{
  "version": 3,
  "sources": ["ssg:https://framerusercontent.com/modules/D2KsfELWqeVGfCCHs4KY/ZbtDp9ofbySjHSbOdH70/B0lMtB7tc.js"],
  "sourcesContent": ["import{jsx as e,jsxs as t}from\"react/jsx-runtime\";import{addPropertyControls as i,ControlType as o,Link as a}from\"framer\";import*as s from\"react\";let n=\"i_8RbK2s9\",r=\"z73Iw8W3B\",h=\"LXPPb0mj_\",l=\"MJoGirltk\",u=\"aRsDZYt0I\",d=\"xt1rryj9L\",c=(e,t)=>{if(e&&\"object\"==typeof e)return{...e,alt:t};},p=[{index:0,id:\"j_apNbO3g\",[n]:\"PHILOSOPHY\",[r]:\"Tell better stories\",[h]:\"want-to-write-better-stories\",[l]:\"2024-02-19T00:00:00.000Z\",[u]:c({src:\"https://framerusercontent.com/images/hWI43qVHpQn00pbCFvOzO1AzM.png\",srcSet:\"https://framerusercontent.com/images/hWI43qVHpQn00pbCFvOzO1AzM.png?scale-down-to=512 512w, https://framerusercontent.com/images/hWI43qVHpQn00pbCFvOzO1AzM.png?scale-down-to=1024 1024w, https://framerusercontent.com/images/hWI43qVHpQn00pbCFvOzO1AzM.png 1200w\"},\"\"),[d]:/*#__PURE__*/t(s.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"Want to tell better stories? Study philosophy!\\xa0\"})}),/*#__PURE__*/e(\"p\",{children:\"Philosophy is a subject characterized by its study of the abstract. And, while at times puzzling, especially when confronted by a passage like, \u201C...\u2018to let that which shows itself be seen from itself in the very way in which it shows itself from itself\u2019,\u201D we may think twice before opening up a philosophy book.\\xb9 However, we should remember that philosophy is filled with thousands of years of human wisdom. With the risk of confronting more obscure passages, who wouldn\u2019t want to torch these mind-puzzling books, but before we light that fire \\xe1 la Library of Alexandria, let\u2019s consider how philosophy can help us become better storytellers.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"At its core, a screenplay is just a means by which a writer solves. As an aspiring screenwriter and a philosophy student, I\u2019m going to provide three concepts that can help improve our storytelling abilities. These include: knowledge of the abstract; argumentative visualization; and empathic thinking. Together, these three concepts provide aspiring screenwriters a strong foundation that fosters an in-depth and satisfying understanding of storytelling.\\xa0\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"Abstract Thinking\"})}),/*#__PURE__*/e(\"p\",{children:\"Dealing with abstract concepts, as it is commonly done in philosophy courses, leads to a better understanding of storytelling. According to The American Heritage Dictionary of the English Language, an abstract thing exists outside of physical nature.\\xb2 There are other, more complex definitions, but those deal with metaphysical topics in philosophy that we need not go into at this time. This definition suffices. So, a thing that is not physically present to our sense experience but exists is an abstract thing. These are things like ideas, concepts, notions, fictional characters, and so on. In other words, these are things that exist and which do not hold space in our physical world. Numbers are abstract things in the sense that you don\u2019t tend to find a four out in the wild, as you would a tree, but you can find four trees. Storytelling, like numbers, lacks physical presence, but lack of physical presence does not make something less valuable. We use numbers on a daily basis, and society runs by abstract rules and principles, so if the simple function of a number is to designate quantity to something, and rules/laws to maintain order, then surely storytelling as an abstraction must also serve a function.\\xa0\\xa0\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Understanding storytelling as an abstract concept, allows us to discern its inherent function. Thinking like philosophers and asking what the function of storytelling is becomes our first step in the understanding process. Although I believe storytelling to be inherent in all of us, for some reason, only a small percentage of us tell stories well. We know what it\u2019s like to watch or read a good story, yet when it comes to replicating our own stories, we are met with challenge and uncertainty. There are writers out there who have this innate ability to espouse great tales with minimal effort. They are gifted and such skill is probably unreachable. For the rest of us, we have to work a little harder.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Because philosophy deals with the abstract, and stories are abstractions, practicing philosophy will open us up to understanding stories at a deeper and richer level, which in turn will make us better writers. Understanding the function of abstract things such as numbers helps us understand that other ideas like storytelling also have a function and when we understand this our depth of storytelling knowledge increases. If we are serious about improving our storytelling ability using philosophy, then here is our first philosophical question: why do I want to tell stories? The answer to this should serve as our creed for why we write.\\xa0\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"Argument as Structure\"})}),/*#__PURE__*/e(\"p\",{children:\"The visual representation of arguments is the bread and butter of philosophy. It\u2019s the language philosophers use to make themselves understood\u2014it\u2019s logic. This is more geared toward analytic thinking than creative thinking, but I believe we need both to succeed as storytellers. After all, structure is creativity. Being able to understand arguments in relation to your idea is important in formulating concise structure. I know how much we aspiring screenwriters love the word structure, but I don\u2019t mean it in the same sense. Structure should be used to organize your thoughts and ideas, not to organize your story because if we do the latter the former should result by default. Let me clear that up. We\u2019ve been talking about story as an abstract idea, and structure is the means by which we organize our abstract ideas. This is what philosophy is about, and it is also what makes us more efficient storytellers.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"I mentioned earlier that storytelling is intrinsic, and I hold to that. In and of itself, story is something that we all understand\u2014after all, it is language. The use of visual representation of arguments pairs well when dealing with storytelling. We understand a story as beginning, middle, and end, and what comes next, the hard part, is understanding that story is the composite of idea and argument.\\xb3 With this synthesis, it\u2019s evident that the study of logic serves as a benefit to the screenwriter. According to Catarina Dutilh an argument is a complex symbolic structure with a conclusion supported by premises.\u2074 The storytelling itself becomes more natural when we realize that we should be moving through it with an argument in mind and continuously feeding it premises. We ought to prove or fail to prove something, and hopefully, we can do it in an entertaining way and it resonates with as many people as possible. Think back to the first question I raised: why do I want to tell stories? The answer to this is our creed and what comes next, is: why does this specific story need to be told, and why am I the one to tell it?\\xa0\"}),/*#__PURE__*/t(\"p\",{children:[\"Let\u2019s take the argument in the Disney movie \",/*#__PURE__*/e(\"em\",{children:\"Zootopia\"}),\" (2016) which follows the character Judy Hopps on her journey to confront society\u2019s status quo as she seeks to become a cop. The argument made in \",/*#__PURE__*/e(\"em\",{children:\"Zootopia\"}),\" is that we shouldn\u2019t Judge a book by its cover. Okay, but why? Well because if we judge a book by its cover, we are bound to overlook important things, just as Judy overlooked the fact that the villain was Mayor Bellwether, a seemingly meek prey. This adds depth and if we watch the movie, we will see that while Judy confronts the status quo particular to her personal strife, she fails to recognize the struggle of others that are not like her, including predators.\\xa0\\xa0\"]}),/*#__PURE__*/e(\"p\",{children:\"Writing a story about not judging people for their external appearance or for their cultural and historical background, comes from a creed. A creed that tells us that the writer or writers want to tackle arguments that deal with acceptance and respect. Why? Again, because these are the arguments that are important to the writer/s. The better we understand arguments the easier it is to extrapolate what the story is trying to say, but more importantly, the better we will be able to construct stories that are important to us. We don\u2019t need to go beyond symbolic logic to gain a good sense of arguments, unless we want to of course.\\xa0\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"Screenwriting with Empathy\"})}),/*#__PURE__*/e(\"p\",{children:\"It\u2019s difficult to teach empathy, but philosophy provides students with the ability to see other perspectives, and that\u2019s pretty close. This is evident through thought experiments and the stories found in philosophy. Sometimes, the empathy that can arise in philosophy is not empathy in the sense of feeling with someone but more so as a way to understand someone\u2019s ideas so that we can better defend against them. It\u2019s not the nice lovey dovey type of empathy; it's more of a self-centered approach of mutual respect among diverse thoughts. Philosophy teaches you not just how to think outside the box, but to question if the box even exists. Some philosophers may be Aristotelieans and some Platonists, but the sole purpose is to be open to these ideas because we can\u2019t truly formulate an opinion on our neighbor\u2019s life unless we\u2019ve lived a day in his house\u2014or is it walked a day in his life? No, it\u2019s shoes, yes! We can\u2019t truly formulate an opinion on our neighbor\u2019s life unless we\u2019ve lived in his shoes. Anyways, what I mean is that philosophy allows us to think in terms of our audience.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"For example, I\u2019m picturing my reader as a person that is just interested in different perspectives. Empathic thinking is not just for the reader; it helps with character. If we have empathy, then we will be far better equipped to understand character needs and wants. We will see life through their eyes and know exactly why they intend to do such a thing and what gain they intend to get out of doing said thing. Even if despicable, we\u2019ll have created characters that at the very least will have a reasonable understanding of their unreason. Much of this will result from serious study of philosophy or not so serious. Just read some philosophy.\\xa0\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"Conclusion\"})}),/*#__PURE__*/t(\"p\",{children:[\"Because philosophy deals with the abstract, and stories are abstractions, studying philosophy is bound to help improve our writing. The visualization of arguments will help us organize our thoughts and break down the thoughts of others into comprehensible chunks so that we can focus on staying true to what we are trying to say. Finally, philosophy will instill in us a sense of empathy that comes from tapping into our curious mind. We\u2019ll open ourselves to diverse thoughts and ideas and change our mind based on new information. This openness will allow us to have a better grasp of our readers and characters. So, if you are looking for ways to improve your storytelling abilities, give \",/*#__PURE__*/e(a,{href:\"https://screencraft.org/blog/33-screenwriting-lessons-from-bruce-lee/\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"philosophy\"})}),\" a try.\"]})]})},{index:1,id:\"Yt8brrrYo\",[n]:\"PRODUCTIVITY\",[r]:\"The Banana-Nut Muffin Effect\",[h]:\"the-banana-nut-muffin-effect\",[l]:\"2024-01-15T00:00:00.000Z\",[u]:c({src:\"https://framerusercontent.com/images/4cwd5kCv7z0nuAR3xukkxFxkOE.png\",srcSet:\"https://framerusercontent.com/images/4cwd5kCv7z0nuAR3xukkxFxkOE.png?scale-down-to=512 512w, https://framerusercontent.com/images/4cwd5kCv7z0nuAR3xukkxFxkOE.png?scale-down-to=1024 1024w, https://framerusercontent.com/images/4cwd5kCv7z0nuAR3xukkxFxkOE.png 1200w\"},\"Nietszche in a pensive post staring at a muffin over a purple background with the title in the middle that states: The Banana-Nut Muffin Effect. Screenwriting Wisdom blog post.\"),[d]:/*#__PURE__*/t(s.Fragment,{children:[/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"IT STARTS WITH A MUFFIN\"})}),/*#__PURE__*/e(\"p\",{children:\"Today is the day. I\u2019m writing ten pages, we tell ourselves as we load Final Draft, and after just a few minutes, we're staring at the white-sea that is the dreaded blank page. Our upbeat attitude and motivation slowly morph into fear and intimidation. The reality of writing sinks in, and with it comes, what I call, the banana-nut muffin effect.\\xb9 Our mind has switched gears, focused on saving us from the discomfort that comes with writing, and there is no better rescue than a dopamine-filled banana-nut muffin.\"}),/*#__PURE__*/t(\"p\",{children:[/*#__PURE__*/e(a,{href:\"https://www.imdb.com/title/tt0268126/\",openInNewTab:!1,smoothScroll:!1,children:/*#__PURE__*/e(\"a\",{children:\"Adaptation\"})}),\" (2002), the film written by Charlie Kaufman and directed by Spike Jonez, provides an entertaining case study of the adverse effects of procrastination. It follows Charlie Kaufman, played by Nicholas Cage, a troubled Hollywood screenwriter plagued with the problems that make for an absurd comedy. Fortunately, we are not beholden to the dramatic storytelling tools used to create tension and excitement in a film about a screenwriter. After all, professional screenwriters continue to produce work. In the real world, procrastination takes a different shape. One that we are not always conscious of. You may be reading this as a way to avoid writing, and have subconsciously convinced yourself that as long as it's about the craft, it's as if you were writing.\\xa0\"]}),/*#__PURE__*/e(\"p\",{children:\"This negligence can sink aspiring writers into the depths of despair. By reframing procrastination as pleasure-seeking, we can lift ourselves out from the depths and onto the realm of productivity. The banana-nut muffin scene from Adaptation is a psychological example of how we rationalize avoiding the pain associated with work in exchange for pleasure. While various types of procrastination exist, we will focus on the distress type.\\xb2 Suppose we are ready to begin writing, but we put it off. Instead, we mindlessly hop from one social media app to another. Or we decide to waste time arguing on Reddit, because there's nothing more important than telling the stranger online that his argument trades on an ambiguity\u2014am I right? We also want to avoid the prison of false productivity. Essentially, it is when we deceive ourselves by saying at least I\u2019m watching YouTube videos on how to write a script, but this is still not writing. Instead, we are in avoidance mode, fueled by our need to exchange discomfort for short-term pleasure. Fortunately, we can solve these issues by adopting a production mindset, having future self-empathy, and acknowledging procrastination.\\xa0\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"FOCUS ON OUTPUT NOT OUTCOME\"})}),/*#__PURE__*/e(\"p\",{children:\"There is a certain kind of anxiety that comes with writing. When we tap away on our keyboard, we are often overcome with a sense that we\u2019re no good. We might even say: Why can\u2019t I get this right? Who am I kidding? Whoever reads this will laugh. After our negative self-talk, we may then wish something like: Why can\u2019t I just let it all out effortlessly. Even if it\u2019s crap, at least I\u2019d have something to edit. Two things occur in this internal dialogue. The first is that writing is scary, and the second is that we understand that output is crucial. However, the anxiety that comes with writing stops us from writing. It is natural to have some insecurity about our work. If we want to improve as writers, this insecurity should remain with us throughout our professional career. But sometimes, insecurity is predicated on things out of our control. We have to be okay with the idea that our readers might skim parts and that they might not even make it past the first sentence.\\xa0\\xa0\"}),/*#__PURE__*/t(\"p\",{children:[\"Once we acknowledge our lack of control, we\u2019re free to write as we please and can focus on output. Producing as many screenplays as we can should be our goal as writers. Robert Bilder, director of UCLA\u2019s Tennenbaum Center for the Biology of Creativity, states, \u201CThe best predictor of how many creative works we produce in our lifetime is\u2026 the number of works we produce.\u201D Essentially, boiling it down to output.\\xb3 The emphasis is not solely on the quality of our work but the quantity. Without quantity there is no quality. Without completed screenplays, there is no feedback. Remember this formula\",/*#__PURE__*/e(\"strong\",{children:\" Quality = Quantity of Work x Feedback\"}),\". Regular feedback is essential for improving our writing skills. Without producing screenplays or any written work, the absence of quantity hampers the opportunity to receive valuable input and hinder the development of quality writing through omission. Overcoming the procrastination related to task avoidance lies in coming to terms with our lack of control.\\xa0\\xa0\"]}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"FUTURE SELF-CARE\"})}),/*#__PURE__*/e(\"p\",{children:\"Robert Hanks in, \u201COn Putting Things Off,\u201D provides a beautifully written snapshot into the psyche of procrastination while eloquently explaining, through his own experience, his afflictions with the curse. He writes, \u201COne explanation, or characterization, of procrastination, is that you fail to identify sufficiently with your future self,\u201D it is the lack of empathy for our future self that places us at odds with our self-interest.\u2074 If we fail to identify with the idea that maybe getting to it right now is probably the best thing for us, then it\u2019s easy to fall into the trap of I\u2019ll get to it\u2014eventually. While holding off on completing something is tempting, it\u2019s also important to recognize that we might be setting ourselves up for more stress.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Procrastination is a mood-regulating behavior. It is a behavior that prioritizes our emotions in the present. When we are in a state of distress caused by having to complete difficult tasks, we are more likely to regulate our mood through procrastination.\u2075 We\u2019ve all encountered situations where we know we need to complete a term paper or reach some page count and should probably start immediately, but the task causes us feelings of distress, and so we cope through avoidance and distraction. Instead of writing that paper or scene, we turn to doom-scrolling that gives us short-term pleasure only to lay the burden on our future selves. These distracting tools have made it easy for us to procrastinate at any moment of distress. Waiting in line, riding the bus, walking to class, we can always turn away from something we don\u2019t want to do, and while the common answer to this problem has been shouted at length\u2014discipline, it is clear that it is not working. The reality is we ought to be more mindful of our future selves.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"Acknowledging that we must eventually deal with the task decreases our chances of falling for the short-lived, feel-good distractions. As strange as it may sound, it\u2019s important to think of ourselves in different times as this practice can lead us to better decision making in the present. Overcoming procrastination involves taking a step back and asking: Should I push through this bit of distress now, so that my future self doesn\u2019t experience a deeper sense of distress? Remember, our present actions shape our future mental state. Therefore, practicing future self-empathy is not only a means to overcome procrastination, but also a way to alleviate the stress and anxiety linked to deadlines.\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"DECEITFUL REASONING\\xa0\"})}),/*#__PURE__*/e(\"p\",{children:\"There is no such thing as healthy binge eating just as there is no such thing as a healthy dose of doom scrolling. Before we can talk about any worthwhile solution it\u2019s important to acknowledge the role we play in procrastination. I\u2019ve already talked about lying to ourselves by rationalizing our actions through false productivity. The pretense\u2014that we watch a video or read to \u201Chelp\u201D our writing\u2014is just a way for us to buy time for our present self in the hopes that our future self will be more motivated to do the task.\\xa0\"}),/*#__PURE__*/e(\"p\",{children:\"The most important aspect of overcoming the banana-nut muffin effect is looking at it as an actual adversary. Much too often, we\u2019re plagued with the unnecessary need to check whatever resource or platform by reasoning: it\u2019s okay I\u2019m learning. I need this if I want to write, and this will help me develop a better outline. Let's be honest, our excuses are not doing us any favors, but before we can correct this behavior, we first have to understand that that damn muffin is going to lodge itself into our brain like a dirty thought during mass, and so just as recovering alcoholics at AA meetings introduce themselves as alcoholics every time, no matter if they\u2019ve been sober five days or ten years, we ought to always tell ourselves, \u201CI\u2019m Fred and I\u2019m a procrastinator.\u201D Defeating a bad habit is not just about building a new one. The first step is identifying and acknowledging that there is a problem. Rationalizing that we need to watch another screenwriting video before we are ready to start writing, is a sure way of getting tapped in procrastination. Before we know it, our Google search bar will look like this: How do I stop procrastinating?\"}),/*#__PURE__*/e(\"h3\",{children:/*#__PURE__*/e(\"strong\",{children:\"CONCLUSION\"})}),/*#__PURE__*/e(\"p\",{children:\"Doing hard things brings us distress and this leads us to spiral down into the realm of procrastination. If we intend to overcome the banana-nut muffin effect then we ought to take a couple of considerations into place. The first is to accept and be okay with our lack of control as writers because this can help us lower the volume of our nagging inner critic that while useful, in some cases, can hinder our production and as writers, our currency is our production. Future self-empathy involves nurturing a caring attitude toward our future selves and remaining mindful of potential misconceptions, such as the belief that we will be inherently better in a couple of days than we are now or that we will possess greater motivation in the future than we currently do. Finally, acknowledge that we have a problem that can\u2019t be corrected until we stop deceiving ourselves with false productivity. Next time the muffin takes hold of your mind, let go of what you can't control, self care is future self care, and remind yourself that we all can succumb to the delicious muffin.\"})]})}];for(let e of p)Object.freeze(e);i(p,{i_8RbK2s9:{defaultValue:\"\",title:\"Category\",type:o.String},z73Iw8W3B:{defaultValue:\"\",displayTextArea:!1,placeholder:\"\",title:\"Title\",type:o.String},LXPPb0mj_:{title:\"Slug\",type:o.String},MJoGirltk:{defaultValue:\"\",title:\"Date\",type:o.Date},aRsDZYt0I:{__defaultAssetReference:\"data:framer/asset-reference,4cwd5kCv7z0nuAR3xukkxFxkOE.png?originalFilename=Blog+Post+Image.png&preferredSize=auto\",title:\"Image\",type:o.ResponsiveImage},xt1rryj9L:{defaultValue:\"\",title:\"Content\",type:o.RichText}}),p.displayName=\"Blog\";export default p;export const enumToDisplayNameFunctions={};export const utils={async getSlugByRecordId(e,t){var i;return null===(i=p.find(t=>t.id===e))||void 0===i?void 0:i[h];},async getRecordIdBySlug(e,t){var i;return null===(i=p.find(t=>t[h]===e))||void 0===i?void 0:i.id;}};\nexport const __FramerMetadata__ = {\"exports\":{\"utils\":{\"type\":\"variable\",\"annotations\":{\"framerContractVersion\":\"1\"}},\"default\":{\"type\":\"data\",\"name\":\"data\",\"annotations\":{\"framerRecordIdKey\":\"id\",\"framerSlug\":\"LXPPb0mj_\",\"framerContractVersion\":\"1\",\"framerCollectionUtils\":\"1\",\"framerRecordIndexKey\":\"index\",\"framerData\":\"\",\"framerEnumToDisplayNameUtils\":\"2\",\"framerRecordIncludedLocalesKey\":\"includedLocales\",\"framerCollectionId\":\"B0lMtB7tc\"}},\"enumToDisplayNameFunctions\":{\"type\":\"variable\",\"annotations\":{\"framerContractVersion\":\"1\"}},\"__FramerMetadata__\":{\"type\":\"variable\"}}}"],
  "mappings": "8GAAkJ,IAAIA,EAAE,YAAYC,EAAE,YAAYC,EAAE,YAAYC,EAAE,YAAYC,EAAE,YAAYC,EAAE,YAAYC,EAAE,CAACC,EAAEC,IAAI,CAAC,GAAGD,GAAa,OAAOA,GAAjB,SAAmB,MAAM,CAAC,GAAGA,EAAE,IAAIC,CAAC,CAAE,EAAEC,EAAE,CAAC,CAAC,MAAM,EAAE,GAAG,YAAY,CAACT,CAAC,EAAE,aAAa,CAACC,CAAC,EAAE,sBAAsB,CAACC,CAAC,EAAE,+BAA+B,CAACC,CAAC,EAAE,2BAA2B,CAACC,CAAC,EAAEE,EAAE,CAAC,IAAI,qEAAqE,OAAO,kQAAkQ,EAAE,EAAE,EAAE,CAACD,CAAC,EAAeD,EAAIM,EAAS,CAAC,SAAS,CAAcD,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,oDAAoD,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,2qBAA6oB,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,idAA4c,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,mBAAmB,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,0tCAAqtC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,6sBAAwsB,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,soBAAsoB,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,uBAAuB,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,k7BAAy5B,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,uoCAAwnC,CAAC,EAAeL,EAAE,IAAI,CAAC,SAAS,CAAC,oDAA4DK,EAAE,KAAK,CAAC,SAAS,UAAU,CAAC,EAAE,0JAAkKA,EAAE,KAAK,CAAC,SAAS,UAAU,CAAC,EAAE,meAA8d,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,qoBAAgoB,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,4BAA4B,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,qoCAAykC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,spBAA4oB,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,YAAY,CAAC,CAAC,CAAC,EAAeL,EAAE,IAAI,CAAC,SAAS,CAAC,2rBAAmsBK,EAAEE,EAAE,CAAC,KAAK,wEAAwE,aAAa,GAAG,aAAa,GAAG,SAAsBF,EAAE,IAAI,CAAC,SAAS,YAAY,CAAC,CAAC,CAAC,EAAE,SAAS,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,EAAE,CAAC,MAAM,EAAE,GAAG,YAAY,CAACT,CAAC,EAAE,eAAe,CAACC,CAAC,EAAE,+BAA+B,CAACC,CAAC,EAAE,+BAA+B,CAACC,CAAC,EAAE,2BAA2B,CAACC,CAAC,EAAEE,EAAE,CAAC,IAAI,sEAAsE,OAAO,qQAAqQ,EAAE,kLAAkL,EAAE,CAACD,CAAC,EAAeD,EAAIM,EAAS,CAAC,SAAS,CAAcD,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,yBAAyB,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,4gBAAugB,CAAC,EAAeL,EAAE,IAAI,CAAC,SAAS,CAAcK,EAAEE,EAAE,CAAC,KAAK,wCAAwC,aAAa,GAAG,aAAa,GAAG,SAAsBF,EAAE,IAAI,CAAC,SAAS,YAAY,CAAC,CAAC,CAAC,EAAE,+vBAA+vB,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,0qCAAgqC,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,6BAA6B,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,s/BAA69B,CAAC,EAAeL,EAAE,IAAI,CAAC,SAAS,CAAC,onBAAwmBK,EAAE,SAAS,CAAC,SAAS,wCAAwC,CAAC,EAAE,mXAAmX,CAAC,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,kBAAkB,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,myBAAsvB,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,8hCAA0gC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,ssBAA4rB,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,yBAAyB,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,gjBAAkhB,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,0qCAAkoC,CAAC,EAAeA,EAAE,KAAK,CAAC,SAAsBA,EAAE,SAAS,CAAC,SAAS,YAAY,CAAC,CAAC,CAAC,EAAeA,EAAE,IAAI,CAAC,SAAS,2jCAAsjC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,EAAE,QAAQF,KAAKE,EAAE,OAAO,OAAOF,CAAC,EAAEK,EAAEH,EAAE,CAAC,UAAU,CAAC,aAAa,GAAG,MAAM,WAAW,KAAKI,EAAE,MAAM,EAAE,UAAU,CAAC,aAAa,GAAG,gBAAgB,GAAG,YAAY,GAAG,MAAM,QAAQ,KAAKA,EAAE,MAAM,EAAE,UAAU,CAAC,MAAM,OAAO,KAAKA,EAAE,MAAM,EAAE,UAAU,CAAC,aAAa,GAAG,MAAM,OAAO,KAAKA,EAAE,IAAI,EAAE,UAAU,CAAC,wBAAwB,qHAAqH,MAAM,QAAQ,KAAKA,EAAE,eAAe,EAAE,UAAU,CAAC,aAAa,GAAG,MAAM,UAAU,KAAKA,EAAE,QAAQ,CAAC,CAAC,EAAEJ,EAAE,YAAY,OAAO,IAAOK,EAAQL,EAAeM,EAA2B,CAAC,EAAeC,EAAM,CAAC,MAAM,kBAAkBT,EAAEC,EAAE,CAAC,IAAIS,EAAE,OAAeA,EAAER,EAAE,KAAKD,GAAGA,EAAE,KAAKD,CAAC,KAA5B,MAAyCU,IAAT,OAAW,OAAOA,EAAEf,CAAC,CAAE,EAAE,MAAM,kBAAkBK,EAAEC,EAAE,CAAC,IAAIS,EAAE,OAAeA,EAAER,EAAE,KAAKD,GAAGA,EAAEN,CAAC,IAAIK,CAAC,KAA5B,MAAyCU,IAAT,OAAW,OAAOA,EAAE,EAAG,CAAC,EAC5suBC,EAAqB,CAAC,QAAU,CAAC,MAAQ,CAAC,KAAO,WAAW,YAAc,CAAC,sBAAwB,GAAG,CAAC,EAAE,QAAU,CAAC,KAAO,OAAO,KAAO,OAAO,YAAc,CAAC,kBAAoB,KAAK,WAAa,YAAY,sBAAwB,IAAI,sBAAwB,IAAI,qBAAuB,QAAQ,WAAa,GAAG,6BAA+B,IAAI,+BAAiC,kBAAkB,mBAAqB,WAAW,CAAC,EAAE,2BAA6B,CAAC,KAAO,WAAW,YAAc,CAAC,sBAAwB,GAAG,CAAC,EAAE,mBAAqB,CAAC,KAAO,UAAU,CAAC,CAAC",
  "names": ["n", "r", "h", "l", "u", "d", "c", "e", "t", "p", "x", "Link", "addPropertyControls", "ControlType", "B0lMtB7tc_default", "enumToDisplayNameFunctions", "utils", "i", "__FramerMetadata__"]
}