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Using a range of digital tools, the artist creates works in a documentary style with hybrid forms (video, installation, live performance...). His works explore the themes of digital identity, memory, and more generally, the transformations brought about by technologies in the post-truth era. They question the invisible and the unspeakable, the process of producing \"reality,\" and the interstices between the real and the virtual.'}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:\"By using gaming technologies such as Unreal or Deepfake (generative artificial intelligence), Isma\\xebl Joffroy Chandoutis contributes to questioning the limits of post-internet documentary cinema and the trend of media convergence. These artistic gameplays are all areas of expression for the profound subjects that shock our society. His methodology leads him to consider technology as a continuous process of research and experimentation that is part of his work. In Swatted (2018), the artist hacks images that he creates and captures in real-time while playing a video game. By modifying the graphic rendering, he removes textures from certain areas to obtain a wireframe aesthetic, which he then uses to stage stories of online players.\"})]}),className:\"framer-yzmqnt\",fonts:[\"Inter\"],verticalAlignment:\"top\",withExternalLayout:true}),/*#__PURE__*/_jsxs(\"div\",{className:\"framer-gye1lc\",children:[/*#__PURE__*/_jsx(ComponentViewportProvider,{height:42,children:/*#__PURE__*/_jsx(Container,{className:\"framer-1fy2y0x-container\",children:/*#__PURE__*/_jsx(Button,{height:\"100%\",id:\"gggpO8t2s\",iUAeCFb2F:\"Get in touch\",layoutId:\"gggpO8t2s\",nTVJqLVBK:true,OCvtRQ5Ts:0,variant:\"Qlcf4CPAt\",width:\"100%\",ykUUei7vV:\"mailto:contact@ismaeljoffroychandoutis.com\"})})}),/*#__PURE__*/_jsx(ComponentViewportProvider,{height:42,children:/*#__PURE__*/_jsx(Container,{className:\"framer-oj2ebs-container\",children:/*#__PURE__*/_jsx(Button,{height:\"100%\",id:\"i5i3UvefZ\",iUAeCFb2F:\"CV\",layoutId:\"i5i3UvefZ\",nTVJqLVBK:true,OCvtRQ5Ts:0,variant:\"Qlcf4CPAt\",width:\"100%\",ykUUei7vV:\"https://drive.google.com/file/d/1GpG8eGm-cwSvv45AQkVMitb4E2IJnJIg/view?usp=sharing\"})})}),/*#__PURE__*/_jsx(ComponentViewportProvider,{height:42,children:/*#__PURE__*/_jsx(Container,{className:\"framer-16gnqgd-container\",children:/*#__PURE__*/_jsx(Button,{height:\"100%\",id:\"Ag8YQXYxU\",iUAeCFb2F:\"EN - Portfolio\",layoutId:\"Ag8YQXYxU\",nTVJqLVBK:true,OCvtRQ5Ts:0,variant:\"xLpzMCAkv\",width:\"100%\",ykUUei7vV:\"https://drive.google.com/file/d/1pxwm-ZS1MH3eWhrQvF7ISCC-QxMZE0TB/view?usp=sharing\"})})}),/*#__PURE__*/_jsx(ComponentViewportProvider,{height:42,children:/*#__PURE__*/_jsx(Container,{className:\"framer-1bgumub-container\",children:/*#__PURE__*/_jsx(Button,{height:\"100%\",id:\"jae8WmVEv\",iUAeCFb2F:\"FR - Portfolio\",layoutId:\"jae8WmVEv\",nTVJqLVBK:true,OCvtRQ5Ts:0,variant:\"xLpzMCAkv\",width:\"100%\",ykUUei7vV:\"https://drive.google.com/file/d/13i1D-7ZPnuZlL0pCu7P7-kIB2Ku9xaM4/view?usp=sharing\"})})})]})]})]}),/*#__PURE__*/_jsx(RichTextWithFX,{__framer__animate:{transition:transition1},__framer__animateOnce:true,__framer__enter:animation,__framer__styleAppearEffectEnabled:true,__framer__threshold:0,__fromCanvasComponent:true,__perspectiveFX:false,__targetOpacity:1,children:/*#__PURE__*/_jsxs(React.Fragment,{children:[/*#__PURE__*/_jsxs(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:[\"In \",/*#__PURE__*/_jsx(\"em\",{children:\"Maalbeek\"}),\" (2020), the artist diverts the process of photogrammetry, particularly used in the field of architecture, as a metaphor for the fragmentation of matter and memory. 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This is a way to reappropriate these new creative tools to find his artistic uniqueness.\"]}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:\"Graduated from INSAS, LUCA School of Arts, and Le Fresnoy - Studio national des arts contemporains, Isma\\xebl Joffroy Chandoutis exhibits his work in major institutions such as the Centre Pompidou in Paris, the Pearl Art Museum in Shanghai, or the Museum of Communication in Frankfurt and in the most prestigious festivals (Venice Biennale, N\\xc9MO Biennale, Critics' Week - Cannes, Annecy, IDFA...).\"}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsxs(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",style:{\"--framer-text-color\":\"var(--token-ed5f1120-ddce-4737-8956-565a2a9c7d00, rgb(22, 22, 22))\"},children:[\"In 2018, Isma\\xebl Joffroy Chandoutis was awarded the ADAGP Prize for Digital Art Revelation. 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S\u2019appuyant sur un panel d\u2019outils num\\xe9riques, l\u2019artiste inscrit ses \u0153uvres dans un geste documentaire aux formes hybrides (vid\\xe9o, installation, performance live\u2026). Ses \u0153uvres explorent les th\\xe8mes de l\u2019identit\\xe9 num\\xe9rique, de la m\\xe9moire et plus g\\xe9n\\xe9ralement celui des mutations engendr\\xe9es par les technologies \\xe0 l\u2019\\xe8re de la post-v\\xe9rit\\xe9. Elles questionnent l\u2019invisible et l\u2019indicible, le processus de production de la \u201Cre\u0301alite\u0301\u201D et les interstices entre le r\\xe9el et le virtuel.\"}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:\"En faisant usage de technologies issues du gaming tels que Unreal, ou du Deepfake (intelligences artificielles g\\xe9n\\xe9ratives), Isma\\xebl Joffroy Chandoutis contribue \\xe0 questionner les limites du cin\\xe9ma documentaire post-internet et la tendance de convergence des m\\xe9dias. Ces gameplay artistiques sont autant de terrains d\u2019expression des sujets profonds qui heurtent notre soci\\xe9t\\xe9. Sa m\\xe9thodologie l\u2019am\\xe8ne \\xe0 consid\\xe9rer la technologie comme un processus continu de recherche et d\u2019exp\\xe9rimentation faisant partie de son \u0153uvre. Dans Swatted (2018), l'artiste hacke des images qu'il cr\\xe9e et capture en temps r\\xe9el en jouant \\xe0 un jeu vid\\xe9o. En modifiant le rendu graphique, il supprime les textures de certaines zones pour obtenir une esth\\xe9tique filaire qu'il utilise ensuite pour mettre en sc\\xe8ne des r\\xe9cits de joueurs en ligne. \"}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:\"Dans Maalbeek(2020), l\u2019artiste d\\xe9tourne le proc\\xe9d\\xe9 de la photogramm\\xe9trie, notamment utilis\\xe9 dans le domaine de l\u2019architecture, comme m\\xe9taphore de la fragmentation de la mati\\xe8re et de la m\\xe9moire. En 2023, son \u0153uvre Virtual Kintsugi est devenu l\u2019un des premiers NFT \\xe0 int\\xe9grer la collection d\u2019un mus\\xe9e fran\\xe7ais (Granet \\xe0 Aix-en-provence). Isma\\xebl Joffroy Chandoutis est \\xe9galement l\u2019un des artistes fran\\xe7ais les plus actifs en mati\\xe8re de deep learning. Son oeuvre Madostuki_the_dreamer (2023) qui s\u2019appuie sur les IA g\\xe9n\\xe9ratives pour traiter la quantit\\xe9 astronomique de data de son personnage principal. En parall\\xe8le de son exploration des Deepfake, Isma\\xebl Joffroy Chandoutis se plonge dans les mod\\xe8les open source d\u2019IA \\xe0 imaginer. Une mani\\xe8re de se r\\xe9approprier ces nouveaux outils cr\\xe9atifs pour trouver sa singularit\\xe9 artistique.\"}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:\"Diplom\\xe9 de l'INSAS, de LUCA School of Arts et du Fresnoy - Studio national des arts contemporains, Isma\\xebl Joffroy Chandoutis expose son travail dans les plus grandes institutions comme le Centre Pompidou \\xe0 Paris, le Pearl Art Museum \\xe0 Shanghai, ou le Mus\\xe9e de la Communication \\xe0 Francfort et dans les plus prestigieux festivals (Biennale de Venise, Biennale N\\xc9MO, Semaine de la critique - Cannes, Annecy, IDFA\u2026).\"}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:/*#__PURE__*/_jsx(\"br\",{className:\"trailing-break\"})}),/*#__PURE__*/_jsx(\"p\",{className:\"framer-styles-preset-1x0nw8q\",\"data-styles-preset\":\"MAuNSR9ZK\",children:\"En 2018, Isma\\xebl Joffroy Chandoutis a \\xe9t\\xe9 r\\xe9compens\\xe9 par le Prix ADAGP R\\xe9v\\xe9lation Art Num\\xe9rique. 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}