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  "sourcesContent": ["import{jsx as e,jsxs as t}from\"react/jsx-runtime\";import{Link as i}from\"framer\";import{motion as n}from\"framer-motion\";import*as a from\"react\";export const richText=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Anders Aarvik is an artist, curator, etcher, and hacker, who studied at Chelsea College of Arts (UK), Royal College of Art (UK), and Funen Art Academy (DK). He seeks to dissolve governing social structures such as power, industry, and binarity. His works span across print, sculpture, installation, performance, text, and computation, constructing worlds and objects that inquire into coexistence through a more-than-human lens. He insists on DIY, DIWO (do-it-with-others), low tech (e.g., permacomputing), and upcycling. The body and the objects related to it serve as an analogy for change and are enacted through machines such as computers and printing presses, in a critical exchange where their infrastructural traces are carefully inspected and redistributed.\"})});export const richText1=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"AC Larsen (b. 1994) is a multidisciplinary artist and writer based in London. With a practice that spans sculpture, installation, text-based work and poetry, Larsen\u2019s work is rooted in exploring queer, trans embodiment, within the context of contemporary Britain. Drawing heavily from pop culture, fashion and advertising slogans, Larsen\u2019s work aims to draw attention to attendant politics and the often insidious power relations that flow through British institutions and class structures. A central part of their practice is an interest in the materiality of objects and language, with many of their pieces exploring how the juxtaposition of specific materials and the recontextualisation of objects can evoke and challenge specific discourses. Notable recent exhibitions include: New Contemporaries (2024); ACTS OF UNION, Hypha Studios (2024); Metamorphosis, Stanley Picker Gallery (2023); DUMP 01, Greatorex Street (2023); Toughness & Tenderness, Bermondsey Project Space (2023); Queer Art(ists) Now, Space Station Sixty-Five (2022). \"})});export const richText2=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Andrea Ricklin lives and works in Zurich and studied fine arts at the Hslu Design and Art in Lucerne. She investigates the connection between our digital and analog worlds and their impact on our society. She explores how the constant use of digital media and gadgets changes our behavior and communication. She creates works that address and question the interaction between everyday moments and the surreal lens of technology. With her work, Andrea invites us to reflect on our relationship with new media and question our digital presence.\"})});export const richText3=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"ATHENA Mothership (they/them) is a humanoid spaceship that travels through time and space and ages in between. Everything flows in and out yet love is the only thing the vessel holds.\"})});export const richText4=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Brandy Flakes, B.1999, Wirral, UK is a conceptual Artist/Curator/Transgender. Focusing on paradoxes, inconsistencies, and irony to explore themes of dissociation in queer life. <3<3<3\"})});export const richText5=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(\"em\",{children:\"Carolin Meyer\"}),\"\\xa0is an interdisciplinary, conceptual artist & DJ based in London. Shaped by her experience of transracial adoption at birth (from Kurdish Yazidi to German), she is primarily\\xa0interested in different modes of (dis)embodiment and their translation into\\xa0multisensory, viscerally affective interventions using\\xa0video, sculpture, music, sound, installation, writing, and performance.\",/*#__PURE__*/e(\"br\",{}),\"Other than embodiment and the body, she is interested in identity, racialisation, techno-social transformations, and climate change (de-anthropocentrism).\"]}),/*#__PURE__*/t(\"p\",{children:[\"Her work has been published in\\xa0\",/*#__PURE__*/e(i,{href:\"https://thesociologicalreview.org/magazine/december-2023/mess/outside-the-box/\",motionChild:!0,nodeId:\"MvIbQBtqE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(n.a,{children:\"The Sociological Review\"})}),\",\\xa0\",/*#__PURE__*/e(i,{href:\"https://www.stillpointldn.com/articles/carolin-meyer-solastalgia/\",motionChild:!0,nodeId:\"MvIbQBtqE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(n.a,{children:\"STILL POINT JOURNAL\"})}),\",\\xa0\",/*#__PURE__*/e(i,{href:\"https://vernacularjournal.com/Vein-s-way-in\",motionChild:!0,nodeId:\"MvIbQBtqE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(n.a,{children:\"Vernacular Journal\"})}),\"\\xa0and\\xa0\",/*#__PURE__*/e(i,{href:\"https://www.protein.xyz/research-raves/\",motionChild:!0,nodeId:\"MvIbQBtqE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(n.a,{children:\"Protein\"})}),\". In 2023, she was appointed\\xa0\",/*#__PURE__*/e(i,{href:\"https://www.ucl.ac.uk/institute-of-advanced-studies/carolin-meyer\",motionChild:!0,nodeId:\"MvIbQBtqE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(n.a,{children:\"Creative Fellow\"})}),\"\\xa0at UCL, where she explored music as research. She is an Acme studio holder and part of the 2025 cohort at School of the Damned.\\xa0\"]})]});export const richText6=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Dandy Day (b.1999) is a multidisciplinary artist, whose practice was subjected to an unforeseen shift after the sudden loss of their mother in 2019. Forced to discover the multi-faceted powers of grief and loss, Dandy\u2019s practice has evolved into an autobiographical glimpse of childhood, documenting their constant attempt to return home.\"})});export const richText7=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Hi, I\u2019m Dou Dou, an illustrator and artist from Jinan, China, now based in Berlin. I work with multiple forms of design and art; most of my work is narrative and time-based. I am interested in subtle yet significant emotions, and I hope my work acts like a megaphone to gently amplify the voices of these small details to you.\"}),/*#__PURE__*/e(\"p\",{children:\"Starting in 2015, I worked as a costume designer in Beijing's film and TV drama industry for over two years. In 2017, I took a gap year in Australia to explore the outside world.\"}),/*#__PURE__*/e(\"p\",{children:\"Through this trip, I slowly clarified my preferred living environment and my priorities for the following years.In 2020, during the pandemic, I moved to London to study Performance Design at Central Saint Martins College. After my studies, I worked at the university and drew illustrations for children's books. <br> In 2023, I moved to Berlin, finding my voice and striving to better navigate and partnering with the real world.\"})]});export const richText8=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"I use textile as my primary medium for its tactile and ready-made qualities. By repurposing fabric and objects \u2018inherited\u2019 from other people, often family members, I draw on their pre-existing narratives. My process reflects a DIY ethos, embracing imperfection and spontaneity as I weave together threads of personal and collective memory, individual recollections and broader cultural narratives.\"})});export const richText9=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Flora makes sculpture, writing, sound, video, and participatory events to explore the relationship between interior experience and the outside world, often through fantasy narratives, with an interest in how altered psychological states and storytelling can affect our understanding of shared spaces and their ownership. They draw from speculative fiction, folk art, philosophy, and theory about public space to think through these topics, often returning to themes of the weird and enchanted, and settings for communal experiences such as parties and clubs .\"}),/*#__PURE__*/e(\"p\",{children:\"Flora studied at the Glasgow School of Art. Recent shows include I Should Coco at Staffordshire Street Gallery, London, Dancing in the Gamma Garden at Gallery 32, Bexley, Leighton in Collaboration, at Leighton House, London, FUN!, at GRAFT, Lancaster, and Draw out the figure you will make, at EMBASSY, Edinburgh. Flora was selected for Hospitalfield\u2019s Graduate Residency in 2018, and has had writing published by HOAX, Sticky Fingers and Illiterati Texts. Alongside her art practice she works as a technician and tutor at Morley College.\"})]});export const richText10=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Hannah Imhoff (*1997) is a conceptual artist who sometimes curates. Based in Vienna and London, her work is included in the collection of the Museum der Moderne Salzburg. She holds a bachelor's degree in Philosophy, Politics and Economics and studied sculpture at the Mozarteum University in Salzburg, Austria. Afterwards, she went on to pursue her Master's degree in Fine Arts at Chelsea College of Arts in London, UK. She is one sixth of the London-based collective Successful Artist and part of the Salzburg-based fluid feminist network EXTRA stark.\\xa0\"})});export const richText11=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Harry Smithson is an artist living and working in London. Graduated from Central Saint Martins Product Design in 2018 he is currently studying an MFA at The Slade School of Fine Art, 2021-2023. His work manifests as sculpture and sound installations, investigating the physicality of sound and how it resonates, entangles, and attaches different bodies and spaces. The installations create their own worlds, systems or landscapes pulling influences from traditional rituals surrounding sound and objects, as well as experimental DIY electronic music and instrumentation with imagery from the architectural, biological and technological worlds. He also co-directed gallery and performance initiative fivehundredthousand from 2018-2020.\"})});export const richText12=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Henryk studied Three Dimensional Design at Wolverhampton Polytechnic, and sculpture at the Academy of Fine Arts in Warsaw. After moving to London he worked for Harvey Nichols display dept., designing and producing some of their famous window displays. He has worked as a freelance prop maker and decorative artist, specialising in \u2018faux marbling\u2019\"}),/*#__PURE__*/e(\"p\",{children:\"In recent years, using some of the skills and processes from these fields, he has directed his talents to \u2018fine art\u2019. He produces work ranging from painted abstract compositions to 3D sculptures and installations, most recently experimenting with unconventional materials and mixed media.\"}),/*#__PURE__*/e(\"p\",{children:\"Henryk works intuitively and spontaneously, with passion and wit. He uses an experimental approach with materials, processes, ideas and emotions. When successful this leads to a \u2018perfect storm\u2019, an intuitive conclusion, an end result that, be it visually or conceptually, resonates with him and hopefully the viewer.\"})]});export const richText13=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Iris Su\u2018s practice is based on the materiality and metaphoricity of trash to search for alternative values in human systems. She experiments with unconventional materials through drawing, photography, moving images, sound, interactive installations, etc.. Su sees her somewhat chaotic aesthetic assemblages as a tool to interrogate the interconnectedness between individuals and systems nowadays. She amplifies the feeling of being \u201Cin-between\u201D, in which the layers - formed by the different mediums - create a sense of obscurity. Iris Su is currently studying at Slade School of Fine Art for MFA Programme (media pathway).\"})});export const richText14=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Isabelle Pead is an artist working across sound, sculpture, performance and moving image. Her work is concerned with sonic exploration, primarily using the voice as a tool to navigate the social, personal and emotional. Her work is research based and takes a range of forms, often resulting in multimedia installations which consider the relationship between object, image, space and sounding body: delighting in the curious, spectacular and sublime of sound making and sonic ephemera. \"})});export const richText15=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Jack Milner - b. 2004, is a multidisciplinary artist based in Amsterdam currently studying at the Gerrit Rietveld Academie. His practice is currently in flux and spans from the sculptural to the digital.\\xa0 He predominantly explores themes such as naturalistic experience within cyberspace, systemic parasites and interferences, contemporary paranoia, the materiality of non-space & physical reenactments of internet imagery. He has employed paradoxes within works, questioning how research is carried out and embeds itself physically. Recently he delved into the aesthetics and functions of old-world objects such as the weathervane, seeing what role they play in current times; putting found materials through craft & machine processes.\"})});export const richText16=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:'hi I\\'m a multimedia artist now based in London. I like to embrace the \"kiang spirit\" in my work'})});export const richText17=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:'Josh Philpott (b. 1994, Birmingham, UK) stages poetic interventions to be stumbled upon in public and gallery spaces. Working through drawing, text, film, and sound he draws connections between quiet absurdities in everyday life, the found random encounter as poetry-in-situ, and social exchanges in relation to the built environment. He thinks about psychogeography, absurdism, dry humour, and Midwestern-emo. Recent interventions include Growing Season: Part 2 curated by Coven, Lewisham Arthouse, London, UK (2025); his first solo exhibition Site of Ghosts (Fka \u201CProposal for an opening, proposal for an afterimage\u201D, fka \u201CYou Are Here\u201D) at the Project Space at Turf Projects, Croydon, UK (2024), presented alongside the group show Conditions Exhibition 2023-24, Conditions, Croydon, UK (2024); Light Beams Under A Bridge: Volume 12, a group film screening under a railway bridge organised by Street Soundsystem, London, UK (2024); Growing Season: Part 1 curated by Coven in the Coven garden, London, UK (2024); \"Esoteritech\" on NTS Live 2 radio and online (2024); DUMP 01 at Greatorex Street, London, UK (2023). He curated Poems for A Gap In the Door at Conditions Studios Project Space, Croydon, UK (2023). He has been a member of Conditions Studio Programme (Croydon, UK) since 2019.'})});export const richText18=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Julia Tr\\xf6scher graduated from Central Saint Martins with a Bachelor in Fine Art in 2021, and completed her Master of Visual Art at Sint Lucas Antwerp in 2024. Previous to this she attended the Schule Friedl Kubelka of Photography in Vienna. Tr\\xf6scher\u2019s work has been exhibited internationally, including shows at Kunsthalle Mainz (DE), Greatorex Street in London (UK) and To Be Antwerp (BE). She has been awarded the Antwerp Art Graduation Prize in 2024 and was shortlisted for the LVMH Maison/0 This Earth Award in 2021. In 2022 she took part in the Bosacademie at Het, Bos as well as a residency at NAHR in Sottochiesa, Italy.\"})});export const richText19=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Juliusz Grabianski is a visual artist based in London. His practice investigates the role of technologically-mediated images in creating digital mythologies. In his work, Juliusz reflects on the narratives that we collectively create in order to make sense of the world, and in particular in the role of technology in shaping these myths. He researches how modern-day belief systems, such as astrology, manifestation and other new-age mindfulness techniques replace traditional faith, and the role of symbols and visual language in their rising popularity. The realm of Juliusz\u2019s practice lies within the digital space, and he utilises a variety of software, 3D printing, and machine learning tools to physicalise and archive digital artefacts. Juliusz is a co-founder of Kawaii Agency, a curatorial collective run with Bart Seng Wen Long.\"})});export const richText20=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Ksenia Ilina is a London based artist with a multidisciplinary practice spanning moving image, object-making and painting. She creates intimate, surreal worlds, transforming familiar moments into dreamlike experiences and uncovering the unseen layers of reality. Her work has been showcased internationally, including in Circa x DAZED's Class of 2021 screenings at Piccadilly Lights in London, Coex K-Pop Square in Seoul, and Yunika Vision in Tokyo. Ilina studied Textile Art at the Stieglitz Academy of Art and Video Art at the Rodchenko Art School, and her work has been featured in DAZED, It\u2019s Nice That, AnOther Magazine, DUST Magazine, and i-D.\"})});export const richText21=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Lei wang ,graduated from Goldsmiths, University of London in Film Studies ,currently works as a freelance photographer. She wanders the outskirts of the city daily, with her work primarily focusing the often-overlooked micro-elements within urban structures. By recombining these elements, she creates a unique visual world, exploring the diversity and complexity of urban landscapes. \"})});export const richText22=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Margaux Halloran is an american artist currently based in London.\"})});export const richText23=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Nathan Davies is an artist based in Bristol, whose practice focuses on transforming philosophical concepts into thought-provoking visual forms. Working primarily with painting, Davies also experiments with drawing and found objects, emphasising the importance of ideas over medium or style. For him, the concept drives the creation process, with the choice of materials serving as a platform for the meaning. His work takes influence from artists such as Jeremy Deller, Jenny Holzer, Barbara Kruger and Ren\\xe9 Magritte. Davies' work has been exhibited in galleries such as Two Queens and LCB Depot in Leicester, as well as other locations across the East Midlands.\"})});export const richText24=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Odie-Grace Urum-Kalu is a London based artist, with a multimedia practice that ranges from Sound to sculptural and video installation. Currently a student in Slade School of Fine Art, Odie-Grace\u2019s practice sits within the context of Afro-Cyber Resistance. Featured in exhibitions such as Hello Dump 01,\\xa0 Between Here and There, Elevenses & more. Odie-Grace often commodifies serious subject matter, through the disguise of satire and irony. In order to provide consciousness to anthropological issues such as misogynoir, internet culture and diasporic conditions. Toy-ing with the idea of the body as a font, Odie-Grace centres marginalised \u2018stories\u2019 with a primary focus on representation and relatability.\\xa0\"}),/*#__PURE__*/t(\"p\",{children:[\"Contact information : \",/*#__PURE__*/e(i,{href:\"mailto:odiegrace4@gmail.com\",motionChild:!0,nodeId:\"MvIbQBtqE\",openInNewTab:!0,scopeId:\"contentManagement\",smoothScroll:!1,children:/*#__PURE__*/e(n.a,{children:\"odiegrace4@gmail.com\"})}),\" and @odiegracesss on instagram.\"]})]});export const richText25=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"\u9EC3\u73EE\u5A77, also recognized as Peggy Peiting Huang, is a Taiwanese visual artist who divides her time and artistic pursuits between Taipei and London. Her primary medium of expression is painting. Huang's artistic vision is firmly rooted in the realms of kitsch, cursed, and sensuality. Within this context, she engages in a profound exploration of her identity as a female of East Asian heritage, navigating the complexities of the post-internet era and the influence of meme culture on her creative journey.\"})});export const richText26=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Rosie Harris is an artist, creating under the name Three Tables, working in the medium of natural dye on biodegradable hemp blends. Her work takes the form of hand-painted backdrops which are later made into clothing, and explores the nature of repetition and confinement; responding to society\u2019s replacement of God with material gain.\u2018In a Garden\u2019, the backdrop sample in question, is from a series entitled \u2018Precari\u2019, Latin for \u2018to pray\u2019, which depicts Biblical places of prayer.\"}),/*#__PURE__*/e(\"p\",{children:\"The work of Three Tables moves from the Gardener\u2019s Table, where natural dyes are grown, harvested and processed; to the Painter\u2019s Table, at which Rosie hand-paints fabric backdrops with these natural colours; arriving finally at the Maker\u2019s Table, on which used backdrops are made into workwear-inspired clothing. Clothing that celebrates the everyday religiously repetitious, confining and glorious practice of being alive.\"})]});export const richText27=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Working across painting, installation, performance and audiovisual media, Sara Christova (b. 1994, Bulgaria) explores phenomenology, transdimensionality and the art of navigating with no horizon. Merging art, science, culture, and technology, Christova\u2019s work poses a critique of the entropic nature of our global civilization.\"}),/*#__PURE__*/e(\"p\",{children:\"Her practice evolves from elaborate research mapping and calculated material interplays, embracing alternative modes of perception and notions of distortion, decay, resonance and fluidity. Drawing inspiration from discourses around Deep Time and metaphysics, internet culture and alchemy, she contemplates scientific and mythological narratives alike, extracting idiosyncratic observations rooted in the absurdity of our contemporary existential frameworks.\"}),/*#__PURE__*/e(\"p\",{children:\"Since graduating with a BA in Illustration (CSAD, 2016), Christova has exhibited internationally (notably Tate Modern Lates, the Bulgarian National Palace of Culture, and National Museum Cardiff), and has collaborated with a range of artists, collectives and institutions (IKLECTIK, W1Curates, LittleBigArt, tactileBOSCH, London Paint Club). In 2023 she was awarded a Distinction for her Graduate Diploma in Fine Art at the Royal College of Art, where she went on to complete her MA in Contemporary Art Practice. Recently she was selected as the Installation/Sculpture category winner in Arts Thread\u2019s Global Creative Graduate Showcase 2024. \"})]});export const richText28=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Sid and Jim (b. 1994, UK) are a London based collaboration making artworks that materialise in many different forms. They have previously produced films, sculptures, paintings, and curated exhibitions which call attention to otherwise overlooked elements of our daily lives. Their work is often influenced by fictional tropes and recognisable motifs within popular culture. They use invisibility and absence to propose situations and start stories for the viewer to invent or complete, encouraging them to fill the gaps and build their own narrative.\"})});export const richText29=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:\"Soohyun Kim (born 1993, South Korea) is a visual artist based in London. Her artistic practice is multidisciplinary, combining image, sound, 3D video, and sculpture. Her practice explores states of being that are difficult to categorize, such as incomplete existence, ghost-like states, and in-betweenness. Using casting techniques, her recent work examines how systematic categorisation within society oppresses individuals.\"})});export const richText30=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Yasmin - Shaghayegh- Noorbakhsh is a Persian-British London based artist working across painting, ceramics and installation. Her practice examines notions of veracity. She has a particular interest in selective perception and how our understanding of events can be affected by media bias, personal and cultural projection, assumption and censorship. Her work is inspired by socio-cultural beliefs and historical events. It sometimes depicts the erasure of events and objects and how they can lose their complexity and origin when looked at through certain constructs or agendas. She borrows cultural and historical signifiers and fuses them with elements of contemporary practice to create a strong sense of friction and collision. As a female artist and a member of the Iranian diaspora, Yasmin\u2019s practice is strongly infused with the theme of hybrid identity and its associated uncertainty. There is a constant questioning at the core of her practice. She explores the relationship between order and chaos and how they overlap and intersect. Her multifaceted layers, interweaving diverse motifs and complex surfaces, depict the state of constantly existing between two spaces; between the known and unknown; the pleasant, and unpleasant; the West and the East and how sometimes these intersect and become intertwined.\"}),/*#__PURE__*/e(\"p\",{children:\"Yasmin graduated in 2022 from City & Guilds of London Art school with a distinction for her MA in Fine art and was the recipient of the outstanding critical engagement prize 2022. She has been shortlisted for different prizes such as Combat ArtPrize 2024 at Giovani Fattori museum Italy, Zabludowicz Collection Mother Art prize 2022, Brixton art prize 2022, and Barbican Art trust Open 2022. Yasmin has been selected finalist for different collective shows such as Human Perspective 2021 at Cambridge University, ReA Art Fair Milan 2023, Art on the post card 2023 and 2024, Fair Art Fair for The Auction Collective, . She was the co-curator and exhibiting artist for a group project/residency called \u2018Corpus\u2019 in collaboration with Hypha Studios in London July 2023 and selected artist in Atrsted 99 Future Blue Chip Artists 2023 edition.\"})]});export const richText31=/*#__PURE__*/t(a.Fragment,{children:[/*#__PURE__*/e(\"p\",{children:\"Yijue Zeng (b. 1992, China) is a London-Guangzhou-based artist working with video installation, sculpture, and photographic images. Her practice is deeply influenced by her surroundings, focusing on the relationship between place and people. Yijue\u2019s work explores themes of memory, human spatial experience, and displacement within the context of globalization. She employs a multidisciplinary approach, incorporating etching, video, photography, and alternative photographic experiments, often working with film cameras and paper.\"}),/*#__PURE__*/e(\"p\",{children:\"Yijue has exhibited internationally, including shows at the Slade School of Fine Art Interim/Degree Show, London\u2019s Filet Gallery, and the Hong Kong Central Library. In May, she will participate in an art residency in Iceland.\"})]});export const richText32=/*#__PURE__*/e(a.Fragment,{children:/*#__PURE__*/e(\"p\",{children:'YuYing Huang is a performance and installation artist based in London and Shanghai. She holds an MA in Fine Art from Chelsea College of Arts and a BA in Public Art from China Academy of Art. Her work explores the notion of \"image\u201D and the cultural construction behind it, seeking to understand daily life under the influence of the internet, often through the disarming effects of humour, and drawing from the theories of visual imagery and technology. 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