a label must keep you busy....\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Yes I am very busy because this is all I do really. At the end of the day you only have to be somewhere on the weekends only. I can choose the times when I need to be busy and times when I do absolutely nothing really. Sometimes I need to have days when I do nothing to be creative.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Any inspirations that fuel that creative process?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My inspiration is generally people who seek clarity and simplicity in their own work, not just in the field of music, but in art and general things. My heroes are people like Henry Moore, the English sculptor and artist, Bill Evans, the pianist, Mies van der Rohe, when it comes to architecture \u2013 all these people are masters of restraint. I feel that to arrive at simplicity, you need to build a whole wall of elements and then slowly take them apart and reach a point of perfection when you can't reduce anymore and have all the essential elements in place. It's not just about just placing a few elements around and call it simplicity, it's never easy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You currently reside in Berlin, do you think Berlin is where you'll be for the next few years to come?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Not really. I think I've been here for 4 years now and I'm on my way out I think. I think logically I'll move back to London because it's very multi-cultural. You meet lots of different people who are into very different things. It offers me a lot of variety, culturally and aesthetically, which is what I really dig. Also, having been in Berlin for 4 years, I think it's time I became vulnerable to new challenges and influences. When you stay in one place for too long you can develop the feeling of being very safe and not want to challenge yourself much.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What makes a good song?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"That's a really tough question to answer, but I suppose the first thing I'd like to hear from a song is honesty, which is sometimes debatable because you can't read or see into a writer or producer\u2019s mind and investigate the true intention behind the song. I generally just use my own perception to try and figure out the honesty behind it. That's one thing, I guess I define honesty in a record as one that is pure and wasn't just made in trend or for the producer to get laid, or just serves no artistic or musical purpose to the universe. There many records like that that exist. From my position, I believe that if you follow great producers and the records that they put out consistently, you just get it, you get honesty.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://soundcloud.com/argyofficial/indulgence\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Any future plans?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I suppose a new album, sometime, but it all gets so difficult to plan these days. Not like a decade ago when you could plan for a year ahead. I can't understand labels that have a release plan already for the whole year. Things change so fast now that a sound may not even be relevant in 6 months from now.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift Podcast 007: Argy\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Coming soon...\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"To download mixes, please go to\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://mnshift.official.fm/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"mnshift.official.fm\"})})}),\"/\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To subscribe to our podcasts on iTunes, please go to\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://itunes.apple.com/sg/podcast/midnight-shift-podcast/id464656004\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://itunes.apple.com/sg/podcast/midnight-shift-podcast/id464656004\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-argy\"},{hz3sj3gFn:\"2012-01-30T00:00:00.000Z\",id:\"Z6zWvDPgn\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/fXR6EL4mJD6iJB1VOJK2M35vltQ.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: D'MARC CANTU - FALLEN\",lZ2WhlLX5:\"30 JANUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"If you\u2019ve come across the term \u2018Jakbeat\u2019, you probably already know who D\u2019Marc Cantu is. One-half of techno/house duo 2AM/FM and member of acid techno trio X2, the DJ/producer\u2019s creations and contributions to the Jakbeat and acid-house scene since late 2000 have not gone unnoticed. For the uninitiated, Jakbeat is perhaps not easily defined, and encompasses an evolving assortment of sonic arrangement. Using both modern editing techniques and classic drum machines/synths to create his signature sound, D\u2019Marc Cantu released his debut album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Fallen\"}),\", on vinyl last month.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"From the beginning, the track \",/*#__PURE__*/ _jsx(\"em\",{children:\"Transmogrification\"}),\" sucks the listener into a swirling vortex of jacking rhythms, a tunnel of sound pulsing with gritty synths, solid beats, and deep vocals growling in the background.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Oh My\"}),\" is without a doubt the most interesting track of the album; thoroughly unpredictable and a bold display of what D\u2019Marc Cantu does to push the envelope when it comes to making music.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The darkness lifts a little with the following tracks \",/*#__PURE__*/ _jsx(\"em\",{children:\"A New Night\"}),\" and \",/*#__PURE__*/ _jsx(\"em\",{children:\"I Want To Ride\"}),\", which feel a little lighter. But before you get too comfortable, D\u2019Marc Cantu turns the power back up on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Shoot The Fish\"}),\".\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Say It And It\u2019s Time\"}),\", and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Evil Motion\"}),\" continue the final surge of sonic assault before you ride out the last track, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Fractal\"}),\", a perfectly delicate ending to the album. Whoa.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Fallen\"}),\"\\xa0is not for the faint-hearted \u2013 the album is a concentration of D\u2019Marc Cantu\u2019s adept ability to transform classic Chicago house, and a purposeful piece of work that commands attention by decidedly pushing boundaries. It seems to be challenging listeners \u2013 be it DJs, producers, or anyone else - \u201CThis is something different, now let\u2019s see what you can do with it.\u201D\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"\\u2028\\u2028Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01.Transmogrification\",/*#__PURE__*/ _jsx(\"br\",{}),\"02.Fallen\",/*#__PURE__*/ _jsx(\"br\",{}),\"03.The Power\",/*#__PURE__*/ _jsx(\"br\",{}),\"04.Stand Up\",/*#__PURE__*/ _jsx(\"br\",{}),\"05.Oh My\",/*#__PURE__*/ _jsx(\"br\",{}),\"06.A New Night\",/*#__PURE__*/ _jsx(\"br\",{}),\"07.I Want To Ride\",/*#__PURE__*/ _jsx(\"br\",{}),\"08.Shoot The Fish\",/*#__PURE__*/ _jsx(\"br\",{}),\"09.Say It and It\u2019s Time\",/*#__PURE__*/ _jsx(\"br\",{}),\"10.Evil Motion\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"11.Fractal\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"\\u2028\\u2028Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/fallen/1868872-02/%20%E2%80%A8%E2%80%A8\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/fallen/1868872-02/ \\u2028\\u2028\\u2028\\u2028\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/D%E2%80%99Marc+Cantu%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.discogs.com/artist/D\u2019Marc+Cantu\\xa0\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-d-marc-cantu-fallen\"},{hz3sj3gFn:\"2012-01-19T00:00:00.000Z\",id:\"vyIVwucXR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ZGzpv4YVB79cieFJCisjZSF1vkM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"INTER-REVIEW: OCTAVE ONE - REVISITED (HERE, THERE AND BEYOND)\",lZ2WhlLX5:\"19 JANUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The Burden brothers aka Octave One release an album of favourites remixed by their favourite producers. Brendon P reviews and interviews the beloved duo as we welcome in the year 2012 on the right note.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"REVIEW\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The letter 'L' and the phrase 'band of brothers' apply in every sense, to Octave One. Fronted primarily by Lenny and Lawrence Burden, and creatively added on by input from the other Burden brothers Lynell, Lome and Lance, it is totally safe to say that Octave One, in essence literally keeps it in the family. But that's as safely as you can put it really. Because, with regards to their musical career and output, there's nothing really 'safe' about it at all.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"https://vimeo.com/22600642?embedded=true&source=vimeo_logo&owner=6802827\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/22600642\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift 02: Octave One in May 2010, Singapore\"})})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/mnshift\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift\"})})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Vimeo\"})})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Arriving onto the electronic scene with \",/*#__PURE__*/ _jsx(\"em\",{children:\"I Believe\"}),\", on the monumental (10 Records) compilation \",/*#__PURE__*/ _jsx(\"em\",{children:\"Techno 2: The Next Generation\"}),\" (alongside Carl Craig, Marc Kinchen, and Jay Denham) in 1990, and with subsequent long players like \",/*#__PURE__*/ _jsx(\"em\",{children:\"The X Files\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Cymbolic\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Images From Above\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Living Key\"}),\" and the most recent \",/*#__PURE__*/ _jsx(\"em\",{children:\"Summers On Jupiter\"}),\" on their own 430 West imprint, coupled with a stunning body of work that includes releases on Transmat, Underground Resistance, Tresor, Tinted and Concept Music over the last 2 decades, Octave One have etched themselves lovingly in the hearts and minds (and feet) of many techno devotees the world over, not just as Octave One, but their other known alias, Random Noise Generation as well.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The release of their latest LP, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Revisited (Here, There and Beyond)\"}),\" on 430 West, looks back at their body of work over the last two decades with a present day twist. Mark my words, this is much more than just a 'greatest hits' compilation. Rather than just re-releasing a batch of seminal Burden Brothers classics, they've turned the tracks over to a variety of multi-talented remixers presenting you with a package that revisits their past, but doesn't dwell too heavily on nostalgia in any sense.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"This new spin kicks off with their very own Revisited Remix V2 take on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Dema\"}),\" - the original being a primal groove that represents the brothers definitive style (and genre) as a whole. The remix of this doesn't change the entire arrangement too much, but reworks it into a more driving, relentless update of the original.\\xa0 They follow up with their own reworking of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Meridian\"}),\" giving it a warmer, organic and almost 'housier' edge as compared to the experimental tinges of the pioneering original.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Sandwell District turns their virgin outing \",/*#__PURE__*/ _jsx(\"em\",{children:\"I Believe\"}),\" into a darker post-modern techno onslaught that embraces the raw and dirty origins of the genre and yet keeps it fresh and cutting-edge throughout it's entire six and a half minutes. Swedish techno maestro Aril Brikha pulls out all the stops on his remix of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Daystar\"}),\" which sounds nothing like the original at all, and I mean that in a good way.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=ycS_rB37Uzw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=TomYelland\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DB2H-vorHd0&ab_channel=Scubadevils\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Another Swede and another great outing on the track \",/*#__PURE__*/ _jsx(\"em\",{children:\"Love and Hate\"}),\" comes courtesy of Cari Lekebusch's remix which, like Aril's mix, is a warm and sophisticated slice of sweet tech-house that, although, also different from the original, does what a great remix should, in all respects.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/carilekebusch/octave-one-love-hate-cari\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"OCTAVE ONE - LOVE & HATE - CARI LEKEBUSCH'S HIDDEN REMIX\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/carilekebusch\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Cari Lekebusch\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Alexander Kowalski doesn't really add too much to his deeper take on \",/*#__PURE__*/ _jsx(\"em\",{children:\"I Need Release\"}),\" but the results are pleasant and and extremely playable, as is Vince Watson's respectful outing on \",/*#__PURE__*/ _jsx(\"em\",{children:\"Nicolette\"}),\", actually sounding very much like Octave One in his manipulation of the groove and its inherent dynamics. Ken Ishii's version of the same track is a breathtaking mash of old school meets new school with the way in which he manipulates the groove around in the right places. Almost like shuffling between a three-deck DJ set, as he normally does so well.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Luke Slater's interpretation of \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Greater Good\"}),\", one of the more recent Octave One outings, is a riding bass-line driven techno onslaught\\xa0 guaranteed to get those fists in the air and those sweaty bodies gyrating and grinding at peak-time.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Which kind of brings me to my only disappointment on the entire album; if I can actually call it that really. That the previously released remix of their biggest tune, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Blackwater\"}),\" doesn't quite get a 'version 2012.2'. I had always felt that the Alter Ego remix (which was released back in 2002) was well ahead of it's time, even back then. And that being the case, or for lack of anything more substantial, is the reason that it is the only version featured of that classic here. That having been said though, I'm sure the Burden boys have a very good reason and I won't fault that for a minute. It's still an awesome version.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album winds up in the most fitting soulful, melodic, emotional and quintessentially Detroit-esque possible way with Gerald Mitchell's (aka Los Hermanos) delightful remix of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Someday\"}),\", making this, overall a remix testimony that should, not only make the Burden family proud, but open 2012 to a whole new world of interesting possibilities for the band of brothers we so lovingly know as Octave One.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Dema (Revisited Remix V2)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Meridian (Revisited Remix Rebalanced)\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. I Believe (Sandwell District Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f179f52a2b1bf00010001af/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f179f52a2b1bf00010001af/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"04. Daystar Rising (Aril Brikha Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f179f52a2b1bf00010001b0/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f179f52a2b1bf00010001b0/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"05. Love and Hate (Cari Lekebusch's Revealed Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. I Need Release (Alexander Kowalski Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Nicolette (Vince Watson Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. The Greater Good (Luke Slater Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Nicolette (Ken Ishii Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Blackwater (Alter Ego Vocal Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f179f52a2b1bf00010001b6/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f179f52a2b1bf00010001b6/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"11. Somedays (Los Hermanos Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/artists/Octave+One/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.juno.co.uk/artists/Octave+One/\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/artists/Octave+One/releases/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"http://www.junodownload.com/artists/Octave+One/releases/\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"INTERVIEW\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did you spend the Christmas Holidays last year?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"We spent the holidays actually prepping for our New Years \\xa0gigs and doing some recording. We had a chance to play with a few new toys, but for the most part we wanted to make sure the new year brought something different and special for our live sets.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tell us a little about the thought process behind the remix album and when it all started.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A couple years ago we started compiling a list of names of various artist that we felt over the years we really liked and respected their work. And being around the business for so long, we couldn't believe just how long that list was :) \\xa0So we began the trimming down of the list to make it more practical for us to work with according to their schedules and ours too. The whole thought process behind the project was to give every artist the absolute reign to choose any track from the library that moved them, without any interference from us. We wanted a window of us through them and their creativity!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Was it difficult narrowing down which ones made the final cut on the album?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Yes and no :) \\xa0Because we only approached artists whose work we truly appreciated. We had decided in the interim that we would accept absolutely anything that they came up with as an expression of themselves in our work. To think about it, in the beginning it was a bit fearful for us. But we felt that, that was the only way to do it and also, that's the way we would want it to be done as artist 'unedited and uninterrupted'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Has there ever been a 'Jekyll and Hyde' situation that arises every time you're in the studio?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Hmm...don't quite know if we quite understand this question but if you mean that we become someone else whilst creating. Sure, sometimes you can get so wrapped in your work and it almost completely takes you over and you become someone else entirely! We think it happens to every artist from time to time, whether a musician, painter or whatever. You create and sometimes that creation becomes you :)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Apart from the Alter Ego remix of 'Blackwater' on the album, an update on that hasn't quite featured. Any particular reason?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"No particular reason. We love the Alter Ego remix, but it was previously released already and we thought it still had a current sound that didn't need to be reworked to be made current. Those guys were a bit ahead of there time when they did that remix anyway, now it's current!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Is there a new Octave One long player on the cards at some point?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Yea, for sure! We've been working on some new releases here and there which we from time to time play in our live set to see how they work out. But we've been taking our time as far as recording them in the studio, one because we've been touring like mad (more than in years past) and two because we want the feel of our next 'long player' project to come together organically and not forced. But when that mood hits us we're definitely gonna lock ourselves in the studio for a few days to purge whatever needs to come out musically through our system out...lol!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"It's a tough time for many artists and musicians these days, give us your take the music industry in general and how you feel other budding new artists can rise above the current situation.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"The music industry is in a bit of disarray at the moment as it still is trying to figure out how to navigate in a still emerging global digital environment. Gone are the days when a particular sound resided in a city or country for a while and grew out organically to the rest of the world. Now music is just thrust out globally without it having the opportunity to really capture a particular market or scene. So to say terms like 'shelf life' that we used to love to use pretty much no longer exist for a lot of artists, new and established. So now when things are released you can only hope that it 'sticks' at least briefly enough so they can make something out of it,\\xa0which makes it tough for artists right now. But, it's times like these that separate individuals who just jumped into the scene from those individuals who truly have a love and have a deep passion for what they're doing and are driven to create. And we would tell those 'budding' new artists driven by their deep passion to create, to create, create and create some more! And through all of that creating you'll start honing in your craft and developing your 'own' style or sound. That's one of the most important things that you can do! Because, we're just coming off of an era where dance music was quite sparse and empty, and when all of the gimmicks and marketing tools have been used and run its course, it always comes back to the music. And audiences are ready and awaiting something of more of depth in music. Believe us, they're truly ready for songs again!\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Given the current state of 'pop' music, who are the one's you'd single out who are doing something positive within it?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"We don't really follow 'pop' music so we can't really speak on what's going on with it. There are certain songs that jump out to us that catch our attention but the artist themselves really haven't sparked our interest so much lately.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Describe a Burden brothers family cookout or barbecue.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Lots of family, lots of food, lots of laughter, lots of fun and lots and lots of love :)))\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"inter-review-octave-one-revisited-(here-there-and-beyond)\"},{hz3sj3gFn:\"2012-01-15T00:00:00.000Z\",id:\"wtVXW4SkV\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/P772YEVBrk5yFrIWm2Hf7JTJM1k.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/P772YEVBrk5yFrIWm2Hf7JTJM1k.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/P772YEVBrk5yFrIWm2Hf7JTJM1k.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/P772YEVBrk5yFrIWm2Hf7JTJM1k.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: JANUARY\",lZ2WhlLX5:\"15 JANUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A brand new year and a new bag of tunes given the JUICE stamp of approval. Enjoy the selection, from dubstep to pop and nu disco.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Dub Phizix and Skeptical feat Strategy \u2013 Marka\",/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=-ydQ-qPD324&ab_channel=dubphizixtv\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\"\\xa0Oh you know, only the most hyped d\u2019n\u2019b release of the couple of months. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Marka\"}),\" hit 100,000 views on YouTube in its first week with its test presses selling out during an 11-minute blitz. Just a massive, massive tune.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Its hilarious trying to define this, you just can\u2019t. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Marka\"}),\" has a mellow tribal beat, a d\u2019n\u2019b tempo, dubstep\u2019s sinisterness and grime vocals. Kind of like The Bug, just not exactly. Safe to say, it\u2019ll appeal to any breed of UK bass head out there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" This is where we talk about how big it\u2019s going to be, but that\u2019s not so much a prediction as it is a forgone conclusion. Find us a bass DJ that hasn\u2019t dropped this (even Goldie did at Home Club) over the last month and we\u2019ll show you one that\u2019s in a coma.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Todd Terje \u2013 Inspector Norse\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/toddterje/todd-terje-inspector-norse\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"TODD TERJE - Inspector Norse\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/toddterje\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"toddterje\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" After a five-year stretch without any original material, it appears this Nordic disco man\u2019s eager to keep busy post-\",/*#__PURE__*/ _jsx(\"em\",{children:\"Ragysh\"}),\". \",/*#__PURE__*/ _jsx(\"em\",{children:\"Inspector Norse\"}),\" is taken of his forthcoming \",/*#__PURE__*/ _jsx(\"em\",{children:\"It\u2019s The Arps\"}),\" EP and it\u2019s represents Terje at the peak of his powers.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" There\u2019s a deluge of disco these days but this track proves that nobody, and we mean nobody, is even close to Terje\u2019s level. It\u2019s a masterclass of catchy hooks and flourishing grooves.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Perhaps it\u2019s too early to say, but when December comes and everybody\u2019s making their Best Of lists and checking it twice, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Inspector Norse\"}),\" is certain to be on almost all of them.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Charli XCX \u2013 Nuclear Seasons (Balam Acab Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"\\xa0\"]})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=XdDwlpu_VQ0&ab_channel=Transferunique\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Charli XCX\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"Nuclear Seasons\"}),\" was one of 2011\u2019s grittiest synthpop pleasures and it seems only fitting for the wonderful Balam Acab would put his equally warped stamp on it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" This remix is darker and slower but the thing makes it different from most Balam Acab tracks is that it\u2019s still so very chirpy. The hook from the original stays and it absolutely revels in its newfound context.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" If for some wacky reason you\u2019ve yet to notice them, you\u2019ll certainly make it your mission to pay attention to both the British songstress and booming bedroom producer from now on.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Lissy Trullie \u2013 Madeleine (Selebrities Remix)\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/selebrities/lissy-trullie-madeleine\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Lissy Trullie - Madeleine (Selebrities Remix)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/selebrities\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"selebrities\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" People have been waiting for Lissy Trullie to release her debut album for a while now, and it seems like that wait couldn\u2019t have been better rewarded. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Madeleine\"}),\" is a taste of what\u2019s to come and it\u2019s made all that much sweeter by an inspired Selebrities remix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Trullie\u2019s Nico-esque vocals dazzle with a bright sprinkling of \u201880s New Wave giving the song an extra synth sheen, but what\u2019s ever-present is that sense of loneliness and distant depression.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Everyone already knows how amazing the \",/*#__PURE__*/ _jsx(\"em\",{children:\"Self-Taught Learner\"}),\" is, but what this remix should do is introduce everyone to the gangly, glacial enchantment of Selebrities.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"The 2 Bears \u2013 Work\",/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=IU5-XJ-X99c&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=The2BearsTV\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Hot Chip's Joe Goddard teams-up with British DJ Raf Daddy for a side-project adorably called The 2 Bears, and everything we\u2019ve heard from the cuddly pair has been nothing short of incredible so far.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Taken off their forthcoming debut LP \",/*#__PURE__*/ _jsx(\"em\",{children:\"Be Strong\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Work\"}),\" is a standout amidst an album of standouts. It\u2019s perfect for a singalong, its perfect for the dancefloor - it\u2019s simply perfectly catchy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" This brilliant incursion into disco and house territory will lessen everyone\u2019s clamouring for a new Hot Chip record\u2026 but we\u2019d still like one though.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"15-1-12-the-juice-playlist-january\"},{hz3sj3gFn:\"2012-01-11T00:00:00.000Z\",id:\"kREppLtkd\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/B5ZSbaQQqf1OgTDBoNZsWAQ0FJA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/B5ZSbaQQqf1OgTDBoNZsWAQ0FJA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/B5ZSbaQQqf1OgTDBoNZsWAQ0FJA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/B5ZSbaQQqf1OgTDBoNZsWAQ0FJA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST FEATURE: BASIC SOUL UNIT\",lZ2WhlLX5:\"11 JANUARY 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"The name on many lips and in as many record stashes by now, Basic Soul Unit aka Stuart Li graces us with Podcast #006 \u2013 a very cool, soaring techno mix also featuring his track \u2018Late Night Shift\u2019 soon to be out on the Midnight Shift label. We are grateful to have this insightful interview from our affable Torontonian. Scroll down to hit play on the mix.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Journalists don't always get it right. How would you personally describe your music?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Hard to describe myself. I like things to sound slightly raw but generally I try to maintain the groove and have an underlying warmth and soulfulness. Here\u2019s an excerpt from a review of my latest EP on New Kanada \u201C\u2026as though concrete walls were wrapped in cotton batting\u201D (Philip Sherburne). I thought that was a pretty cool description.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/newkanada/sets/nk29-basic-soul-unit-deep-diving\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"NK29 - Deep Diving EP - Basic Soul Unit\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/newkanada\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"New Kanada\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Has your sound evolved in any way since you first started out?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I guess I\u2019ve been trying to pay more attention to the design of the sound, trying to create a bit more of an atmosphere. Trying to strip things down a bit, not literally in a \u2018minimal\u2019 sense but just using what I feel is essential to convey the music instead of over embellishing it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your philosophy of growing as an artist?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"To keep your mind open, to always keep learning and explore. To maintain a sense of naivety and to make mistakes that I can learn from.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"When and how did you first get noticed?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I had released music on a couple of local labels (Iwanai and Do Right) around 2003. One day I noticed that one of the tracks appeared on a Versatile Records radio show. So I emailed Gilb\u2019r (label head and one half of Chateau Flight) to say thanks. He then told me if I had any new music to send it his way. I did and these became the Soul Patterns EP on Versatile. That really helped to bring my music to a wider audience. Versatile was and still is one of the labels I respect most because they follow their own path.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What kind of scene did you arise from, or do you find yourself not affiliated to any in particular?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"In the late 80\u2019s and early 90\u2019s I was listening to a lot of House and Hip Hop through the college and university stations. Then in the early to mid 90\u2019s I went to a lot of afterhours warehouse parties where DJs were playing mostly house (with a bit of techno before it splintered off). So I guess you could say I came up mostly from the House scene. Later on, I also got into \u2018Acid Jazz\u2019, Soul, Funk, Disco, Latin, Brazilian, Broken Beat, bit of Drum n Bass\u2026well the list goes on. So I was very much a part of the Eclectic Jazz/Broken Beat thing (around 2000). In fact I\u2019m still part of an eclectic Jazz/Soul/Funk based night in Toronto called Footprints (which is into our 9th year) as well as a Broken Beat night called 4WRD (no relation to the UK bass night, we didn\u2019t know about it)! Now I am just into good music whatever the genre.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"In what ways is Toronto a good place for a musician to be?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It\u2019s very multi-cultural, and we have influences from all sides. While that may be true nowadays anywhere with the Internet, back in the day it was a real revelation to me. When I grew up in Hong Kong as a kid, I was only familiar with HK Pop and some Western pop. Suddenly when I came to Canada, I was listening to Hip Hop, House, Reggae, Soca, and Latin and more. Also we were influenced as much from NYC as Detroit or Chicago and European sounds. The down side was that Toronto never really had its own distinct sound, although I think that is starting to change with all the producers getting attention from Toronto at the moment.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=vRycruv7iO8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=imadouadani\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are your top 5 secret weapons when you play at a gig?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It\u2019s hard to have secret weapons this day and age when everything can be at your finger tips via Discogs or illegal downloads but here\u2019s 5 that often find their way into my sets, not in any particular order:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Liz Torres \u2013 Can\u2019t Get Enough (Dub)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Niko Marks \u2013 Hueman Density\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Reggie Dokes \u2013 Sanctuary\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Those Guys \u2013 Love, Love, Love\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f0d4be46b1fe50001000024/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download\\xa0Mp3/WAV\\xa0\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f0d4be46b1fe50001000024/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon US\\xa0256kbps Mp3\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f0d4be46b1fe50001000024/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"iTunes\\xa0256kbps AAC\",/*#__PURE__*/ _jsx(\"br\",{})]})})})}),\"Relics & Artifacts \u2013 Sun God\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f0d4be46b1fe50001000025/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download\\xa0Mp3/WAV\\xa0\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f0d4be46b1fe50001000025/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon US\\xa0256kbps Mp3\\xa0\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f0d4be46b1fe50001000025/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes\\xa0256kbps AAC\"})})})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Could you let us in on your production method or thinking/feeling behind your tracks?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Mostly I\u2019ve been using Reason (it\u2019s true). I\u2019ve never been a gear head or tech geek. The affordability and accessibility to digital production is what allowed me to get into it. That said, I\u2019ve recently bought a bit of gear so learning that and hoping to incorporate them into my workflow. There is no routine process, sometimes I start with a beat, sometimes a sound, at other times a melody in my head. The creative process is never predictable.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/31957357\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"CDR Berlin Workshop BASIC SOUL UNIT (Toronto)\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/cdrnetwork\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"CDR\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is in your opinion is an example of a fine production, past or current?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Hm, hard to narrow it down. Theo Parrish, Moodymann, Pepe Bradock, I:Cube are some of the older names. A few producers I\u2019ve been feeling recently are Vakula, DJ Qu, Portable, Cosmin TRG. I like theyir productions not necessarily because they are expertly produced or sound \u201Cproper\u201D but they have their own unique sound and character.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do you manage to balance your work and other commitments?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Not easily to say the least, but having an understanding and patient wife certainly helps. Also I do graphic design from home, so that allows my schedule to be a bit more flexible. When I need to be away for a couple weeks I can still work from abroad during the weekdays. Still I never feel like I have enough time to make music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Do you have a music hero?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"From a dance music perspective, Larry Heard definitely\u2026for me a perfect balance between soulful and jacking, techno and house. Also he seems to be very humble and does not let his status and success get in the way. That\u2019s also inspiring.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What have you learnt from being in the industry for so long?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Being as I don\u2019t do music for my main source of income, what I\u2019ve learned is to be just make music honestly. Make music you can stand behind and be happy with. But at the same time, also take chances and opportunities as they come. Don\u2019t be afraid to put yourself out there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rmO0b-NCbrw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=lektrolaur\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"If you could cite your inspirations who or what would they be?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"The music community inspires me (DJs, producers, clubbers, music lovers). At home or traveling, meeting people, talking about music, life, getting feedback and encouragement from people. Seeing other people do their thing. Being on the dance floor and seeing what moves people. This is all inspiring.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What keeps you motivated?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"It doesn\u2019t take a lot to motivate me. I just love music. Listening to it, making it, selecting it for the dance floor. Even if I never had any success I would still be doing it. I guess it goes back to the previous point, when it\u2019s a passion and not a business, it makes it easier.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Top 10 on the charts right now?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Again in no particular order:\",/*#__PURE__*/ _jsx(\"br\",{}),\"Steven Tang \u2013 Bass Synergy (Emphasis)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Kevin Reynolds \u2013 Liaisons (NSYDE)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Vakula \u2013 Untitled (Shevchenko)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Afrikan Sciences \u2013 Spirals (Deep Blak)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"C-Beams \u2013 Strollin\u2019 (with Tina Slotta) (Uncanny Valley)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f0d4e546b1fe5000100004d/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon US\\xa0256kbps Mp3\"})}),/*#__PURE__*/ _jsx(\"br\",{})]})}),\"Peter Van Hoesen \u2013 Axis Mundi (Ostgut Ton)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f0d4e546b1fe5000100004e/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download\\xa0Mp3/WAV\"})}),/*#__PURE__*/ _jsx(\"br\",{})]})}),\"Vozmediano \u2013 There\u2019s a Light (Rolando remix)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f0d4e546b1fe5000100004f/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download\\xa0Mp3/WAV\\xa0\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f0d4e546b1fe5000100004f/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon US\\xa0256kbps Mp3\\xa0\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4f0d4e546b1fe5000100004f/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes\\xa0256kbps AAC\"})}),/*#__PURE__*/ _jsx(\"br\",{})]})}),\"Basic Soul Unit \u2013 Late Night Shift (Midnight Shift)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Portable \u2013 Into Infinity LP (Perlon)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Recloose \u2013 UHF (Fingertips)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f0d4e546b1fe50001000052/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download\\xa0Mp3/WAV\\xa0\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"|\\xa0\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f0d4e546b1fe50001000052/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon US\\xa0256kbps Mp3\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Finally, what are you looking forward to in 2012?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I am really hoping to get an album together. The thought was first put into my head by Still Music a few years back. Through distribution problems, it never happened. Which in hindsight was probably a good thing. At that time I looked at it as an opportunity and a challenge. But now through experience and maturation, I think I finally have something coherent to say that might be worth the format.\\xa0 Still Music is back on track now so it may happen soon.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"About \u2018Late Night Shift\u2019?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"As with most if not all my tracks, I never really start out with a strong idea or theme. I basically just noodled around with beats and sounds until the track started taking shape. However I did have in mind to doing something funky and hope that was the result.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Midnight Shift Podcast #006: Basic Soul Unit \",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist:\"]}),/*#__PURE__*/ _jsx(\"br\",{}),\"Basic Soul Unit \u2013 Deep Diving (New Kanada)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Morphosis \u2013 Wild In Captivity (Delsin)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4f0d4b8c6b1fe5000100000c/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download\\xa0Mp3/WAV\\xa0\"})})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4f0d4b8c6b1fe5000100000c/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ 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Eric Has His G\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/ppps/products/436093-01.htm%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy CD\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/labels/BubbleTease+Communications/releases/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Download MP3/Wav\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://redbullmusicacademyradio.com/shows/373/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Listen\"})})}),\"\\xa0to Maurice Fulton's show on RBMA Radio.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/mauricefulton\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.myspace.com/mauricefulton\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-boof-shh-dandelions-at-play\"},{hz3sj3gFn:\"2011-12-27T00:00:00.000Z\",id:\"goo8fOPqn\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ehhLA6k8CBwQW2XpdwbuVDZUgYI.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: PINCH & SHACKLETON\",lZ2WhlLX5:\"27 DECEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"This eponymous collaboration between two great minds in the dubstep scene is a right work of art. 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In a time where popular electronic music increasingly comes with the concept that \",/*#__PURE__*/ _jsx(Link,{href:\"http://pitchfork.com/features/articles/8721-maximal-nation/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\u2018more is more\u2019\"})})}),\", Pinch and Shackleton forcefully and skillfully take control with their own formula of subtle but stunning sound; there is nothing else to do but listen.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The tracks on the album all come with unique features of minimal sound, moving across different proportions of sonic possibility, but still tie in as one with their snaking fluidity and slow, lilting rhythm.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Cracks In The Pleasuredome\"}),\" tells you what you\u2019re in for, with a spooky beginning that evolves halfway through into something more \u2018comfortable\u2019 yet strong, a fitting welcome from Pinch and Shackleton.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The sweeping introduction of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Rooms Within A Room\"}),\" is a minute long and entirely menacing, and just when you think its over, the congal percussion kicks in and sends the track into battle, slowly creeping yet engulfing.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Levitation\"}),\" first appears to be in tune with the qualities that we are by now somewhat familiar with in this album, but takes on a more spiritual tone halfway through, with bells coming in around 03:30, followed by a louder interlude of hymnal vocals that were hinted at earlier in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Rooms Within A Room\"}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Boracay Drift\"}),\" concludes the experience in a dramatic, magical fashion, opening with hynoptic, crashing waves of noise that drift into yet another hynoptic, weaving rhythm, later joined by more surreal choral singing.\\xa0\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"Pinch and Shackleton make music that does not scream for your attention, but certainly deserves it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As \",/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/cds/465836-pinch-shackleton-pinch-shackleton\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Boomkat\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"puts it, the album is \u201Ca meta-meditation of labyrinthine rhythms and spirit-summoning sonics, constantly folding into themselves and re-emerging at the start of each new piece, traversing hundreds of miles of desolate, ancient jungle terrain with the stealth and gait of Predator on the hunt for human minds to devour. 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Boracay Drift\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/cds/465836-pinch-shackleton-pinch-shackleton\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://boomkat.com/cds/465836-pinch-shackleton-pinch-shackleton\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Pinch+%282%29\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.discogs.com/artist/Pinch+%282%29\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Shackleton\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.discogs.com/artist/Shackleton\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-pinch-shackleton\"},{hz3sj3gFn:\"2011-12-22T00:00:00.000Z\",id:\"YHw0HfRQh\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/IvPQaOEygi2z0YMLHAcqAzmR7s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/IvPQaOEygi2z0YMLHAcqAzmR7s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/IvPQaOEygi2z0YMLHAcqAzmR7s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/IvPQaOEygi2z0YMLHAcqAzmR7s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: DECEMBER\",lZ2WhlLX5:\"22 DECEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Another big drop from the JUICE team on what's hot for the last month of 2011.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Air feat. Victoria Legrand \u2014 Seven Stars\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/weallwantsome1/air-seven-stars-feat-victoria\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Air \u2014 Seven Stars (Feat. Victoria Legrand)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/weallwantsome1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"weallwantsome1\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" French retro-electronica duo Air is back with an album based on a 1902 silent film classic. And the big news is that it\u2019ll feature the vocal chops of Au Revoir Simone and Beach House\u2019s Victoria Legrand!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Their lead single \",/*#__PURE__*/ _jsx(\"em\",{children:\"Seven Stars\"}),\" immediately unveils Legrand\u2019s lovely pipes, along with a more immediate and immense sound coiled around pacey drums and evocative piano instrumentation.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" After the slightly disappointing \",/*#__PURE__*/ _jsx(\"em\",{children:\"Love 2\"}),\", this conceptual approach and subtle revamp of their sound may just be what the doctor ordered. This is Air\u2019s second wind.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Rrose \u2013 Waterfall\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=4wOPINyzYx4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=LocalAuthorityHouse\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Sandwell District never disappoints and enigmatic techno label\u2019s latest secret weapon is an anonymous producer called Rrose.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" As heavy, pounding and intense as can be. A concussive cut that\u2019ll leave you begging for more.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Little is known about Rrose but with talent this thorny, you can bet his profile is about to bloom.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"FaltyDL \u2013 Can't Stop the Prophet\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" NYC\u2019s FaltyDL has had an insanely productive year and his latest EP offering, Atlantis, is once again flawless top to bottom.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" \",/*#__PURE__*/ _jsx(\"em\",{children:\"Can\u2019t Stop The Prophet\"}),\" begins as an instrumental hip hop tune, akin to LA\u2019s low end beats, before detouring into an epic, climatic jungle breakdown.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Drew Lustman\u2019s known for his two-step and UK Garage adventures but this track bodes well for more versatile projects in the future.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Major Lazer \u2013 Original Don\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" A new Major Lazer single is always gonna get hype. But when it comes paired with a bizarre viral video of blade-wielding dancers, a sharply-dressed octogenarian and Diplo, um, reading, that\u2019s just a wacky bonus.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like: \"}),\"Diplo and Switch never hold back, but we think they have outdone themselves here with this electro-house banger. Also who cares how it sounds like, have you seen that video!?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Another massive four-to-the-floor scorcher heralds another big year for the dancehall duo in 2012.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Eats Everything \u2013 The Size\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/neontapedeck/eats-everything-the-size\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Eats Everything - The Size\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/neontapedeck\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"neontapedeck\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Exactly a year ago, Eats Everything came out of nowhere with his boisterous \",/*#__PURE__*/ _jsx(\"em\",{children:\"Entrance Song\"}),\". True to its name, the track did exactly that and introduced the bass-house newbie in spectacular fashion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" The new track off his eponymous EP (via Dirtybird) overflows with swooping claps, jaunty vocals, lovely strings, bouncy bass and even a fabulous sample of Moby\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"Porcelain\"}),\". Wowza.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" With an instant classic like this, Eats Everything will be the poster boy for Bristol's bass/house scene for the foreseeable future.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"22-12-11-the-juice-playlist-december\"},{hz3sj3gFn:\"2011-12-15T00:00:00.000Z\",id:\"SoefilhHK\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/beQ6QwM0nLmpJBgqXJLqm1YzJmc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/beQ6QwM0nLmpJBgqXJLqm1YzJmc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/beQ6QwM0nLmpJBgqXJLqm1YzJmc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/beQ6QwM0nLmpJBgqXJLqm1YzJmc.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: TERRENCE PARKER\",lZ2WhlLX5:\"15 DECEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Midnight Shift Podcast number 5 is none other than Terrence Parker. With more than 30 years in the industry, TP or Telephone Man as he is affectionately called has made his mark as a respected label owner of Parker Music Works, producer, remixer and DJ straight out of homeland Detroit. Legendary for his turntable skills and love for music (just watch his RTS.FM mix), TP has kept the fire burning bright for us all.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Read this exclusive interview and hear his jumpin' mix including his new track, \",/*#__PURE__*/ _jsx(\"em\",{children:\"It Hurts\"}),\", set to be a classic out soon on the Midnight Shift label.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/10935098\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Terrence Parker @ RTS.FM, St.-Petersburg studio, Russia\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0from\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/user3596058\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Dmitry Agalakov\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0on\\xa0\"}),/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Vimeo\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\".\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"You have been with the music a long time since getting your turntables in 1980, what have you learnt thus far?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I have learned many things over the past 30 years. The music business is on 10% music, and 90% business. One very important lesson I've learned is to be relentless & never give up. The music business is a very challenging industry to work in. It is important to be consistent, professional, and stay true to yourself.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you remember fondly of your days growing up in Detroit?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Lots of great times growing up in Detroit. Playing football, baseball, and basketball at the neighborhood park was always fun. On the weekend or certain holidays having picnics with my family on Belle Isle was always a good time. Ah... Those were the days!\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What were some of the places people hung out to buy records or check out new music then?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),'Local record shops like \"Chauncey\\'s\" and \"Professional\\'s\" were popular back in the early 1980s. However the most popular spot was \"Buy-Rite Music\". If you wanted the best selection of Detroit Techno, Chicago House, Funk & Disco Classics, and imports from all over the world, you went to Buy-Rite. On Thursdays the new records shipments came in at Buy-Rite. So anytime from 4pm until 9pm on Thursdays you could see many of Detroit\\'s hottest DJs their picking out their new records. 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Alleyz Of Your Mind\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4ee8c0f5472fb600010012f9/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Eddie Grant - Living On The Front Line\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"You have collaborated with some DJs such as DJ Mo Reese, could you tell us a little more about how these come about? Will you be doing any more in the future?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These simply come together through friendship. For example, DJ Mo Reese and I have been friends since the 1980s. Other collaborations like working with Coco Street all happened online. I only met Coco after working on our first project together 100% by email. Coco is a vocalist, but I mentioned her just to give an example. Yes I more projects with DJ Mo Reese, DJ Leandre of Paris France, and many more coming soon.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Why did you decide to start up your own label such as Parker Music Works. How is it going?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I started my own label out of frustration. I could not find a label that truly believed in my music. Now I am able to release my music freely and productions from others who I like and respect.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What is the music direction of Parker Music Works and what are your hopes for it?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Music should not be put in a box. An artist should be free to create any style of music. My goal is simply to release all types of music that I like (not only house music). I want to share music that moves me with the world.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=R-Htl46w5Ws&ab_channel=UGLYHOUSE1000\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What do you normally look for in a potential artist to sign on your label?\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I try my best to listen to all the demos I receive. Lately it has been very hard because I get 30 to 50 demos a week by email or sites like soundcloud. If I like, I will see if it is possible to release it. In the coming months I have house, drum & bass, and dubstep projects coming out on PMW.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"You wear a lot of hats in the music industry...\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"DJ is the root of it all. It all began with the DJing. Therefore DJing is the musical foundation. Producing music is the next\\xa0step. Then of course running a label to release the music produced. I try to devote a certain amount of time to DJing, producing music, and running the label all separately. It is definitely a challenge because each demands real dedication. However, I try my best to stay focused as I operate in each area.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"It seems like one can no longer be simply a DJ or producer or even both anymore, any comments?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"These days in order to stay successful it is necessary to branch out into other areas in order to have multiple revenue streams.\\xa0My feeling is that anyone who can operate successfully in multiple areas should absolutely do it.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Could you tell us your production methodology? What goes on in your head when you make a track?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Each track is different. Sometimes I hear a melody in my head and I must record that first and then build around it. Sometimes the vocal hook idea will come to me first and then I will build around that. There is no constant pattern or formula. It truly varies depending on the mood.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Could you tell us about the track \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"It Hurts\"})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I composed this track soon after the earthquake and tsunami that hit Japan in February this year. I had just returned from a DJ tour in Japan. Approximately 5 days after I returned home this terrible event happened. I was so concerned about my friends there and was moved by the many stories I watched on the news networks. So I composed the song so where it starts off with a nice groove representing how life was moving forward as normal. Then suddenly the track drops down into a deep low chello string which represents the sudden tragedy that occurs. Next the high string comes in which represents the peace after the storm. From there the track slowing begins to build back into its original state and then progresses onward which represents Japan's ability to get beyond this tragedy and build a better nation an move forward with hope for the future.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What would you like to see change about in the music industry?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"In general I would like to see people respect the music again. I would like to see major labels focus on real artist development and not one hit wonders or the flavour of the month.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Coming soon...\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.net/blog/Artist%20Feature:%20Terrence%20Parker/%20%20https://www.facebook.com/OfficialTerrenceParkerMusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"www.facebook.com/OfficialTerrenceParkerMusic\"}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.terrenceparkermusic.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.TerrenceParkerMusic.com\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.terrenceparker.podomatic.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"www.terrenceparker.podomatic.com\"]})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/labels/Parker+MusicWorks/releases/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"www.junodownload.com/labels/Parker+MusicWorks/releases/\"})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-terrence-parker\"},{hz3sj3gFn:\"2011-12-09T00:00:00.000Z\",id:\"jfoxLOAUn\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/y0QvZuhMYc0S3xnDEgY548i2RLA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/y0QvZuhMYc0S3xnDEgY548i2RLA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/y0QvZuhMYc0S3xnDEgY548i2RLA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 640w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ORPHX - RADIOTHERAPY\",lZ2WhlLX5:\"9 DECEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Orphx, the electronic brainchild of Canadians Richard Oddie and Christina Sealey, stepped onto the scene in 1994. With over 10 albums behind them and about 18 years of experience, the pair are known as one of the pioneering acts in the European \u201Crhythmic noise\u201D scene, and have been making impressive electronic music that explores the grey areas between techno, industrial, and electro-acoustic music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Radiotherapy\"}),\" was released earlier this year and is yet another display of Orphx\u2019s inventive skill, using synthesizers and sequencers to weave an electronic assault of sound. Slowly pulsating rhythm is layered with a range of sounds to build excellent texture. Complemented by an underlying droning buzz, the album is a brilliant hybrid of techno and noise. It\u2019s not easy to break it down \u2013 this is one of those albums where perhaps it\u2019s best that you discover the experience for yourself.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=c_4RafrRsrM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=noiseklinik\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Tensile\"}),\", third track on the album, delivers a dark, pumping beat, shrouded in distorted noise.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"1200 \\xb5Rh\"}),\" is probably the most danceable track on the album, with a build-up that goes on for more than half of the track, before the full punch comes in around 04:24.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Radiotherapy\"}),\" is a powerful soundscape \u2013 and I\u2019m sure fans expected nothing less - and Orphx\u2019s music an experimental techno wormhole I willingly fall into. Remixes of the tracks on the album are set to be released on vinyl in the coming months \u2013 stay tuned.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1. Compulsion\",/*#__PURE__*/ _jsx(\"br\",{}),\"2. Contamination\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. Radiotherapy I\",/*#__PURE__*/ _jsx(\"br\",{}),\"4. Tensile\",/*#__PURE__*/ _jsx(\"br\",{}),\"5. Lost Again\",/*#__PURE__*/ _jsx(\"br\",{}),\"6. Radiotherapy II\",/*#__PURE__*/ _jsx(\"br\",{}),\"7. Future Past\",/*#__PURE__*/ _jsx(\"br\",{}),\"8. 1200 \u03BCRH\",/*#__PURE__*/ _jsx(\"br\",{}),\"9. Dead Zone\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.handsproductions.com/mailorder.asp\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.handsproductions.com/mailorder.asp\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-orphx-radiotherapy\"},{hz3sj3gFn:\"2011-12-06T00:00:00.000Z\",id:\"fgTxPOXwp\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/LJctKRfh7EXKUSRRW1EDop3eCfo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/LJctKRfh7EXKUSRRW1EDop3eCfo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/LJctKRfh7EXKUSRRW1EDop3eCfo.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ARGY - FUNDAMENTALS\",lZ2WhlLX5:\"6 DECEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"House club music is well and truly alive in the good hands of Greece-born and Midnight Shift label artist, Argy. Brendon P reviews his latest album on Ibadan Records, 'Fundamentals'.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=0Ap6zLLQzew&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=ARGY\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Argy and Martinez Brothers Piano Jam at Ibadan Records\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"My first encounter with his music came via an EP I received in the post back in 2005, during my days as a resident at Zouk, which was a promo of his track 'Love Dose' on Steve Bug's Pokerfat imprint. Minimal had re-gathered steam and a new wave of tech-house was sweeping dancefloors across the globe off their feet. It was no surprise that I followed Pokerflat's slew of releases that were to come and the next Argy release on that which was the Night Ritual E.P, close to a year after.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Drawn to his high production standards and his uncanny ability to effortlessly blend the essential American house and techno elements with those quintessentially European, Argyris Theofilis, or Argy, as the world knows him by, was given my undivided attention and curiosity with every release or remix he put out beyond the two that I'd already knew, and quite suddenly, also, on labels such as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Cadenza\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Objektivity\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Liebe Detail\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Retouch\"}),\", Versatile, and, of course, a long time favorite, Ibadan (I also have everything that he's put out on his own label \",/*#__PURE__*/ _jsx(\"em\",{children:\"These Days\"}),\").\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"He fell off the radar for a short spell, but that was only because of his extensive DJ schedule,which had taken him to just about everywhere you can possibly imagine, and also to take time in developing his own label. Since Pokerflat's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Focus On Argy\"}),\" LP release in 2008 there's not been an actual long player, to my knowledge,\\xa0 that has collectively captured his new and recent body of work. Until now.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/ibadan/argy-album-sclips\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Argy - Fundamentals - Ibadan Records\"})}),\"\\xa0by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/ibadan\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"ibadan\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"em\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Fundamentals\"]}),\", the new artist album by Argy, is not a compilation of anything recent (with the exception of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Upon Ourselves\"}),\", originally released in 2009). But rather an actual artist album, and probably the one that all his fans across the globe have been eagerly awaiting. Released on October 11th this year on Ibadan, which can lay claim to being one of the most long running and successful house music labels to date, it generally brings you up to speed with Argy and his present influences.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Don't look for anything technically diabolical or life-changing. This is a total house onslaught; an all out club album. Nothing too experimental or indulgent, just an all out assault on the dancefloor filled with what you'd probably hear in an Argy DJ set. An amalgamation of his influences past and present. As warm as it is inviting, it shows that he's matured as a person and as a producer on tracks like \",/*#__PURE__*/ _jsx(\"em\",{children:\"It Feels So Good\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Let's Tremble\"}),\" (featuring the vocal rants of Stefan Alexis) and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Absent Friends\"}),\". Merging his past influences circa early 90's house into tracks like \",/*#__PURE__*/ _jsx(\"em\",{children:\"Party People\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"NY Anthem\"}),\" and the flamboyant \",/*#__PURE__*/ _jsx(\"em\",{children:\"String Poetry\"}),\"; it's clear that he's somewhat, telling a story; not as much from the DJ booth or producers desk, but from his experiences on the dancefloor itself. Close your eyes and they could've easily made the Sound Factory or Twilo playlist at some point in their exuberant existence.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Dinner at Kerri's\"}),\" is an obvious tribute to a long cherished and respected aficionado (and good friend) Kerri Chandler and \",/*#__PURE__*/ _jsx(\"em\",{children:\"I'm In\"}),\" is probably going down in my books as one of the better house tunes i've not heard in a long time.\\xa0 His love for techno can also be demonstrated in the Detroit-influenced \",/*#__PURE__*/ _jsx(\"em\",{children:\"Indulgence\"}),\", also one of the albums stand out tracks.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Which brings me down to my album favorite, the effervescent 2009 single release, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Upon Ourselves\"}),\", featuring the vocal talents of Indian-born, Portugal and South African-raised poet and singer, Bajka (pronounced \\\"Bai-Kah\\\"). The version on the album being re-worked with Ibadan label boss and production partner Jerome Sydenham and the only actual\\xa0 full-on vocal track on the album. Technically, this would be Argy's 'first' artist album, and a his testimony to his vision of a great club night out, and if these initial results are anything to go by, I'd really like to hear what the next one sounds like.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"01: Party People\",/*#__PURE__*/ _jsx(\"br\",{}),\"02: It Feels so Good\",/*#__PURE__*/ _jsx(\"br\",{}),\"03: I\u2019m In\",/*#__PURE__*/ _jsx(\"br\",{}),\"04: NY Anthem\",/*#__PURE__*/ _jsx(\"br\",{}),\"05: Upon Ourselves feat. Bajka (Argy and Jerome Sydenham Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06: String Poetry\",/*#__PURE__*/ _jsx(\"br\",{}),\"07: Peace of Me\u201D feat. POSH! The Prince\",/*#__PURE__*/ _jsx(\"br\",{}),\"08: Dinner at Kerri\u2019s\",/*#__PURE__*/ _jsx(\"br\",{}),\"09: Indulgence\",/*#__PURE__*/ _jsx(\"br\",{}),\"10: Absent Friends (Original Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Buy:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"2x LP\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/fundamentals/434548-01/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.juno.co.uk/products/fundamentals/434548-01/\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})})}),\"MP3/WAV\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/products/fundamentals/1836579-02/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.junodownload.com/products/fundamentals/1836579-02/\"})})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-argy-fundamentals\"},{hz3sj3gFn:\"2011-12-02T00:00:00.000Z\",id:\"FRgskgLXm\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/L3baKLB0qnfX2ANtcNI4rArtNk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/L3baKLB0qnfX2ANtcNI4rArtNk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/L3baKLB0qnfX2ANtcNI4rArtNk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/L3baKLB0qnfX2ANtcNI4rArtNk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: REEL BY REAL - SURKIT CHAMBER - THE MELDING\",lZ2WhlLX5:\"2 DECEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"A breath of fresh air comes in the form of Marty Bonds aka Reel by Real and his album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Surkit Chamber - The Melding\"}),\". But this guy is definitely no newbie.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Detroit veteran's first album of new productions in 20 years is released by the Mojuba sub-label, a.r.t.l.e.s.s. If you buy their vinyl, you would know they come in nondescript white paper sleeves, with just a patch of textured fabric distinguishing one release from the next. 'From Vinyl with Love' is their motto, and you can grab some t-shirts \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mojubarecords.com/shirt.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\".\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mojubarecords.com/shirt.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),\"But before we detract too far from the music, there is one more point of note. This album's artwork is done by one Abdul Qadim Haqq of \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.thirdearthvisualarts.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Third Earth Visual Arts\"})})}),\". Whether you know him or not, the techno visual artist has worked for labels including Transmat, Planet E and UR and in particular albums for UR, Drexciya, Rhythim is Rhythim (Derrick May), Juan Atkins and Scott Grooves. His black sci-fi visions have helped shape the afro-futuristic narrative either pervasive or now residual in Detroit techno today.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Album artwork for Drexciya's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Neptune's Lair\"}),\" by Abdul Qadim Haqq\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Abdul Qadim Haqq painting the door of Transmat\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Perhaps the most famous Reel by Real track to date is \",/*#__PURE__*/ _jsx(\"em\",{children:\"Surkit\"}),\", released on Juan Atkin's Interface Records in 1990 and used by LTJ Bukem's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Atlantis\"}),\" in 1993 (which also features the Amen break sample).\\xa0Now Reel by Real makes a first comeback after 20 years. What are we to expect?\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:\"Surkit Chamber - The Melding\"}),\" fits comfortably with where it belongs but that is not to say that it is boring. In today's context, it has managed to punch through the noise with a capsule of artistic purity that is non-apologetic for what it is or where it comes from. Slightly out of time and with that alienated, unconventional quality, this album makes it a reason to revisit an entire era.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"I Won't Follow\"}),\" is the album's first track and seemingly the mantra to follow -- nothing you will hear next is formulaic. What follows however, are uniquely executed visions that vacillate between tracks and songs. I wait in anticipation for remixes. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Glass\"}),\" is an intriguing track as it manages to sound both old and new simultaneously while\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Fate \"}),\"is the track I've been waiting for in this album, bringing together housey elements in arrangement with a Bryan Ferry-like vocal singing 'Let us folk choose our fates'.\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=APUmT1jTnVo&ab_channel=kovbokov\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"The slightly trendy \",/*#__PURE__*/ _jsx(\"em\",{children:\"Stow Away\"}),\" reminds me why modern tracks run the risk of being boring these days, which also makes the introduction of the next song, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Wrx\"}),\" (Edited by Don Williams)\\xa0that much sweeter. Its starry tones and chilled stratosphere represents all that we come to love and know of the genre, and how it is able to stand out right now.\\xa0Tracks such as\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Switchback\\xa0\"}),\"and\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"Buckshot\"}),\"\\xa0offer moments of electro in this album, rounding up a varied yet meaningful showcase of the producer's history and style.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=XJzj6zYZK4w&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=the29novforever\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),\"A new slice of Detroit from someone of the past proves that you really haven't heard it all.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"A1 I Won't Follow\",/*#__PURE__*/ _jsx(\"br\",{}),\"A2 Look At Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"A3 Freedom From Want\",/*#__PURE__*/ _jsx(\"br\",{}),\"B1 Glass\",/*#__PURE__*/ _jsx(\"br\",{}),\"B2 Switchback\",/*#__PURE__*/ _jsx(\"br\",{}),\"C1 Fate\",/*#__PURE__*/ _jsx(\"br\",{}),\"C2 Stow Away\",/*#__PURE__*/ _jsx(\"br\",{}),\"D1 Buckshot\",/*#__PURE__*/ _jsx(\"br\",{}),\"D2 WRX\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"2x LP\",/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/surkit-chamber-the-melding/434540-01/%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.juno.co.uk/products/surkit-chamber-the-melding/434540-01/\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"MP3/Wav\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.junodownload.com/plus/2011/10/12/reel-by-real-surkit-chamber-the-melding-review/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.junodownload.com/plus/2011/10/12/reel-by-real-surkit-chamber-the-melding-review/\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-reel-by-real-surkit-chamber-the-melding\"},{hz3sj3gFn:\"2011-11-22T00:00:00.000Z\",id:\"Ioybm4qW9\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/naghO4qCianHqkxVTjkMvqOMBhc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/naghO4qCianHqkxVTjkMvqOMBhc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/naghO4qCianHqkxVTjkMvqOMBhc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/naghO4qCianHqkxVTjkMvqOMBhc.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ELEKTRO GUZZI - PARQUET\",lZ2WhlLX5:\"22 NOVEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Put simply, Elektro Guzzi is a three-man-band that makes techno-inspired music with instruments like guitars, bass and drums. Founded in 2004, the trio from Vienna have spent a while getting their sound up to speed. They released their debut album in May 2010 on the Berlin-based label\",/*#__PURE__*/ _jsx(\"strong\",{children:\" Macro\"}),\", and have since been well-received in the electronic music scene, playing at various festivals such as Sonar, Time Warp and Austria\u2019s Springfestival. Their analogue methods take on the electronic genre by stripping it down \u2013 no laptops, no loops or samples, just instruments \u2013 and it is an experimental, organic approach that is best-appreciated live.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=YsidwefIjlU&ab_channel=JavierR.\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Their latest album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Parquet\"}),\", features dark, tribal beats, recorded entirely live on tape. I\u2019ve got nothing but respect for the trio and the way they skillfully build repetitive, dancefloor-worthy rhythms. As mentioned in an \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.electronicbeats.net/tv?videopath=tv/video/slices-feature-elektro-guzzi-issue-3-11\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"interview\"})}),\",\\xa0their music is not an attempt to \u201Csubstitute electronically-produced music or oppose it\u201D, and instead stems from their desire to explore and their enthusiasm for producing techno music. Whatever it is \u2013 I might be imagining things \u2013 there certainly is a sense of pure soul and depth in their live harmony of sound.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=SSuScf20fn8\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"\u2018Affumicato\u2019 kicks things off, hooking listeners with its hypnotic beat. It builds a haunting, beautiful pulse that leads into \u2018Pentagonia\u2019, which hints of a rock-influenced sound, but is undeniably structured as a techno track.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=iWviLy1BiCs&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=ElektroGuzzi\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"From here on, it\u2019s a steady, alluring ride. \u2018Vertical Axis\u2019, and \u2018Redford\u2019 really deliver the full thrust of the album, the deep sounds of percussion punching through repetitive guitar licks and basslines.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Elektro Guzzi speak of the importance of finding harmony in the music that they play together, rather than simply employing, for instance, a \u2018perfect\u2019 drum machine loop. It\u2019s a dedicated effort to go back to the \u201Cformal characteristics\u201D of music \u2013 the human aspect, consciously exploring the different sounds that each instrument can make, and intertwining everything to build strength in sound. \",/*#__PURE__*/ _jsx(\"em\",{children:\"Parquet \"}),\"is an energetic step up from their self-titled debut album in 2010, and an unconventional and fresh piece of work that deserves a thorough listen, for all techno - and even post-rock - fans.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Preview the entire album\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/electronic-beats/sets/elektro-guzzi-parquet/s-6TN0a\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\",\\xa0\"}),\"or \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.electronicbeats.net/music/features/eb-listening-elektro-guzzis-parquet-album-streaming-in-full\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"stream it here\"})})}),\". Enjoy the journey.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Affumicato\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Pentagonia\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Absorber\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Panier\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Vertical Axis\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Redford\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Reserva\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Moskito\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Side Dandy\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/ppps/products/437736-01.htm\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.juno.co.uk/ppps/products/437736-01.htm\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://twitter.com/#%21/photek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://elektroguzzi.net\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://myspace.com/eguzzi\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://myspace.com/eguzzi\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://macro-rec.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://macro-rec.com\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\\xa0\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-elektro-guzzi-parquet\"},{hz3sj3gFn:\"2011-11-12T00:00:00.000Z\",id:\"CYYh06Soq\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/plgZZidOw24yBVwyzCpGgR0sLKA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/plgZZidOw24yBVwyzCpGgR0sLKA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/plgZZidOw24yBVwyzCpGgR0sLKA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/plgZZidOw24yBVwyzCpGgR0sLKA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: MARTYN - GHOST PEOPLE\",lZ2WhlLX5:\"12 NOVEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Compared to his previous album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Great Lengths\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghost People\"}),\" has a more confident sound \u2014 though you still can\u2019t quite place it under one genre, except perhaps \u2018Martyn Music\u2019, as the Dutch electronic producer and label owner of 3024 refers to it. The album\",/*#__PURE__*/ _jsx(\"em\",{children:\" \"}),\"keeps in-line with Martyn\u2019s vision of diverse, experimental sound that refuses to be pinned down.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Visual artist and long-time collaborator \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.erosie.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Erosie\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"}),\"provided the artwork for the album, featuring an 18m high mural from the artist\u2019s \u2018Horror Vacui\u2019 (meaning fear of empty space) series. Before the album was officially released in early October, the duo brought \",/*#__PURE__*/ _jsx(\"em\",{children:\"Ghost People\"}),\" to the people with parties in London and Berlin, where Martyn played live sets against a backdrop of Erosie\u2019s art. Unintentionally befitting of the collaboration between visual art and music, the album feels more like an exhibition of the man\u2019s music, something to keep fans going, but not quite hitting a peak yet.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Inspired by the hollowness of nightlife and the lifestyle that comes with being a DJ, Martyn describes how he \u201Cchose things that are further away from (him)\u201D, hence the \u2018Ghost People\u2019 theme. \u201CThere are references to DJing in general. Not the jet-set DJ life, but the old Paradise Garage DJ life, where people want to share and play the music they really love, regardless of if it\u2019s trendy. Nothing fancy or flashy. Just back to the roots\u201D, as he said in an interview with \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.brainfeedersite.com/2011/10/10/martyn-ghost-people/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Brainfeeder\"})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"I sail through the first four tracks easily, especially \u2018Masks\u2019 with its smooth, deep beats, but I still feel like I\u2019m holding my breath, waiting for something stronger to drop. Things begin to pick up with \u2018Popgun\u2019.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2018Ghost People', the album's title track is another number that cuts things up nicely and gets you moving.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Ghost People is an album that\u2019s neither disappointing nor particularly memorable \u2014 until you get to the very end. The one track that really gets your attention is \u2018We Are You In The Future\u2019, a 9-minute track that slices any sort of monotony you might have felt, with its hypnotic, crashing breakbeats. \\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"This last track is a sweet surprise that has been on repeat for the past week now, and leaves you wishing there was more. And you can bet that there will be.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. Love And Machines (feat. Spaceape)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Viper\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Masks\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Distortions\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Popgun\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. I Saw You At Tule Lake\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Ghost People\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Twice As\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Bauplan\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Horror Vacui\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. We Are You In The Future\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4ebe2a95e8b39a0001001268/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-martyn-ghost-people\"},{hz3sj3gFn:\"2011-11-10T00:00:00.000Z\",id:\"AxX1tqSxl\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/XH7dstu9i7tFYLEjwgEy40BKC4s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/XH7dstu9i7tFYLEjwgEy40BKC4s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/XH7dstu9i7tFYLEjwgEy40BKC4s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/XH7dstu9i7tFYLEjwgEy40BKC4s.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: AVNEESH + CYMBAL\",lZ2WhlLX5:\"10 NOVEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"If you were at our 2nd Anniversary, you would have been under the spell of these guys behind the visual controls. Midnight Shift takes a break from the music to find out a little of what goes on at the other side in the minds of co-pilots and VJs, Cymbal and Avneesh.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How did you start getting into the motion visual arts?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh:\"]}),\" I've been involved the night scene for quite a while both musically and graphically. A few years ago, I was asked to create some visuals for to be projected into a client's nightclub. From there I've explored further into moving visuals.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Cymbal:\"}),\" I was from print background and during internship program in US is where I picked up motion graphics and joined several post houses for about 5 years.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are some of the video artists you respect right now?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh: \"]}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.pfadfinderei.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Pfadfinderei\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://1024d.wordpress.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"1024 Architecture\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.antivj.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"AntiVJ\"})})}),\" and Singapore local, \",/*#__PURE__*/ _jsx(Link,{href:\"http://brandontay.net/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Brandon Tay\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Cymbal:\"}),\" I respect video artists like Nam June Paik, Marcel Duchamp and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.billviola.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Bill Viola\"})})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Can you give us some videos of inspiration?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh:\"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Moderat - Rusty Nails (video by Pfadfinderei)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DoxUiqUpkw4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=BPitchBerlinTV\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"AntiVJ Visual Label\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/675254\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"AntiVJ is a visual label\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/antivj\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"AntiVJ / Joanie\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Light Line by Seeper\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/15887314\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"The LightLine of Gotham\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/seeper\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"seeper\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Cymbal:\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Ryoji Ikeda's Test Pattern\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Sa5g0kQrkUY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=vonspazz\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Kate Moross & Alex Sushon for Simian Mobile Disco\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Ko5ryBx65ZM&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=SMDTV\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Merce Cunningham's Scramble\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is a common misconception among the people of your craft?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh:\"]}),\" They think we are lightjockeys and mostly they don't understand the whole idea of synching the video to the music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do you go about preparing for a visual set?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh:\"]}),\" I always check on the site/venue/setup first before proceeding to the visual content as I believe that the content should fit the given material/space.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What do you think about when you are working the room?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh:\"]}),\" I focus on the music and ambience of the night. I try to tell a story throughout the night with the visuals.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Cymbal:\"}),\" I enjoy observing people's faces and see how they react to the music and visuals.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Dream show or set up?\",/*#__PURE__*/ _jsx(\"br\",{}),\"Avneesh:\"]}),\"\\xa0I would either love be able to do visuals for outdoor festivals/large scale events or having the possibility to do a mapping installation, on a large scale once again.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Cymbal:\"}),' I\u2019ve been doing graphics to cater to public and the club so I would be interested to do a video \"art\" exhibition, something like Nam June Paik\\'s global groove.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Most intensive production thus far?\",/*#__PURE__*/ 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_jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/nonaligned\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://vimeo.com/nonaligned\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/electrocaine\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://vimeo.com/electrocaine\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})}),\"\\xa0\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4eb36183ce035b00010014b8/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ 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Xhin will be performing at Midnight Shift's 2nd Anniversary tomorrow after midnight.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Stroboscopic Artefacts will release 'Sword' on November 11, 2011.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=CpTh9EWsdck&ab_channel=EmanuelaMortellaro\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"REVIEW\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"Writing an artist album review can be one of the easiest or most difficult things to do. Given the album I am now listening to, and the somewhat close nature of our relationship as friends, DJ peers, fellow artists and party mad techno enthusiasts alike, a certain objectivity can sometimes be very hard to reach given also, the mutual respect we share for one another's work.\\xa0 But, I promise, that in all aspects, I will, now, be as objective as possible.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The ten tracker; his third full-length release on Berlin-based label Stroboscopic Artefacts, aptly entitled 'Sword', by immensely gifted home-grown techno producer Xhin, is a stunner! And by no means am I being kind or biased in any way. From the ambient introductory strains of 'The Secret Closet' one feels that you've been invited into a movie where you venture onto a dim forest path whose final destination is not quite set in stone.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The adventure begins almost instantaneously with the onslaught of 'Foxes and Wolves'\\xa0 (if this were a soundtrack to the movie of his life, it doesn't waste much time with it's first action sequence). 'Teeth' cuts straight into you as well, thereafter, gnawing into you with it's broken, gnashing beats, gliding synths and slicing rhythms, and yet breaking itself down into a hypnotic midsection \u2013 almost like a famished wolf (or fox, perhaps) having you for dinner, taking a moment to breathe, and then finishing you off without another moment's hesitation. The real magic here is that you do survive, almost barely - or will you turn into a werewolf at the next full moon, or were you just dreaming? It's anyone's guess really.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The melancholic strains of 'Insides' and 'Wood' allow the listener those moments of bliss; broken rays of moonlight shimmering through the trees; the true magical beauty of this enchanted forest that you take in as you stroll on. 'Medium', 'You Against Yourself' and 'Vent', the latter being the albums darkest track by far, somehow indicate a certain struggle within; to either resist the change inside of you, or embrace it and make the most of the uncertain journey ahead. Right through to the final refrains of 'foreshadowed' and the albums final track, 'What You drew While You Were Half Asleep', Xhin manages to weave a certain imagery and ambience that fuses the adventurous, mysterious, sublime, blissful, macabre, sometimes even violent and gory elements into musical parallels that transcend the boundaries of musical experimentation and aesthetics.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"To the untrained ear or the virtually unintelligent or even, uninteresting, they might wonder what's so special about his work. However, herein lies the real magic. It's the vision of an individual who has written a storybook of his life, in which he shares his dreams, his aspirations, his nautical adventures, maybe even his fear, and uncertainty, and perhaps, even a certain inner conflict. But all of this, shared without fear of judgment nor the faintest necessity to conform. A revelation of true magic that can manifest itself in creation and artistic integrity, a celebration of artistic freedom and the sheer magic that can arise from it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I've never liked movies with predictable endings, and this one hasn't quite ended yet I think. Not for Xhin at least. Maybe he is the lone swordsman who saves you from the big bad wolf, or maybe, he is the big bad wolf himself. Or just a sly little fox.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. The Secret Closet\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Fox and Wolves\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Teeth\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Insides\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Wood\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Medium\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. You Against Yourself\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Vent\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Foreshadowed\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. This Is What You Drew While You Were Half Asleep\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"INTERVIEW\\xa0\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Is there a concept behind your upcoming album release, 'Sword'?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It tells a story about getting out of the void explained in a postmodern fairytale context.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What inspired the album?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Life, abstract compositions, weird stuffs among others.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How long did it take to finish?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It took me about a year to complete.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your favorite track from the album and why?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"You have to listen to the album as a whole.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How would you describe the music from this album?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Ambient, techno, breaks, something in between... Basically it's electronic music in general.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your favorite piece of gear and why?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"At the moment it's Korg iMS20 on my iPad. It's quite perfect comparing to the real MS20. I could just draft out some sound ideas while I'm on the road. Much fun.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What is one gear you are eyeing next?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Have not decided yet. Maybe one of many vintage gears available out there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you make your music stand out?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:['Work on a \"hook\" that is recognisable and unique.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any advice for emerging producers?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Work hard on whatever you are really good at and evolve from there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"If you are playing a sunrise set what song will you play?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Tycho - Coastal Brake\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=PitnHzwigTA&ab_channel=fera8778\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Which has been your best gig so far, why?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Not one but two. Civic Underground in Sydney and The End Up in San Francisco. The vibe was unexpectedly good.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you feel about being a part of the international scene?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It takes a lot of discipline and responsibility to be someone that inspires others.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What are you looking forward to in 2012?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Playing in some exciting places that I have never been before and of course, music making.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Can you give us a website link?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Free stuff -\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixmag.net/free-mp3-xhin\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.mixmag.net/free-mp3-xhin\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Xhin Live at The End Up, San Francisco, July 2, 2011\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/xhin/live-at-the-end-up-san\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Live at The End Up, San Francisco, July 2, 2011\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/xhin\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Xhin\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"1. 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Miss Mic (Michaela Therese) and Van Detta (Vanessa Fernandez) will come together as collaborators and friends for a special performance on Midnight Shift's 2nd Anniversary this Saturday.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How long have you been singing for?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Van Detta:\"}),\"\\xa0We used to have sing-a-long sessions at birthday parties in my family so I grew up very comfortable with singing. I joined the church choir at 12, and Kel (Miss Mic) and I were in a talent competition on TV called Rollin' Good Times. So, I've been singing for over a decade now.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0I've been singing for as long as I can remember; I wrote my first song when I was 4, we have it on tape. Vanessa will remember it well. And same as Vanessa, my sisters and I used to put on all sorts of shows for our family at gatherings. It never took much to drag a performance out of me.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Claim to fame?\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Van Detta:\"}),\"\\xa0Probably Urban Xchange, which was the hip-hop group we were both in that fronted a Coca-Cola campaign and got nominated at the MTV Asia Awards.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0Also Urban Xchange.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=AN5Kr_varII&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=yadinmohamed\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=DeJvwSo3OXI&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MichaelaTherese\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"When did you first realise singing was something you wanted to do?\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Van Detta:\"}),\"\\xa0After watching Disney's The Little Mermaid!\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0I remember when I started singing solos in the choir that Vanessa and I were both in, and thinking, wow, this is potentially something I can do! Then it became a reality and to this day I am still thankful I got so lucky.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Has it been challenging so far, how?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0It's always a challenge doing music in Singapore. We're too small to make the numbers to sell or tour original content, which is why most labels don't have A&R departments because it's not lucrative. People here prefer covers or support formulas, so the media follows suit. Musicians then end up working within a framework that fuels a system that is more about survival in a city where the cost of living is high than an environment where they can feel comfortable creating original content. If you've got the fight and guts to struggle, hopefully someday it will pay off. The upside of this struggle is that the people who fight and make it work within these boundaries comprise individuals and collectives of musicians who are very media and business savvy. My hope is that the climate will change to incorporate more support and space for the musician to grow in order to stay competitive in the global music community.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\\xa0\"}),\"I think the challenges doing music in Singapore are different from the challenges in other parts of the world in that, while there is less competition because we're so small, there are also fewer people to learn from and a propensity to lack drive now and again. I totally agree with Vanessa that when the struggle for money is driving your career, chances are you're going to end up chasing that instead of really working on your craft and hence, getting other people to look up and pay attention to what you're doing. People like me are doing what we can to straddle both worlds but it doesn't get easier really, you just get used to it, which, like contentment or comfort, can be dangerous.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are you guys thankful for, but what do you wish more support for?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0I'm grateful for all the people I know in the scene working hard and being open. Most of us know and support each other, and I hope this camaraderie endures. I wish people would look deeper into the scene; that media would follow and report on its activities. Not understanding the importance of music in culture and history is short-sighted. Not supporting it is arrogant and ignorant.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0I'm thankful for my talent, for my amazing family and friends and my support system and of course for my peers within the industry who inspire me everyday. Like Vanessa, I also hope for our \\\"underground\\\" culture to get more media exposure, and for the Singaporean listeners to be open to original music. That's really an area in which we are in dire need of support.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What are some high points of your career?\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0Probably performing on the opening day of the Gilles Peterson Worldwide Festival in Sete with \",/*#__PURE__*/ _jsx(Link,{href:\"http://syndicate.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Syndicate\"})})}),\" in July of this year. Also the debut of Octover (my side project with Jason Tan) at the Singapore leg of the festival at Velvet Underground last month.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0Dueting with Brian McKnight at his concert here in Singapore in 2009 and opening for Jos\\xe9 James in TAB this March.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=gIG5chtoLr4&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=erlisa\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Where are you guys currently performing?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0I don't perform anywhere regularly as I'm involved in a new online radio station, \",/*#__PURE__*/ _jsx(Link,{href:\"http://sonar.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sonar.sg\"})})}),\", and am working on original material.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0I'm playing at Timbre @ The Substation on Mondays, fabrika at Klapsons Hotel on Wednesdays and Quarubar on Fridays.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What projects are you guys are currently involved in?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0I'm finishing up an album with Jason Tan - we go by Octover. That will get released on the soon-to-be-launched \",/*#__PURE__*/ _jsx(Link,{href:\"http://syndicate.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Syndicate\"})})}),\" label. I will be writing and producing material for a solo project while I am away in L.A. starting December of this year. I'm putting a lot of heart and soul into \",/*#__PURE__*/ _jsx(Link,{href:\"http://sonar.sg/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sonar.sg\"})})}),\" which was started by a few radio veterans. It's a new online/mobile radio station that provides an alternative music experience to the one you hear on mainstream media. The idea is to have musicians/producers/selectors of multiple genres share their tastes and activities as peeps who are involved in the existing Singapore/international music scene.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/syndicatesg/syndicate-radio-live-covers\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SYNDICATE RADIO LIVE COVERS BY VAN DETTA & IZAAK STERN | \\xa0JAMES BLAKE - LIMIT TO YOUR LOVE\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/syndicatesg\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SyndicateSG\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0I'm working on the Miss Mic EP with Kaye & Dean Chew of \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/cosanostra\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cosa Nostra\"})})}),\", due to be out in the beginning of next year which will be released under the \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.darkerthanwax.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Darker Than Wax\"})})}),\" label. After that I'll start work on a full-length album for Michaela Therese, which will still be soulful but more organic.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"We hear that this is not the first time you guys are collaborating\u2026?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0Kel and I have collaborated together so many times I can't count really. We're extremely good friends because we've known each other since we were singing Boys II Men tunes in McDonald's bathrooms.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\\xa0\"}),\"Haha. Vanessa and I have been singing together from the time we were still children, really. Yes, all our bathroom singing led to Rollin' Good Times, Urban Xchange, many more shows and recordings since and now this.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Can each of you give a quip about the other?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0I think Michaela has the most amazing voice. Her lyrics are thoughtful and poetic. She's my sister and an inspiration and I respect and love her dearly.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0Vanessa is highly intelligent, sensitive, ridiculously talented and dedicated and someone I admire and love with all my heart. I couldn't have asked for a better partner to have grown up with emotionally, physically and musically. She is my family.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/vandetta/breathe\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Breathe\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/vandetta\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"vandetta\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are some artists you admire?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta:\"]}),\"\\xa0Radiohead is definitely one because they are the only group that I've loved from teenagehood that I still respect today - most others sold out or I outgrew. I also admire \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/cherry\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cherry Chan\"})})}),\" because she is a thoughtful artist who makes dope beats and is a nurturing, intelligent woman. For sure \",/*#__PURE__*/ _jsx(Link,{href:\"http://thelioncityboy.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kevin Lester\"})})}),\" and the whole \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/sixxmusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sixx\"})})}),\" crew. Also \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.shiggashay.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Shigga Shay\"})})}),\" who is a young, hungry yet humble talent. Amon Tobin and Bjork who just take music to another level. More recently, Strangeloop and Thundercat who are part of the Brainfeeder crew that is dope without a doubt.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Miss Mic:\"}),\"\\xa0Figures like Ella Fitzgerald and Sammy Davis Jr., who really had to fight back then as people of colour to be heard. And heard they were. Michael Jackson. Radiohead, for always being ahead of everyone else. The Roots, for keeping things so tight: it's one of my dreams to do a recording with them someday. Jos\\xe9 James, for being one of the artistes today who is not concerned with pigeon-holing music but with letting every influence have a place in his art. My brothers of \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/cosanostra\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cosa Nostra\"})})}),\", Kaye & Dean Chew, who have been my educators for a few years now. They've opened my eyes to so many things and are so talented and nurturing. Can't thank them enough. Our local DJs like Ramesh K, Godwin P, Anand Nair, Joshua P, \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/pages/DJ-KFC/115846121836711\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"KFC\"})})}),\", for inspiring me with their mixes and selections all the time. The \",/*#__PURE__*/ _jsx(Link,{href:\"http://bedsty.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Bedsty\"})})}),\" family; \",/*#__PURE__*/ _jsx(Link,{href:\"http://thelioncityboy.bandcamp.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kevin Lester\"})})}),\" and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/sixxmusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"SIXX\"})})}),\", I am so in awe of their work and drive.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=5j8a_OaasU0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MichaelaTherese\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What can we expect to hear from you guys on Nov 5th?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Van Detta + Miss Mic:\"]}),\"\\xa0We're gonna be singing over tracks from Basic Soul Unit, Jerome Sydenham and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.djeddieniguel.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Eddie Niguel\"})})}),\". It's gonna be a kind of jazz-soul electronic yumminess!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/michaelatherese\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.myspace.com/michaelatherese\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/michaelatheresemusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.facebook.com/michaelatheresemusic\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/vanessafernandezofficial\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.myspace.com/vanessafernandezofficial\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/pages/Vanessa-Fernandez/145291725509014\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.facebook.com/pages/Vanessa-Fernandez/145291725509014\"})}),\"\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-miss-mic-van-detta\"},{hz3sj3gFn:\"2011-10-29T00:00:00.000Z\",id:\"BWHhYFTP2\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/69cvJ6GNUFlcIwqhXyLum1L4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/69cvJ6GNUFlcIwqhXyLum1L4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/69cvJ6GNUFlcIwqhXyLum1L4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/69cvJ6GNUFlcIwqhXyLum1L4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST FEATURE: EDDIE NIGUEL\",lZ2WhlLX5:\"29 OCTOBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Singapore's Eddie Niguel drops the Midnight Shift Podcast #003. Winner of the Get Physical remix competition of Patrice Baumel's 'Roar' in 2008, Eddie (also known under his production moniker Edel) has since been working his way slowly but surely to the forefront of where we are at today. Check his intense mix combusting into sheer techno flames to hear what we're talking about.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So, how did your relationship with music begin?\",/*#__PURE__*/ _jsx(\"br\",{}),\"My relationship with music began at a very young age and it all started out with my dad. He was a music and hi-fi enthusiast and he would always put on these huge headphones on me while he played some of his favourite records. I'm fortunate that I have a dad that loves and is open to music in general. I picked up that trait from him and have since developed an open relationship with music. It doesn't really matter what the genre or style is or if it's old or new music. If it's good music then it's good music and I will embrace it. I have since took over what's left of his 70's & 80's collection, mainly disco, funk and 70's rock so it's all good.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Where did you receive your music education, formal or informal?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Well, I was in the school youth orchestra for 6 years playing in the brass and wood ensemble. Funnily enough I can't read or write scores now so I just play by ear if I have to. As for the technical side of things, I did spend some time in a local studio here and abroad watching and learning from the pros but I wouldn't consider that a formal education.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You\u2019re known as a bit of a low profile personality\u2026\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I\u2019m reserved by nature and I don't have the ambition to rule or conquer the world with my music. To me, my music is personal. I genuinely enjoy the whole music-making process and if others take a liking to what I do, I take that as a reward for the effort I put in. My output however is slow compared to everyone else out there so it's only natural that I am somewhat known to be a bit low profile and I don't have a problem with that at all.\\xa0On the contrary, I actually enjoy being under the radar as it gives me the space and time to develop and establish myself as a producer. Having said that, I do have an official website that I try to update regularly and I'm on social music networks like myspace or soundcloud.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel/oni-ayhun-untitled-edel-360-re\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Oni Ayhun - Untitled - Edel 360\\xb0 Re-Edit (Low Quality Preview) - FREE Download\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"Eddie Niguel Aka Edel\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You are also a resident DJ at a gay club Taboo in Singapore. How many years have you been there and your thoughts about it?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I have been at Taboo for about 6 years now. I have a great team there so the working environment is pleasant and the crowd is always out to have a good night of fun. Music wise, it's very different to what I would normally play out at any of my own gigs but as chief resident I am given the responsibility to keep the crowd entertained and ensure that the club remains in business. Hence for this reason, I choose to put the club's interest ahead of mine and keep it professional so that at the end of the day everybody walks away a winner.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Could you tell us about the scene in Singapore and its current state?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I think the music scene in Singapore is not too bad, it could have been worse. The electronic dance or clubbing scene however I think is doing pretty good. I've noticed that there are more bars and cafes playing electronic music now than there ever was. There's also more independent promoters and DJs throwing their own parties and starting up their own record labels.\\xa0Performing art venues like the Esplanade are also now opening up to electronic music and are hosting acts like Kraftwerk which is great. I hope to see the local scene grow and I'd love to see more smaller clubs and homegrown festivals here in the future. All in all I'd say the current state is pretty good, exciting times and there is definitely room for growth...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Is there anyone else whom you think people should check out or pay attention to?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I think the locals needs all the attention they can get so support all your local acts and check them all out. If you dig what they do, spread the word out to your friends, go to their gigs and buy their music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Could you tell us about your remix for Patrice B\\xe4umel\u2019s 'Roar'?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"The remix was done in Logic Pro with logic's built in plugs and soft synths except for the vocal samples. It did fairly well when Get Physical released it digitally on Juno downloads. It also introduced me to a new audience as well, thanks to the Label's reputation and Patrice's stamp of approval on the remix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel/patrice-baumel-roar-edel-lights-out-mix\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Patrice Baumel - Roar - Edel Lights Out Mix (Low Quality Preview)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Eddie Niguel Aka Edel\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"em\",{children:['\"Haunting and Dark, Will Cause Considerable Damage On The Dance Floor!\"',/*#__PURE__*/ _jsx(\"br\",{}),\"- Patrice Baumel (Get Physical, Trapez, Studio iK7)\"]}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your production method?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I try to be original, keep an open mind and tend to keep things simple most time. I always start with a blank canvas but that\u2019s the only thing that is fixed in my routine. Everything else is dependent on my mood, sometimes I will start by playing in some chords, other times I\u2019ll start by sequencing a drum pattern and take it from there.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What is your favourite piece of gear?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I own only a few right now so there are no favourites at the moment as I love them all equally. Logic still plays a key role and is still my main DAW for recording and mixing.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Is there a certain sound you associate yourself with?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Not that I am consciously aware of.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are some of your inspirations?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"If I have to list down names, it would probably be a very long list. I\u2019d say everyday life experience and traveling to other cities is probably the fuel that inspires me creatively.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who is your top 10 right now?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Instead of listing down a top 10, I decided to list down 10 people who's work I have always taken an interest in. They are all extremely talented and versatile producers in my opinion and their music always find it's way into my 'god dam this is hot folder'.\\xa0Not in any particular order:\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Ripperton, Deetron, Conforce, Apparat, Patrice Baumel, Chymera, Omar S, Levon Vincent, Redshape and Matt Edwards.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"And your top 10 of all time?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Only 10? This is really gonna be a tough one. 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How's Your Evening So Far\",/*#__PURE__*/ _jsx(\"br\",{}),\"Underworld - Dark & Long\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4eaab25049af460001000355/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"\\xa0\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Could you tell us a bit about your podcast?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I had intended to start off the mix slightly deeper but Midnight Shift had requested that I include my track for them \u2018Absolute\u2019 in the mix which kind of altered the direction I originally had in mind. Regardless, I tried to showcase a mix that would hopefully keep the Midnight Shift listeners entertained and also get a glimpse of what to expect when I play out at gigs. Granted, it's not the most accurate representation of everything I play as my sets tend to vary depending on the crowd, room and time-slot I'm performing. Nevertheless, I hope you listeners are going to enjoy the mix that I have put together cause it's been a long time since I actually did a mixtape.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"1. Marc Romboy/Blake Baxter - Where Would You Be - Loopapella (Systematic)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4eaab47e49af4600010003ae/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"2. Eddie Niguel - Absolute - Original Vinyl Edit - (Midnight Shift)\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. Deetron - Starblazer - Original Mix (Rejected)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4eaab53f49af460001000462/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"4. 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Josh Wink - Stay Out All Night - Radio Slave Mix (Ovum)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4eaab47e49af4600010003b2/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4eaab47e49af4600010003b2/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"6. Matthias Meyer - Tout Va Bien - Kink Remix (liebe* detail)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4eaab47e49af4600010003b3/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4eaab47e49af4600010003b3/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"7. Joe Stawarz - Cry - Decimal Remix (Soma)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4eaab47e49af4600010003b4/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4eaab47e49af4600010003b4/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"8. Gary Beck - Mock Tease - Orig Mix (Drumcode)\",/*#__PURE__*/ _jsx(\"br\",{}),\"9. Tres Demented - Demented - Orig Version (Planet E)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Mark Broom/youANDme - Get Serious - Edit Select vs Gary Beck (Dekadent Schallplatten)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Empty Set/Cornelius Harris - Altogether Lost - SCB Edit (Caravan)\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Rhythm & Sound feat Bobbo Shanti - Poor People Must Work - Carl Craig Remix (Not On Label)\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Len Faki - Death By House - Adam Beyer/Jesper Dahlback Remix (Cocoon)\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Art Of Tones feat Jaw - Call The Shots - Argy These Days Dub Mix (These Days)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/itunes/4eaab47e49af4600010003bb/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),\"15. Jerome Sydenham - Trombipolution - Original Mix (Drumcode)\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Orlando Voorn - Angels - Fran Hartnett's Dreamstate Mix (Nice & Tasty)\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Todd Terje - Snooze 4 Love - Original Mix (Running Back)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/juno-download/4eaab4f834055d00010003a2/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://link.mixeeba.fm/open-in/amazon/4eaab4f834055d00010003a2/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Amazon (256kbps Mp3)\"})})})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s next for you in 2012?\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"I just recently signed some new materials to Danny Howells label, Dig Deeper records from the UK so that's exciting. I've received some really nice feedback on those so I'm really looking forward to it's official release next year. Also, I\u2019ve been working on a couple of remixes under my Edel moniker for a 3-piece synth pop band out of the UK as well called Evokateur. They have been bubbling under, performing around venues in London and their gigs have received great reviews so keep a look out for them and my remixes too.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel/evokateur-wolf-girl-edel-after\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Evokateur - Wolf Girl - Edel After Hours Mix (Low Quality Preview)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Eddie Niguel Aka Edel\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Apart from that, I\u2019m just gonna continue working on new materials, try to get more stuff out there and hopefully land some memorable gigs along the way!\\xa0Last but not least, a big \u2018Thank You\u2019 to Midnight Shift for this interview, releasing my music and most importantly for the great parties. Wish you guys all the best for 2012!\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.djeddieniguel.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"http://www.djeddieniguel.com/\",/*#__PURE__*/ _jsx(\"br\",{})]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/djeddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://soundcloud.com/djeddieniguel\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.djeddieniguel.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/eddieniguel\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.myspace.com/eddieniguel\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-feature-eddie-niguel\"},{hz3sj3gFn:\"2011-10-24T00:00:00.000Z\",id:\"AFkjOU32C\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/jwYrrDXZX1XyVLuAaMNYCvJUvSo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/jwYrrDXZX1XyVLuAaMNYCvJUvSo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/jwYrrDXZX1XyVLuAaMNYCvJUvSo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/jwYrrDXZX1XyVLuAaMNYCvJUvSo.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: OCTOBER\",lZ2WhlLX5:\"24 OCTOBER 2012\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"What does JUICE taste like? This month's juicy delivery includes Modeselektor, The Magician and Kuedo as well as remixes of Eight and a Half and Lana Del Rey by TOKiMONSTA and Jamie Woon respectively.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Eight and a Half \u2013 \u201CScissors (TOKiMONSTA Remix)\u201D\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/eight-and-a-half/scissors-tokimonsta-remix\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Scissors (TOKiMONSTA Remix)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/eight-and-a-half\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Eight and a Half\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" What happens when you add bits of Broken Social Scene to parts of The Stills? You get a whole new superband called Eight and a Half, of course! The electropop outfit recently announced their arrival with new single, \u201CScissors\u201D, and best of all, it comes blessed with a lovely TOKiMONSTA remix. Double bonus!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" \\xa0The original was already a gorgeous piece of ethereal synth splendor but \u201CScissors\u201D is made all the more magical with TOKiMONSTA\u2019s sweet touches of sleek percussion and bassy brilliance.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" It\u2019s clear that Eight and a Half is swinging right out of the gate and tapping Brainfeeder\u2019s first lady to spruce up first impressions is definitely the right way to go.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Lana Del Rey \u2013 \u201CVideo Games (Jamie Woon Remix)\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/woon/lana-del-rey-video-games-jamie\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Lana Del Rey - Video Games - Jamie Woon Remix\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/woon\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"woon\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" We\u2019d prefer to stay out of the Lana Del Rey controversy that\u2019s hilariously got indiedom split into bickering factions. So we\u2019d just like to say, manufactured or not, \u201CVideo Games\u201D is a hell of a song, which explains why it\u2019s been remixed (and covered) to death. And Jamie Woon\u2019s take is by far the best of the batch.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" The post-dub figurehead lends his moody melody and pitch-shifting pessimism to Lana Del Rey\u2019s breakout track, perfectly accentuating her voice with eerie awesomeness.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"This is a magnificent take. But we\u2019re guessing that with or without this track, the two buzziest names in 2011 music will probably get on just fine.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Modeselektor feat. Thom Yorke \u2013 \u201CShipwreck\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/katk-1/modeselektor-shipwreck-ft-thom\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Modeselektor - Shipwreck (Ft. Thom Yorke)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/katk-1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"KatK\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" German glitch-electro duo Modeselektor have a great new album called \",/*#__PURE__*/ _jsx(\"em\",{children:\"Monkeytown \"}),\"out and two of the record\u2019s finest cuts feature none other than Radiohead\u2019s frontman (and part-time low-end DJ) Thom Yorke.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" \u201CShipwreck\u201D is our favourite of the two collabs (though both are excellent) and it\u2019s an experimental wonder that fashions Krautrock, IDM and Yorke\u2019s falsetto into swagged-out bliss.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Modeselektor certainly deserves more notice and that\u2019s something that always comes when Thom lends his name to a project.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"The Magician\"}),\" \",/*#__PURE__*/ _jsx(\"strong\",{children:\"feat. Jeppe \u2013 \u201CI Don't Know What To Do\u201D\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/themagician/the-magician-feat-jeppe-i-dont\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:'The Magician Feat. Jeppe \"I Don\\'t Know What To Do\" (Original)'})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/themagician\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"TheMagician\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Stephen Fasano is one-half of cosmic-house pair Aeroplane, but he\u2019s recently begun a solo adventure under the moniker of The Magician. This is his long-awaited Kitsun\\xe9-backed first single featuring Dane Jeppe Laursen.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Take a little deep-house influence and some infectious power piano chords and you get a disco pop ditty at its catchiest.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" You\u2019ll be raping the repeat button before we can say \u201Cabracadabra\u201D.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kuedo \u2013 \u201CAnt City\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/planetmurecords/kuedo-ant-city-taken-from-the\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Ant City\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/planetmurecords\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Planet Mu Records\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" As one half of Vex\u2019d, Jamie Teasdale is one of the key players in the rise of dubstep in the early noughties. But that was a different time and Jamie\u2019s head was in a different place. Now as Kuedo, he\u2019s discovering whole new electronica wilderness.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Don\u2019t expect any malevolent grime here. It's vintage synth with sci-fi aesthetics (think Vangelis\u2019 \",/*#__PURE__*/ _jsx(\"em\",{children:\"Blade Runner\"}),\" score) that\u2019s as pretty as it is post-apocalyptic.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" This track is taken off his forthcoming \",/*#__PURE__*/ _jsx(\"em\",{children:\"Severant\"}),\" album which sees him bridging Lex Luger-esque hip-hop and experimental techno. It\u2019s so intriguing that it should inspire a whole new world of production possibility.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Go back to the Midnight Shift homepage here.\"})})}),\"\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-october\"},{hz3sj3gFn:\"2011-10-22T00:00:00.000Z\",id:\"IAdbaH_Db\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/z3LOmaqZKLBm5lqPgqVWTNrjeA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/z3LOmaqZKLBm5lqPgqVWTNrjeA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/z3LOmaqZKLBm5lqPgqVWTNrjeA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/z3LOmaqZKLBm5lqPgqVWTNrjeA.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST FEATURE: MING\",lZ2WhlLX5:\"22 OCTOBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsxs(\"p\",{children:[\"You might have already heard his 2-hour promo mix that has been the talk of the town. Now read the mind behind it. Since moving from the UK, Ming has quickly risen the ranks as Zouk's latest resident. Known for his spontaneous and sophisticated 3-deck mixing, he's clearly one to watch. Scroll down to hit play on the mix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/event.php?eid=284537708237416\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[\"Ming will be representing his homeground at Midnight Shift x Zouk: In the Underground on Nov 5th.\",/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"When did you join Zouk as a resident and how did that come about?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I joined Zouk in August this year having been playing on a part time basis at the end of July. I guess I fitted the bill...young, good taste, good looking. Haha. But in all seriousness, there came an opportunity, I seized it, and ended up working at one of the best clubs in the world.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Prior to that you were a Home Club resident. How was that experience?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I'll be forever grateful to Home Club. During the switch they were supportive of my decision and we still have close ties. Playing there gave me the freedom to develop not only my skills as a DJ, but opened my eyes (or ears rather) to whole new worlds of music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Was it tough transiting from an underground venue to a top international club?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I've always believed in music and I still do. Becoming acquainted with a different crowd has been tough at times, and there's definitely a lot more pressure, but playing at a top international club such as Zouk only means more exposure\\xa0\",/*#__PURE__*/ _jsx(\"em\",{children:\"for\"}),\"\\xa0the music which can only be a good thing.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Has your sound changed in any way?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"I don't think so. My sound has always been influenced predominantly by bass; that element certainly comes through when I play. The difference is now I get to play everything I like.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Can you describe some of the differences between the UK scene and Singapore?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"In the UK, dance music is quite fairly represented in terms of artists, djs and clubs. You can find a night every night that will play what you want to hear. Here in Singapore certain genres are underrepresented and haven't had a chance to develop into a proper scene.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"You are known for your 3-deck mixing. Why 3 decks and how has that help shape your sets?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"There's certainly a bit more energy, and it allows you to sneak in songs that you otherwise wouldn't be able to play in a set.\\xa0I've always found it important to differentiate myself from other DJs, as with present technology it looks like everyone wants to be one; playing 3 decks makes you rethink structure, rhythms, and how you can utilise different elements of different songs to create a symphony that you can uniquely call your own.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What goes on in your mind while mixing behind the decks?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A lot. I'm known to over think. Usually I'll be looking out for signs and reactions on the dance floor - that's probably the most important thing. I think a lot about the energy of the music, of peaks and troughs; how to build that journey, how to make a song sound better than it does alone. I treat my sets as a symphony, orchestrating separate tracks to achieve a coherent, and cohesive sound. Through visualising melodies, analysing structures and with a lot layering, the sum of the parts becomes greater than the whole and that's when you make what is someone else's, yours.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What makes a good (or bad) DJ?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),\"A good DJ should be aware of the floor at all times, have a strong conviction in the music they play, whilst still possessing the ability to adapt in different situations. A good DJ finds a balance of what people want to hear, and what he wants them to hear. 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And there is where you can get my night, CNTRL Wasteland.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Who are your inspirations?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"My dad, my late mom, Kelvin Tan loopinmotion, Underground Resistance (UR).\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"How do you describe the music you play?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"I tell stories, with beautiful melodies and influences.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What type of music excites you?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"Detroit techno excites me most, acid house goes second (it is good for running) and at times dub reggae and dubstep.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"What makes a good DJ?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"A DJ who doesn't stick to one style of mixing and have things under his/her sleeves for every coming performance. 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I would also love to see how I would work with Midnight Shift.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Can you tell us about the mix you put together for us?\",/*#__PURE__*/ _jsx(\"br\",{})]}),\"The mix is all about the mixture of influences I got by bringing techno and house music together. I did some exploration to give an idea on what I have in mind for Nov 5th.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist:\"]})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. 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The Door - Jerome Sydenham (Unreleased)\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. 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Veteran DJ and producer Brendon P gives his review.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Release dates:\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"UK - October 31st, 2011\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Australia - November 4th, 2011\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Europe - November 7th, 2011\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),\"Nth America - November 8th, 2011\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/balanceseries/deetron-balance-020-cd1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Deetron - Balance 020 CD1 (Preview edit)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/balanceseries\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"BalanceSeries\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"As cynical as I can sometimes be about most mixed compilations (due to countless disdainful reasons that I can't quite count off the top of my fingers and toes), I somehow felt, that this one was going to be a tad different. Having watched and danced to him at one of the Midnight Shift parties earlier in the year, and as brief as his set may have been (thanks to the worst possible intervention by the 'boys in blue') I must admit, he'd been one of the best DJs I've heard all through this year. Even for those 50 minutes of dancefloor bliss.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Number 20 in the Balance series mixed by Swiss DJ/Producer Sam Geiser, better known by many simply as Deetron, (whom I've followed for a while now, and had the pleasure to meet and dance to twice in my life) is a general and simple reflection of the man himself, and his eloquence and meticulous nature as a DJ (and also a reflection of why I need to stop being cynical about mixed compilations...for now).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"On pressing play, CD1 opens warmly with Autechre's 'Nine' and sets the tone for what is to follow. Which generally is a set that is diverse as it is breathtaking. If you're in a club working up a sweat, and if you close your eyes for a minute, it's almost like you're on the shores of a beautiful, sugary sweet white sanded beach watching the first faint strains of sunrise creep up on you. And then taking in, with regal vigour, the rest of a brand new day in which new, unexpected and exciting adventures await.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/30579992\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Deetron - Balance 020\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/user8893073\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Balance\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I hate using the word 'journey' because I've heard it used and mentioned so many times before by so many people who use the word without knowing what the real 'journey' really entails. But make no mistake, this is a proper... excursion. It dares to be different and not take the common routes and tracks that so many other compilations I've heard (and given up on half way) have taken.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Layered and mixed seamlessly and almost effortlessly, with Deetron's loving attention to detail; it's taught me to look at the work that I do in a whole new light.\\xa0\\xa0And I won't mince my words when I say that there's nothing 'predictable' about this. He doesn't leave you hanging for too long, and yet leaves you enough time and space to enjoy the landscape before crossing another border, or time zone. And, although there's always a sense of darkness or danger lurking around the next bend,\\xa0\\xa0it's a sickly sweet, and probably melodically tasty one too. It's hard to predict.\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you're the kind of listener who just likes to skip through tracks to hear the mix points, you'd miss the best parts (and... shame on you if you are by the way)! Tracks like System 7's 'Positive Noise' (the Carl Craig Remix), Maceo Plex's 'You & Me' and Todd Terje's 'Ragysh' break down the barriers of the stereotypical and common-place idealism of techno and it's many 'mis-layered interpretations'. None of the usual 'quintessentially predictable' Beatport top 100' tunes to trainspot here either with the exception of his own slice of excellence; 'Starblazer', towards the end of CD2.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=HGvcdr1A0p0&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=MsRunningBack\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"And that's another epic story altogether. Just when you think it's going to strike 'common ground' at the end of CD1, CD2 side-swipes you onto a new and unexpected trail. The second disc takes it totally south of the border into new territories. This time taking the momentum and energy up a notch and yet, keeping the hip-shaking tenacity and lush layers that were omnipresent on disc 1. From the piano tinged 'Swept Illusions' by Ripperton to dark soulful layers on the Ame remix of Osunlade's 'Envision', the rapid thump of tracks like Super Flu's 'Hallo Halle' and Sneaker's 'You Think You Think', the jacking brilliance of Surgeon's ' The Crawling Frog is Torn and Smiles' and Deetron's own, and unreleased version of 'Collide, it's really the set I'd love to hear in a proper club. Quite honestly, if you're hearing this in a club and you're not already or even remotely overwhelmed to some extent, then you must be in the wrong club.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Rt-3fi0n0Tk&ab_channel=UncannyValley\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=SutbWHAhVAw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=the29novClassics\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"One very interesting point to note here without getting too technical is that CD1 was mixed digitally and post-produced on Cubase and Wavelab, and CD2, recorded with vinyl, three turntables and an Allen and Heath mixer. Hence the two degrees of embraced separation: digital for CD1 and analogue for disc 2.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"\u201CI chose to use both digital and analogue formats since I'm using both when I'm playing out\u201D, he explains. \u201CThis compilation is a celebration of the gorgeous format that is vinyl and a praise for the endless possibilities the digital world has to offer.\u201D\\xa0\\xa0\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A simple, yet bold statement, and probably his theology of life itself, from a simple, and very talented man who lets his skill, integrity, knowledge, eloquence, and taste do the talking and not a sync button, trickery or a chartable playlist. There's nothing politically correct about this one. 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And if you\u2019ve forgotten just what a techno ace Marcel is, this track and record is set remind you.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Straightforward but darkly neurotic, \u201CTranslation Two\u201D smartly makes the most of its spaced-out minimal parts to build up relentless tension.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Ostgut Ton has a gem on its hands with this one and Marcel\u2019s place as one of contemporary techno\u2019s most capable figures is pretty much assured.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixeeba.com/open-in/juno-download/4e83477b68aee00001006c91/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\" | \"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixeeba.com/open-in/itunes/4e83477b68aee00001006c91/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"iTunes (256kbps AAC)\"})})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-september\"},{hz3sj3gFn:\"2011-09-13T00:00:00.000Z\",id:\"dnq6R9F2O\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Vw2CvPlFsZlio3vD69CLiI4sgrM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Vw2CvPlFsZlio3vD69CLiI4sgrM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Vw2CvPlFsZlio3vD69CLiI4sgrM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Vw2CvPlFsZlio3vD69CLiI4sgrM.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST FEATURE: QUELL\",lZ2WhlLX5:\"13 SEPTEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"28-year-old Quell, or real name Nikolaos Raptis, hails from Greece but has lived in London and Berlin (since 2007) for the past 11 years. When not busy churning out records for multiple labels (including Midnight Shift), he\u2019s revisiting classics from rockability to punk, new wave, house, disco and hip hop at the Unholy Grail night every Wednesday at Neue Odessabar with friend and DJ Daniel Orestes. We caught up with the artist in Berlin for this interview.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So, how did you start?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I\u2019ve been DJing since I was 16 and producing music electronically since 2005. As an adolescent, I was lucky enough to have found myself amongst interesting people and media in my home country of Greece through which the world of pop music opened up in front of me. It was not always dance music I was a fan of although I did own Daft Punk's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Homework\"}),\" LP and Etienne De Crecy's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Super Discount 1\"}),\", Orbital, The Chemical Brothers etc. back then without really knowing the music realm they came from. I used to play in clubs and parties as a teenager and got to play indie pop, rock, new wave, punk rock and some of this stuff. My full realisation of what dance culture, clubs and dance DJs were came a few years later after I'd moved to Britain and that pretty much brings us up to today.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"How and why the move to Berlin?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I first came to see what it was like as Argy, one of my best friends, had been living here for a year already after moving out of Britain. I felt at peace here almost immediately. There seemed to be so much more space and time compared to Central and West London where I lived around those years. Berlin does not put so much pressure on people and I felt I could focus more on the artistic side of me and devote myself completely to writing and producing my own music full time. I love the city as well. I remember the completely different energy that I sensed, emmanating from all the recent history of the place. It's visible everywhere, the streets, the buildings, the people... I realised then that I wanted a change of scenery and wanted to somehow start from scratch which I found myself doing in Berlin. At the same time I'd been complaining a little bit about life in London and the city's rhythms, which after 8 years of living there took its toll on me slowly...Or maybe this was just an excuse to just jump ship to something new and thrilling!\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When was your big break?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It\u2019s actually happening right now. It finally feels like things are moving and happening. For a long time I focused on smaller tightly knit house music communities based in the US mostly, but after some time I realised that there was a limit to that and I had to make my music applicable universally and be inspired more from what was happening here, in Germany and Europe generally. So here I am, I worked my head off all last season and am most happy with the results. Releases include my \",/*#__PURE__*/ _jsx(\"em\",{children:\"Alsos\"}),\" EP on Ibadan Records, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Perception\"}),\" EP on Argy's These Days Records imprint, a contribution to Gorge and Nick Curly's 8Bit for their 5-year anniversary and my afro house EP on Boddhi Satva's Offering Recordings which I am very proud of as well! At this point I really have to thank Argy and Jerome Sydenham among a few other people who really believed that all my hard work of last year amounted to something worthy. Also I have to thank them for their ever so stimulating company and continuous help and support.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell/quell-alsos\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"QUELL - ALSOS\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Quell\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tell us about your upcoming LP on Ibadan Records.\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"It is currently in the works and well underway. It will be a full artist LP and also available on CD and digital formats. The concept behind it is a tribute to all the music from the label that I have fallen in love with over the years and that helped shape a big part of my ethic and taste in dance music. All the records that were released on there from Joe Claussell, Kerri Chandler, Vince Watson, Dennis Ferrer, Slam Mode and of course Jerome Sydenham have always inspired me as a DJ, as a producer and as a music lover. Now after having met and worked with and being friends with Jerome and Ibadan, I have the chance to show this respect and pay my tribute with this album, through my own taste and filters so to speak.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What else is in the future for you?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Apart from my LP on Ibadan in 2012, there is an appearance on good friend Gummihz's label called Claap Records, Cosmic Cowboys' very nice and sweet Back and Forth Recordings from Italy, my contribution to the amazingly refreshing Midnight Shift project of course and some other things that are being discussed at the moment. To be honest after the release of my last two records on These Days and Ibadan I have been approached from many people most of which are people I have always wanted to work with and admired, which feels overwhelmingly rewarding for me. I am really moved with a twist of relief also, the idea that I may be doing something right!\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The plan for the next 5 years?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"My plan is to start touring and finally really put myself out there and show the people who know me and those who don't what I'm talking about! My musical education consists of the indie aesthetic of record labels such as the small UK label Cherry Red Records, Postcard Records, Creation and 4AD thing which will also lead me to occupy myself with more instrument/band based music creation in a more indie/new wave/post punk sort of vein...but all in good time.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell/sets/8bit-records-5-yr-anniversary\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"8Bit RECORDS 5 Yr. ANNIVERSARY\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\" by \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Quell\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It\u2019s been said that you\u2019re not pedantic about genres. Thoughts?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"I am not one of those people who say that I like everything, either and pretend to be pointlessly \\\"open-minded\\\". I have developed an attitude towards music, which is a little bit strict. I couldn't help but turn this way given the enormous amounts of music being produced and released both in dance music and in other genres/styles. I love many many different styles of music but each of them in a very specific way. If you go through my music collection for example, you will find music by the Cocteau Twins, Jeff Buckley, The Wipers, Sonic Youth, Kerri Chandler, Chez Damier, Burial, Townes Van Zandt, Rufus Wainwright and so many different people whose music I have lived with and followed over the years. I do not follow dance/club music as a 'scene'. I write tracks and support it also as a DJ because it's an innate desire of mine and an insatiable one at that. There is always a specific thing that catches my ear in songs/tracks of any genre, that will get me excited and make me want to look deeper and further.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Who are your top 3 music artists?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"1. The Smiths/ Morrissey\",/*#__PURE__*/ _jsx(\"br\",{}),\"2. And Also The Trees\",/*#__PURE__*/ _jsx(\"br\",{}),\"3. The Tindersticks\",/*#__PURE__*/ _jsx(\"br\",{}),\"These are top 3 bands of artists that I have yet to outgrow and get over. I discovered them throughout my life and the most attractive thing to me about them that I always envy and try to live by, is their disdain to conform at least musically just to fit in...That's the dream!\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"What\u2019s your production methodology or philosophy?\"]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"It is very digital based. I use Logic and Ableton Live in rewire. I am currently sharing a studio space with Argy who owns lots more outboard gear than I do, so I get to use and experiment with some new equipment! Sharing my creative space is also a very interesting experience, it is also something that I have never done before, so I'm really looking forward to its results!\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"More importantly, whatever music I sit down to make I want it to be strong emotionally and leave a mark, for a short or long amount of time (long preferably). It is electronic with a soulful element and a keen sense of my personality coming through the music. Having learnt the technical aspects over the years, now I constantly think and shape what I want my record to sound like in my head first and then out of the speakers. I do exactly that every time I sit down to make music.\",/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\" \"]}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell/sets/quell-perception-thesedays011\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"QUELL - PERCEPTION EP (THESE DAYS 011)\"})})}),/*#__PURE__*/ _jsx(\"strong\",{children:\" by \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Quell\"})})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Last tips?\"]})]}),/*#__PURE__*/ _jsxs(\"p\",{children:['My initial thought on this is \"what the hell do I know\u201D? Advice, as much as I am in the position to give it and also first and foremost to myself, is to spend time with your musical creations until they are really great or really annoying. There is always amazing music coming out in the world, but sadly 90% of it is just hogwash, at least to my ears and this is partly because of what I mentioned earlier about people rushing to put things out and in massive volumes without thorough listening, productive thinking and consulting with friends and their surroundings in general first... before the songs are 100 or even 1000 percent complete or they just sound \"cool\" or \"ok\" only. Like I said before, this is advice to myself first and then something I would tell people who are starting making music or friends and colleagues who have been doing it for a while...Luckily, I feel blessed to be surrounded by people whose brains I can really pick and who can pick mine about music as an artform and also about its business aspects.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Quell's Drastic Changes Midnight Shift Podcas\"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"t\"})}),/*#__PURE__*/ _jsx(\"strong\",{children:\" 002\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. DJ Sprinkles - Grand Central, Pt. I (Deep into the bowel of house) - Mule Musiq\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"02. The Mystical Beasts - Communicate (Permanent Vacation's Hypnotoad Remix) - International Feel\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"03. 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Tiger & Woods - Deflowered - Running Back\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mixeeba.com/open-in/juno-download/4e6f726a3d2df70001000a22/\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Juno Download (Mp3/WAV)\"})})]})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Or \"}),/*#__PURE__*/ _jsx(Link,{href:\"http://itunes.apple.com/sg/podcast/midnight-shift-podcast/id464656004\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"subscribe\"})})})}),/*#__PURE__*/ _jsxs(\"em\",{children:[\" to the Midnight Shift podcast on iTunes.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{})]}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Links:\"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"br\",{})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/index.php/label/artist/13/Quell\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Artist Page\"})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Quell+%283%29\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Discogs\"]})})}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/quell\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Soundcloud\"]})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-feature-quell\"},{hz3sj3gFn:\"2011-09-09T00:00:00.000Z\",id:\"vydXiSl36\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/cxINF41o6M6m81bmYj8MgeSE.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: OMAR-S - IT CAN BE DONE, BUT ONLY I CAN DO IT\",lZ2WhlLX5:\"9 SEPTEMBER 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Omar-S, native Detroit DJ and producer, releases his second LP called \",/*#__PURE__*/ _jsx(\"em\",{children:\"It Can Be Done, But Only I Can Do It\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As one of Detroit's finest, Omar-S is known for his sharp rhythms as well as simple and effective melodies. A tinge of acid, sophisticated drum programming and an analog sound that is raw yet clear make his productions highly coveted items. Like his lively, in-your-face interviews, his productions have more than a word to say. And true to Detroit legend, he even still works at the Ford Motor Company as a parts certifier.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His latest album comes six years after \",/*#__PURE__*/ _jsx(\"em\",{children:\"Just Ask The Lonely\"}),\" in 2005 and it shows a more refined and polished aesthetic. The above signatures are still there, but there is an extra trim off the edges which makes this album a somewhat smoother listen.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"While some artists choose to delve into wide spectrums in an album release, Omar-S has focused on creating tracks that simply work, either on their own or together in arrangement. But if not in style, he has gone wide in mood. Overall, while the tone of the album is sombre and mellow, there are the rewarding highs to be obtained.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album begins with \",/*#__PURE__*/ _jsx(\"em\",{children:\"Solely Supported\"}),\", a deceptively simple opener. Like the other tracks you will hear later, it is remarkable for its stripped down discipline alone.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=w6GSSt0nvvw&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=samuithai\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Before you imagine the NSFW \",/*#__PURE__*/ _jsx(\"em\",{children:\"Look Hear Watch\"}),\" to be yet another song featuring a female orgasm (ref \",/*#__PURE__*/ _jsx(\"em\",{children:\"French Kiss\"}),\") it is totally unique in its melancholic piano execution. As if it is an ode to someone lost, or a scene overheard from a lonely next door hotel bedroom.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The album's eponymous number, \",/*#__PURE__*/ _jsx(\"em\",{children:\"It Can Be Done, But Only I Can Do It\"}),\", is a hypnotic slow burner that hits you before you even realise it. The wonderful synth-led track \",/*#__PURE__*/ _jsx(\"em\",{children:\"Here's Your Trance, Now Dance\"}),\" which has been released earlier makes a repeat highlight here. It is an uplifting dancefloor hit that unlike its name suggests, is anything but cheesy and will put a smile on all camps of dance.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=l8SYfPMknpQ&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=bigfish0802\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Having been the maker of his own label, FXHE Records, Omar-S has been able to take full control of his output. You can still buy records off his \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.omarsdetroit.us/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"website\"})})}),\", but a few things have changed. When once you could only buy vinyl with handwritten labels (using the markers from his day job) and in limited quantities, now wavs are available. But one would be silly to lodge any sort of complaint with Omar-S going digital. You can even buy FXHE-branded ice trays. Now, that is what we call enlightened merchandising.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"All in all, this is another beauty from the one and only Omar-S, who by the way is also excellent as a DJ. Listen to his much-lauded 2005 mix \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.fullbozman.com/omar-s-mix-2005%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"You can also download a free for listening 5-track EP from \",/*#__PURE__*/ _jsx(Link,{href:\"http://scionav.com/collection/753/Scion-A/V-Presents:-Omar-S.---High-School-Graffiti\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Scion A/V Presents: Omar S -High School Graffiti\"})})}),'. A release between Toyota\\'s Scion project and Omar-S, the \"gritty yet spirited\" collection also features a track with Theo Parrish.']}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=dD-30K979Lg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=UMBAzajelimiumba\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"\\\"I'm not putting out music that you put on someone else's label that sounds the same. You do shit on FXHE or you do shit on your own label. Fuck that, I'm not fucking with you if you're fucking with other people. Jus-Ed is the only one who really took advantage of that. Jus-Ed did his first song on FXHE Records, he got a name for himself, now he's doing his own thing BIG. I'm really proud of him. Kyle Hall is doing the same as well!\\\"\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"- Omar-S, from an interview with \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.residentadvisor.net/feature.aspx?1010\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Resident Advisor\"})})}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Solely Supported\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Supported Solely\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. 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Bobien Larkin\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/it-can-be-done-but-only-i-can-do-it/433126-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"http://www.juno.co.uk/products/it-can-be-done-but-only-i-can-do-it/433126-01/\"})})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-omar-s-it-can-be-done-but-only-i-can-do-it\"},{hz3sj3gFn:\"2011-08-30T00:00:00.000Z\",id:\"urFnWMFkm\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/zHFR8O6SLnPHgpg0xB9TjWi0Wk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/zHFR8O6SLnPHgpg0xB9TjWi0Wk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/zHFR8O6SLnPHgpg0xB9TjWi0Wk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/zHFR8O6SLnPHgpg0xB9TjWi0Wk.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: AUGUST\",lZ2WhlLX5:\"30 AUGUST 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Guest reviewers JUICE magazine single out Air Drops, Cosmin TRG, Four Tet, Regis and Saturn Never Sleeps as their top 5 to check out this month.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[\"Air Drops \u2013 \u201CJejune\u201D\",/*#__PURE__*/ _jsx(\"br\",{})]})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=2tgSk83OJmk&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=airdrops\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz\"}),\": Where do all these mysterious bedroom electronic acts come from? 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This innocuous, atmospheric track is a stunner that hints at even greater things during his starring turn in the forthcoming \",/*#__PURE__*/ _jsx(\"em\",{children:\"Fabriclive 59\"}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Cosmin TRG \u2013 \u201CFizic\u201D\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=rPoTKCD0HEg&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=CopeLtda2\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz: \"}),\"Cosmin Nicolae is best known for past 2-step and dubstep adventures. But lately, he\u2019s been a purely techno player who\u2019s subversive take on the genre is anything but purist.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like: \"}),\"Led off by a kickass 808 drum build, this track then ventures into fidgety and fuzzy techno that trades traditional smoothness for rough-edged shards of garage.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"We\u2019re unsure what the future holds for Cosmin TRG\u2019s brand of dub-influenced techno but we\u2019ll guarantee that your next 45 minutes will be bliss if you put on his \",/*#__PURE__*/ _jsx(\"em\",{children:\"Simulat\"}),\" record now.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Regis \u2013 \u201CBlood Witness\u201D\"]})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/subbase-dublin/regis-blood-witness\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Regis - Blood Witness\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/subbase-dublin\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Subbase Dublin\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz: \"}),\"Former British Murder Boy takes a break from his day job in the Sandwell District collective for his first proper solo outing since 2001\u2019s \",/*#__PURE__*/ _jsx(\"em\",{children:\"Exercise For Institutions\"}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" This A-side from \",/*#__PURE__*/ _jsx(\"em\",{children:\"In A Syrian Tongue \"}),\"isn\u2019t exactly foreign stuff, in fact its comfortably reminiscent of his swaggering and unyielding techno style. Fierce, black and revelatory.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction: \"}),\"Regis pulls no punches and his latest solo efforts prove that the man (and consequently the EP\u2019s home label Blackest Ever Black) is a force to be reckoned with beyond the borders of Sandwell District.\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"30-8-11-the-juice-playlist-august\"},{hz3sj3gFn:\"2011-08-23T00:00:00.000Z\",id:\"lZ3MHClDU\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Kwe9ueno4FXJNqeZI35vZw7OYn8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Kwe9ueno4FXJNqeZI35vZw7OYn8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Kwe9ueno4FXJNqeZI35vZw7OYn8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Kwe9ueno4FXJNqeZI35vZw7OYn8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"A HIGHER STATE OF PARTY: DAVE ANGEL (UK) AT KU DE TA\",lZ2WhlLX5:\"23 AUGUST 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"Dave Angel @ Attica (2004)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's been just slightly over a month since Midnight Shift's\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.flickr.com/photos/midnightshift/5873762672/in/photostream\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"last party\"})})}),\", but it's back in a higher state with Dave Angel (UK), Norman Chung and Kaye at Ku De Ta on Sat, 27 August. For those who like to research on what they are getting themselves into, here are a few items on a need-to-know basis:\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Dave Angel (UK)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'No stranger to Singapore, Dave has performed more than a handful of times at Zouk (1998-2002), ZoukOut (2001) and Attica (2004) in previous years and there was little choice but to bring him and his sound back to a crowd of new ears. Expect by special request, \"classic house music with a twist\".'}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Hit to know:\"}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Dave Angel - Tokyo Stealth Fighter (Carl Craig Mix)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Claim to fame:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Eurythmics - Sweet Dreams (Dave Angel Nightmare Mix)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=jRyAdLwlKlY&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=nowcontrol\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Listen:\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"To get an exclusive mix from the man, simply\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"mailto:members@mnshift.com\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"tell us\"})})}),\"\\xa0what you would like to see more at a Midnight Shift party. CDs may be collected at the door on the night of the event.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What's new:\"]})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Read his interview\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://events.insing.com/feature/playing-favourites-interview-with-dj-dave-angel/id-d9793e00\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\"\\xa0as Dave reveals a new album about to be dropped.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Norman Chung\"]}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"If you've been following Midnight Shift in any way, you will already know some of the work Norman's done and the groove he can master on the dancefloor. Signed to labels such as Sino, Plus, Funk Me, Hypnotic Room, Logos and now Midnight Shift, Norman has been steadily building up recognition in all the right places. Expect \\\"the best house and techno hits\\\".\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Hit to know:\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Norman Chung - U.F.M\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=2mFw53WMhhU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=LogosRecordings\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Claim to fame:\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/downloads/217964-norman-chung-debut#\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Norman Chung - F1 (Deetron Edit)\"})})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Listen:\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Norman's classics mix for the Blue Velveteen Sessions party\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"What's new:\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"MNS001 Teaser by Norman Chung\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/midnight-shift/mns-teaser-1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"MNS001 - Teaser Pt 1\"})}),\"\\xa0by\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/midnight-shift\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Midnight Shift\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Kaye (Cosa Nostra)\"})}),/*#__PURE__*/ _jsx(\"p\",{children:'Representing Singapore since 1994, Musician, DJ, Producer, Live Performer, Label Owner, etc - Kaye is a music cat comfortable in multiple hats. A regular on almost every bar and club rotation, Kaye and his partner in rhyme Funk B*stard have yet to let a party down. Funk, soul, disco, boogie, you name it, it\\'s in the bag. Expect \"old favourite gems and jams reworked\".'}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsxs(\"strong\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Hit to know:\"]})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Kaye - Feel Like Making...\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=P9yX1djNkD8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=KevinGuoh\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Claim to fame:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Cosa Nostra - Live at Syndicate\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Listen:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Kaye's classics mix for the Blue Velveteen Sessions party.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What's new:\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Cosa Nostra's new label,\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://darkerthanwax.tumblr.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Darker Than Wax\"})})}),\", pressing out heavy doses of soul from artists such as Loki Laredo, Miss Mic, Sport G & FantastikClick, Taku and of course, Cosa Nostra.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"\\\"We don't have a bias towards the type of music coming out from any country but the rest of the world doesn't think so. So what we're doing with the label is playing that game and attempting to break down those wall\"}),'s.\"']}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Don't forget you'll also be watching visuals by tagteam,\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://aligned-agency.com/lldff.html%20\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"LLDFF\"})})}),\"\\xa0+\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/#!/groups/electrocaine/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Electrocaine\"})})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Please email\\xa0\",/*#__PURE__*/ _jsx(Link,{href:\"mailto:%20rsvp@mnshift.com\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"rsvp@mnshift.com\"})})}),\"\\xa0with full names and email addresses of your guests. Guestlist will close by 10.30 am.\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"a-higher-state-of-party-dave-angel-(uk)-at-ku-de-ta\"},{hz3sj3gFn:\"2011-08-10T00:00:00.000Z\",id:\"q5UrmXbTj\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/nwLy7vRQWLc61EZ8N7UreuDnIkU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/nwLy7vRQWLc61EZ8N7UreuDnIkU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/nwLy7vRQWLc61EZ8N7UreuDnIkU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/nwLy7vRQWLc61EZ8N7UreuDnIkU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST FEATURE: FRAN HARTNETT\",lZ2WhlLX5:\"10 AUGUST 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"Fran Hartnett is possibly one of Dublin's best-kept secrets. Frequently featured in Surgeon's mixes, including Fabric 53, Fran's work is white hot. Here, he lays down an exclusive mix featuring his own jams plus the track 'Mutant Substance' soon to be released on the Midnight Shift album.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Fran Hartnett (\",/*#__PURE__*/ _jsx(\"em\",{children:\"definition\"}),\"): long-serving Irish producer/DJ who takes his job in equal measures of seriousness and passion. While born, bred and currently nestled in his hometown Dublin with wife, two kids and cat; Hartnett also happens to have that one other committed relationship - with techno music.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His is a two-decade long story that is as bare-knuckled, introspective and true-to-life as it gets - so word to anyone into music out there: peruse this page with care, and you will walk away for the better informed and inspired.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett/sword-sheild\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Fran Hartnett - Sword & Shield\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Fran Hartnett\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Hi Fran. Tell us about the influence of growing up in Dublin.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I grew up in Bray, a small coastal town on the outskirts of Dublin, and all of my first musical loves are connected to that place. Electronically, I first encountered music by The Prodigy, The Orb, Orbital, and all the more underground stuff around the time of 1992.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So as a teenager then, my life was somewhat centred around music. I was pretty young when I got into DJing, and it had the effect of giving you an awareness of what music is popular, and also makes you concerned with the task of supplying music to the people.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How has the club scene changed since you first started partying?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When I first started going out to clubs in Dublin, around 1994, there were only a few spots in the city that catered for real underground dance music, and there were probably less than half as many across the rest of the country. Over the years since then, the scene has grown, but the establishment has always made it hard to run an underground music club in this country.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I have heard countless stories of club owners being harassed by the Garda\\xed (Irish police) until they get rid of the offensive promoter and change their music policy (of course rock/pop music is acceptable). Some of the greatest clubs that Dublin ever had are long gone (often closing down when they were at their busiest and really kicking off), and many of those buildings aren't even standing anymore - demolished to make way for apartments, or whatever.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Thankfully, in recent years, most promoters have taken to organising things very cleverly, working within the law, but refusing to be trampled on by the establishment. These guys know the rules and how to turn them around in their favour. I'm constantly impressed by the determination and balls of many of Ireland's current promoters who organise legal events - ones that have all the attitude and excitement of the illegal events of days gone by, with not so many of the risks (such as arrests, fines, and confiscated sound systems).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like the powers that be aren\u2019t too keen on Ireland having much of a nightlife.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Unfortunately the club scene in Ireland is (and has always been) crippled by the licensing laws. Nearly all clubs must close at 3am, which is just ridiculous and drastically needs to be changed. It means that you can usually only put 2 or 3 acts on in a night: so if one\u2019s an international guest there's not much room for local support acts, the first of which will probably play to an empty club anyway. This still happens despite the fact that everybody knows they must leave the club at 3... It's very hard to get everyone in before 1am, because people like to stay in the pub until after 12, and the pubs are often some distance from the club.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's frustrating to be restricted by such a ludicrous system, but that's the way it is. Annoying. So far, all attempts to get clubs to stay open late have been shot down by nonsense arguments from the Garda\\xed (and backed up by the pubs) like \\\"there would be too many people on the streets late at night\\\" or some other bullshit.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Has the situation been affected by the Irish recession?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I think it has made promoters more cautious about who they book, which is a pity. We may be missing some vital new music here simply because the promoters are afraid a less well-known international artist won't draw a crowd.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"DJing back in the 90s versus DJing in 2011. Discuss.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I think it was very different (then)... The Internet has changed everything so profoundly. It used to be a real hunt to find that special track - a physical hunt. Ok, you may have to \u2018hunt\u2019 through lists and lists of tracks on the Net, but if you find something amazing, it's not like some massive accomplishment on your part.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I remember going from shop to shop looking for a particular record and it could take you months to find what you were looking for, if you found it at all! When you did find that record, it really would be like finding treasure. I remember somebody at a party offering me a whole bag of records (about 80) in exchange for my copy of DJ Hell's 'My Definition Of House' (before it was re-released).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"You wouldn't get that today. Even when it comes to vinyl, you can use the Internet to buy whatever it is you want, as long as you have the money. Back in the day, that didn't matter, there were some records that just couldn't be bought! But so many DJs just buy digital files now. I think that's a shame, though I understand the convenience. Personally, I'll always buy vinyl; I think it's something special, something worth having, something to keep forever... now where did I put those (digital) files?\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"However, from an artistic point of view, it's not important what medium the DJ uses. What's important is what the DJ communicates, and if that's something interesting, inventive and unique, then it's worthwhile. If the technology has made things easier then that means the game needs to be played harder. I'm happy to see that some DJs are pushing the latest technologies in new ways, but it's also frustrating seeing some making little or no effort and getting away with it for the most part because the computer is doing the mixing for them.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"From the bedroom to playing out alongside famous names like Joey Beltram, Kevin Saunderson and Rolando. When and what was your big break?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The real break for me was when I managed to get on the DJ roster at a techno night called Genius in The Kitchen, held in Temple Bar. It was a Tuesday night gig but it used to be packed every week with queues going down the street outside. The venue was owned by Bono from U2, so it was pretty fancy: it even had a little river running around the dancefloor!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"More importantly it had a pretty decent sound system, and I was free to play the music I wanted. I was a DJ for that club for about two years ('97 - '99), and it had such a good reputation that me playing there led to other gigs around the city supporting international techno artists.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"All this going on, and you still graduated from college...\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well I spent a long time in school. In fact, it wasn't until my third attempt at college that I managed to finish my course work! Through my first few years I was a typical poor student, working all kinds of odd jobs to pay the bills, and not to mention being a mad raver as well! I often missed class or fell asleep when I did go in.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"By the time I got to the point of doing a masters degree, I was lucky enough to be eligible for a government grant, and mature enough to take the whole thing very seriously, which I did - I even got away with my crazy thesis idea and managed to get a first class honours!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"\u2026 with a degree in Music and Media Technology, no less. Was this a conscious choice to help get you started with production?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I was more interested in learning for myself than in any kind of 'career opportunities'. At the time I was already teaching myself the ins and outs of production in my home studio, and this course looked like it could offer some expert knowledge that would assist my productions. I also heard that the course covered Max/MSP (a user-defined audio and MIDI programming environment), which I was really excited about, as I knew that Autechre (perhaps my all-time favourite electronic duo) relied on Max heavily for much of their productions.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett/fran-hartnett-no-undo\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Fran Hartnett - No Undo\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Fran Hartnett\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Has it always been about the harder, faster, darker side of techno for you?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well certainly since my first proper club gig as a DJ (back in 1997), yes, it has always been techno. Back then I was playing a slightly different style than I'd play now of course, but I still remember playing some really serious techno in there - Steve Stoll, The Advent, Lekebusch, DJ Rush, Michael Forshaw, etc... Having said that, I do listen to loads of other music and always have. If it's original, interesting and made with love, I don't care what genre it is. I enjoy music, that's it. But in the club, it's all about the techno! (and maybe a bit of electro ;)).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What would you do about someone who thinks \u2018Techno\u2019 = cheesy euro-dance-trash?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I would say that they haven't heard proper techno then... I might make them listen to \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Jeff-Mills-Live-At-The-Liquid-Room-Tokyo/release/9459\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Jeff Mills\u2019 \u2018Live at the Liquid Room - Tokyo\u2019\"})})}),' (React, 1996)... \"get that into ya!\", I\\'d say!',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any non-dance music favorites of yours that have creatively influenced your sound?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"At the moment, I don't think so. My music is the result of experimenting and exploring the depths of my machines, pushing them to make the sound I want. It would be different if I made more melody based music, where I might be able to find an example of some chord progression that is influenced by an artist. But usually, when I arrive at a familiar sound, the first thing I do is push it away from there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The only non-dance music favourite of mine who I can say has definitely influenced my productions would be Steve Reich. His use of phasing, particularly in a rhythmic context, fascinates me and I sometimes use two or more phrases together, each with a different loop length, to create an evolving poly-rhythm.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In the music of Thom Yorke, Beck, Joanna Newsom, Bjork, Coil, or Joy Division - all 'non-dance music' artists that I love - there must be plenty of tonal qualities that I subconsciously take with me into the studio when I'm going to make some banging techno... but how those qualities manifest themselves in a given percussive techno workout, I don't know!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s your secret when it comes to music production?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I think that simplicity is important. It's very easy to get carried away with the limitless amount of channels/sounds/effects available now with computers, but if you look at all of the greatest electronic music, it's usually very simple, in terms of how many elements there are. There might be three elements combined and it sounds like a wall of sound, or like some intensely complicated rhythmic soup, but when you step back from it (or lean closer and listen!) you find it's just a small group of simple components. And how those few elements are used, rather than how many elements there are... that makes the difference.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett/itokim-dancing-on-a-cloud-fran-hartnetts-silver-acid-mix-mp3-320\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Itokim - Dancing on a Cloud [Fran Hartnett's Silver Acid Mix]\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Fran Hartnett\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"You first emerged with a stream of remixes back in 2009, including one for Orlando Voorn. How did you approach that?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The Voorn remix was something a bit different for me. I thought I should stray away from my comfort zone a bit when making it, and it turned out to be the 'nicest' techno track I've made so far... I don't usually do 'nice'!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I focused on the lead sound of the original and recreated the notes in MIDI from the audio samples I was given, so that I could play those notes with my own synth patches. I have to admit I felt honoured to remix one of his tracks, even though I hadn't been following his output for quite some time. His track 'Flash', as Fix (KMS Records, 1992), was one of the first real techno records I ever bought, and I must have played that hundreds of times over the years!\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"As of now, you have five original releases to your name \u2013 modest output compared to other producers these days, who come up with a track every few months or so.\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I think it was around '98 when I first started to learn some music software and how to make tracks, but I spent a few years trying to get things sounding like how I heard them on the records I was buying. I just couldn't get 'that sound'... until one day I borrowed my mate's Yamaha Rm1x drum machine, and with very little effort put a beat together that I thought was near enough to what I was hearing on tracks by Adam Beyer, Speedy J, Surgeon, whoever... so I thought to myself: \\\"I have to get some hardware\\\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"I know it's possible in theory to use software only to get a sound as good as hardware does, but for me it just never happened. I bought myself the Yamaha Rm1x, an Access Indigo II Virus keyboard synth, and a DBX 1066 compressor, and finally started to make music that I was happy with.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"But yeah,\\xa0you could say that I have only had a modest number of\\xa0releases in the past few years, but a number of those years were spent heavily\\xa0immersed in my studies, and often the only work I got to do on my\\xa0techno productions\\xa0was in preparation for upcoming gigs, not recording new material.\\xa0Having said that, I'm just about ready to start increasing my production rate, as I have just moved into a new studio, and I have my gear set up better than ever, and a much faster workflow in place these days. I always used to wonder how producers like Jeff Mills, or Cari Lekebusch (when he was at his most prolific) could knock out so many tracks so quickly, but now I think I'm not too far off being able to start doing the same thing myself.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It's like you spend years learning how to get your system set up and your workflow worked out, and then once you've done that, you can actually finally get to work properly... that's where it feels like I'm at now. I'm excited about that!\\\"\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Your live setup looks fairly complex, could you walk us through the equipment used?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Well I just love Elektron! This Swedish company went and designed the most versatile drum machine ever (Machinedrum), and after a few years drooling over the specs on their website, I finally got enough cash to buy one, and it was everything I hoped it would be and a whole load more. After about a year I swapped my non-sampling version to the sampling one, and after a couple of years of that machine just getting better and better the more I used it, I decided to swap my Access Indigo II Virus for Elektron's synth-sequencer, the Monomachine. The Machinedrum and the Monomachine are made for each other (quite literally I'm sure) and they are all I need to play live (nice to have no computer on stage!).\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"For my live performance, I also use a little controller called a Minicommand, which is specially made for the Machinedrum by a German company called Ruin & Wesen. This little magic box does a whole lot more than what I use it for at the moment (mainly to access the FX on the Machinedrum) but I'm gradually getting more comfortable with it, and I think, like the Machinedrum and Monomachine, it will just keep getting better the more I use it.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Actually one of the things that most attracts me to all these music machines is that they always do the same thing, so you get to learn them as an instrument. You get to the point where you aren't even thinking about it as you reach for that knob or button. I have had various midi controllers in the past, but because I would assign a different arrangement of controls every couple of months, or use them with different software, I never got to be familiar with them the way you do with a hardware drum machine or synth.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"How different is Fran Hartnett the live performer and Fran Hartnett the DJ?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"As a DJ I play the kind of music I aspire to make, which is basically as good as techno gets, and something I couldn't honestly say when I play my own music. I'm not there yet! But I feel like, as a DJ, I'm just trying to put this great music out there that other people have made, more than I'm trying to be the best DJ out there.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"When I take my productions into a live setting, it's hard to be as sure about the music, because it's raw out of the machines as I have made it, basically unmastered, and I can be very critical of myself, like how the balance of a mix is, or how effectively the live arrangement is worked out. Also, my productions are influenced by my instruments, which at the moment is just drum machine and synthesiser, and I currently don't have anything to run large samples. I'm hoping to get a new sampler (yes an Elektron one) sometime soon, and that will allow me to put a more textural edge on my sound which I'm really keen to do. But at the moment, my productions are mostly constructed of synth and percussion.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This means that a live set from me will have less of the kind of dense textured atmospheres that would feature, via the work of other artists, in my DJ sets.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Now for your DJ sets... chart the records you consider to be your most reliable weapons, ever (click for YouTube link)\"}),\":\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=e1UPnrjDp9g\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Function - Montage [Infrastructure New York]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=95sXYjFZlmM\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"The Advent - Bad Boy [Internal]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=3B1vXNUVi6o\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Surgeon - Death Before Surrender [Downwards]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=QOiE7nNkSs8\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"DJ Hell - Hot On The Heels Of Love (Dave Clarke Remix) [Disko B]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=6UxcPuFaNAQ\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Neil Landstrumm - Tension In New York [Tresor]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=DbMLlPa5wH0\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Chris McCormack - Locked [Materials]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=F2njlg-2rfM\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"LFO - Butterslut [Warp]\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=HUGGKxJcivg\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Johannes Heil - Paranoid Dancer (DJ Hell Remix)\"})}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/watch?v=1JyYjL2vNZc&feature=related\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Paula Temple - Miyako\"]})}),/*#__PURE__*/ _jsx(\"br\",{}),\"Hell & Richard Bartz - Rock My Body To The Beat [International Deejay Gigolos]\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Any up and coming artists that you think will be making waves pretty soon?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Actually I know of so many outstanding local talents that I just wrote a list and found myself wondering where do I stop! I recommend a listen to the music of \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/chrome-metronome\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Rory St John\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/defekt-2\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Defekt\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/ed-devane\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Ed Devane\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/swarmintelligence\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Swarm Intelligence\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/sunilsharpe\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sunil Sharpe\"})})}),\" (deservedly voted 'Ireland's best DJ 2011'), \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/ronandunne\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Bit Treader\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/adam-kelly-1\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Adam Kelly\"})})}),\", \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/sstn-noise\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsxs(\"a\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Kachansk\"}),\"i\"]})}),\", and for something a bit sweeter and more downtempo, \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/euphiophone\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Euphiophone\"})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"\u201CTechno means the sound of the future. For me, techno is a concept, as opposed to a formula. It usually takes the form of club music, with its beats carrying interesting tonal and rhythmic experiments to an audience who are there to dance as much as to listen. But the same kinds of sonic experiments could be made with different tempos, or no beats at all, and once the sound describes the same futuristic vision, then it's still techno. To me at least.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"em\",{children:\"For that reason, because it's not defined by a particular beat, and the fact that there really are no rules, proper techno will be around forever, because it's continually evolving. The minute it stops evolving, as soon as someone tries to create simply a copy of what has been done before, instead of trying to invent something new, then that's when it's not techno anymore, but some formula called [insert latest trendy new genre name here]. And the real techno moves forward, not caring about that new genre that was created and (will soon be) forgotten about.\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Check out Fran Hartnett's latest charts \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.mnshift.com/index.php/label\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"here\"})})}),\".\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift Podcast 001: Fran Hartnett\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Hartnett's first ever \u2018hybrid\u2019 mix (he has only ever recorded pure live or DJ sets), exclusive to Midnight Shift. Featuring his own productions interspersed with live studio machine jamming, it is a powerfully stark and incisive excursion into the Fran Hartnett sound - one that duly moves us forward, storming, into the future.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Tracklist:\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"00.00 Fran Hartnett - No Undo (sample) [Subsist/Orbis Records]\",/*#__PURE__*/ _jsx(\"br\",{}),\"00.30 Fran Hartnett - Picture of a Thousand Tones [Audio Assault]\",/*#__PURE__*/ _jsx(\"br\",{}),\"04.20 Rory St. John - 13 Bullet (Fran Hartnett Remix) [Limetree]\",/*#__PURE__*/ _jsx(\"br\",{}),\"07.48 Live Section 1\",/*#__PURE__*/ _jsx(\"br\",{}),\"33.14 Fran Hartnett - Mutant Substance [forthcoming on Midnight Shift]\",/*#__PURE__*/ _jsx(\"br\",{}),\"36.47 Live Section 2\",/*#__PURE__*/ _jsx(\"br\",{}),\"44.12 Fran Hartnett - It was Written in Vapour [Audio Assault]\",/*#__PURE__*/ _jsx(\"br\",{}),\"47.59 Live Section 3\",/*#__PURE__*/ _jsx(\"br\",{}),\"51.24 Fran Hartnett - Sword and Shield [Stasis]\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/fran-hartnett\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/fran-hartnett\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/pages/Fran-Hartnett/164672253590455\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.facebook.com/pages/Fran-Hartnett/164672253590455\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-feature-fran-hartnett\"},{hz3sj3gFn:\"2011-07-26T00:00:00.000Z\",id:\"cIWees_nz\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/3giskubLsazpzzHv4a1xHuK7cls.webp\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: THE MAGIC 3\",lZ2WhlLX5:\"26 JULY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"The criteria of what makes a good mix, DJ or otherwise, differ from person to person. Agreed? Now that's out of the way, here are three mixes that have stood out and in no particular order.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"RA.268 Ed Davenport\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"(1:02:11)\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Best for:\"}),\" Midday excursions to anywhere but here\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Download:\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://ra4.residentadvisor.net/audio/RA268_110718_Ed-Davenport-residentadvisor.net.mp3\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://ra4.residentadvisor.net/audio/RA268_110718_Ed-Davenport-residentadvisor.net.mp3\"})})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"So fresh, so good. Almost immediately from the pulsating fade in, you know that you are in good hands, even if in outer space. The tipping point is when your ears stop being the critical beasts that they are and let the music wash you over.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"This point occurs especially when we get into Force/Emerge remix of 7 Citizens' \",/*#__PURE__*/ _jsx(\"em\",{children:\"Quietus\"}),\". Dario Zenker's \",/*#__PURE__*/ _jsx(\"em\",{children:\"10AM\"}),\" is another break through to the other side led by rattling sheets of steel for a short segue before Bandulu's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Shroud\"}),\" stomps in like a female killer.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"We'll leave the rest of the plot for you to discover. But do take note of Chicago on the itinerary. A useful break in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Kilgore\"}),\" by Morgan Geist and an appropriate ender with \",/*#__PURE__*/ _jsx(\"em\",{children:\"Heavens & Angels\"}),\" are further highlights. The word 'journey' is really over-used when describing a mix, but I do believe I went on a day trip this time around.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If there is one takeaway from this? Bandulu.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Echologist - Hummer - Electric Deluxe\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. John Carpenter & Alan Howarth - President At The Train - Var\\xe8se Sarabande\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Jack Dixon - Wrong Number - Take Records\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Gliesers - Kuiper Belt -Youandewans Dour Version - Fullbarr Digital\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Photek - Solaris - Science/Virgin\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. 7 Citizens - Quietus -Force / Emerge Remix -Praterei\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Mr. Fingers - Distant Planet - Trax\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Dario Zenker - 10AM - Ilian Tape\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Bandulu - Shroud - Blanco Y Negro\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Minimal Man - Spiritual Edit - Guerilla\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Unknown - Untitled - Herzschlag Schallplatten\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Pierre LX - Index 1 - Initial Cuts\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Deee-Lite - Power Of Love -Pal Joey's Dub Mix - Elektra\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Ace & The Sandman - Let Your Body Talk - Trax\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Minimal Man - Bocyc - Trelik\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Dimi Ang\\xe9lis & Jeroen Search - Cortex - Figure SPC\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. 95 North - Sun Goddess - Large Records\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Bandulu - Lifestyle - Infonet\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. Morgan Geist - Kilgore - Fragmented\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. Rick Wilhite - Blame It On The Boogie - Music 4 Your Legs\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. Mick Welsh - Dissonant Dialect - Elektrosouls Recordings\",/*#__PURE__*/ _jsx(\"br\",{}),\"22. Grain - Untitled - Grain/FatCat\",/*#__PURE__*/ _jsx(\"br\",{}),\"23. Jeff Mills - Every Dos Has Its Day Vol. 4 C1 - Axis\",/*#__PURE__*/ _jsx(\"br\",{}),\"24. Chicago Skyway - Heavens & Angels - MOS_DEEP\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Surgeon Live @ Wax Treatment, Horst Krzbrg, Berlin - 29-05-2011\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"(1:46:16)\"})]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Best for:\"}),\" Commuting to and fro your office job\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:['Opening with Alice Coltrane sort of twists you out of shape. It signals something like \"this is no ordinary mix\" and you better believe it. The other notable time this track appeared was in ',/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/Various-The-Kings-Of-Techno-Part-B/release/827634\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"The Kings of Techno Part B\"})})})}),\", compiled by Laurent Garnier and Carl Craig -- worth checking out too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So where do we begin? Anywhere it seems. Surgeon has pretty much mastered the way of the mix.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"He has cultivated a sense of knowing just how long to prolong and when to quit. He has turned the DJ mix into a new creature, one which all schools can quickly become fans of. This is of course backed by a deep and wide music understanding and an openness that allows sounds (for lack of a better word) to cross each other meaningfully. Plus, I speculate, a healthy interest in music cognition so you're really getting a workout here.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"It might probably be good to mention Emmanuel Jal's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Kuar\"}),\" (Olof Dreijer Remix) vs Zomby's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Godzilla\"}),\" at this point, just to have you prepared in case you implode on the train home after work. Godzilla wins, and you are now putty.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Impressively too, this set was recorded live before an appreciative audience. So folks, anything is possible.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist (Unverified)\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Alice Coltrane - Journey To Satchidananda\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Shina Williams And His African Percussionists - Agboju Logun\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Rhythm & Sound & The Chosen Brothers - Mash Down Babylon\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Om Unit - Prawn Cocktail\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Emmanuel Jal - Kuar (Olof Dreijer Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Zomby - Godzilla\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. RSD - Sugar Plumb Instrumental\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Martyn - Broken\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. R-A-G - Rage\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Surgeon - Atol\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Surgeon - Coaster\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Paul Woolford - Let It Go (Kommonazmuk & Appleblim Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Linval Thompson - I Love Marijuana\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Blawan - Lavender\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Peverelist - Dance Till The Police Come\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Surgeon - Transparent Radiation\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Chasing Voices - Acidbathory\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Oscar Mulero - After All\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. RSD - Pretty White Light\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. Lone - Explorers\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. Martyn - Suberbia\",/*#__PURE__*/ _jsx(\"br\",{}),\"22. The Tuss - Rushup I Bank 12\",/*#__PURE__*/ _jsx(\"br\",{}),\"23. Taz - Future Funk\",/*#__PURE__*/ _jsx(\"br\",{}),\"24. Ed Chamberlain - Synthia (Surgeon Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"25. Surgeon - Right Road To Dubland\",/*#__PURE__*/ _jsx(\"br\",{}),\"26. Scuba - Ruptured (Surgeon Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"27. Inigo Kennedy - Obsidian\",/*#__PURE__*/ _jsx(\"br\",{}),\"28. Surgeon - Sleep (Ultra Violet)\",/*#__PURE__*/ _jsx(\"br\",{}),\"29. RSD - Over It\",/*#__PURE__*/ _jsx(\"br\",{}),\"30. Love Joys - All I Can Say\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"DJ-Kicks Motor City Drum Ensemble on !K7\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\"(1:14:37)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Best for:\"]}),\" Clambake Sundays with friends\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Buy:\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://itunes.apple.com/us/album/dj-kicks/id442897889\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://itunes.apple.com/us/album/dj-kicks/id442897889\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Stuttgart's Danilo Plessow's \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/label/MCDE\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Raw Cuts\"})})})}),\" series never really leave the box. But let's talk about this mix instead. A fine selection, this non-ego mix pretty much lets the music do the talking -- and to each other too.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Check out the jamming moments between Motor City Drum Ensemble's \",/*#__PURE__*/ _jsx(\"em\",{children:\"L.O.V.E.\"}),\", Aphex Twin's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Actium\"}),\" and the Isol\\xe9e mix of \",/*#__PURE__*/ _jsx(\"em\",{children:\"Cardiology\"}),\" by Recloose for some interesting communication, for example. The transitions are somewhat short pleasures in this age of the infinite loop. But the focus here is about the songs after all and how they make you feel, lest you forget.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A winning entry is Mr. Fingers' baseline groove and its accompanying exit is Timo Lassy's \",/*#__PURE__*/ _jsx(\"em\",{children:\"African Rumble\"}),\". Then, you get the final reward of James Mason's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Sweet Power, your Embrace\"}),\".\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Enjoy.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"strong\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Sun Ra - Door To The Cosmos\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Electric Wire Hustle - Again (Scratch 22 Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Rhythm & Sound - Mango Drive\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Tony Allen - Ariya\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Peven Everett - Stuck\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Bad Jazz Troupe - Breakdown Treat (Dusty Rework) (MCDE Edit)\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Mr. Fingers - The Juice\",/*#__PURE__*/ _jsx(\"br\",{}),'08. Rick \"Poppa\" Howard - Can Your Love Find Its Way (Club Vocal)',/*#__PURE__*/ _jsx(\"br\",{}),\"09. Stone - Girl I Like the Way That You Move (Dub)\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Fred P - On This Vibe\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Creative Swing Alliance - Don't Forget Your Keyz\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Geraldo Pino & The Heartbeats - Black Woman Experience\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Philippe Sarde - Le Cort\\xe8ge Et Course\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Robert Hood - The Pace\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Loose Joints - Pop Your Funk (Vocal Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Arts & Crafts - I've Been Searching (Walter Gibbons 12-inch Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Motor City Drum Ensemble - L.O.V.E.\",/*#__PURE__*/ _jsx(\"br\",{}),\"18. Aphex Twin - Actium\",/*#__PURE__*/ _jsx(\"br\",{}),\"19. Recloose - Cardiology (Isol\\xe9e Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"20. Latecomer - Cosmic Cart\",/*#__PURE__*/ _jsx(\"br\",{}),\"21. Timo Lassy - African Rumble\",/*#__PURE__*/ _jsx(\"br\",{}),\"22. James Mason - Sweet Power, Your Embrace\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-the-magic-3\"},{hz3sj3gFn:\"2011-07-24T00:00:00.000Z\",id:\"cxVYVXPz1\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ckL0P1Rs0meuYNEBaor7Hrp1fY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/ckL0P1Rs0meuYNEBaor7Hrp1fY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/ckL0P1Rs0meuYNEBaor7Hrp1fY.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 600w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: PHOTEK - AVALANCHE/AVIATOR/CLOSER EPS\",lZ2WhlLX5:\"24 JULY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"\u201890s drum and bass legend rises from four-year slumber with new and up-to-date sounds: surely a recipe for disaster there. But as it is for Photek and his storied production legacy, it would be fairer to embrace his resurrection with the forewarning that \u2018results may vary\u2019.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Born in the UK as one Rupert Parkes, Photek earned his stripes by practically remoulding the d\u2019n\u2019b genre from within: his most famous records are masterful exercises in percussion programming, beats gracefully sliced and broken up against the elegant backdrop of his jazz and Oriental obsessions. Along the way, his magic fingers have dipped themselves into a good many pies: classic house with Robert Owens, techno for Kirk Degiorgio\u2019s ART label, as well as movie work including \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Animatrix\"}),\" soundtrack and remixes for \",/*#__PURE__*/ _jsx(\"em\",{children:\"Tron: Legacy \"}),\"and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Pirates of the Caribbean\"}),\" (!)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"These forays off the beaten path, while susceptible at times, would never see Photek riding atop any bandwagons... till now. \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.thedailyswarm.com/swarm/daily-swarm-interview-photek-bass-cultures-shapeshifting-samurai/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Recent interviews\"})}),\" saw the man speak of his latest output as attempting to invent a new genre of his own. Now, at the risk of being lynched by his legions of devotees, I\u2019ll tell you what this genre is - it\u2019s called \u2018crossover\u2019 - and here\u2019s why.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"His first release this 2011 - the Avalanche EP - will have, by now, eased its way into the party mixes and live sets of dubstep, electro-house, tech-house and trance DJs everywhere. It\u2019s not just the matter of a shared BPM: whether the 4/4 dance-pop sensibilities of \u2018This City\u2019 or outer-space runway synths of Daft Punk-influenced \u2018Slowburn\u2019, as mentioned, these are tracks that coalesce all the essential elements of a modern-day hipster rave. \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.factmag.com/2011/03/08/photek-the-last-samurai/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Photek himself describes the latter track\"})}),\" with \u201CBalearic, French, Rock, Depeche Mode, Chemical Brothers\u201D all in the same breath... no kidding there.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek/sets/avalanche-ep\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"AVALANCHE EP - Out Now!\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Photek\"})}),\" .\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"The follow-up Aviator EP keeps with the formula, its \",/*#__PURE__*/ _jsx(\"em\",{children:\"three\"}),\" festival \u2018anthems\u2019 certain to steer dancers into sky-high euphoria. Again, jocks from all the above-mentioned genres will find themselves in good hands launching the urgent breaks assault of \u2018Totem\u2019 or \u2018Cecconi\u2019\u2019s thick, heavy kick-drums. Meanwhile, main tent dibs belong to \u2018Sleepwalking\u2019, which serves up an arena-sized cheese platter of angsty female vocals, crooning her way to lighters and iPhones held aloft. Next up, 98.7fm airplay... Luckily, Falty DL saves the day with his more tasteful deep house version, all pads and chugging rhythms locking the listener into a hypnotic state - the good sort.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek/sets/aviator-ep\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"AVIATOR EP :: Purchase vinyl & download at http://photek.fm\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Photek\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"If you\u2019re wondering whether I\u2019m about to insinuate that the newer breed of \u2018bass\u2019 music producers are doing a better job than Photek here, then you\u2019re on the right track - but it\u2019s his latest release, the Closer EP, that really lays things to rest. Taking a breather from pressing the previous two records on his own Productions label, Photek debuts on Bristol\u2019s hub of dub, Tectonic, and proceeds to spawn its most mainstream offering ever. But wait, flip over and it\u2019s none other than label head Pinch himself to the remix rescue (of his own rep). The warm, steppin\u2019 melody and soulful lyrics of the original remain intact, only now spiked with steamrolling ominousness courtesy of Pinch\u2019s low-end garage/jungle sonic arsenal.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek/sets/closer-tectonic-recordings\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"CLOSER :: Tectonic Recordings\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Photek\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"So much hate going on here, so I\u2019ll give credit where its due: across the three singles, Photek\u2019s production is as pristine as ever, and he\u2019s given us extremely useful tunes with dancefloor fullness and grandiosity to them. It most certainly isn\u2019t \",/*#__PURE__*/ _jsx(\"em\",{children:\"wrong\"}),\" of him to aim in that direction - and admirably so, without resorting to the heavy metal-esque mid-range shredding of commercial brostep. But this is Photek we\u2019re looking at. Expect to feel the same if you\u2019re familiar with his earlier work in all its distinctive and ingenious glory. Photek, please come back...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=Tz4f0QCZ76Q&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=ZombiDidgeridoo\"})})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"AVALANCHE EP\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Avalanche\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. This City\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. 101\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. 101 (Boddika\u2019s Drum Machine Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Slowburn\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"AVIATOR EP\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Aviator\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Totem\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Sleepwalking (feat. Linche)\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Sleepwalking (feat. Linche) (FaltyDL Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Cecconi\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"CLOSER EP\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Closer\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Closer (Pinch Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://photek.fm/store/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://photek.fm/store/\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://photek.fm/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://photek.fm/\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/photek/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/photek/\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Photek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.discogs.com/artist/Photek\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.youtube.com/PhotekProductions\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.youtube.com/PhotekProductions\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/PhotekMusic\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.facebook.com/PhotekMusic\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://twitter.com/#%21/photek\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://twitter.com/photek\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-photek-avalanche-aviator-closer-eps\"},{hz3sj3gFn:\"2011-07-13T00:00:00.000Z\",id:\"NYZpbyYqz\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/G51jFeerpPeOJMsHUMr9EBqsY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/G51jFeerpPeOJMsHUMr9EBqsY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/G51jFeerpPeOJMsHUMr9EBqsY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/G51jFeerpPeOJMsHUMr9EBqsY.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"THE JUICE PLAYLIST: JULY\",lZ2WhlLX5:\"13 JULY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"The staff behind Singapore's forefront music/club lifestyle magazine, JUICE, get down and share what's rocking their office boat this month, and every month.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"DJ Fresh \u2013 \u201CLouder (Dillon Francis Remix)\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Mad Decent\u2019s Dillon Francis roomed with d\u2019n\u2019b prince DJ Fresh during his UK stay and this is what happens when two amazing producers don\u2019t use protection.\\xa0\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Sub the dub with Dutch-y electro and we have ourselves a banger.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Unrecognisable from the original, but that\u2019s what a remix supposed to do innit? Not for the purists but casuals will have fun with this.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Danny Daze feat. Lousahhh! \u2013 \u201CYour Everything\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" The highly anticipated new cut from tech-house savant Danny Daze, gaining notice thanks to shameless Seth Troxler pimping.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" An undyingly massive bassline and ominously shady groove.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Destined to be a summer fest fave.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Sia \u2013 \u201CBreathe Me (Butch Clancy Remix)\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Detroit isn\u2019t just a techno town baby. Grime-smith Butch Clancy hails from Motor City and he\u2019s taken a liking to masterfully applying dubstep onto beloved indie tunes.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" Brilliance. Sia\u2019s spacious familiarity is made to be dipped in wobble condiment.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Might be lost amidst the daily remix clutter, but it shouldn\u2019t be. This feels like falling for a long lost lover all over again.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Maya Jane Coles \u2013 \u201CFocus Now\u201D\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=_LI5liOUgMU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=2020Vision\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" As if you haven\u2019t heard by now. Maya Jane Coles is apparently the second coming of house music, new queen of the underground and this track can cure cancer.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" A deep house Four Tet.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Believe the hype, this girl is fo\u2019 real.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Chromeo \u2013 \u201CWhen The Night Falls (Breakbot Remix)\u201D\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s the buzz:\"}),\" Chromeo's embarking on their biggest tour to date and they couldn\u2019t have picked a better dude than Breakbot to drum up some hype for them.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Sounds like:\"}),\" The sonic definition of funky cool.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"Prediction:\"}),\" Guaranteed to put an instant smile on your face.\\xa0\"]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"the-juice-playlist-july\"},{hz3sj3gFn:\"2011-07-11T00:00:00.000Z\",id:\"k4RUnNvVD\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/2slCGcJFQdvmeXm5WakDWboaM.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: ZOMBY - DEDICATION\",lZ2WhlLX5:\"11 JULY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Released for sale today (11 July 2011), Zomby finally delivers his rock-solid 16-track album, 'Dedication'. The wait was certainly worth the while!\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"It is definitely a moody one, with a darker and more emotional edge than his previous. Every track has a mystical touch and a name to match. And in trademark Zomby style, a catchy and daring melody personifies each track. It is good to be listening to songs again.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Zomby - Alothea\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"'Black Orchid' catches you by surprise with a high-pitched melody that is pleasant to the ear and warms the soul. 'A Devil Lay Here' is simple yet haunting, sounding like an eviler twin sister of 'Riding With Death'.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=EmiNEwMIKuw&ab_channel=teksova\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Zomby - Black Orchid\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=eysWzPgkfgk&ab_channel=NickAxel\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Zomby - A Devil Lay Here\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"'Basquiat', which must be a tribute to Jean-Michel, is a piano piece devastation in beauty which shows the producer's classical side, in case you missed it. Other favourite stand-outs are: 'Natalia's Song', 'Mozaik', 'Witch Hunt' and 'Lucifer'.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"A man of his own, the smart arrangement of sound clips such as with human vox percussion on 'Vortex' or 'Digital Rain' for example, and gunshots in 'Witch Hunt' is admirable. The shortness of each track too is well controlled and just enough for what it's worth. A crispness and clarity comes through in the album -- a sign of an original craftsman.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"The album name actually comes from it being \u201Ca dedication to someone much loved and missed\u201D. Oh.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. Witch Hunt\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Natalia\u2019s Song\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Alothea\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Black Orchid\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. 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Mozaik\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Buy (CD):\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.amazon.co.uk/Zomby-Dedication/dp/B0050I2OCO\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.amazon.co.uk/Zomby-Dedication/dp/B0050I2OCO\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Buy (2x LP):\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://boomkat.com/vinyl/414573-zomby-dedication\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://boomkat.com/vinyl/414573-zomby-dedication\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-zomby-dedication\"},{hz3sj3gFn:\"2011-07-06T00:00:00.000Z\",id:\"lrAfanX0P\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/2BtJtfrIHDMhJVVr8LFNmulqHVk.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: GLOBAL COMMUNICATION - BACK IN THE BOX\",lZ2WhlLX5:\"6 JULY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"NRK's Back in the Box compilation has consistently given underrated tracks a second spin, and Global Communication's premium delivery package is no different.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Inviting curators such as DJ Sneak, Dave Clarke, Joey Negro and now Global Communication to share their most cherished music 'back in the day', Back in the Box rises above with no holds barred. What we wish the now ubiquitous 'DJ Charts' were more of--classics that by no fault of their own get lost in the annals of history...\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://www.nrkrecords.co.uk/recordstore/catalog/product_info.php?products_id=515\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Dave Clarke\"})})}),\"'s gave us a slice of Chicago house with tracks by Virgo, Mr Lee, Ralphi Rosario and Da Posse from labels as Trax Records, Dance Mania and D.J. International. \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.nrkrecords.co.uk/recordstore/catalog/product_info.php?products_id=439\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Joey Negro\"})})}),\" pulled out R Tyme, LFO and Underground Resistance out of his bag. For Global Communication's, we reach back into the heyday of British techno and its founding, of which the duo--\",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Mark+Pritchard\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Mark Pritchard\"})})}),\" and \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Tom+Middleton\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Tom Middleton\"})})}),\"--firmly belong in.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Still unendingly regarded for their ambient album, \",/*#__PURE__*/ _jsx(\"em\",{children:\"76:14\"}),' (1994, Dedicated), which was described by The Guardian as an \"unfathomably beautiful out-of-time masterpiece\", Global Communication are also otherwise known as Jedi Knights, Secret Ingredients, The Chameleon, Link, Reload & 5621, remixing anyone from Aphex Twin to Depeche Mode.',/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Back together after a 15-year hiatus, the duo who first met memorably as DJs with similar tastes, now do the fitting honours of this flashback. Tapping into the current zeitgeist of UK ambient electronica bubbling around the world, this release is timely for giving an authentic snapshot to those uninitiated in the genre and a nostalgic trip for those who as we say, \",/*#__PURE__*/ _jsx(\"em\",{children:\"were there when it happened\"}),\". Let's connect.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"In here you'll find the seeds and offshoots of everything that contributed or influenced the UK sound from the early to mid 90s, including across-the-globe Detroit. Check into rhythmic breakbeat structures by Ross 154, Ismistik and Urban Tribe, head-on techno by Lory D to more travails in space by Balil, and finally, 'bad acid' by DHS.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=G3MyziCA7rU&ab_channel=planetedetroit\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The artists we know as Sven V\\xe4th, Kenny Larkin, Richie Hawtin, Kirk Degiorgio, Kevin Saunderson and Carl Craig all make their appearances here albeit as their alter-monikers: Barbarella, Yennek, F.U.S.E and States of Mind, As One, Reese, and BFC, Psyche and Urban Tribe respectively. And of course, you can't leave out 808 State or Aphex Twin when conducting a history lesson such as this.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Of the lot, personal stand-outs are Never on Sunday (Octave One)'s melodic housey feel-good, \",/*#__PURE__*/ _jsx(\"em\",{children:\"The Journey\"}),\", Speedy J's mellow rave number, \",/*#__PURE__*/ _jsx(\"em\",{children:\"De-Orbit\"}),\", and Reel by Real's understated \",/*#__PURE__*/ _jsx(\"em\",{children:\"Surkit\"}),\" that sounds like it can do some serious damage when used right (or as when sampled in LTJ Bukem's \",/*#__PURE__*/ _jsx(\"em\",{children:\"Atlantis\"}),\").\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=8J0u-GR8IPw&ab_channel=Chicagowax\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=sHkdH294UAc&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=statenhal\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"For a compilation tracklist shining so bright, the DJ mixes are a little less of a stunner in a dancefloor context, but definitely emotive and evocative, with all due respect. Buy this if for the track references alone, and find your own way to get where you're at.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"em\",{children:'\"Recording things under different aliases gave me the freedom to put out different styles of music without one release being judged by another. This was quite important back in the early nineties as people tended to stick to one style - being purist in their music buying often shunning other styles.\" - Mark Pritchard'}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{}),\"CD 1\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Fade II Black - The Calling (Reprise)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. System 7 & Derrick May - Altitude\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Reese - Just Want Another Chance\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. BFC - Galaxy\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. F.U.S.E. - Technotropic\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Shake - Sonar 123\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Lory D - Sickness (Sounds Never Seen)\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Neuropolitique - Mind You Don't Trip\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. DHS - Number 9 Bad Acid\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Speedy J - De-Orbit (TM Outer Limits Salute Repitch)\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Balil - Nort Route\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Florence - A Touch Of Heaven\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Flux - True Feelings\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Reload & E621 - Ptyzh\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. States Of Mind - Audio Q5A\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Robert Leiner - Aqua Viva\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"CD 2\",/*#__PURE__*/ _jsx(\"br\",{}),\"01. Link - Intro (The Labels)\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Ismistik - Flow Charts\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Yennek - Serena X (Carl Craig Inner Zone Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Psyche - Elements\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Never On Sunday - The Journey\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. As One - Amalia\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Aphex Twin - Tha\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. Stasis - Point Of No Return\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Balil - Whirling Of The Spirits\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. 808 State - Sunrise\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. Urban Tribe - Covert Action\",/*#__PURE__*/ _jsx(\"br\",{}),\"12. Link - Places of Origin\",/*#__PURE__*/ _jsx(\"br\",{}),\"13. Model 500 - Infoworld\",/*#__PURE__*/ _jsx(\"br\",{}),\"14. Reel by Real - Surkit\",/*#__PURE__*/ _jsx(\"br\",{}),\"15. Ross 154 - Mayflower\",/*#__PURE__*/ _jsx(\"br\",{}),\"16. Global Communication - Incidental Harmony\",/*#__PURE__*/ _jsx(\"br\",{}),\"17. Barbarella - Barbarella (The Irresistible Force Remix)\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Available as separate Vinyl samplers 1-3, 2xCD (Comp, Mixed) and Digital\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.whatpeopleplay.com/?redirect=/albumdetails/null/id/40520\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.whatpeopleplay.com/?redirect=/albumdetails/null/id/40520\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/pritch\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/pritch\"})}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/tommiddleton/tracks\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/tommiddleton/tracks\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-global-communication-back-in-the-box\"},{hz3sj3gFn:\"2011-06-24T00:00:00.000Z\",id:\"uELnQSmQ9\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/GolCyUbVQIMkUhfN5hJsbTjDz4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/GolCyUbVQIMkUhfN5hJsbTjDz4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/GolCyUbVQIMkUhfN5hJsbTjDz4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/GolCyUbVQIMkUhfN5hJsbTjDz4.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"MNS 04 LIVE STREAM ON SONAR.SG\",lZ2WhlLX5:\"24 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsx(\"p\",{children:\"If you can't make tonight's party, listen to MNS 04: COLLAB streaming LIVE on Sonar.sg from 22:00hrs onwards to catch all the action. Or download the free Sonar App from the Android Marketplace and listen on your Android Mobile device.\"})}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"mns-04-live-stream-on-sonar-sg\"},{hz3sj3gFn:\"2011-06-19T00:00:00.000Z\",id:\"SxvobDIFU\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/regpwppz2Vm6SJlpkeKvwTfB5Q.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/regpwppz2Vm6SJlpkeKvwTfB5Q.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/regpwppz2Vm6SJlpkeKvwTfB5Q.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/regpwppz2Vm6SJlpkeKvwTfB5Q.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST INTERVIEW: ULYSSES\",lZ2WhlLX5:\"19 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[\"So chances are the most recent edition of \u2018DJing for Dummies\u2019 will include, in its top few tips, the need for every aspiring jock to hop on the Internet bandwagon and cosy up with a dizzying range of social media. But try googling \u2018Ulysses James\u2019, and you\u2019ll get little more than a flood of links to the counter-eponymous novel by James Joyce (yes, our good DJ\u2019s mother did cleverly name him after this favoured book of hers). Dig deeper yet and you may just root out his one dormant Myspace page and an empty (!) Soundcloud account. And while the man known as \u2018Uly\u2019 to his friends seems unfazed by his lack of Web \u201Cvigilance\u201D, as he calls it, he confesses that one fine day, he might just \u2013 ok,\",/*#__PURE__*/ _jsx(\"em\",{children:\" will \"}),\"\u2013 get down to having more of a presence. He tells us more.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Before we go any further\u2026 what is it that\u2019s stopping you from showing up online?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Nothing, I just find it tedious to start and upkeep a blog or website, especially since I\u2019m not a full time DJ.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What is your day job, and does it influence your DJing in any way?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I work in finance. It doesn't really have any effect on my DJing but I suppose it\u2019s a good balance of life. Most people are too often caught up in the rat race and forget who they really are or what they really love doing.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How did this affair with DJing begin?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I\u2019d been collecting vinyl records for some time, eventually learning to mix them but in the comfort of my bedroom. It was a friend who suggested that I start playing \u2018out\u2019 instead. Back in those days, I wasn't that much technically inclined, but he felt that my selection of music was ace and asked me along to spin at his parties. The first few times, my mixing was pretty much like a train wreck, going here, there and everywhere! But I guess that's how you learn innit? Looking back, I suppose I always knew I wanted to play out, so my procrastinating self has this friend to thank for where I am now.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"If you had to describe your music to someone completely clueless, you\u2019d say\u2026\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It's music for grown ups! Well, I don't like to pigeonhole myself. My musical style is pretty eclectic; I play all kinds of sounds within a 95-125bpm range. It's about connecting music from past to present.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Is your DJing style inspired by anyone in particular?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Not really, but if I have to name someone I admire, it would be Theo Parrish, who plays across a whole range of genres including house, Detroit techno, jazz, funk, soul and even rock! He does it pretty old school \u2013 with the focus not so much on technical mixing abilities per se, but rather on how one plays and fits certain records in a set. Having said that, I don\u2019t think its quite possible to entirely imitate someone else\u2019s style of DJing. I would think it best to find your own way, to develop your own sound.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What are the records that you never gig without?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"1) Afefe Iku - Mirror Dance\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"2) Kerri Chandler - Bar A Thym\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=oNXXYWUfZjY&ab_channel=dgdchaos\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"3) Jamie 326 \u2013 Wicky Wacky Edit\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=wOFypmvCY2U&ab_channel=BebopPor%C3%BA\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"There are more, but it\u2019s going to be a long list!\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Name some new DJs/producers, both local and global, getting you all excited these days.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I have been paying a lot of attention to Nicolas Jaar in recent months. He's done a couple of good works and I\u2019m actually waiting for the release of his remix of South African pianist Abdullah Ibrahim's \u2018Ishamel\u2019. Pretty interesting. As for the local scene, I'd say Xhin is killing it on the dancefloors. I admire his talent and tenacity in staying in this business, and for doing what he loves and what he does best.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s your favourite place and event to play at?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I would say the now defunct Night and Day for its small but intimate location. And the event held there for a few years running \u2013 Mugic Soundsystem \u2013 which I co-founded and have fond memories of.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you have any plans to produce your own music someday?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Well, I am still polishing up on my production skills and to be honest, I am still far, far away. I might start off with simple, cheeky edits and then move on to production when I\u2019m ready. It's like writing a book. You gotta have a storyline.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What\u2019s happening for the rest of 2011?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I am pretty much occupied with my current residency at KPO and Balaclava. We'll take each day as it is.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you think more 4/4-based events like Mugic and Midnight Shift are important to our city\u2019s scene? How do you think they compare against the differing genre palette of say the Syndicate and Bedsty outfits?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Such nights are vital in order for our scene and its DJs and musicians to grow and gain more exposure to local crowds. It's good to know that a significantly growing number of people are starting to reciprocate such movements and on a bigger scale each time. Kudos to Midnight Shift for allowing us locals \u2013 from budding talent to industry veteran \u2013 to play out more. As a matter of fact, big ups to Syndicate, Mugic, Pushin\u2019 On, Dooomph! and the rest too for livening up the scene here and providing a good variety of sounds.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The important thing is to listen with an open mind \u2013 it\u2019s not about genre divides between 4/4 and the rest, old and new etc. For example, it took me awhile to warm up to dubstep, but I eventually found myself appreciating certain tracks that were really pretty good. I think essentially, music grows on you.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Back to the scene \u2013 I also don\u2019t think it\u2019s whether \u2018my night is better than yours\u2019 or who gets a larger crowd, because the club/venue plays a part too and to a greater extent, the feeling of community.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"On a side note, I think that to really push things forward, it\u2019s important that Singapore sees more quality acts beyond your usual Paul van Dyk or Bob Sinclair or whoever.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Truth. Thanks for the wisdom\u2026 now tell us more about \u2018Uly\u2019s Nudisco Mix\u2019, which you recorded for Midnight Shift.\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It was done with standard 2 x CDJ 2000s and a mixer. It's pretty much a taste of what I'll be playing on the 24th of June. I have an early set, so I won\u2019t be going too hard, it\u2019s more of the groovy stuff \u2013 but at the same time, you can expect a whole lot of versatility and musical surprises along the way! Ultimately, I just hope to give my best so that everyone has a good time.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"And we will, because \"}),/*#__PURE__*/ _jsx(\"em\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift 04: Collab\"})}),/*#__PURE__*/ _jsxs(\"strong\",{children:[\" is going to be...\",/*#__PURE__*/ _jsx(\"br\",{})]})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"EPIC!!!\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.myspace.com/ulysses_james/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.myspace.com/ulysses_james/\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/de-la-cruz\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/de-la-cruz\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-interview-ulysses\"},{hz3sj3gFn:\"2011-06-17T00:00:00.000Z\",id:\"bLf6hTg8g\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/0GxR7esWHiToKN5kESxynPYD3U.png\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href},KyaMcp8D1:\"RELEASES\",lWLYSEYh3:\"XHIN DEBUT ALBUM FREE DOWNLOAD\",lZ2WhlLX5:\"17 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Get a peek into the Xhin before Xhin with his 9-track debut album now generously available for free download. Suffice to say, an original. Till today, still a non-conformist.\"}),/*#__PURE__*/ _jsx(\"p\",{children:'\"Today, I have decided to release my 2004 debut CD album \"Supersonicstate\" as free download. Back then, it was only available in stores here in Singapore and now no longer for sale. For those who are interested or actually keen to know how my music has evolved all these years, you can download the whole album in 320kbps mp3 format on my Soundcloud page. (Read the copyright statement on each track for terms of use.)\"'}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/xhin/sets/xhin-supersonicstate-2004\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Xhin - Supersonicstate (2004)\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/xhin\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Xhin\"})})]})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"xhin-debut-album-free-download\"},{hz3sj3gFn:\"2011-06-11T00:00:00.000Z\",id:\"VluA0774s\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/LezAEr0ym2u1ZVanOq7AAKAtzs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/LezAEr0ym2u1ZVanOq7AAKAtzs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/LezAEr0ym2u1ZVanOq7AAKAtzs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/LezAEr0ym2u1ZVanOq7AAKAtzs.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: KANGDING RAY - OR\",lZ2WhlLX5:\"11 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/kangding/kangding-ray-or-rn123-preview\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Kangding Ray . OR . rn123 . preview\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/kangding\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"kror\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"As a member of the raster-noton family, Kangding Ray and his music are necessarily concerned with the click-clacks of minimal electronic sound design; conceptualised through artistic missives and scientific sequences; and realised through experimental projects, publications and installation works\u2026. etc., etc. and more etc.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Heck, to top all of that, this latest effort of Kangding\u2019s is even powered by firm philosophy, a cultural critique of sorts. \",/*#__PURE__*/ _jsx(\"em\",{children:\"OR\"}),\" in English means, er, choice; in French, its the chemical element of gold; footnotes like these have something to do with the album\u2019s theoretical take on consumerism and civilisation. I think. If unlike me, you don\u2019t have a headache by now, head over to the raster-noton website for a more detailed description of the meaning behind \",/*#__PURE__*/ _jsx(\"em\",{children:\"OR\"}),\". Meanwhile, back to the music...\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Which, by the way, is the one thing that sets Kangding Ray apart from both peers and comparisons. Clearly, \",/*#__PURE__*/ _jsx(\"em\",{children:\"OR\"}),\" struts a similarly avant-garde compositional line threaded by label mates Alva Noto and Byetone, while also blurring dance music\u2019s genre polarities a la Monolake. Yet, art for art\u2019s hogwash aside, it is the defining musical quality of \",/*#__PURE__*/ _jsx(\"em\",{children:\"OR \"}),\"that will once and for all distinguish him from said company: this is a beguiling mould of actual \",/*#__PURE__*/ _jsx(\"em\",{children:\"songs\"}),\", dense with brooding drama and rhythmic meditation.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"It all makes for an engrossing listen, and even more impressive is the artist\u2019s skill in having what you feel clash with what goes in your ears. Yes, the glacial undercurrents and cloaked melodic progressions are detectable, and help maintain the hearing angst-perience. But at the same time, Kangding\u2019s tracks haste and heave with volatile glitch and skewed beat elegance, rendered through spartan rigor and ironclad funk \u2013 its dance music for a really cool party none of us have discovered yet. \u2018Leavaila Scheme\u2019 provides the evidence, accompanied by murky guitar contortions:\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/24179529\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"LEAVAILA SCHEME . Kangding Ray\"})}),\" from \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/kangdingray\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"kangding ray\"})}),\" on \",/*#__PURE__*/ _jsx(Link,{href:\"http://vimeo.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Vimeo\"})}),\".\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"The rest of the suite is a coherent echo of this same aesthetic, making for a refined, low-end monolith of sound beatitude away from a scene obsessed with bigger, harder, louder. \",/*#__PURE__*/ _jsx(\"em\",{children:\"OR\"}),\" represents another intense and outstanding declaration by one highly forward-thinking electronic musician, and may just be the year\u2019s best \u2026 wait for it\u2026 techno, bass music, electronica, (insert every other dirty word of a genre) release-in-one.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. Athem\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Mojave\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Odd Sympathy\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Pruitt Igoe (OR Version)\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Or\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Mirrors\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. Coracoid Process\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. En Amaryllis Jour\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Leavalia Scheme\",/*#__PURE__*/ _jsx(\"br\",{}),\"10. Monsters\",/*#__PURE__*/ _jsx(\"br\",{}),\"11. La Belle\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Buy: \",/*#__PURE__*/ _jsx(Link,{href:\"https://shop.raster-noton.net/?release=or\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"https://shop.raster-noton.net/?release=or\"})})]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.kangdingray.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"www.kangdingray.com\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/kangding-ray\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/kangding-ray\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-kangding-ray-or\"},{hz3sj3gFn:\"2011-06-07T00:00:00.000Z\",id:\"X7DX72w5a\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/Gtv2MuNid67OxptFcCDKtzXjjkQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/Gtv2MuNid67OxptFcCDKtzXjjkQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/Gtv2MuNid67OxptFcCDKtzXjjkQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/Gtv2MuNid67OxptFcCDKtzXjjkQ.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"RELEASES\",lWLYSEYh3:\"MUSIC FROM MIDNIGHT SHIFT\",lZ2WhlLX5:\"7 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsx(\"p\",{children:\"The Midnight Shift countdown begins\"})}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"music-from-midnight-shift\"},{hz3sj3gFn:\"2011-06-05T00:00:00.000Z\",id:\"UZYfgFwOs\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/HdAsN0ogdV1stWuqaW78aqsQuU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/HdAsN0ogdV1stWuqaW78aqsQuU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/HdAsN0ogdV1stWuqaW78aqsQuU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/HdAsN0ogdV1stWuqaW78aqsQuU.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"ARTIST FEATURE: NORMAN CHUNG\",lZ2WhlLX5:\"5 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Electronic dance music artist: a term that all too easily evokes anything and sometimes everything from one\u2019s favourite DJ \u2018rocking it\u2019 in shutter shades and glittering hoodie to the flailing person up in the little booth whom you paid $50 to be spotted in a club photo taken from his vantage position\u2026 but first, you and the other dancers must remember to catch him when he jumps, I mean, \u2018crowd-surfs\u2019.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Thankfully, the first \",/*#__PURE__*/ _jsx(\"em\",{children:\"artist\"}),\" to be featured on this blog is of a properly different stock from said clubland celebrities. For starters, you\u2019re looking at a modern day producer whose bio states his aim as: \u2018to add to the myriad of good music in existence\u2019. You better believe it \u2013 Norman Chung, long-serving house and techno personality as well as local boy of global recognition, is as modest as his lifelong appreciation and reciprocation of music is obvious.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Norman\u2019s living and breathing proximity to music began back in the 80s. But beyond the usual radio fare embraced by Singaporean kids, he instead stumbled upon the late John Peel\u2019s show on BBC, an important factor leading to his discovery of more \u2018underground\u2019 sounds. At only 12 years of age, Norman soon found himself amassing vinyl nuggets along more diverse and discerning lines of jazz, funk, soul and disco - and picking up the guitar while at it.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"The turn of the 90s introduced him to clubbing, and along with the rest of the world, he fell hard for the allure of electronic dance music. With a pair of turntables now his instrument of choice, Norman\u2019s already sizeable 12\u201D collection made extra space for the weird and wonderful sounds of House and Techno.Here are three records identified by Norman himself as especially influential blasts from his past.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"James Brown \u2013 Super Bad (1970)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=LJ9CLOEOB5U&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=dundoid\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Funkadelic \u2013 One Nation Under A Groove (1978)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=pNoj-PZbcO8&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=vegasvalleymary3\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Sinnamon \u2013 I Need You Now (1983)\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"It is a particularly fearless exploration of different sounds through the years; finally settling on that which Norman says \u2018speaks to him most\u2019. Indeed, some of House and Techno\u2019s finest \u2013 Derrick May, Kevin Saunderson, Stacey Pullen, Derrick Carter, Kenny Dope, Francois K, Kenny Larkin, Claude Young, Kirk Degiorgio and many more \u2013 make up the enduring inspirations for his career that was to follow.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"With no more than self-taught skills in mixing and an impressive breadth and depth of musical knowledge, Norman embarked on over a decade\u2019s worth of local DJ residencies during the mid 90s heyday of our clubbing scene. His classy, soul-tinged blend of house and techno also saw him rack up overseas appearances in Jakarta and Melbourne along with international parties hosted by dance music luminaries.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"But the turning point came in 1998, with Norman finally deciding to try his hand at writing a song or two. He points to the advent of software-based digital audio workstations then as having opened doors to the developing of his music production skills \u2013 and what a move it has been. His inaugural \",/*#__PURE__*/ _jsx(\"em\",{children:\"Debut \"}),\"EP \u2013 released in 2006 by Technasia\u2019s Sino label, and containing an edit by Deetron \u2013 saw two tracks played by Ben Sims in a mix CD; appearances in live sets by Samuel L Session and more; as well as chart support by Ken Ishii, Christian Smith etc. Not bad at all for a first-time effort\u2026\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Since then, Norman has gone on to collaborate with the distinguished likes of K-Alexi and Shin Nishimura, and seen his tracks fully endorsed by illustrious company such as\",/*#__PURE__*/ _jsx(\"strong\",{children:\" \"}),\"Laurent Garnier, Fabrice Lig, Santiago Salazar, Vince Watson, Jerome Sydenham, Orlando Voorn\u2026 and the namedropping could just go on, really.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Fellow self-proclaimed house/techno fans, fret not if you\u2019re now feeling equally embarrassed for having missed out on such homegrown talent \u2013 we\u2019ll help you atone with this introduction to possibly one of Singapore\u2019s best-kept secrets.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"How do you go about producing your tracks?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I do not have a fixed process. Inspiration can come in many ways, just be\\xa0prepared when it does.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Your breakthrough release on Technasia\u2019s Sino label - how did that happen?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I first met Charles and Amil\\xa0of Technasia back in 2001, when\\xa0we played at a gig in Singapore.\\xa0Years later, having worked on some tracks, and with encouragement from Deetron, I sent it to Sino and it got signed, incidentally with an edit by Deetron.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"And the other international labels and artistes you went on to work with \u2013 Plus Tokyo/Shin Nishimura, Hypnotic Room/DJ Hi-Shock, Logos Recordings etc.?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I met them through Facebook, apart from Shin whom I met in '01 during\\xa0the same gig with Technasia. I posted my tracks to Soundcloud\\xa0and they picked up on it.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Could you tell us more about the \u20185Kings\u2019 collective?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It is an ongoing\\xa0project that I am involved with, that was started by Chicago's K-Alexi to\\xa0showcase house\\xa0music\\xa0with collaborations from different parts of the world.\\xa0\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Mr. K\u2019Alexi \u2013 You Are (Norman Chung Mixedit) (Divine Records, 2010)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=S9fiUZbWUso&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=OrlandoVoorn\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"strong\",{children:\"What can we expect from Norman Chung in 2011?\"}),/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"I have an upcoming EP,\\xa0a couple of\\xa0remixes including an unconfirmed one\\xa0for K-Alexi as well as a track\\xa0to be featured in\\xa0the Midnight Shift Album due November.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you think differentiates your brand of house and techno music from the rest?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"I try not to\\xa0bother myself with trends as it might\\xa0stifle originality, and focus on incorporating my own identity into my music.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Norman Chung \u2013 U.F.M. (Forbidden Planet EP, 2010)\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=2mFw53WMhhU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=LogosRecordings\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Is there any underlying philosophy or concept behind your music?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"It is not what you use but how you use it.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"What do you think of the state of electronic dance music today?\\xa0\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Today, EDM has a huge\\xa0number of new music being released daily as a result of digital labels and downloads combined with easy access to means of (music) production, which\\xa0has its pros\\xa0and cons. It provides a platform for music that wouldn't have been heard previously, but the overwhelming quantity to choose from also makes it much harder for consumers to find what\\xa0they are looking for.\\xa0I also think there\u2019s too much emphasis on genres and sub-genres, which can lead to narrow-mindedness.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you think being an Asian dance music producer makes it any tougher to break into a largely Western-dominated scene?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Not that I am aware of. The only real difference is probably geographical. It costs more to fly halfway round the world\\xa0to play in\\xa0the West, which makes it harder to justify, especially when you are just breaking into a scene.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Has growing up in Singapore influenced your music in any way?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Yes. I\\xa0was fortunate enough to meet like-minded people that\\xa0helped me\\xa0progress musically, and\\xa0also to have the\\xa0opportunity\\xa0to be part of events\\xa0that\\xa0enabled me\\xa0to meet other artists both local and foreign.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you think there is any hope for both Singapore\u2019s musical output and club landscape?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"There are local electronic dance music labels such as Darker Than Wax\\xa0that are pushing in\\xa0the right direction and I expect there will be more to come. On the clubbing front, events such as Midnight Shift\\xa0and\\xa0Syndicate provide an alternative to mainstream clubbing, which\\xa0is a positive thing. So yes, I would think there is hope.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Do you have any advice for budding Singaporean music producers?\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Keep an open mind.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Catch Norman Chung live on June 24th for \",/*#__PURE__*/ _jsx(Link,{href:\"http://www.facebook.com/event.php?eid=169086116484008\",openInNewTab:true,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:/*#__PURE__*/ _jsx(\"strong\",{children:\"Midnight Shift 04: Collab\"})})})]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Tracklist:\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Noze \u2013 You Have To Dance (Mathias Kaden\u2019s Mouthacapellapolka Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Stacey Pullen \u2013 Get Up (Dub)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Michei De Hey \u2013 Whitebird (Original_Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Fausto Messina \u2013 Boungaville\",/*#__PURE__*/ _jsx(\"br\",{}),\"Truncate \u2013 Contrasts (Santiago Salazar Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Samuel L Sessions \u2013 The Organ Track (Wehbba Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Butch \u2013 Tease Me\",/*#__PURE__*/ _jsx(\"br\",{}),\"David Alvarado \u2013 Klugh (Original Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Brandon De Carlo \u2013 Deliberate\",/*#__PURE__*/ _jsx(\"br\",{}),\"Psycatron / Paul Woolford \u2013 Cloud 9 (Original Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Norman Chung \u2013 Fathom\",/*#__PURE__*/ _jsx(\"br\",{}),\"Aril Brikha \u2013 Read Only Memory (Jori Hulkkonen Remix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Radiohead \u2013 Everything In It\u2019s Right Place (Andi M\\xfcllers Looong Mix)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Maskio \u2013 Human Jungle (Santos Re-Edit)\",/*#__PURE__*/ _jsx(\"br\",{}),\"Mendo \u2013 Everybody I Got Him (2009 mix).mp3\",/*#__PURE__*/ _jsx(\"br\",{}),\"K-Hand \u2013 These Sounds Lead The Way\",/*#__PURE__*/ _jsx(\"br\",{}),\"K-Alexi \u2013 Passion Of We\",/*#__PURE__*/ _jsx(\"br\",{}),\"Inner City \u2013 Future (Orlando Voorn Summer Dub)\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/normanchung\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/normanchung\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.discogs.com/artist/Norman+Chung\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.discogs.com/artist/Norman+Chung\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"artist-feature-norman-chung\"},{hz3sj3gFn:\"2011-06-04T00:00:00.000Z\",id:\"j1fxbiv30\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/F00YVBUlYnu5t2NpmeREFJrBEhE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/F00YVBUlYnu5t2NpmeREFJrBEhE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/F00YVBUlYnu5t2NpmeREFJrBEhE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/F00YVBUlYnu5t2NpmeREFJrBEhE.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1200w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: SURGEON - BREAKING THE FRAME\",lZ2WhlLX5:\"4 JUNE 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(\"em\",{children:\"\u201CTen years since his last album, Surgeon returns riding a nine-headed beast on \"}),\"'Breaking The Frame\",/*#__PURE__*/ _jsx(\"em\",{children:\"\u2019\u201D \"}),\"- Boomkat\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\u2026And that, ladies and gentlemen, is by far the best review of said release that anyone could hope to find. Yet there exists a perverse few amongst us, who get off on writing/reading nothing less than the lengthy and wordy, so let us ramble onward\u2026\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Its been anything but a decade in the musical wilderness for the one known to his momma as Anthony Child \u2013 in fact, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Breaking the Frame \"}),\"conclusively proves that he\u2019s been engaged in the most high-calibre training of both beast and beastmaster himself.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"There really is a whole lot on the back of this record: consider the now-legendary expanse of musical influences encompassed by his remarkable DJ sets, on top of the embarrassment of riches that is his discography. Put two and two together and it makes sense that \",/*#__PURE__*/ _jsx(\"em\",{children:\"BTF\"}),\" channels a revised and updated merging of his separate legacies \u2013 with blunt British Murder Boy techno on one hand, to avant-garde excursions as part of Diversion Group.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"The first real highlight, \u2018Transparent Radiation\u2019, lurches around like a disciplined T++ let down by a busted Gain knob; its misshapen basslines stapled to a marching beat. But such dynamic tension exists only for Child\u2019s application of mischief \u2013 expressed here with a sparkling curtain call of silvery melodies.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=KAT-ziqpMDA&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=mambule2\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Right in the middle of the LP, though, lies the biggest baddest crown on this monster: \u2018Radiance\u2019. Lustrous black hole physics ignited by raw energy and crushing pressure; rush after rush of a giant battering boomer mercilessly decimating everything in its way \u2013 and more. Could this be, in all the right ways, the heaviest track I\u2019ve ever heard in my life? I don\u2019t know\u2026\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=0rFWda83F8w&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=poczap\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"Then there\u2019s the one oddity of a straight up 4/4 Berghainer in \u2018Those Who Do Not\u2019: its striding perc and cavernous filters tailor-made for the canon popularised by today\u2019s \u2018techno mecca\u2019. But tracks with beats of any sort constitute a minority of the album\u2019s playing time, with greater attention devoted to fashioning sonic swells of shape and texture.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"As such, an all-round Steve Reich-esque richness of electroacoustic space and atmosphere features prominently. Interspersed with his oft genre-defying reading of contemporary techno, the result is a masterclass underlined by his ever present penchant for doing exactly as the album title says.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"There goes a story of how circa 1996, mentor Mick Harris (aka Scorn) deposited a young and then unknown Anthony Child in his home studio, telling the boy: \u201CGo mad. Don't stop to think, just do it. Whatever's in you, get it out.\\\" A few days later, this lad yielded the essential Surgeon debut, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Communications\"}),\": fast-forward 15 years, and I daresay that with \",/*#__PURE__*/ _jsx(\"em\",{children:\"Breaking the Frame\"}),\", Child has managed to both adhere to and surpass such sagely advice. The world now has one more phenomenal record that succeeds at being, at the same time, all revolution and yet evolution; all message and still fundamentally music.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. dark matter\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Transparent Radiation\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Remover Of Darkness\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. the power of doubt\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. RADIANCE\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. Presence\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. We Are All Already Here\",/*#__PURE__*/ _jsx(\"br\",{}),\"08. those who do not\",/*#__PURE__*/ _jsx(\"br\",{}),\"09. Not-Two\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Buy:\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.dj-surgeon.com/store/index.html\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.dj-surgeon.com/store/index.html\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.dj-surgeon.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://www.dj-surgeon.com/\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://dj-surgeon.blogspot.com/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://dj-surgeon.blogspot.com/\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://twitter.com/tony_surgeon\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://twitter.com/tony_surgeon\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/dynamic-tension\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"http://soundcloud.com/dynamic-tension\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-surgeon-breaking-the-frame\"},{hz3sj3gFn:\"2011-05-25T00:00:00.000Z\",id:\"T5UA0w4Ey\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/MrwnhDSprYOPN68bzqanl60B8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/MrwnhDSprYOPN68bzqanl60B8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/MrwnhDSprYOPN68bzqanl60B8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/MrwnhDSprYOPN68bzqanl60B8.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"INTERVIEWS\",lWLYSEYh3:\"SYNDICATE, THE BIRTH OF\",lZ2WhlLX5:\"25 MAY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"Against a sanitized backdrop of fast food music, Syndicate was conceived over rounds of beers to reduce the growing impact of harmful beats and caveman frequencies in the accelerated world today. Along the way, it transmogrified into a serious idea to create a space for sonic expression and visual experience in post-efficient Singapore. What initially appeared as rounds of accidental & random recruitment exercises soon resulted in the formation of an audio-visual collective with names that are no strangers to the scene and some that are just strange. Propelled by the inactivity in the electronic margins of the sunny island, Syndicate is here as a super-collective to fill a void. It is now set to tear apart music categorization and regurgitate something to call its own.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"In short, we are a bunch of music geeks who wanted to venture beyond the standard palette of sounds that was available in Singapore. For those who are unaware, we are a bunch of electronic music producers, DJs and visual artistes leaning towards the innovative side of electronica club experience.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=f_pFBQ65KzU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=SyndicateSG\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"The idea started in mid 2009 over drinks among Cherry, Darren Dubwise and Kiat. There was a lot of frustration back then with the quality of music and visual offerings in Singapore. There was a ton of commercial house, trance, radio hip hop and nu-rave but they felt that there was so much more to explore within the electronica realm; music where people appreciate how it challenges the predictable, and the aesthetics of specific sounds within. The fact that our FM radio stations plays very commercial music doesn't help either. In order to make money and sell advertising spots, the stations here will play music that will appeal to the largest number of people, which can be rather generic sounding.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Where can we hear music which are pure artistic expressions? How do we start an audiovisual culture where it all blends beautifully together? So then, Syndicate was created. Producers like Max Lane and Izaak Stern, visual artistes like Brandon Tay and Rafi Dean and web mistress/DJ Sammy Panamuga and most important of all, the family includes friends and supporters. Syndicate is a community thing, it belongs to the music geeks, the punters and artistes who are from other collectives.\"}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=KU5Oygd-ywQ&ab_channel=SyndicateSG\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=bW3UQXc3orU&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=SyndicateSG\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"In 2010, Syndicate presented quality live international and local electronica acts, showcasing talents like The Crazy 88, Cosa Nostra, MC Masterpiece, Vanessa Fernandez, Case Woo, Kaye alongside Daisuke Tanabe (Japan), Kidkanevil (UK), Tokimonsta (USA), Free The Robots (USA), Strangeloop (USA), \\xa0Razor Rekta (UK), Bomb Zombies (USA). Kiat, Brandon Tay and Cherry just completed a series of gigs in Los Angeles, showcasing what we do at the Low End Theory in Los Angeles & San Francisco, as well as the ever influential Brainfeeder Sessions, an event off Flying Lotus' imprint. \\xa0In July 2011, Max Lane will be presenting his live show at Gilles Peterson Worldwide Festival in Sete, France.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"For the rest of 2011, we hope to continue to support the local beats and visual artists' scene, as well as challenge ourselves to produce more new and exciting multimedia shows. In the pipeline is the exploration of concepts beyond the club space and working with traditional musicians for interesting cross pollination. It's all about opening minds up to new creative ideas in electronic arts & sounds, for everyone.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"Here's a mini-mix from Syndicate's very own visual guy Rafi Dean, whose often behind the giant screen. Thank you, all those who have been supporting and collaborating. We thank you for your love.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/syndicatesg/rafi-dean-subaqueous-passage\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Rafi Dean / Subaqueous Passage Mini-Mix\"})}),\" by \",/*#__PURE__*/ _jsx(Link,{href:\"http://soundcloud.com/syndicatesg\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"SyndicateSG\"})}),\"\\xa0\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"\\\"Syndicate has been a source of inspiration to me on a personal level. \\xa0This is a thank you to all our supporters and all the musicians and visual artistes' efforts. The passion within each and everyone involved has been incredibly infectious and more often than not, lending to fresh ideas for the next session. Not many might know but I started out as a DJ and music producer but put music aside for almost a year as I focused my energy to other areas such as visuals and event production within Syndicate. Here I return the favour of blessed beats, sprinkled with my inclination toward the melodic. \\xa0Featuring works from Lorn, Autechre, Shigeto and Singapore's Lioncity Boy - Kevin Lester. Thank you for the inspiration.\\\" - Rafi Dean\\xa0\"})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"syndicate-the-birth-of\"},{hz3sj3gFn:\"2011-05-20T00:00:00.000Z\",id:\"pTFb5IsSR\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/XzvdTpGzM09C59LANuvwyPt5pA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/XzvdTpGzM09C59LANuvwyPt5pA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/XzvdTpGzM09C59LANuvwyPt5pA.jpeg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 934w`},KyaMcp8D1:\"REVIEWS\",lWLYSEYh3:\"REVIEW: LONE - ECHOLOCATIONS\",lZ2WhlLX5:\"20 MAY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsxs(React.Fragment,{children:[/*#__PURE__*/ _jsx(\"p\",{children:\"In Part 2 of our neverending bedroom producers special, we take a look at the artiste known as Lone, aka Matt Cutler. Also young, also British, and also a crate digger \u2013 but unlike the Panda\u2019s obscure sample hunting habits, Lone and his record collection are positively ruled by a preoccupation for all things\u2026what was that word again\u2026 \u2018classic\u2019.\"}),/*#__PURE__*/ _jsx(\"p\",{children:\"More specifically, we\u2019re talking early \u201890\u2019s UK rave/hardcore, Chicago house and Detroit techno: the very influences and ingredients of which he has unashamedly fused and assimilated into his compositions.\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"With many a review describing his earlier output in the same breath as anything from Boards of Canada to 808 State to Fabio & Grooverider; it comes as little surprise that his first EP of 2011, \",/*#__PURE__*/ _jsx(\"em\",{children:\"Echolocations\"}),\", sees release by R & S Records. The Belgian label, once home to the glorious pumping MDMA-ed genius of Joey Beltram and one Aphex Twin et al., is now revamping its stable to include, alongside Lone, the precocious talents of Blawan, Untold, Space Dimension Controller and that James Blake.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"However, it is unlikely that Lone was after intentional tribute to R & S \u2013 he has stated that these tracks were produced at the same time as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Emerald Fantasy Tracks\"}),\" (album released in November 2010) \u2013 but \",/*#__PURE__*/ _jsx(\"em\",{children:\"Echolocations\"}),\" nonetheless honours the label\u2019s legacy with a deft concoction of colourful dance energy and fantastical melodies.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"These signature juxtapositions of Lone\u2019s continue to be fleshed out by warm arpeggios and synthlines, but they now punch the air above vividly jacking house beats and percussion \u2013 a motif perfectly exemplified by \u2018Approaching Rainbow\u2019. As possibly the most obvious case of reminiscence here, it is also a highly melancholic number. In a recent interview with ClashMusic, Lone pointed out that in \",/*#__PURE__*/ _jsx(\"em\",{children:\"Echolocations\"}),\", \u201Cthere\u2019s a bit of sadness to it all... It could be that a lot of it dwells on the past, and there\u2019s always something sad about the past, in that it\u2019s gone. You\u2019ll never get it back.\u201D\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(motion.div,{className:\"framer-text-module\",style:{\"--aspect-ratio\":\"560 / 315\",aspectRatio:\"var(--aspect-ratio)\",height:\"auto\",width:\"100%\"},children:/*#__PURE__*/ _jsx(ComponentPresetsConsumer,{componentIdentifier:\"module:NEd4VmDdsxM3StIUbddO/fJ8vwGe6kxfz7kj9H7Sk/YouTube.js:Youtube\",children:presetProps=>/*#__PURE__*/ _jsx(YouTube,{...presetProps,play:\"Off\",shouldMute:true,thumbnail:\"Medium Quality\",url:\"https://www.youtube.com/watch?v=4mVbCGKzY5E&embeds_euri=http%3A%2F%2Fwww.mnshift.net%2F&source_ve_path=MjM4NTE&feature=emb_title&ab_channel=R%26SRecords\"})})}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/ _jsx(\"p\",{children:\"The next tune, however, brazenly pulls the listener out of such maudling depths and takes you on a rainbow to the greener grass on the other side. \u2018Rapid Racer\u2019s surging \u2018ardkore pads echoes and extols the pure ecstasy (pun intended) of rave, even conjuring up visions of writhing dancers sporting big hair and bad glo-sticks\u2026 You know the score!\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"These standouts aside, it is still difficult to ignore the feeling that \",/*#__PURE__*/ _jsx(\"em\",{children:\"Echolocations\"}),\" sounds like a second-hand selection from\",/*#__PURE__*/ _jsx(\"em\",{children:\" Emerald Fantasy Tracks\"}),\". As it is, some of the latter LP\u2019s kaleidoscopic qualities seem to have been sacrificed for a more upfront technical workout here, rendering the 'Echo' rather flat in comparison to the gloss of its predecessor.\"]}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"Consider, however, that this could very well be a statement of intent from Lone. Perhaps he now recognises his brand of dance music as guilty of providing listeners with false hope: its radiant crescendos and climaxes, in truth directing dancers in mock performance of the narrative of success\u2026 Ok, sorry.\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"Tracklist\",/*#__PURE__*/ _jsx(\"br\",{}),/*#__PURE__*/ _jsx(\"br\",{}),\"01. Coreshine Voodoo\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Explorers\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. Dolphin\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Approaching Rainbow\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Blossom Quarter\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. 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Out of the album, tracks such as \",/*#__PURE__*/ _jsx(\"em\",{children:\"Factory Setting\"}),\", \",/*#__PURE__*/ _jsx(\"em\",{children:\"Moon Pupils\"}),\" and \",/*#__PURE__*/ _jsx(\"em\",{children:\"Little Smoke vs.\\xa0Kab Driver\"}),\"\\xa0are more suitable for a club night. While the description 'organic' is much overused and oft maligned, the track \",/*#__PURE__*/ _jsx(\"em\",{children:\"Allele\"}),\" preserves its original meaning with a modern touch that breathes new life into what we know. In one word: brilliant.\"]}),/*#__PURE__*/ _jsx(\"p\",{children:\"Tracklist\"}),/*#__PURE__*/ _jsxs(\"p\",{children:[\"01. Panama\",/*#__PURE__*/ _jsx(\"br\",{}),\"02. Zabriskie Disco\",/*#__PURE__*/ _jsx(\"br\",{}),\"03. All Too Heavy feat. Brian Greene\",/*#__PURE__*/ _jsx(\"br\",{}),\"04. Cold War vs. Ken & Ryu\",/*#__PURE__*/ _jsx(\"br\",{}),\"05. Passerby\",/*#__PURE__*/ _jsx(\"br\",{}),\"06. TV Troubles\",/*#__PURE__*/ _jsx(\"br\",{}),\"07. The Dissolve feat. 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Brian Greene\"]}),/*#__PURE__*/ _jsx(\"p\",{children:/*#__PURE__*/ _jsx(Link,{href:\"http://www.juno.co.uk/products/the-dissolve/421766-01/\",openInNewTab:false,smoothScroll:false,children:/*#__PURE__*/ _jsx(\"a\",{children:\"Juno Download Link\"})})})]}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"review-boxcutter-the-dissolve\"},{hz3sj3gFn:\"2011-05-06T00:00:00.000Z\",id:\"jFw9o5bcc\",kq4fhfl0F:{alt:\"\",src:new URL(\"assets/ssUBQC9arnR7qlerMi10BZxKSBE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href,srcSet:`${new URL(\"assets/512/ssUBQC9arnR7qlerMi10BZxKSBE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 512w, ${new URL(\"assets/1024/ssUBQC9arnR7qlerMi10BZxKSBE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1024w, ${new URL(\"assets/ssUBQC9arnR7qlerMi10BZxKSBE.jpg\",\"https://framerusercontent.com/modules/hkv7CNgtJx8XmMCLg6ze/ASKq1xhp6zLaKSvkWaBj/DGD42DkBb.js\").href} 1296w`},KyaMcp8D1:\"EVENTS\",lWLYSEYh3:\"HI-TEK SOUL: KEVIN SAUNDERSON & DERRICK MAY\",lZ2WhlLX5:\"6 MAY 2011\",NSCRluEuV:\"BACK\",piXu0Mbis:/*#__PURE__*/ _jsx(React.Fragment,{children:/*#__PURE__*/ _jsx(\"p\",{children:\"Event Alert: 7 May 2011 at music institution Zouk club sees the Detroit Techno pioneers going back to back on 6 decks, 2 mixers, drum machine and keyboards.\"})}),STZ9H_Yre:\"scroll up\",ZSbJTJ1KS:\"hi-tek-soul-kevin-saunderson-derrick-may\"}];data.forEach(item=>Object.freeze(item));addPropertyControls(data,{lWLYSEYh3:{defaultValue:\"\",title:\"Title\",type:ControlType.String},KyaMcp8D1:{defaultValue:\"\",title:\"Tag\",type:ControlType.String},hz3sj3gFn:{title:\"Date\",type:ControlType.Date},ZSbJTJ1KS:{title:\"Slug\",type:ControlType.String},lZ2WhlLX5:{defaultValue:\"\",title:\"Title Date\",type:ControlType.String},NSCRluEuV:{defaultValue:\"\",title:\"Back Button\",type:ControlType.String},STZ9H_Yre:{defaultValue:\"\",title:\"Scroll Up Button\",type:ControlType.String},kq4fhfl0F:{title:\"Hero Image\",type:ControlType.ResponsiveImage},piXu0Mbis:{defaultValue:\"\",title:\"Content\",type:ControlType.RichText}});data[\"displayName\"]=\"Blog Content\";export default data;\nexport const __FramerMetadata__ = {\"exports\":{\"default\":{\"type\":\"data\",\"name\":\"data\",\"annotations\":{\"framerSlug\":\"ZSbJTJ1KS\",\"framerRecordIdKey\":\"id\",\"framerContractVersion\":\"1\",\"framerData\":\"\"}},\"__FramerMetadata__\":{\"type\":\"variable\"}}}"],
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